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Indie Folk Artist Lydia Luce Announces New Album ‘Mammoth’ and Shares Title Track

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Nashville-based singer-songwriter and multi-instrumentalist Lydia Luce has announced her new album Mammoth, due out October 31. Produced with longtime collaborator Jordan Lehning (Kacey Musgraves, Joy Oladokun, Caitlin Rose), the new record documents Luce’s triumphant journey of self-discovery and finding a sense of peace.

Along with the announcement, she shares the album’s sweeping opening title track, which was inspired by her winding road back to physical health after a period of debilitating chronic pain that forced her to step away from music. Arriving with a dreamy music video filmed in the great outdoors, “Mammoth” also sets the tone for the upcoming album, which incorporates nature recordings into the soundtrack for this current chapter of tranquility.

About the new song, Luce says: “‘Mammoth’ was written with Jake Finch and Collin Pastore, two incredible producers/songwriters. I loved writing this with them, we kept the guitar parts from the day we wrote it because they are so incredible! The music video was created with Jason Lee Denton and Aliegh Shields. We hiked over 30 miles on the Rocky Mountains with my husband Ryan assisting. It was an incredibly magical time in nature with buds. Grateful that we have this time capsule of a video to remember it.”

In 2023, Luce was diagnosed with a herniated cervical disc, bilateral carpal tunnel, tennis elbow and an inflamed bone. At one point, the pain was so bad she could barely hold her instruments. She was medically advised to stop playing at the time but music is her life, quite literally, as an artist and session violinist, and she continued until the pain was so bad she finally had no choice. Surgery, plus a newfound understanding of her body, has left her in a much better place. “I had never asked for so much help,” she says. “I couldn’t open or carry anything. But now I’m happy to say I’m stable, strong and playing my instruments again.”

“Mammoth” follows the meditative “Wisteria” and “Florence,” a tender lullaby dedicated to her soon-to-be-born first child that was written while yearning for motherhood. Recorded over just one week at Peter Gabriel’s celebrated recording institution Real World Studios in the UK countryside, Mammoth began with the search for the right sonic textures — in this case, sounds like the blowing wind and morning birdsong were woven into the instrumentation. Luce here was equally inspired by the quietly contemplative compositions of ambient music, something she has been working on individually through her Lethe music project. Lehning and Luce, who together run the Nashville-based string collective Lockeland Strings, also recruited their partners and his children into the studio for a creative family affair.

Throughout the new album, there are potent common threads of self-love, hope and acceptance, along with a fervent belief in the serendipity of the last few years. “These songs reflect where I am in my life right now,” explains Luce. “They’re about the peace I’ve finally found at home, in my body, and in my relationships.

Pop Punk Giants All Time Low Release Tenth Studio Album ‘Everyone’s Talking!’

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Following a summer of palpable and ever-escalating momentum, multi-platinum Maryland quartet All Time Low releases its highly anticipated tenth full-length studio release, Everyone’s Talking! via their own imprint, Basement Noise Records, in partnership with Photo Finish Records/Virgin Music Group.

For a multi-decade outfit known for their anthemic, inimitable sound and fiercely loyal fanbase, the new LP stands as yet another marker of All Time Low’s undeniable, everlasting impact on the music world. Even more fulfilling for the band, the stunning Everyone’s Talking! is as clear an indicator as any that 20-plus years together as a band has collectively built to this undeniably momentous moment.

“Our music showcases us literally growing up,” frontman Alex Gaskarth explains of where the band has previously been and where it’s now arrived with the album. “Our band has been this unfiltered piece of ourselves that we’ve put out there into the world. We see ourselves as a current band, a current act that continues to push forward and not one that’s just built on its legacy,” the singer adds proudly of All Time Low, who have sold more than 3.5 million albums in the U.S. alone and have garnered over 5 billion streams worldwide to date.

“Sugar,” a standout track from the new album, is direct proof of how sometimes the best things in life take time to materialize. A collaboration with the singer JoJo, the epic “Sugar,” Gaskarth recently told US Weekly, is more than a decade in the making. “We linked up years ago,” Gaskarth recalls of JoJo. “I used to go and watch this band play at a jazz bar in L.A. and she would sometimes just pop up and do her thing. We got to chatting and loosely stayed in touch ever since. Years later, it came full circle [with ‘Sugar’].”

Since kicking off their bold new era earlier this summer with the release of their new album’s debut single, “Suckerpunch,” which they performed to over 25,000 fans at Warped Tour in DC, All Time Low has certainly not slowed down: they surprise-released a new song “Oh No!” earlier this month, are set to perform their Top 10 alternative radio hit single “The Weather” on NBC’s Today Show on September 25th, and even thrilled fans with surprise performances at both the Jonas Brothers’ DC stadium gig as well as at a recent Savannah Bananas game in Baltimore.

The band’s 30-plus-date Everyone’s Talking! Tour kicks off on October 4th in Missoula, Montana, with support from special guests Mayday Parade, The Cab, Four Year Strong, and The Paradox across select cities. Due to overwhelming demand, the band has added second show dates in both Boston and New York City. All Time Low will also be taking their talents across the pond in 2026 with headlining arena tour dates in the UK and Europe. Kicking off on January 20, 2026, in Glasgow, the tour touches down at London’s famed O2 Arena, in addition to stops in Paris, Prague, Barcelona, and more, with support from Mayday Parade, Four Year Strong, and The Paradox.

Post-Punk Supergroup Ashes And Diamonds Release Seductive New Single “On” Ahead of Debut Album

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On ASHES AND DIAMONDS’ slinky new single ON,” vocalist/guitarist Daniel Ash (Bauhaus/Love And Rockets/Tones on Tail) sings “When you’re on, you’re on.” From the media praise being lavished on the new band and their upcoming debut album ASHES AND DIAMONDS ARE FOREVER (release date: October 31, 2025 via Cleopatra Records), not only is the trio of rock heroes “on,” they’re revved up and ready to go. Featured alongside Ash are drummer Bruce Smith and bassist Paul Spencer Denman, veterans of Public Image Ltd./The Pop Group and Sade/Sweetback respectively. “I’m loving the positivity from the press,” beams Denman. “It’s reassuring because we really did think, in all modesty, that we had made something special.”

Garnering early praise from media outlets including Brooklyn Vegan, Stereogum, FLOOD, Classic Rock, Sonic Seducer, and dozens more, Ashes And Diamonds have made their mark right out of the gate. “The reaction to this album has been incredible,” adds Ash. “It’s just fabulous… BOOM!”

The fourth single to be released from the soon-to-be-released groundbreaking debut Ashes And Diamonds Are Forever, “On” moves the band into a darker, more serpentine direction, demonstrating not only how diverse the band is genre-wise, but also how musically masterful and adept they are. With Smith and Denman as the solid rhythm section, the song allows Ash to have his guitar tones ring loudly as his stirring and hushed vocals whisper seductively. “This song is about having an extreme passion for life/love,” Ash says. “It’s the antithesis of complacency… Go for it forever.”

“Daniel made a demo of the song originally, then Paul and I went to work with the arrangement,” explains Smith about the origin of the song, displaying the democratic balance of the band.

The previous rhythmic single, “Teenage Robots” which Geek Native calls “a blend of post-punk sensibilities, electronic textures, and a ‘sleazy pulse’ that has drawn comparisons to early Depeche Mode and Sisters of Mercy,” displays yet another side of Ashes And Diamonds. Where the initial single “On A Rocka” was a driving and adrenaline-infused banger and its follow-up “Setting Yourself Up For Love” was more of an introspective slowburner, “Teenage Robots” carries a pulsing, midnight dancefloor vibe. “’Teenage Robots’ is indicative of its time,” explains Denman. “It’s a message… a postcard from some older guys looking thru a lens and observing the fucked-up nature of what has become relevant to 20+ year-olds. It’s a warning. They, all of them, should throw away those fuckin’ phones and kick, push, and break down some walls like we did at their age.”

Its accompanying video, an animated retro futuristic view of youth hypnotized by the virtual activity on their smartphones while visceral life around them is ignored, is a cautionary alarm to return to the real world which Ash warns, “Get out of the city and get up into the middle of nowhere as often as possible, kids!”

The album Ashes And Diamond Are Forever will be released via Cleopatra Records on October 31, 2025 and can be preordered HERE. It was produced by Ashes And Diamonds with some co-production with James Salter and Joe Dexter. It was mixed, engineered with additional production by Robert Adam Stevenson.

Author Bradley Morgan Explores the Political Legacy of Frank Zappa in ‘Frank Zappa’s America’

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From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.

In Frank Zappa?s America, Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.

Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.

Frank Zappa?s America examines the musician?s messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.

Bradley Morgan, a media arts professional based in Chicago, is the author of “U2’s The Joshua Tree: Planting Roots in Mythic America” (Rowman & Littlefield, 2021), “Frank Zappa’s America” (Louisiana State University Press, 2025), and “U2: Until the End of the World” (Gemini Books, 2025). He manages partnerships for CHIRP Radio 107.1 FM and is the director of the station’s music film festival. He also interviews authors of music and pop culture books for the New Books Network podcast.

British R&B Star Jorja Smith Shines in Soulful Live Performance at KEXP Seattle

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British R&B singer Jorja Smith delivered a stunning live set at KEXP’s Seattle studio on August 8, 2025. Backed by guitarist Benjamin Totten, she performed soulful versions of “With You,” “The Way I Love You,” “Try Me,” “Be Honest,” and “On My Mind.” Hosted by Larry Mizell Jr., the intimate session showcased Smith’s effortless vocals, emotional depth, and smooth blend of modern soul and classic rhythm. It was a reminder of why she remains one of R&B’s most captivating voices today.

Wu-Tang Legend Raekwon Drops Eighth Studio Album ‘The Emperor’s New Clothes’

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Raekwon, a founding member of the iconic Hip Hop collective Wu-Tang Clan, unveils his eighth studio album, The Emperor’s New Clothes – out now via Mass Appeal.

The prodigiously gifted emcee continues to push boundaries and redefine the mafioso rap scene with his unparalleled style. Spanning 17 tracks, the album features a star-studded lineup of collaborators, including fellow Wu-Tang members Ghostface Killah, Method Man, and Inspectah Deck, as well as Nas, Conway The Machine, Westside Gunn, Benny The Butcher, and vocalists Stacy Barthe and Marsha Ambrosius.

Ahead of The Emperor’s New Clothes, Raekwon took to social media to express gratitude towards his fans for their support. Alongside the new album, he also delivered a horror-movie inspired music video for the gritty anthem “Bear Hill.”

In the video, Raekwon unleashes his full potential and embraces a beast mode mentality, wreaking havoc wherever he goes. Watch it below:

Latin Music Star Carín León Adds Final Date to Historic Sphere Run in Las Vegas

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Following unprecedented demand, global superstar Carín León announces the seventh and final date of his highly anticipated Sphere run on September 10, 2026, presented by AEG Presents. The Hermosillo, Sonora native opens ticket sales for this new date, giving fans the chance to witness the first Latin artist to perform at the groundbreaking venue.

This new date joins the previously announced shows on September 4, 5, and 6, 2026, during the Labor Day holiday weekend, and September 11, 12, and 13, which coincide with Mexican Independence Day celebrations in Las Vegas.

Presales for the September 10th begin on Wednesday, October 22nd at noon PST, followed by the general sale on Friday, October 24th. Limited tickets remain for the weekend shows on September 4, 5, and 6, 2026.

Attendees will have the opportunity to experience Carín León’s Sphere debut as true VIPs with limited VIP Travel Packages. Packages include a two-night stay at The Venetian Resort Las Vegas, reserved VIP tickets, and exclusive merchandise.

This will be the only chance for fans of the three-time Latin Grammy winner to be part of Latin music history as Carín León debuts at Sphere.

With this seven-date engagement, Carín León sets a new standard for Spanish-language live music in the United States. He makes history as the first Latin artist to take the stage at the revolutionary venue, solidifying his place as a pioneer, opening doors for Spanish-language music on a global scale, and becoming one of the most influential voices in Latin music in the U.S. market.

Tom BetGeorge Turns Halloween into a Rock Concert of Lights and Lasers

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Tom BetGeorge and his Magical Light Show crew have done it again, turning Halloween into a full-blown rock concert of lights, lasers, and pyrotechnics. This year’s show syncs jaw-dropping visuals to an eclectic playlist featuring Alien Ant Farm, The Cranberries, Thirty Seconds to Mars, KPop Demon Hunters, and Wicked – because why stop at spooky when you can go spectacular?

Armed with pixel lights, projections, and even flamethrowers, BetGeorge has once again made his neighborhood the most electrifying place to be in October. It’s less a light show and more a love letter to music, creativity, and the kind of over-the-top joy that makes you believe in Halloween magic all over again.

LEGO Brings the ‘Back to the Future’ Time Machine to Life with New Speed Champions Set

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The LEGO Speed Champions Time Machine from Back to the Future brings one of the most iconic movie cars ever to life, piece by piece. Designed for fans ages nine and up, it’s a fun and detailed way to celebrate the beloved film trilogy. With 357 pieces, builders can enjoy creating a miniature version of the DeLorean that’s packed with familiar details and movie magic.

Fans can build the car as it appeared in the first movie, complete with its lightning rod and classic California license plate. Or they can rebuild it into the flying version from Back to the Future Part II, complete with sideways hover wheels, Mr. Fusion, and the orange plate. Both builds include signature touches like rear air vents, a detailed cockpit, and the all-important flux capacitor.

The set also includes two fan-favorite minifigures: Doc Brown and Marty McFly. Together, they can be placed inside the DeLorean to recreate scenes from the movies or dream up entirely new time-traveling adventures. Every little detail invites imagination, nostalgia, and endless play possibilities.

For younger builders or first-time fans, the LEGO Builder app makes the process easy. It offers 3D zoom and rotation, so kids can follow step-by-step instructions and watch their DeLorean come together from every angle. It’s a perfect blend of hands-on creativity and digital guidance.

Whether it’s displayed on a shelf or raced through the living room, the LEGO Speed Champions Time Machine is more than just a model—it’s a piece of pop culture history. A perfect gift for kids, collectors, or anyone who ever dreamed of traveling at 88 miles per hour.

Musician and Composer Richard Mainwaring Explores the Hidden Power of Sound in ‘What the Ear Hears (and Doesn’t)’

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For readers of Neil deGrasse Tyson and Bill O’Neill, What the Ear Hears (and Doesn’t) is a fascinating science book for adults that explores the physics principle of frequency and the (sometimes weird) role it plays in our everyday lives.

What do the world’s loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common?

In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building’s natural frequency, and this coincidence—harnessing a basic principle of physics—caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood.

Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas—from medicine to religion to the environment to the paranormal—through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you’re science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, What the Ear Hears (and Doesn’t) is an immensely enjoyable read filled with “did you know?” trivia you’ll love to share with friends.

Richard Mainwaring is a performing musician, composer, TV presenter and educator. He has composed music for Netflix, the BBC, and the International Space Station. He is a classically trained multi-instrumentalist, and has worked with artists as diverse as Hugh Laurie, Larry Adler, Eartha Kitt, Hayley Westenra and Tom Odell. He has also presented over fifty short films for the BBC.