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Elvis Presley’s RIAA Certified Album Sales More Than 146.5 Million Units

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Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records acknowledge the astounding ongoing impact of the music and artistry of Elvis Presley, whose all time RIAA certified album awards in the US now top 146.5 million units. As Presley’s catalog achieves new Gold, Platinum and multi-Platinum sales awards as certified by the Recording Industry Association of America (RIAA), Elvis continues to inspire, inform and transform popular culture.

Elvis–the second most awarded solo performer and third most awarded act in RIAA history (after the Beatles at #1 and Garth Brooks at #2)–has racked up more Gold Records (101) than any other act and is the only artist still earning RIAA certifications whose connection to the association dates back to its founding. In 1958, the inaugural year of the RIAA Gold & Platinum program, Elvis’ “Hard Headed Woman” became one of the RIAA’s first three Gold singles and the very first in Elvis’ ongoing string of Gold, Platinum and multi-Platinum certifications.

Over the past year, 17 Elvis Presley catalog titles have been awarded RIAA certifications, with 11 of those albums reaching Gold (or Platinum) status for the very first time.

*Elvis Presley Christmas Duets – Gold Album
(certified July 31, 2017)
*An Afternoon In The Garden – Gold Album
(certified July 31, 2017)
*Elvis’ Greatest Jukebox Hits – Gold Album
(certified January 12, 2018)
*Elvis Rock – Gold Album
(certified January 12, 2018)
*The Great Performances – Gold Album
(certified January 12, 2018)
*White Christmas – Gold Album
(certified January 12, 2018)

*He Touched Me – Gold Multi-Disc Set
(certified September 13, 2017)
*Artist Of the Century – Gold Multi-Disc Set
(certified January 12, 2018)
*Peace in the Valley – Gold Multi-Disc Set
(certified January 12, 2018)
*Christmas Peace – Gold Multi-Disc Set (certified January 12, 2018)

*HITstory – Gold & Platinum Multi-Disc Set
(certified January 12, 2018)

Heart And Soul – Platinum Album
(certified September 13, 2017)
That’s The Way It Is – Platinum Album
(certified September 13, 2017)
Elvis Ultimate Gospel – Platinum Album
(certified January 12, 2018)

Elvis: A Legendary Performer Vol. 1 – Multi-Platinum (3X) Album (certified July 31, 2017)
It’s Christmas Time – Multi-Platinum (4X) Album
(certified September 13, 2017)
Elvis 30 #1 Hits – Multi-Platinum (6X) Album
(certified September 13, 2017)

*first time certification

Once and future fans of Elvis are invited to experience “Elvis: The Searcher,” an HBO Documentary Films production, in association with Sony Pictures Television, which debuts in the United States on SATURDAY, APRIL 14 (8:00-11:00 p.m. ET/PT) on HBO.

On Friday, April 6, RCA/Legacy will release Elvis Presley: The Searcher (The Original Soundtrack).

The musical companion to the two-part documentary directed by Emmy and Grammy award winner Thom Zimny, Elvis Presley: The Searcher (The Original Soundtrack) will be available in digital and physical configurations including an 18-track definitive soundtrack, a 2LP gatefold 12″ vinyl edition and a 3CD collectible deluxe box set.

Elvis Presley: The Searcher (The Original Soundtrack) includes the 18 essential Elvis Presley hits, powerful performances, and rare alternative versions of songs at the musical core of the groundbreaking three-hour two-part film which focuses on the development of Elvis’ spellbinding artistry, from his early blues and country roots and influences through his seismic contributions to popular culture to his 1976 recording sessions at the Jungle Room in Graceland.

The 3CD deluxe box set features 37 additional Elvis cuts plus a special disc featuring selections from Mike McCready’s (Pearl Jam) original score for “Elvis Presley: The Searcher”; Tom Petty and the Heartbreakers performing “Wooden Heart”; and the music that inspired Elvis (including R&B and country classics and “Home Sweet Home” sung by his mother, Gladys Presley). The Elvis Presley: The Searcher (The Original Soundtrack) deluxe 3CD set includes a 40-page hardcover book featuring rare photography, liner notes by Warren Zanes, and a director’s note by Thom Zimny.

Buffy Saint-Marie fights for the rights of Indigenous people in the 1970s on this Good Morning America video

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In this Good Morning America program from 1977, Buffy Sainte-Marie debates Rep Jack Cunningham from Washington on his bill to abolish all US Government treaties with American Indian nations, called the Native Americans Equal Opportunity Act.

Herbie Hancock remembers the time he played the wrong chord during a Miles Davis performance

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Herbie Hancock received considerable attention when, in May 1963, he joined Miles Davis’s Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. The rhythm section Davis organized was young but effective, comprising bassist Ron Carter, 17-year-old drummer Tony Williams, and Hancock on piano. After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet gelled with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles as of yet.

The second great quintet was where Hancock found his own voice as a pianist. Not only did he find new ways to use common chords, but he also popularized chords that had not previously been used in jazz.

In this clip, Hancock reveals what happened when he played the wrong chord during a Miles Davis’ live show.

Ray Charles Talks About His Musical Preferences on Dick Cavett Show In 1972

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Ray Charles’ 1972 album A Message from the People included his unique gospel-influenced version of “America the Beautiful” and a number of protest songs about poverty and civil rights. Charles was often criticized for his version of “America the Beautiful” because it was very drastically changed from the song’s original version. His promo activities included an appearance on Dick Cavett’s talk show, and in this clip, he talks about his musical preferences.

James Brown reveals why he dances in this 1969 interview

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There was a day, there was a time
When I used to play
There was a time when I used to play
But take me now, baby, don’t worry about later
Teach the dance I used to do
They call it the Mashed Potato
There was a day, now dig this
There was a day, they call it the Jerk
Everybody relax and watch me work

https://youtu.be/CVlE4xEeiAQ

Listen to how Patsy Cline “fibbed” in order to perform on CBS

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Julie Fudge, daughter of Patsy Cline, shares a story about how Cline’s mother fibbed, acting as her manager, in order to get Patsy Cline onto Arthur Godfrey’s CBS show to perform live.

Ornette Coleman on musical freedom

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Freedom guided how Ornette Coleman made his music for over a half a century, and it’s also how he led his life.

Sonny Rollins reflects on the first time he met Thelonious Monk

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Sonny Rollins will go down in history as not only the single most enduring tenor saxophonist of the bebop and hard bop era, but also as one of the greatest contemporary jazz saxophonists of them all. Rollins made the rounds quickly with groups led by Tadd Dameron, Chicago drummer Ike Day, and Miles Davis in 1951, followed by his own recordings with Kenny Drew, Kenny Dorham, and Thelonious Monk.

From a 2006 interview, Sonny Rollins remembers his first encounter with Monk.

Duke Ellington Predicts What The Future Of Music Will Sound Like

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Today would be a good day to check out some of The Duke’s music, but before that, let him blow your minds a bit by predicting what music will sound like with this interview from back in 1963.

Ron Isley talks about The Beatles covering “Shout”

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The Isley Brothers’ Shout was released in 1959, and was written by the brothers themselves as a call and response answer to Jackie Wilson’s “Lonely Teardrops”, which they would occasionally cover in live performances. The Beatles included a live version of the song on their 1996 rarities compilation, Anthology 1.