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Jann Arden Announces “These Are The Days” Tour

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Acclaimed singer-songwriter, Jann Arden has announced today she will embark on a Canadian tour in support of her new album entitled, These Are The Days. The tour will kick off in London, Ontario on October 10th and will make stops across the country, concluding on November 24th in Sidney.

Tickets go on-sale on Friday, May 4th at 10am. American Express Card Members can purchase pre-sale tickets (for Live Nation shows) beginning Tuesday, May 1st at 10:00am ET until Thursday, May 3rd at 10:00pm ET.

Jann Arden is a singer, songwriter, broadcaster, actor, author and social media star. The celebrated multi-platinum, award-winning artist catapulted onto the music scene in 1993 with her debut album, Time for Mercy, featuring the hit single “I Would Die for You.” A year later she had her international break-out hit “Insensitive.” She has written four books, the most recent being the Canadian bestseller Feeding My Mother. Jann Arden was a favourite guest on CBC’s Rick Mercer Report, is much in demand as a public speaker, and is a frequent guest host on CTV’s The Social. Jann’s most recent recording These Are The Days released in March of 2018, is available now. Once again Grammy Award winning producer Bob Rock was behind the console of what could arguably be, Jann’s most personal and poignant offering to date.

Jann Arden 2018 Tour Dates:
October 10 – London, ON – RBC Theatre at Budweiser Gardens
October 11 – Oshawa, ON – Tribute Communities Centre
October 12 – Orillia, ON – Casino Rama
October 14 – Hamilton, ON – FirstOntario Concert Hall
October 16 – Kitchener, ON – Centre In The Square
October 18 – Moncton, NB – Casino New Brunswick
October 19 – Halifax, NS – Casino Nova Scotia,
October 20 – Halifax, NS – Casino Nova Scotia
October 28 – Kamloops, BC – Sagebrush Theatre
October 30 – Fort McMurray, BC – Keyano Theatre
November 1 – Camrose, AB – Jeanne & Peter Lougheed Performing Arts Centre – Cargill Theatre
November 2 – Camrose, AB – Jeanne & Peter Lougheed Performing Arts Centre – Cargill Theatre
November 3 – Fort Saskatchewan, AB – Dow Centennial Centre – Shell Theatre
November 5 – Swift Current, SK – Living Sky Casino
November 6 – Weyburn, SK – Cugnet Centre
November 8 – Brandon, MB – Western Manitoba Centennial Auditorium
November 9 – Prince Albert, SK – E.A. Rawlinson Centre For the Arts
November 10 – Lloydminster, AB – Vic Juba Community Theatre
November 12 – Red Deer, AB – Red Deer Memorial Centre
November 13 – Cranbrook, AB – Key City Theatre
Novemer 14 – Trail, BC – Charles Bailey Theatre
November 16 – Vernon, BC – Vernon & District Performing Arts Centre
November 18 – Kelowna, BC – Kelowna Community Theatre
November 19 – Duncan, BC – Cowichan Performing Arts Centre
November 20 – Nanaimo, BC – The Port Theatre
November 22 – Courtenay, BC – Sid Williams Theatre
November 23 – Sidney, BC – Charlie White Theatre
November 24 – Sidney, BC – Charlie White Theatre

Governments of Canada and Ontario Invest in Revitalizing Massey Hall

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Investing in cultural infrastructure helps Canada preserve the experiences of its people and places, and inspires visitors to explore and understand the world around them. The governments of Canada and Ontario recognize that strategic investments in public infrastructure—including funding for cultural projects—play a key role in supporting dynamic communities while creating good jobs that help grow the middle class.

The Honourable Bill Morneau, Member of Parliament for Toronto Centre, on behalf of the Honourable Amarjeet Sohi, Minister of Infrastructure and Communities; the Honourable Charles Sousa, Ontario Minister of Finance, on behalf of the Honourable Bob Chiarelli, Ontario Minister of Infrastructure; and Deane Cameron, President and Chief Executive Officer of the Corporation of Massey Hall and Roy Thomson Hall, today announced $60 million in federal-provincial funding for the Massey Hall Revitalization project.

The Government of Canada is contributing up to $30 million to this project through the Provincial-Territorial Infrastructure Component–National and Regional Projects, and is being matched by the Government of Ontario, which is also contributing $30 million. Combined, this represents almost two-thirds of the estimated $94 million total project cost. The Corporation of Massey Hall and Roy Thomson Hall—a charitable, not-for-profit organization—is responsible for the balance of the funding through its newly launched Massey Hall Forever fundraising campaign.

Located in the heart of downtown Toronto, Massey Hall is an internationally renowned performance venue that contributes to the lives of Canadians through arts, employment, and cultural celebrations. Through this Revitalization project, the exterior and interior of the 124-year-old National Historic Site will be fully restored, and a new addition will be connected through the construction of a new 7-storey South Tower.

The expanded footprint will provide much-needed space to enhance artist and patron amenities while also making the building fully accessible. In addition to the 2700 seat auditorium and revamped Centuries performance space in the original building, the new structure will house a third stage featuring a 500-capacity venue. This new venue will accommodate a wide range of artists and cultural events to help bolster the Corporation’s commitment to artist development, education and community outreach. The Revitalization project will ultimately enable Massey Hall to continue to inspire and entertain Canadians for another century and beyond.

Mastodon, Dinosaur Jr. Team Up For Summer Tour

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After sonic journeys inspired by fire, water, earth, air, and the cycles of life, GRAMMY Award-nominated hard rock band Mastodon ponder the nature of time on their eighth full-length album, Emperor Of Sand, on Reprise Records set for release spring of 2017. Threading together the myth of a man sentenced to death in a majestically malevolent desert, the Atlanta, GA quartet—Troy Sanders (bass/vocals), Brent Hinds (guitar/vocals), Bill Kelliher (guitar) and Brann Dailor (drums/vocals), and conjure the grains of a musical and lyrical odyssey slipping quickly through a cosmic hourglass.

Since forming back in 2000, Mastodon have certainly made the most of their time. Most recently, their 2014 seventh offering Once More ‘Round The Sun bowed at #6 on the Billboard Top 200, marking their highest chart entry to date and second consecutive Top 10 debut following 2011’s The Hunter. Casting a shadow over pop culture, they received “Best Hard Rock/Metal Performance” GRAMMY® Award nominations in 2007, 2014 and again in 2015. Their music blasted through the Academy® Award-winning comedy The Big Short, animated blockbuster Monsters University, and sci-fi western Jonah Hex starring Josh Brolin—for which the group composed the score. After contributing “White Walker” to HBO’s Catch The Throne, Vol.2 mixtape, Dailor, Hinds, and Kelliher appeared as “Wildlings” in a popular episode of Game of Thrones Season 5.

Not only did they earn the appreciation of Time, Rolling Stone, Stereogum, Billboard, and more, but they also turned many peers into fans, including Metallica, Pearl Jam, Tool, Queens of the Stone Age, CeeLo Green, and Feist, to name a few. Performing everywhere from Coachella and Bonnaroo to Download and Sonisphere and nearly every major festival, they’ve headlined legendary venues such as Red Rocks and sold out shows around the globe. Emperor of Sand siphons raw emotion through the framework of an immersive story and intricate musicianship, digging to the core of what defines Mastodon and all timeless rock ‘n’ roll.

Mastodon, Dinosaur Jr. Tour Dates
September 1 – Edmonton, AB,@ North Alberta Jubilee Auditorium
September 2 – Calgary, AB @ Grey Eagle Centre
September 4 – Saskatoon, SK @ O’Brians Event Centre
September 6 – Winnipeg, MB @ Burton Cummings Theatre
September 7 – Duluth, MN @Duluth Heritage Center
September 8 – Sioux City, IA @Anthem at Hard Rock Casino
September 11 – Milwaukee, WI @Eagles Ballroom
September 12 – Cleveland, OH @Agora Theatre
September 14 – Ft. Wayne, IN @Clyde Theatre
September 15 – Grand Rapids, MI @20 Monroe Live
September 16 – London ON @ London Concert Theatre
September 17 – Kitchener, ON @ Elements
September 19 – Hamilton, ON @ First Ontario Concert Hall

Tina Fey and David Letterman Improv a Scene in Netflix’s My Next Guest

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a first look for Friday’s premiere of My Next Guest Needs No Introduction with David Letterman, Tina Fey shows off her comedy chops in an off-the-cuff improv scene. In the interview, they also discuss her family, the SNL writers room, vaping and Fey’s new Mean Girls musical, among other topics.

My Next Guest Needs No Introduction with David Letterman: Tina Fey launches globally on Netflix Friday, May 4.

Dave’s lineup of influential guests includes George Clooney, Malala Yousafzai, Jay-Z, Tina Fey, Howard Stern and President Barack Obama.

Produced by RadicalMedia and Letterman’s Worldwide Pants, Incorporated, each 60-minute episode of My Next Guest is centered around one extraordinary figure whom Dave finds fascinating. In interviews that take place both inside and outside a studio setting, the conversations are intimate, in-depth and timeless character explorations, with the levity and humour Dave’s fans know and love.

Field segments will bring Dave to locations far and wide, expressing his curiosity and desire to dig deeper on a specific topic related to the iconic guest featured in the episode.

Canada’s Favourite Small Town Country Music Concert Contest is Back!

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Coors Banquet wants to celebrate and honour Canadian small towns who understand that if it came easy, it probably isn’t worth much. That is why it is bringing back the once-in-a-lifetime country music concert experience for one lucky Canadian small town!

Coors Banquet One Horse Town is looking to name Canada’s top small town to award them with a free, legendary country music concert featuring platinum-selling JUNO and CCMA Award-winning Canadian artist, Dallas Smith, Canadian superstar and 2014 JUNO winner, Tim Hicks and Ontario native, Kira Isabella, with singles charted on Canadian Hot 100.

Coors Banquet believes in rewarding small towns and their residents for their hard work with a once-in-a-lifetime concert celebrating their stubborn determination, small-town pride and, of course, love for country music.

Canadians who are proud of their hometown or small town roots, heritage and grit, can nominate it between April 30th and May 27th for a chance to be named Coors Banquet’s One Horse Town.

Canadians of Legal Drinking Age are encouraged to nominate their hometown by submitting a picture on their Instagram or Twitter social media pages, indicating their town name and province, while showing their small-town spirit. In the submission, tag @coorsbanquetcanada and use hashtag One Horse Town (or hashtag patelin en vedette). Or, if not on social media, enter at CoorsBanquet.ca/oht.

Photo Gallery: The Spoons at The Guelph Concert Theatre

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All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Catwoman Vs. Lady Bird: Eartha Kitt Takes On The White House

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Buzzfeed is launching a brand new docuseries called Future History 1968, and it lets you witness one of the wildest years in history the way you watch news now.

The first episode is up. Eartha Kitt was a colossal star and self-described “sex kitten” in 1968 — until an anti-war speech at the White House made her a target of the FBI and CIA. Watch it all unfold on your phone.

Must-Have Poster: Come Together, An Instrumental Investigation Of The Beatles Catalog

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Hey Jude, please, please me(et) Pop Chart Lab’s painstakingly detailed, long and winding roadmap of the Beatles’ discography! They’ve been working like a dog (help!) eight days a week, but with a little help from our friends, they’ve worked out the instrumentation for every original Beatles composition, all the way from “I Saw Her Standing There” through “Get Back”! (And as always, their archival-quality paper stock will ensure your print will display no wear, man, for years to come.)

Buy it here before it’s gone.

The Secrets of the Hepburn and Tracy Romance

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Songs have been composed, books have been written and movies have been shot with the goal of telling the story of the Katharine Hepburn-Spencer Tracey romance. The couple, which spent 30 years together, kept company in places as diverse as the Miami Club Casino and the English countryside.

Their relationship was an open secret but they never flaunted it in deference to Tracy’s wife, Louise Treadwell. They kept their partnership quiet but the scandal must have been hard for them to bear.

A summary of the Tracy-Hepburn romance and some interesting observations and suspicions:

Meeting

Spencer Tracy and Katharine Hepburn met on the set of the film Woman of the Year. They were preparing to shoot the 1942 romantic comedy when sparks flew and history was made. That first movie launched one of Hollywood’s most enduring love stories.

The two actors were drawn to each other from the beginning. The script highlighted their evident attraction and provided fuel for the fire, both for the movie and for their personal lives. Katharine’s first words to Tracy, upon meeting on set for Woman of the Year, were “I fear that I may be too tall for you, Mr. Tracy.”  Within a week they were calling each other Kate and Spence  as they discovered their magic. Gene Kelly, a co-star on the film, once recalled “At lunchtime they’d just meet and sit on a bench on the lot. They’d hold hands and talk—and everybody left them alone in their little private world.”

Louise

The forgotten character in this drama was Louise, the mother of Tracy’s two children. Tracy, a Catholic, felt that he couldn’t divorce his wife but he had already been separated and he moved into a cottage near Hepburn’s Beverly Hills home. They were respectful of Louise, making sure to never be photographed together or seen keeping company, but Louise suffered in silence.

The Tracy-Hepburn romance was an open secret in Hollywood but Tracy remained committed to protecting his wife and 2 children, John and Susie. John, in particular, needed a high level of care because he was diagnosed as being profoundly deaf while still a baby. Tracy reacted emotionally, showing the Catholic guilt that would characterize much of his relationship with Hepburn and his unwillingness to divorce Louise.

Lorraine Foat, a friend from Spencer’s days in repertory theatre, commented that ‘He adored his son. ‘But he felt terribly about it. He suffered over it, feeling that somehow or other he had failed.’ Yet he also felt that Louise had given her life to John and put Spencer in second place. ‘He gave me the feeling that she wasn’t too attentive to his needs … I don’t like to put words into his mouth, but the feeling I got was that: “Gosh, I don’t know, but Louise is so cold.”

Joe Mankiewicz, film director, screenwriter, and producer who worked with both Tracy and Hepburn, summarized Tracy by saying “He didn’t leave Louise. He left the scene of his guilt.”

Louise put a strong face on the situation. She told reporters “I’ve repeatedly told him to go out with other people,” she said in an interview. “Occasionally he’s gone out with some of the girls he’s worked with. I haven’t minded, because he always told me about it….I can’t truthfully say that Spencer and I are still madly, passionately in love with each other. I don’t believe that kind of love ever lasts. But in its place comes a deep understanding, companionship and devotion.”

Although the marriage between Spencer and Louise evolved into a kind of business partnership, Louise’s commitment to her children, especially to John’s education (she started a school for the deaf) became an overriding obsession for her and a focus for Spencer as he romanced Kate and even cheated on her.

Hepburn tried, after Spencer’s death, to make amends to Louise. She called her a few days after Spencer’s death and suggested that they bury the hatchet and be friends. “I thought that you were a rumor” Louise told her, which hurt Katherine. The two didn’t communicate after that encounter.

Rumors

Larry Kramer, a noted gay rights activist in Hollywood, has put forth the theory that Hepburn and Tracy were gay. Kramer is an Oscar-nominated author and screenwriter.  “In the ’30s and ’40s, there were plenty of famous gay actors and directors who partied and socialized together,” Kramer said. “It certainly was very, very discreet, but everyone knew what was what. Everyone in Hollywood knows this is true.”

Kramer, however, did not provide proof of his claims.

Abuse

Katherine once spoke of Tracy having hit her. She said that he smacked her across the face when he was drunk. Yet the famously independent actress refused to end her relationship.  “If I had left, we both would have been miserable,” Hepburn told biographer A. Scott Berg.  For the book “Katharine Remembered,” Berg wrote that Tracy hit Hepburn in the face at the Beverly Hills Hotel while she was trying to put him into bed. He didn’t remember it in the morning and Hepburn didn’t remind him of the incident, saying that she didn’t want to do anything to impair the relationship.

Others have noted that Hepburn didn’t want to create a schism that would define the relationship by guilt – the same type of guilt that bound Spencer to his estranged wife.

 

How To Get The Synth Sounds Of Prince’s “1999”

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Prince’s 1999 is a synth-saturated jam that remains relevant in spite of the fact that the millennium and the peerless Purple One have now passed. Reverb welcomes back William Kurk to the studio to help emulate the sounds of this undeniable classic. Party over? Hardly. Tonight, we’re gonna party…like it’s 1999.