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Kojey Radical Returns With ‘Don’t Look Down’ And Soul-Stirring New Single ‘Conversation’

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East London’s own multi-hyphenate artist and rapper Kojey Radical announces his long-awaited sophomore album, Don’t Look Down, ushered in by the release of his powerful new single, “Conversation.”

Following a three-year hiatus, Kojey made his return this past May with “Rule One” featuring Bawo, reminding fans he is back with purpose. “Conversation” sets the thematic tone for the upcoming album, reflecting on the quiet moments of clarity that come when you step outside the party, only to realize that while you paused, the world kept moving, people changed, life progressed.

Laid over a disco-inflected beat, Kojey’s introspective lyricism is elevated by the soulful swell of a gospel choir. He reflects, “Why did my twenties go by so soon? / They said it was good, they lied to you / Heart was heavy, your mind was full.” “Conversation” is like a late-night heart-to-heart, raw, restless, and reaching for something real. It captures that all-too-familiar sense of being overwhelmed by a world that feels increasingly chaotic, where the cost of living keeps rising, stress is constant, and you’re just trying to hold yourself together.

When speaking on the single, Kojey states: “Conversation is a love letter to my younger self and a time capsule for my angst. It’s proof that even when life’s chaotic, you can still build something lasting. I made this album with my people in mind – the ones who’ve grown with me, who’ve held me down through the quiet and the noise. Dont Look Down is a thank you. Not just for listening, but for seeing me before the world caught up.”

With Don’t Look Down, Kojey is focused on reconnecting with those who stood by him through Reason to Smile. True to that spirit, he launched the album not with a social media announcement, but with a free, intimate party for his core supporters, giving them the first listen in person, saying what could’ve been “just an Instagram post” deserved something real. To accompany the announcement, Kojey also dropped a trailer for an upcoming short film set to be released alongside the album this September. His return has been nothing short of powerful, making waves with a surprise appearance at the Fête de la Musique block party in June and delivering a standout performance during Ezra Collective’s acclaimed Glastonbury set.

Miles Kane Announces ‘Sunlight In The Shadows’ Produced By Dan Auerbach Of The Black Keys

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Miles Kane is back with new album Sunlight In The Shadows. The album releases October 17th on Easy Eye Sound. Alongside the announcement, he also releases his guitar-driven new single Love Is Cruel.”

Produced by Dan Auerbach of The Black KeysSunlight In The Shadows is 12 tracks of psyche infused rock n roll. Layered with lush, screeching guitars and packed to the brim with hooks, the album delicately toes the line between raw, energetic rock and laid-back crooning anthems, all with a sprinkling of Miles’ signature rippled tremolo guitar and a whole lot of fun.

“All roads, over 20 years, have led here,” Miles says of the journey to creating Sunlight In The Shadows. “Dan and I love mixing T. Rex, Motown and The Easybeats, and the result is this record. When we were chatting and sharing references, we were so similar in taste it was frightening, and you can hear that shared passion through the music. I can’t wait to take it out on the road. It’s an album that needs to be played live.”

Teaming up with a host of incredible musicians for the record, Kane and Auerbach wrote the album’s eleven original songs with contributions from Pat McLaughlin, Daniel Tashian and The Black Keys drummer Patrick Carney. Auerbach sings backing vocals and plays on every track, as part of the record’s guitar army with Tom Bukovacguitarist Nick Bockrath of Cage The Elephant and Barrie Cadogan from British garage futurists Little Barrie.

“This record was incredible to make,” Dan Auerbach declares, “from start to finish. I felt like I gained a life-long friend in Miles. And that doesn’t always happen. When it does, it’s amazing. This is an artist who could potentially make records forever.”

First single, “Love Is Cruel,” tells the story of finding solace in being on your own and appreciating the peace in those moments. “It’s easy to reflect on life and to get caught up in what’s happened before,” Miles says of the track. “It’s important not to let those thoughts control you. The track begins with “she’s a midnight scooter rider,” which is one of my favorite opening lines to a single. It sets the tone lyrically and musically for what’s to come. Think Clint Eastwood and Judy Garland in the desert at dusk!”

Sunlight In The Shadows Tracklist

  1. Love Is Cruel
  2. Electric Flower
  3. Sunlight In The Shadows
  4. Coming Down The Road
  5. Always In Over My Head
  6. Blue Skies
  7. My Love
  8. Without You
  9. Sing A Song To Love
  10. Slow Death
  11. I Pray
  12. Walk On The Ocean

Jaime Lozano & The Familia Release ‘Songs By An Immigrant Vol. 3’ With Star-Studded Latin and Broadway Lineup

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Concord Theatricals Recordings released Songs By An Immigrant Vol. 3, the highly anticipated third album by Jaime Lozano & The Familia, on streaming and digital download platforms worldwide.

With music by acclaimed musical theatre composer and Jonathan Larson Grant recipient Jaime Lozano, the new album features award-winning Latin artists and Broadway stars, including GRAMMY and Latin GRAMMY winner Tony Succar, GRAMMY -winning music producer Trooko, multi-GRAMMY Award winner and National Medal of Arts artist-saxophonist Paquito D’ Rivera, Latin GRAMMY winner Jair Alcalá and his band El Plan, Tony, GRAMMY Emmy, and Pulitzer Prize winner Tom Kitt (Next to Normal), Krystina Alabado (Mean Girls), Tony Award nominee Lorna Courtney (& Juliet, Heathers), Florencia Cuenca (Real Women Have Curves), Aline Mayagoitia (Real Women Have Curves, Jennifer Lopez’ Kiss of the Spider Woman), Joel Perez (Tick, Tick…Boom!) and Didi Romero (Six), among others.

“It continues to be our privilege to work with a writer, composer, and artist of Jaime’s talent, range of expression, and deep humanity,” said Sean Patrick Flahaven, Chief Theatricals Executive for Concord. “His Familia continues to grow exponentially with the addition of even more dazzling collaborators.”

“I am a proud Mexican Immigrant pursuing my dreams and a better life in this beautiful country,” said Lozano. “Our stories matter in these challenging and very uncertain times. My songs and my art are the way I can raise my voice. We are hard-working, strong, brave, honest and generous people, and it is my hope that my people can recognize themselves in these songs. These are our stories. These are our songs to sing out loud, to laugh with, to cry, to dance. We are a community, a Familia. We are together.”

In Songs By An Immigrant Vol. 3, as well as his other works, Lozano honestly portrays the first- and second-generation middle class U.S. experience and details the challenges of being an immigrant: finding a new home, learning a new language, dealing with discrimination, pursuing the American Dream and searching for ways to build bridges instead of walls.

To celebrate the release of this anticipated album, Jaime Lozano & The Familia will perform at Sony Hall on August 25. Lozano will be joined by an all-star lineup of Broadway performers, to be announced soon. To learn more about this event, stay up to date on guest artist announcements, and purchase tickets, please visit Sony Hall’s website here.

Songs By An Immigrant Vol. 3 features arrangements and orchestrations by Lozano and Jesús Altamira and lyrics by Lozano, Georgie CastillaReynolds RobledoNathan TysenDavid DavilaNeena BeberMarina PiresTommy Newman and Florencia Cuenca. The album is produced by Lozano and Demián Cantú, co-produced by Victoria Kühne and Sean Patrick Flahaven and executive produced by Jaime Lozano & The Familia. It was recorded, edited and mixed by Cantú and mastered by Oscar Zambrano.

ALBUM TRACK LIST:

  1. Regalos – Joel Perez and Tony Succar
  2. Mi Norte – feat. Jaime Lozano and El Plan
  3. Lemonade – Tamar Greene
  4. Mi Ángel – Xavier Zazueta
  5. Far from Home – Didi Romero, Oscar Hernández and Paquito D’Rivera
  6. Under The Snow – Aline Mayagoitia
  7. ¿Cómo Se Puede? – feat. Florencia Cuenca
  8. Libre – feat. Linedy Genao
  9. Mountain in The Sky – feat. Lorna Courtney
  10. Te Veré Otra Vez – feat. Mayelah Barrera
  11. So That I Can Live – feat. Mauricio Martínez
  12. TE AMO. TODO. SIEMPRE. – feat. Jaime Lozano and Alonzo Lozano
  13. Because of Yours – Max Mendoza Crumm and Tom Kitt
  14. Wherever I Go – Krystina Alabado
  15. Hoy Voy a Cantar – feat. Florencia Cuenca and Jair Alcalá

Bonus Tacks:

  1. So That I Can Live (TROOKO version) – feat. Mauricio Martínez and TROOKO
  2. Mi Ángel (TROOKO version) – Xavier Zazueta and TROOKO

Craft Recordings and Jazz Dispensary Announce ‘Dream a Dream with Studio G’ – A Psychedelic Treasure from the Cratedigger’s Archive

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Craft Recordings and Jazz Dispensary are thrilled to announce Dream a Dream with Studio G: Cratedigger’s Archive (1970–2009), a brand-new compilationculling 25 of some of the most compelling, sexy and psychedelic mood-music cues famed UK music library production house Studio G ever produced. Out now, on vinyl and hi-res digital formatsDream a Dream, assumes the role of a surreal soundtrack scene-setter, casting moods in two distinct directions: morning and night. The limited-edition Opaque Red LP set comes housed in a gatefold jacket and features commentary from Saint Etienne founding member Bob Stanleyliner notes by musician, producer, and dee-jay Ryan Jebavy (aka Leslie Saucer), and illustrations by renowned gig poster artist Ivan Minsloff—known for his work with New York Dolls, Willie Nelson, Queens of the Stone Age, and SXSW. Click here to listen to the first single, “Candle Flute / Mexican Motel (2025 Medley),” and pre-order/pre-save the album today.

Established by John Gale in London in 1966, Studio G produced a wide range of genres and styles, geared toward local TV, sports programming and adverts. As Ryan Jebavy, producer of Dream a Dream, explains in his liner notes, it unleashed “pastoral folk, maniacal horror, funk-spat jazz, quixotic pop, alluring electro and the usual novelty side spells of national anthems, children’s music and whatever other utilitarian cues society demanded of the moment” upon the commercial space. Even as more sizable outfits such as KPM, Bruton, De Wolfe and Chappell consumed the majority of the marketplace, Studio G offered a truly fetching alternative—sleek, hip art not previously seen on mostly unremarkable album covers released by neighboring companies, not to mention bold, daring and adventurous music cues truly unique to Studio G. Jebavy continues, “What separated Studio G from the rest of the pack…was Gale’s undying drive and commitment towards minimalistic, psychedelic-leaning production, by way of oceans of reverb and delay, and in some cases even tape loops, not to mention a sense of artistic style and design not previously harnessed from competing production companies.” 

In addition to serving as a fabled fountain of musical delights for several prominent British television programmes—including Doctor WhoVision On, The Snooker, BowlingThe Darts Show and Top Crown —Studio G’s music has also been sampled by a slate of cutting-edge artistss, from the Chemical Brothers and U.N.K.L.E. to Tyler, the Creator and Knxwledge. Monty Pythonincorporated several cues for their witty third LP, Previous Record, back in 1972. And just recently, Aphex Twin shared his love for the label, including a cut in his latest playlist for Supreme.

Dream a Dream with Studio G: Cratedigger’s Archive (1970–2009) veers far from the typical compilation, aimed instead at re-imagining portions of the catalog as a stand-alone pseudo-soundtrack. Jebavy describes Side A (Dream A—dubbed “Psychotropic Hopping Morning”) as radiating “melodic synergy, yacht-friendly jazz, Mort Garson-flattering psychedelia (featuring “Flower Garden,” a cut used by prolific hip-hopper Knxwledge for 2012’s anthrdreem), and endearing folk.” Side B (Dream B—titled “Space Temple Midnight”) begins with a slow-motion, alien crash-landing, followed by “exotic world trance, airy synth reflections, warped, fusion-kicked funk (including ‘Workload,’ sampled by Tyler, the Creator for his 2021 track ‘CORSO’), sludgy swamps of supreme fantasy, and haunting, pensive mystery,” Jebavy adds. Two stand-out orchestral pieces alone—“Pastoral Reflections” and “Barcarolle Blues”—are simply stunning.

 Founding Saint Etienne member and respected music journalist Bob Stanley offers insight into his own curious entry point into library music (“As a kid in the ’70s, I was obsessed with music on the testcard, something that was on TV when there were no programmes. It was there to help engineers to ‘tune’ a TV set. Most often, it was a peculiar picture of a young girl holding a rather creepy toy clown, and they were sat in front of a blackboard.”), as well as his experiences as a savvy and highly influential sampler (“The Cortex album ([Troupeau bleu’s1975] French prog/jazz beauty) is one of the records I’ve discovered through samples (Tyler, the Creator; Wiz Khalifa) in recent years. Much earlier, pre-internet, it was always a thrill to stumble across the original source of a sample…”).

Click here to pre-order Dream a Dream with Studio G: Cratedigger’s Archive (1970–2009).

Tracklist:

Dream A

“Psychotropic Hopping Morning”

A1 Will Thomson / Paul Mottram — Electrospheres / Incandescence (2025 medley)

A2 Paul Lewis — Hello Spring

A3 Douglas Wood — Making Parts

A4 Paul Lewis — Goodbye Autumn

A5 Paul Lewis — Colourful Life Suite: Flowers

A6 Peter Nicholas — Pastoral Reflections

A7 Vince Cross — One Summer’s Night

A8 James Harpham — Slow Motion

A9 James Harpham — Candle Flute / Mexican Motel (2025 medley)

A10 Cliff Johns — Man O’Vibes

A11 James Harpham — Asian Dolls

A12 James Harpham — Pastoral

A13 James Harpham — Flower Garden

A14 Liane Carroll — Sweet Dreams

A15 Bob Cort — Humming Song

Dream B

“Space Temple Midnight”

B1 James Harpham — Flight Landing

B2 John Hyde, Andrew Procter — Promise of Beauty

B3 Trevor Nightingale — On the Wing

B4 James Asher / Pete Willsher, Tony Kelly — Extra Silky / Funk Fobia (2025 medley)

B5 Trevor Nightingale — Wastelands

B6 Stan Medcalf / Pete Giles, Sean Houchin — Computer Games / Night Trawler (2025 medley)

B7 James Asher — Asian Workload

B8 John Brown — Slope Soaring

B9 James Harpham — Star Blossom

B10 David Stoll — Tight Corner

B11 John Hyde, Andrew Procter — Private Thoughts

B12 Harry Wild — Barcarolle Blues

*Digital tracklist mirrors Vinyl

Macy Gray Announces ‘Love Songs for Big Hearts and Robots’ With Soulful Take on Alicia Keys’ ‘No One’

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Macy Gray is set to release a bold and heartfelt new album titled Love Songs for Big Hearts and Robots, which will arrive this fall. The project launches with the release of its first single, a stirring rendition of Alicia Keys’ “No One,” which is now available on all major DSP platforms.

A collection of re-imagined love songs with a twist, Gray’s latest fuses classic soul, grit, and vulnerability through a futuristic frame. When asked why now, she responds: “In these really uncomfortable times, music is the one thing that everybody can agree on – it’s the ONLY thing that puts us all on the same page. You go to a concert and no one gives a chit who you voted for.”

While critics have blasted the creative community for not using their voices enough to effect change, Gray believes the most powerful messages are personal. Quoting her first single, she says, “‘No one can get in the way of what I feel for you’ – what’s more political than that?”

Love Songs for Big Hearts and Robots also marks Macy’s first collaborations with producers Stevie J, Tony Deniro, Jason Mater and newcomer Alex Lebowitz. “There are some wildly unexpected features on the album,” she teases. “You have to hear it because there’s nothing like it.”

With her trademark rawness and reinvention, Macy Gray invites listeners to feel, connect, and heal – one love song at a time.

5 Songs That Only Make Sense at Midnight

Some songs were born for daylight — others come alive when the world slows down, when the glow of a streetlight feels like a spotlight, and the clock strikes twelve. These tracks shimmer in the stillness, where time drifts and every lyric feels like a secret whispered to the stars.

“After Hours” – The Velvet Underground
A lullaby for night owls, “After Hours” captures the gentle ache of being the last one awake. Maureen Tucker’s tender voice turns late-night loneliness into something warm, familiar, and oddly comforting — like a candle flickering in an empty room.

“Cigarette Daydreams” – Cage the Elephant
When the air cools and thoughts turn inward, this song floats in like smoke from an open window. Evan Schultz’s yearning vocals and the wistful melody make it a perfect companion for long walks home under city lights.

“Motion Picture Soundtrack” – Radiohead
As midnight bends into memory, Radiohead’s haunting finale from Kid A feels cinematic and fragile. It’s a lullaby for dreamers and drifters alike — beauty suspended between heartbreak and sleep.

“Nightcall” – Kavinsky
Neon, nostalgia, and a pulse that hums through the dark — “Nightcall” is pure midnight electricity. It’s the soundtrack for quiet drives down empty highways, headlights bouncing off a world that feels half-real.

“Slow Dancing in a Burning Room” – John Mayer
This one glows with heartbreak’s softest light. It’s not a cry — it’s a sigh, a slow burn made for empty spaces and last looks. Midnight turns the guitar solo into a confession you can’t quite say out loud.

Norman Greenbaum’s ‘Spirit in the Sky’ Soars Again With Its First-Ever Official Music Video

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Few riffs can spark instant joy like the opening fuzz-box blast of Norman Greenbaum’s “Spirit in the Sky.” First released in 1969, the four-minute-long psychedelic rocket—anchored by gritty guitar riffs and a foot-stomping gospel chorus—shot to No.1 across the globe including the US, UK, Australia and beyond, selling millions and cementing itself as a cultural touchstone. The track has been covered by everyone from Bauhaus to Elton John, with memorable placements in classic films including Apollo 13, Ocean’s Eleven and Guardians of the Galaxy. Now, more than half a century later, Craft Recordings celebrates the evergreen anthem with its first official music video, inviting a new generation to crank the volume.

Created with Greenbaum’s blessing (he even pops in for a quick cameo), the project was directed by Laurence Harlan Jacobs, who has helmed original films and music videos—including the fan-favorite 50th-anniversary short for CCR’s “Have You Ever Seen the Rain,” which has racked up over half a billion views (and counting). He’s also directed and produced projects for Oscar-winner Steve Martin, GRAMMY-winners Common, Iggy Pop and Robert Glasper, plus Valerie June and Grace Potter. Written and produced by Jessica Jacobs, “Spirit in the Sky” tips its hat to Ferris Bueller’s Day Off, as it follows a teen (Conor Sherry) who’s been grounded and completely cut off from technology. He decides to “borrow” his dad’s vintage convertible for an unforgettable, analog adventure in Los Angeles with his partner-in-crime (Abby Ryder Fortson).

Shot on location in Santa Monica and Manhattan Beach, the video bottles the carefree rush of summer adventure while doubling as a love letter to L.A.’s post-wildfire resilience. Siblings Laurence and Jessica—both L.A. natives—sprinkle in hometown Easter eggs only locals will spot, from a vintage Pali High hoodie to golden-hour walks over the Ballona Creek Bridge.

Director Laurence Harlan Jacobs shares, “When I was asked to pitch on this video, I knew it was a tall order—everyone knows this song! It’s been in so many movies and commercials. So we set out to craft a story that could emotionally hold its own—something personal and intimate that would live in harmony with the iconic song and speak to a new generation. Jessica, our writer-producer, penned a beautiful, relatable tale. Her idea captured the magic of our childhood—growing up on the Westside, listening to cassettes in our dad’s convertible, being silly and fearless with the wind in our faces. We were inspired by our filmmaking heroes, John Hughes and Cameron Crowe, and wanted to embody that same free spirit and sincerity.” He adds, “We filmed all over the city, ensuring the characters’ journey felt authentic—especially for SoCal natives. But most of all, we wanted to do the song justice and capture a sense of timelessness—one where you lose track of time, embrace your inner weird, and ride a wave of unexpected joy.”

Portraying the film’s sweetly rebellious lead, Conor Sherry channels “Spirit in the Sky” for a new generation. “Doing this project was really cool because ‘Spirit in the Sky’ is one of those songs I’ve heard a bunch of times, but never actually sat with until now…” On the video’s themes, Sherry adds, “With the rapid rise of AI, stepping away from all of that and making real-life memories felt especially relevant. And honestly, doing all that with a song that’s objectively timeless and working alongside Abby, who is incredibly talented, made it even more meaningful.”

Fresh off a starring role in the 2024 coming-of-age film, Snack Shack, the 24-year-old actor and recent UCLA graduate can also be seen in the Amazon Prime series The Terminal List and the third season of Nickelodeon’s anthology series, Are You Afraid of the Dark? Coming up, Sherry will star as Adam Sandler’s son in the highly-anticipated Netflix film, Happy Gilmore 2.

Abby Ryder Fortson, meanwhile, offers an equally engaging performance as Sherry’s on-screen accomplice. Speaking to the video’s seize-the-moment spirit—and what drew her to the project—Fortson shares, “To me, this song represents taking life by the reins and enjoying it while we can. In our modern-day world of technology constantly in the palm of our hands, it’s easy to forget that sometimes the best things in life are right in front of you. To all the teens out there (and honestly, adults too) who feel disconnected even while being constantly connected, I challenge you this summer: Put your phone down. Drive to a friend’s and go on an adventure. Get a film camera and make real memories without the pressure of posting. Go out and explore the world, wherever you are. There’s something magical waiting for you as soon as you put your phone away.”

A Critics ’Choice nominee, Fortson is best known for portraying the title character in the 2023 film adaptation of Judy Blume’s classic novel, Are You There God, It’s Me Margaret, opposite Rachel McAdams, Kathy Bates, and Benny Safdie. Last year, she appeared in the 2024 Tribeca Narrative winner, Griffin in Summer, while she can also be seen in such popular films as Ant-Man and A Dog’s Journey. The 17-year-old actor has also been active on TV, with recurring roles in Togetherness, Stephen Spielberg’s The Whispers, and, most recently HBO’s hit show, The Pitt.

The premiere of “Spirit in the Sky” follows a recent reissue of the single in stunning Dolby Atmos, while, earlier in June, Craft Recordings reissued its namesake 1969 album on vinyl. Speaking to the renewed spotlight on his signature hit, Greenbaum declares, “Half a century later, my song, ‘Spirit in the Sky’ is finding many, many new fans—not to mention, it has a Dolby Atmos mix and now, a super great video by Craft’s incredible team. How cool. It’s so exciting. Here’s to another 50!!!”

Iron Maiden Strike Gold (and Silver) With 50th Anniversary Royal Mint Coin

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The Royal Mint has today unveiled an eye-catching commemorative coin celebrating 50 years of Iron Maiden. The East London icons are joining the ranks of musical royalty in The Royal Mint’s Music Legends series, which has previously celebrated the likes of Queen, Elton John, and David Bowie.

Crafted with meticulous attention to detail by contemporary Iron Maiden artist Albert ‘Akirant’ Quirantes, the design features the band’s infamous mascot Eddie in a dynamic pose that will strike a chord with fans worldwide. The design features numerous hidden ‘Easter eggs’ referencing the band’s illustrious career, albums and world tours – giving collectors plenty to hunt for.

Iron Maiden, who formed in 1975, worked closely with The Royal Mint throughout the design process, ensuring the coin captures the essence of a band whose influence has spanned five decades and counting. With a global footprint that spans the planet, Iron Maiden are one of the biggest success stories in British music, and with the international nature of coin-collecting this new commemorative piece – the first official collectable product to bear the 50th Anniversary logo is sure to delight and excite collectors and fans alike.

Rod Smallwood, Maiden’s Manager says “Having Eddie on an official UK coin is a continuation of his incredible odyssey since we unearthed him back in 1980. We’ve been on stamps, beer bottles, plane tails and now legal tender! The detail Akirant has managed to pack into the design is superb – there are little nods to virtually every chapter of our journey as a band. We’re truly honoured that The Royal Mint has chosen to commemorate 50 years of Iron Maiden in such a unique way.”

Rebecca Morgan, Director of Commemorative Coin at The Royal Mint, commented “Iron Maiden have been fearless pioneers in music, flying the flag for Britain around the globe for half a century. Their creative vision, powerful performances and dedicated following have earned them a place as one of Britain’s most influential bands. This coin is the perfect fusion of metal on metal and we expect it will prove to be a collector’s piece that’s highly sought after by both numismatists and passionate rock fans alike.”

Albert ‘Akirant’ Quirantes, designer of the Iron Maiden coin said, “Designing the Iron Maiden coin has been one of the most thrilling projects of my career. As a lifelong fan of the band, and Derek Riggs’ original creations in the ’80s, I wanted to capture not just their iconic imagery, but also the rebellious spirit that has defined their music for decades. I’ve hidden several references within the design that true fans will enjoy discovering, including subtle nods to classic album artwork and their most beloved songs. It’s my tribute to a band that has influenced generations of music lovers all over the world, and I hope fans will spend time exploring every detail just as passionately as they’ve analysed the band’s lyrics over the years.”

Available in several editions, from standard brilliant uncirculated to limited edition precious metal proof versions, prices for the Iron Maiden coin start from £18.50. For more information about the Iron Maiden commemorative coin and to view the full range, visit www.royalmint.com/ironmaiden.

ESCAPER Seize the Moment With ‘Chance’—A Life-Affirming Anthem From ‘Still Time’

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NYC-based psych-jam heavyweights ESCAPER unleash their life-seizing anthem “Chance” today, the explosive single from their studio album Still Time, out now via Ropeadope Records.

Forged on a late-night post-gig drive, the hypnotic, toe-tapping track merges kinetic grooves with an existential call to arms: “This life is your one shot—take it.” The single channels the razor-edged energy of early aughts NYC rock with the undeniably danceable art-funk genius of Talking Heads, culminating in a chorus that lodges deep in the bones. It’s a fiery declaration from a band revered for turning stages into ecstatic, communal celebrations.

A meditation on the fleeting stillness between chaos and clarity, Still Time captures the rare moments where reflection meets momentum. Creative core Will Hanza (guitar/vocals) and Phil Kadet (keys/vocals) sculpt Escaper’s signature blend of rock, R&B, jazz, funk, and electronica into soul-stirring, jam-filled soundscapes. On Still Time, they’re powerfully augmented by bass virtuoso Luke Bemand (lespecial), whose deep grooves anchor the album’s low end. Rounding out the album’s tour-de-force lineup is the high-octane polyrhythmic fire of Grammy Award nominated drummer Aaron Johnston (Brazilian Girls).

“Our newest release, “Chance”, celebrates the potential we all have in this life to be as real and free as possible,” explains Hanza. “We are excited to release this first single from the upcoming album, Still Time, as the beginning of our latest journey through consciousness.

Since 2015, Escaper has ignited venues and festivals across the Northeast, drawing sit-ins from members of The Disco Biscuits, Thievery Corporation, and more. Their acclaimed live shows, heralded for a “sparkling sonic interplay” (Live for Live Music) over funky, punchy rhythms – unite music lovers of all ages in intrepid, hip-shaking communion.

Still Time follows Escaper’s 2022 EP Spaceship (Telefunken Studios) and marks their most ambitious studio work yet. The eight track release traverses genres and soundscapes with the band’s signature flair, delivering yet another dance-floor ready opus that expands their ever evolving catalog. 

The Chainsmokers Pour a New Sound With ‘White Wine & Adderall’ Featuring Beau Nox

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The Chainsmokers are back with their new single “White Wine & Adderall” with Beau Nox-a bold and relentless track that kicks off a fresh chapter in their ever-evolving sound. Today’s release is accompanied by a striking animated visualizer, giving fans a portal into what’s to come.

“It took a whole day to get the main 3 lines of this song. We sat with the incredible Beau Nox scratching our heads and left the session ultimately thinking nothing would come from the tiny hook we had written,” said Drew Taggart and Alex Pall about the process behind this song. “A couple days later Drew and I were talking about this UKG wave and I said I bet you can’t make a version of this in that world. A few hours later it was hitting pretty hard. It wasn’t a song that we immediately imagined releasing but after playing it in many of our shows and seeing the reaction it became clear to us it needed to come out. Last time I bet Drew he couldn’t make a certain style of song, we ended up with Don’t Let Me Down. After all these years, maybe this is how we work best.”

White Wine & Adderall is one of the legendary pair’s most hyped IDs with the track being previewed at shows globally to raucous crowds and viral acclaim. Its melancholy-laced lyrics clash with UKG-inspired production to create a new sound that is striking a chord with audiences worldwide. Featuring haunting vocals from the ascendant Dutch multi-instrumentalist Beau Nox, WW&A channels emotive tension into a dancefloor-ready anthem packed with propulsive energy and dance party downbeats.