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Dog Chocolate Release “Infinite Nuggets” And Announce ‘So Inspired, So Done In’ Album Launch Shows

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Dog Chocolate release “Infinite Nuggets,” the new single from their fourth album ‘So Inspired, So Done In,’ out February 27 via Upset The Rhythm. The fizzing track features Andrew’s chorus “Nuggets, nuggets, infinite nuggets, I didn’t make ’em I found ’em,” which the band suggests would be a stadium anthem in an alternate universe. The lyrics relate to Andrew’s recently diagnosed ADHD, specifically exploring how intense ideas big and small zoom through the brain and vanish. “Infinite Nuggets is about getting used to the fact that the richest and purest ideas are gonna pop into my conscious and disappear as they please, and a reminder that there’s a garden bursting with these nuggety fruits just beyond my conscious,” Andrew says. The video by Smooth Futon features an ever-changing collection of characters and shapes appearing out of the ether before disappearing into obscurity.

‘So Inspired, So Done In’ tackles subject matter as diverse as overheard conversations, healing fungal toenails, the Rogerian concept of the Actualising Tendency, bronze age living conditions, and human-plant relations. Work and anti-work recur throughout the 16 tracks, as do artistic inspiration and burnout. Recorded and mixed by POZI’s Toby Burroughs and mastered by Sofia Lopes, the album charts a long and confusing period in the band’s collective life marked by major life changes, losses, and shifts. After the pandemic, band members moved to different cities, got new jobs, some had babies, and some encountered bereavement, slowing the pace of the band and making it harder to practice and play together. The songs came together in bedrooms, over the internet, and in a large shed in Shropshire during a weekend writing get-together rather than in the usual practice space.

Dog Chocolate announce album launch shows at Paper Dress Vintage in Hackney on Friday, February 27 and Truck Store in Oxford on Saturday, February 28, both with support from The Plan and Rattle. The South-East London band formed after members Andrew, Rob, Matthew, and Jonathan played in theatrical punk bands Yeborobo and Limn, sharing a desire to make simpler music with small amps, light guitars, no more than two drums at any one time, and a keyboard no longer than a ruler. The band floated the term “pencilcase punk” to describe their jumbled, colorful, dense music, building on this scrappiness over albums “Or” (2014), “Snack Fans” (2016), and “Moody Balloon Baby” (2018) while playing gigs with Deerhoof, No Age, Dry Cleaning, Palm, Daniel Wakeford, Shopping, and POZI.

The String Cheese Incident Announces 33-Date ‘Just Keep Spinning’ Tour Across America

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The String Cheese Incident announces the Just Keep Spinning tour, a 33-date run bringing the Colorado-based jam band across the country throughout 2026. The tour launches May 28 at Stable Hall in San Antonio and runs through August 15 at Campout in the Pines in Eau Claire, Wisconsin, featuring marathon sets of the ensemble’s genre-blurring mix of rock, bluegrass, funk, electronic, and world music. Clay Street Unit joins the band July 17 at Red Rocks Amphitheatre, while Leftover Salmon, Lettuce, Eggy, and Dogs in a Pile appear at the Campout in the Pines dates.

HeadCount will be highlighted each night of the tour, the national nonpartisan organization that uses the power of music, culture, and community to turn fans into voters. The nonprofit meets young people at concerts, festivals, and online, making it easy to register to vote, learn about elections, and take part in democracy. Since 2004, HeadCount has registered over 1.7 million new voters through work with artists like Ariana Grande, Dave Matthews Band, Harry Styles, Sabrina Carpenter, and Green Day.

The String Cheese Incident Tour Dates:

5/28 – San Antonio, TX @ Stable Hall

5/29 – Austin, TX @ ACL Live at The Moody Theater

5/30 – Houston, TX @ House of Blues

5/31 – Dallas, TX @ Longhorn Backyard Amphitheater

6/3+4 – Crested Butte, CO @ Center for the Arts

6/5+6 – Flagstaff, AZ @ Pepsi Amphitheater

6/18 – Birmingham, AL @ Avondale Brewing Company

6/19 – Charlotte, NC @ The Amp Ballantyne

6/20 – Charlottesville, VA @ Ting Pavilion

6/21 – Outer Banks, NC @ Roanoke Island Festival Park

6/23 – South Deerfield, MA @ Summer Stage at Treehouse Brewing

6/24 – Liverpool, NY @ Sharkey’s Event Center

6/25 – Pittsburgh, PA @ Roxian Theatre

6/27 – Rothbury, MI @ Electric Forest

7/17+18 – Morrison, CO @ Red Rocks Amphitheatre

7/22 – Salt Lake City, UT @ Venue TBA

7/23 – Lake Tahoe, NV @ Gambler’s Run Music Festival

7/24 – Eugene, OR @ Cuthbert Amphitheater

7/25 – Jacksonville, OR @ Britt

7/26 – Seattle, WA @ The 5th Avenue Theatre

8/5 – Harrisburg, PA @ Riverfront Park

8/6 – Hyannis, MA @ Cape Cod Melody Tent

8/7+8 – Hampton Beach, NH @ Hampton Beach Casino Ballroom

8/9 – Selbyville, DE @ Freeman Arts Pavilion

8/11 – Cleveland Heights, OH @ Cain Park Evans Amphitheater

8/12 – Columbus, OH @ KEMBA Live!

8/13 – Louisville, KY @ Iroquois Amphitheater

8/14+15 – Eau Claire, WI @ Campout in the Pines

Monstrosity Announces ‘Screams Across Europe’ Tour Supporting ‘Screams From Beneath The Surface’

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Monstrosity announces the Screams Across Europe Tour 2026 in support of their new album ‘Screams From Beneath The Surface’, releasing March 13 via Metal Blade Records. The Florida death metal veterans will devastate the continent with Bio Cancer, Reject The Sickness, and Deadwood as special guests. The tour launches April 18 at Metalstorm Festival in Luzern, Switzerland and runs through May 10 in Lublin, Poland, hitting venues across Switzerland, Austria, Croatia, Italy, France, Belgium, Holland, Germany, Slovakia, and Czech Republic.

‘Screams From Beneath The Surface’ marks Monstrosity’s first release in seven years, featuring drummer, founder, and primary songwriter Lee Harrison, long-tenured guitarist Matt Barnes, returning original bassist Mark Van Erp, and new vocalist Ed Webb of Massacre. The ten-track album showcases the band’s signature blend of aggression, technical precision, and intensity while pushing genre boundaries. Standout tracks include “Banished To The Skies” and “The Atrophied” with bone-crushing riffs, intricate drumming, and visceral lyrical imagery, while “The Dark Aura” and “Fortunes Engraved In Blood” introduce fresh sonic dimensions while maintaining savage intensity.

Monstrosity Tour Dates:

4/18 – Luzern, Switzerland @ Metalstorm Festival

4/19 – Salzburg, Austria @ Rockhouse

4/21 – Zagreb, Croatia @ Vintage Industrial Bar

4/22 – Bologna, Italy @ Alchemica Music Club

4/23 – Geneva, Switzerland @ L’Usine

4/25 – Saint Omer, France @ Brutal Swamp

4/28 – Kortrijk, Belgium @ DVG

4/29 – Tilburg, Holland @ Hall of Fame

4/30 – Amersfoort, Holland @ Fluor

5/1 – Essen, Germany @ Turock

5/2 – Jena, Germany @ F Haus

5/3 – Swidnica, Poland @ Bolko

5/5 – Krakow, Poland @ Zaścianek

5/6 – Bielsko Biala, Poland @ Rude Boy

5/7 – Bratislava, Slovakia @ Pink Whale

5/8 – Jablunkov, Czech Republic @ Rock Cafe

5/9 – Kosice, Slovakia @ Collosseum

5/10 – Lublin, Poland @ Fabryka Kultury Zgrzyt

Boys Noize Releases “HYYTUP” And “Sh5b0mbe” As Nine Inch Nails Tour Resumes

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Boys Noize releases “HYYTUP” and “Sh5b0mbe” on his ONES and ZEROS label, a pair of explosive club bangers following a massive run of co-productions for LSDXOXO, Ty Dolla $ign, Kungs, Keinemusik, and Nine Inch Nails. The German producer recently won a GRAMMY for his work on Nine Inch Nails’ “As Alive As You Need Me To Be” and contributed to the near-entirety of the Tron: Ares soundtrack before carving out time for these original tracks. ONES and ZEROS launched in early 2025 with a 22-track compilation focusing on young international producers revitalizing techno by shattering its rules.

“HYYTUP” operates at a stomping 107 BPM with dark, detuned portamento buzzsaws and cinematic textures that build tension before a thick, visceral drop. The bassline growls with distorted harmonics while hallucinatory sonics and Memphis samples push the track into futuristic territory. Live hi-hats arrive to ride complex switch-ups of rhythm and bass patterns, culminating in a second drop announced by a siren. “Sh5b0mbe” accelerates to 134.4 BPM with analogue menace fueled by a 1/16th note square-wave arpeggio, working at an intersection of EBM, acid, and industrial techno. Kicks pummel while snares snap and slap over a twisting bassline, with ominously discrete atmospheres amplifying doom during the mid-track breakdown before wild modulations slam back in.

Boys Noize Tour Dates:

2.11 – Washington, DC @ Capital One Arena

2.13 – Boston, MA @ TD Garden

2.14 – Newark, NJ @ Prudential Center

2.14 – Brooklyn, NY @ Basement

2.16 – Montreal, QC @ Bell Centre

2.18 – Hamilton, ON @ TD Coliseum

2.20 – Columbus, OH @ Schottenstein Center

2.22 – Grand Rapids, MI @ Van Andel Arena

2.23 – Milwaukee, WI @ Fiserv Forum

2.25 – St. Louis, MO @ Enterprise Center

2.27 – Tulsa, OK @ BOK Center

3.01 – Austin, TX @ Moody Center

3.03 – Dallas, TX @ American Airlines Center

3.06 – Glendale, AZ @ Desert Diamond Arena

3.07 – Las Vegas, NV @ MGM Grand Garden Arena

3.09 – San Diego, CA @ Pechanga Arena

3.10 – Anaheim, CA @ Honda Center

3.13 – Salt Lake City, UT @ Delta Center

3.15 – San Francisco, CA @ Chase Center

3.16 – Sacramento, CA @ Golden 1 Center

3.28 – Miami, FL @ Ultra Music Festival

4.10 & 4.17 – Indio, CA @ Coachella (Nine Inch Noize)

4.11 & 4.18 – Indio, CA @ Coachella (Boys Noize)

5.16 – Las Vegas, NV @ EDC

5.25 – Detroit, MI @ Movement

Women In Music And Women In Music Canada Announce Global Summit Programming

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Women in Music Org and Women in Music Canada present the first Women in Music Global Summit in Toronto from March 2 through 4 at Allied Music Centre and TD Music Hall. The three-day event brings together over 60 female and gender diverse speakers and mentors from 13 countries for bold conversations, hands-on workshops, mentorship, and networking sessions. Programming includes a leadership keynote convening Canada’s top female music industry executives for discussions about power, progress, and contemporary leadership, alongside panels on caregiving in the music industry, data-driven radio conversations, and sessions on live music, touring, global markets, mental health, and sustainable careers.

“We’re incredibly excited to unite our global community for the WIM Summit 2026 in partnership with Women in Music Canada,” said Nicole Barsalona, President of Women in Music. “Across three days, we’ll welcome industry leaders and change-makers from around the world to connect, share knowledge, and offer industry insight. Beyond its educational and career development impact, and perhaps most importantly today, the WIM Summit is about building meaningful bridges with people who share a mission to uplift one another. So whether you’re joining us in person in Toronto or virtually from anywhere in the world, we invite you to dig in with us and savor the moment – make a new connection, celebrate our collective power, and help us shape a more inclusive future for music.” The Power of Song, a Songwriters in the Round event presented with support from SOCAN and TD Bank, takes place March 3 at TD Music Hall featuring performances by Molly Johnson, Billianne, CJ Wiley, and Ila Baker with Kayla Diamond as host.

The Summit assembles leading music festivals advancing gender equity on their stages and examines where women stand in their careers today through real-time studies and data comprehension sessions.

Support comes from FACTOR, the Government of Canada, Ontario Creates, Amazon Music, Believe, Canadian Federation of Musicians, CIMA, City of Toronto, CMRRA, DISCO, EMPIRE, National Arts Centre, Senyk Investment Management Ltd, Toronto Musicians Union, and TuneCore.

Dawson’s Creek’s James Van Der Beek Has Died At Age 48

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James David Van Der Beek, best known for his role as Dawson Leery on Dawson’s Creek, died on February 11, 2026, at the age of 48 after a journey with stage 3 colorectal cancer.

For many, he will always be Dawson – the earnest, film-obsessed teenager growing up in Capeside. The series ran from 1998 to 2003 and became one of the defining teen dramas of its era, helping establish The WB and launching the careers of its young cast. Van Der Beek appeared in every episode of the six-season run.

Born March 8, 1977, in Cheshire, Connecticut, Van Der Beek began acting in middle school productions before pursuing professional work as a teenager. At 16, he made his professional debut off-Broadway in Edward Albee’s Finding the Sun. By his late teens, he had appeared in films including Angus and I Love You, I Love You Not before landing the role that would change his life.

During hiatuses from Dawson’s Creek, he expanded into film, starring as quarterback Jonathan “Mox” Moxon in Varsity Blues, which opened at number one at the U.S. box office and earned him an MTV Movie Award. He later took on darker material in The Rules of Attraction, which developed a cult following.

Over the next two decades, Van Der Beek built a diverse career across television and film. He appeared in Don’t Trust the B—- in Apartment 23, playing a fictionalized version of himself to critical praise. He held recurring and main roles on series including CSI: Cyber and Pose, and co-created and starred in What Would Diplo Do?. He also competed on Dancing with the Stars and The Masked Singer, continuing to embrace reinvention and humor about his public image.

In August 2023, after a routine colonoscopy, Van Der Beek was diagnosed with colorectal cancer. He publicly shared the diagnosis in November 2024, saying he had been privately dealing with it while focusing on his health and family. He described the experience as life-altering, requiring patience and strength he did not know he possessed.

In December 2024, he participated in The Real Full Monty, raising awareness for prostate, testicular and colorectal cancer testing and research. In 2025, he auctioned memorabilia from Dawson’s Creek and Varsity Blues to help with treatment-related costs.

Van Der Beek married business consultant Kimberly Brook in 2010. The couple had six children: daughters Olivia, Annabel, Emilia and Gwendolyn, and sons Joshua and Jeremiah. In 2020, the family moved from Los Angeles to Texas. In interviews, he frequently spoke about fatherhood as the most meaningful role of his life.

He is survived by his wife, their six children, his father, his brother Jared and his sister Juliana.

James Van Der Beek’s career spanned more than three decades, from off-Broadway stages to network television, studio films and streaming series. His legacy includes an iconic teen drama, a willingness to evolve, and a public openness about illness that brought awareness to colorectal cancer.

He was 48.

BilloBuckers Release “It’s Okay Not To Be Okay” Addressing Male Depression With Empathy

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BilloBuckers release “It’s Okay Not To Be Okay” today via Deadly Records, a poignant single addressing male depression with empathy and understanding. The Leicester/Nottingham indie band tackles how men mask emotional struggles and the importance of offering support through this stirring track, which is currently featured on BBC Introducing and attracting attention from major radio DJs and stations. The five-piece group previously released debut EP ‘Eloquently Common’ and three singles that accumulated over 60,000 streams combined. Vocalist Billy Buckler shared a spoken word piece about the single’s meaning and message.

BilloBuckers combine the grit and force of conventional rock with the introspectiveness of indie rock, exploring themes of love, sorrow, and personal development through rich guitar riffs, dynamic rhythms, and soul-stirring vocals. The band draws influence from Arctic Monkeys, The View, Kasabian, Rat Boy, The Stone Roses, and The Libertines, wearing these inspirations heavily on their sleeve throughout their music. Each song creates sonic journeys that capture the essence of human experiences with a distinct sound that blends raw energy and emotional depth.

Paul Simon, Mary J. Blige And Hozier Lead 10th Annual Love Rocks NYC Lineup

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The 10th annual Love Rocks NYC takes place March 5 at the Beacon Theatre in New York City, bringing together an all-star lineup to benefit God’s Love We Deliver. Paul Simon, Mary J. Blige, Hozier, Billy F Gibbons, Elvis Costello, Goo Goo Dolls, Jon Batiste, Linda Perry, Nile Rodgers & CHIC, Preservation Hall Jazz Band, Trombone Shorty, and Warren Haynes will perform at the fundraising concert, led by music director and band leader Will Lee of the CBS Orchestra and the Late Show with David Letterman. JB Smoove, Jeff Ross, Julianne Moore, Whoopi Goldberg, Paul Shaffer, and Zarna Garg will make appearances throughout the evening. Tickets go on sale Friday, Feb. 13 at 10 am ET via Ticketmaster.

Bad Bunny’s Super Bowl Halftime Show Draws 128.2 Million Viewers In Historic Performance

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Bad Bunny’s halftime performance at Super Bowl LX attracted 128.2 million viewers, making it the fourth most-watched halftime show in Super Bowl history. The predominantly Spanish-language set featuring Lady Gaga and Ricky Martin trails only Kendrick Lamar’s 2025 performance at 133.5 million viewers, Michael Jackson’s 1993 show at 133.4 million, and Usher’s 2024 appearance at 129.3 million, according to Nielsen Big Data + Panel figures released Tuesday. The broadcast helped propel the game to record-breaking viewership numbers, with the second half reaching 137.8 million viewers as the Seahawks defeated the Patriots 29-13.

NBC reported that Sunday’s game became the second most-watched Super Bowl ever at 127.7 million viewers, just behind last year’s record, and the most-watched show in NBCUniversal history. The Telemundo broadcast averaged 3.3 million viewers, making it the most-watched Super Bowl in the Spanish-language network’s history, with coverage peaking during halftime at 4.8 million viewers for the most-watched Super Bowl halftime show in Spanish-language history. The performance honoring Bad Bunny’s Puerto Rican roots concluded with the singer shouting “God Bless America” while running through a list of countries in the Americas and holding up a football with the message “Together we are America.”

Social media engagement set records with four billion total views in the first 24 hours, a 137% increase year-over-year. More than half of all NFL social views came from international markets, reflecting Bad Bunny’s global reach.

St. Louis CITY SC Unveils The Tina Turner Kit In Historic Adidas Collaboration

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In a celebration of one of the most iconic female artists of all time, St. Louis CITY SC unveiled The Tina Turner Kit, a historic collaboration with adidas honoring the Queen of Rock ‘n’ Roll and her deep ties to St. Louis.

The MLS team’s homage to Tina Turner marks the first adidas collaboration with a female music artist on a soccer kit and includes a number of cultural events to celebrate her impact on St. Louis, including a concert with the St. Louis Symphony Orchestra (SLSO), a Tina-focused pop-up shop, and a music-themed community education initiative for youth and young adults.

Born Anna Mae Bullock, Tina Turner moved to St. Louis at 16, where she found her voice performing in clubs across the region before becoming a global force – redefining performance, style, and female power on her own terms. Her story of reinvention and resilience mirrors the ethos of the city that shaped her.

Inspired by Turner’s electrifying stage presence, The Tina Turner Kit shimmers in gold – echoing the movement of her glamorous attire and the energy of her live performances. Her silhouette appears in metallic gold on the kit’s authentication tag, while her signature, rendered in CITY Red, nods to her iconic lipstick and nails.

Accented in black are Founding Partner and front-of-jersey sponsor Purina, Founding Partner BJC Healthcare on one sleeve, and an MLS and Apple TV patch lockup on the other.  Designed in partnership with adidas and BMG, custodians of Turner’s music and image rights, the kit will serve as CITY SC’s secondary jersey for the 2026 and 2027 Major League Soccer seasons.

“Not only did Tina Turner change music, she impacted culture over decades and continues to permeate it today,” said Carolyn Kindle, CEO, St. Louis CITY SC. “It is a profound honor to celebrate her influence and legacy. St. Louis has long been home to so many artists who have shaped music history and Tina stands at the top of that list.”

CELEBRATING TINA’S MUSIC

The Tina Turner Kit anchors a citywide celebration that extends beyond the pitch and will be highlighted by *Eternal: A Tribute to Tina Turner presented by Purina*, a Tina Turner tribute performance by the St. Louis Symphony Orchestra on Sunday, Feb. 15 at 7:00 p.m. at Powell Hall at the Jack C. Taylor Music Center.

SLSO Music Director Stéphane Denève and guest conductor Anthony Parnther (conductor of the soundtracks to Tenet and Black Panther: Wakanda Forever), will lead an immersive symphonic tour of Tina’s rise to stardom featuring GRAMMY Award-winning artist Brittany Howard of Alabama Shakes and St. Louis native and “The Voice” finalist Kennedy Holmes, bridging classical music, rock and modern soul in a way that mirrors Turner’s genre-defying career.

“St. Louis is a homecoming for Tina. It’s where she first felt the thrill of the stage and the joy of performing,” said Erwin Bach, who was her husband and manager. “I’m especially excited for the orchestral interpretation of ‘Proud Mary’ and the initiatives around town. Local kids will discover the power of music and how performance makes it even more meaningful. Special thanks are also extended to the Taylor family for their enthusiasm and continued support of music and sport in the St. Louis community.”

THE TINA POP-UP RETAIL EXPERIENCE

CITY SC’s tribute to Tina and her legendary career also includes a Tina Turner Pop-up Shop at City Foundry (3730 Foundry Way, Suite 137, St. Louis, MO 63110), where the new kit and other limited-edition CITY SC x Tina Turner merchandise will be available. On display at the pop-up will be a selection of artifacts from Turner’s personal collection, including one of her dresses, a GRAMMY Award, and more. The pop-up shop is open February 11-20 from 11 a.m. – 7 p.m. daily; on February 11 the shop will open an hour early at 10 a.m., and on February 18 the shop will close at 9 p.m.

The Tina Turner Kit and supporting merchandise are also available at CITY Pavilion (2118 Market St.), CITY Goods (inside Energizer Park) and www.stlcitygo.com. CITY SC is offering free kit customization (personalized name and number) of Tina Turner Kits purchased at the Tina Turner Pop-up Shop, CITY Pavilion or at www.stlcitygo.com until March 31, 2026.

COMMUNITY PROGRAM WITH LASTING IMPACT

St. Louis CITY SC will collaborate with the Center of Creative Arts (COCA) on the creation of a Tina Turner-focused music curriculum for kids and teens. Students will explore Turner’s lasting influence while giving participants the opportunity to learn and perform songs from her repertoire, along with choreography inspired by her performances. A portion of sales proceeds from The Tina Turner Kit will help fund this initiative. Celebrating 40 years as a leading community arts center, COCA provides arts education for St. Louisans of all ages, skill levels, and backgrounds through classes, camps, performances, exhibitions, and more. 

TINA TURNER NIGHT AT ENERGIZER PARK

CITY SC also will celebrate Turner at Tina Turner Night presented by SeatGeek on Saturday, Aug. 22, when the team takes on Houston Dynamo at Energizer Park at 7:30 p.m. As a tribute to the many musical contributions Turner made, CITY SC licensed the rights to one of her hits “Simply the Best” and is incorporating the song into events the team is executing to honor her legacy. Match tickets are available at www.seatgeek.com or via the STL CITY SC app.