Page 235 – That Eric Alper

Flamenco Virtuoso and MVP Guitarist of Jesse Cook’s Band Matt Sellick Releases “Drink from the Fountain” from ‘Watching the Sky’

Music

Eric Alper

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Oct 12, 2025

Flamenco Virtuoso and MVP Guitarist of Jesse Cook’s Band Matt Sellick Releases “Drink from the Fountain” from ‘Watching the Sky’

Matt Sellick is widely recognized by discerning audiences as the MVP guitarist in Jesse Cook’s internationally renowned ensemble, a position that requires not only flawless technique but also a rare depth of musical intuition. To play alongside Cook is to exist in a crucible of precision and passion, where every note must balance virtuosity with emotional immediacy. It is within this demanding environment that Sellick has distinguished himself, quietly amassing a reputation as one of Canada’s most gifted and versatile guitarists.

Born in Thunder Bay, Ontario, Sellick’s roots trace back to the rugged landscapes along Lake Superior, environments that continue to inspire his writing. After earning his HBMus at Lakehead University in 2013, he immersed himself in the flamenco heartlands of Spain, studying with master guitarists and absorbing the genre at its source. His formative time in Madrid and Granada provided the foundation for the artistry he now shares with audiences around the world.

“When I first went to Spain, I felt as if I had finally found the beginning of my path,” Sellick recalls. “Everything about the experience—the narrow streets, the sound of flamenco echoing from balconies, and the friendships I made—showed me the kind of musician I wanted to be.”

Upon returning to Canada, Sellick became a fixture in his hometown, performing as a soloist with the Thunder Bay Symphony Orchestra and presenting intimate solo concerts. These years gave him the chance to experiment with orchestration and develop a growing catalogue of original work that reflected both discipline and imagination.

In 2019, Sellick moved to Toronto, marking the beginning of a new phase in his career. Joining Jesse Cook’s touring band, he performed across Canada, in more than twenty U.S. states, and in eight European countries. These experiences refined his artistry to a razor’s edge. “My years with Jesse Cook’s band taught me what it means to perform at the highest level,” Sellick reflects. “Every night demanded absolute precision and passion—it sharpened me as both a guitarist and a musician.”

Yet alongside this high-profile work, Sellick was quietly crafting another repertoire. For over a decade, he orchestrated his guitar works for full symphony, a project that culminated in Watching the Sky, released in June 2025. The album represents both a return to his musical roots in Thunder Bay, where the Symphony gave him his first orchestral stage, and a bold step forward into a new sound world.

“With Watching the Sky, I wanted to show people the music I’ve been quietly building for a decade,” he explains. “Flamenco is still my heartbeat, but now it’s in dialogue with the orchestra, with landscapes, with memory. It feels like opening a door to a new chapter.”

The single “Drink from the Fountain” holds special resonance. Inspired by advice he once received from Toronto flamenco guitarist Nicolas Hernandez, the title refers to traveling to Spain to study at the source of the music. “That phrase—‘drink from the fountain’—has stuck with me my whole life,” Sellick says. “It reminds me of buying my first flamenco guitar in Madrid, of seeing the Alhambra, of the mentors who shaped me.”

Sellick’s compositions echo personal milestones: the sleepless night before purchasing his first flamenco guitar, the friendships formed in Spanish mountain towns, and the gratitude for those who opened doors along the way. “It reminds me of where I’ve been, what I want to learn, and where I want to go,” he adds. “Every time I play it, I feel that sense of discovery again.”

The response to his orchestral premieres has been remarkable, with audiences celebrating the seamless integration of flamenco textures and symphonic grandeur. His collaborations with conductor Evan Mitchell and percussionist Marito Marques further highlight the social, collaborative spirit of his music. “In flamenco, everyone supports one another, but each person gets their moment to be the soloist,” Sellick notes. “That’s what I wanted this album to reflect.”

What once seemed like an undercurrent in his career now emerges as a defining statement: Sellick is poised not only as a master interpreter of flamenco guitar, but as a composer with a distinctive orchestral voice. His trajectory suggests an artist on the cusp of wider recognition, one whose music bridges cultures and traditions.

Touring remains central to this momentum. Audiences will have the chance to hear his new work live in a series of performances across Canada, and internationally as part of Jesse Cook’s acclaimed ensemble. These concerts will showcase Sellick’s rare gift: the ability to connect intimacy and virtuosity with expansiveness and grandeur.

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Cuban Roots, Canadian Home: Montuno Cubano Release Salsa and Bolero Son Gems “Tu Arete” and “Bendita Luz”

Music

Eric Alper

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Oct 12, 2025

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Cuban Roots, Canadian Home: Montuno Cubano Release Salsa and Bolero Son Gems “Tu Arete” and “Bendita Luz”

Montuno Cubano announces the release of two new singles—“Tu Arete” and “Bendita Luz” out now—followed by title cut from their album ‘Frágil de Cristal’ on October 10, 2025. Blending Salsa, Bolero Son, Son Cubano, Guaracha, and Bolero, the album brings Cuba’s most cherished traditions into dialogue with the global stage, reimagined from the group’s new home base in Prince Edward Island, Canada.

At the heart of Montuno Cubano are Cuba-born brothers Jorge Luis Peña Acosta (vocals, requinto, guitar) and Luis Peña Acosta (vocals, guitar, percussion), whose sibling harmonies and partnership have become the group’s defining sound. Alongside them, a talented circle of musicians—including Mark Carr-Rollitt (Latin percussion), Christopher Martell (upright bass), Devin Hornby (electric bass), and Sergey Varlamov (keys, violin, bass)—contributed to the studio sessions and select live performances, enriching the recordings with authenticity and depth.

Montuno Cubano’s repertoire spans salsa, guaracha, bolero, rumba flamenca, and son cubano, weaving stories of love, resilience, and cultural memory. As Jorge explains: “First I hear the rhythms in my head. If I am excited, I write salsa or guaracha. If I am calm, I write boleros. Rhythm drives the song, but now that I live in Canada, I focus on both the rhythm and the story.”

For new listeners, Salsa is a vibrant Afro-Caribbean dance music style; Bolero Son blends romantic bolero with the rhythmic backbone of Cuban son; Son Cubano is the foundational Cuban genre mixing Spanish guitar with African percussion; Guaracha is a fast-paced, festive style once sung in Havana’s theatres; and Bolero is the quintessential Latin American love song, slow and tender, often poetic in its lyrical expression.

These traditions echo through Montuno Cubano’s new work. In “Tu Arete,” Jorge writes with intimacy: “Hoy sentí envidia de tu arete / Que sin ser tan fuerte a su antojo te tenía”—a meditation on desire and closeness. In “Bendita Luz,” the refrain pleads:

“Bendita luz de la vida, alumbrame mi camino / Apartame to lo malo, que no se metan conmigo,” a spiritual invocation for light and protection. And in the forthcoming title track “Frágil de Cristal,” he sings: “Como yo olvidarte a ti mi amada frágil de cristal / Si eres una mujer hermosa, delicada y muy sensual,” a bolero ode to love and vulnerability.

The songs were recorded over several years at Crabbe Road Productions in Prince Edward Island with producer Sergey Varlamov, whose violin contributions added an international texture to the band’s Cuban foundation. “Although the style of my music is Cuban, with Sergey adding violin my recordings feel more international. It’s amazing to hear how the requinto, violin, and percussion work together,” Jorge reflects.

Bassists Christopher Martell and Devin Hornby alternated across the sessions, while percussionist Mark Carr-Rollitt provided bongos, congas, and claves, ensuring authenticity in every rhythmic layer. “It is important to understand which percussion instrument is right for each song,” Jorge adds. “Mark understands.”

Montuno Cubano’s music is both an homage to heritage and a contemporary offering. It highlights Cuba’s deep well of musical genres while making them accessible to audiences around the world. For world music enthusiasts, it is a showcase of cultural lineage; for newcomers, it is an introduction to one of the most influential musical traditions. Above all, it is an invitation to feel joy, connection, and rhythm.

Francis Baptiste Strikes a Raw Chord With Indigenous Folk-Rock Testament “Locked in for Life”

Music

Eric Alper

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Oct 12, 2025

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Francis Baptiste Strikes a Raw Chord With Indigenous Folk-Rock Testament “Locked in for Life”

Francis Baptiste, the Syilx singer-songwriter whose voice has become a vessel for Indigenous truth and lived testimony, presents his latest single “Locked In For Life,” a searing portrait of survival in East Vancouver. The track arrives as Baptiste continues to build momentum toward his third full-length album, Lived Experience in East Vancouver, and confirms his place as one of Canada’s most vital Indigenous folk-rock artists.

“Locked In For Life” is stark in its honesty, a song that confronts the rising cost of living and the precariousness of survival in a city that often feels indifferent to its artists. Francis Baptiste delivers both guitar and vocals, joined by Rob Thomson on bass, Max Ley on drums, Feven Kidane on trumpet, and Ricardo Pequenino on vocals. The ensemble creates a soundscape that is urgent and resonant, one that embodies the tension between exhaustion and endurance.

“I’m barely f’cking surviving here,” Baptiste admits in the lyric, a declaration that is not performance but documentation. The refrain, “Don’t try to wake me if I’m screaming / I’m just dreaming / of a day that I don’t hate this life… I’m locked in for life,” stands as both lament and affirmation. This is music that refuses pretense, instead carving strength out of the raw contours of lived experience.

The trumpet line from Feven Kidane gives the track an almost 90s punk-ska edge, widening its emotional scope. For Baptiste, the sound reflects the resilience of East Vancouver: rough, resourceful, and relentless. He recalls busking on Granville Island to pay rent as a single father, each day a grind of survival. That memory infuses the track and its accompanying video, which revisits those streets as both witness and stage.

“Locked In For Life” belongs to the larger narrative of ‘Lived Experience in East Vancouver’, a record that Baptiste has described as an album about survival. Each song is drawn from the textures of his neighborhood, where stories of addiction, Indigenous identity, poverty, and resilience converge. Rather than distance himself from these realities, Baptiste positions himself within them, singing not just about survival but from within survival itself.

This grounding has been a hallmark of Baptiste’s artistry. His debut album ‘Sneqsilx (Family)’ introduced listeners to songs sung partly in Nsyilxcən, his endangered Indigenous language. His follow-up, ‘Senklip, the Trickster’, extended those commitments to oral tradition, fatherhood, and intergenerational trauma. By the time of “Locked In For Life,” Baptiste’s voice carries the authority of an artist who has walked through these stories and returned with the music to tell them.

Critical reception has matched the gravity of his work. CBC has praised him as “unsparingly candid,” while the Georgia Straight described his songs as “bluesy, bruised, and blossoming.” Such praise reflects not only the quality of his songwriting but the integrity with which he marries biography and artistry.

Musically, “Locked In For Life” is as compelling as it is unflinching. Rob Thomson’s bass anchors the song in steady pulse, Max Ley’s drumming supplies both propulsion and grit, and Pequenino’s layered vocals serve as counterpoint to Baptiste’s. The result is a track that feels less like a studio construction than a lived document — one born of collaboration and necessity.

Baptiste frames the song’s message in broader terms as well. “As time goes by East Van feels increasingly like a place that is defined by its struggles: whether you’re a drug addict, an Indigenous person, poor, a single father, or a starving artist — this city is about survival. That’s what this album is about and what this song is about. It gets harder every year, but we can’t give up now. We’re locked in.”

It is this refusal to give up that defines “Locked In For Life.” Far from despair, the song affirms persistence. It recognizes the hardships of addiction, housing insecurity, and systemic injustice, while insisting on the dignity of those who endure them. Baptiste’s art turns endurance into testament, and testament into song.

Queens Of The Stone Age Unearth Magic With ‘The Catacombs Tour’ Across Europe

Music

Eric Alper

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Oct 12, 2025

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Queens Of The Stone Age Unearth Magic With ‘The Catacombs Tour’ Across Europe

Queens of the Stone Age have announced a European run for The Catacombs Tour, a limited series of special one-night-only evenings. The shows will take place this October in a curated selection of venues throughout Europe, culminating at the Royal Albert Hall in London.

The conception of The Catacombs Tour was inspired in large part by the band members’ collective experience during the creation of their Alive in the Catacombs cinematic and musical opus. Released in June on Matador and available to stream now, the acclaimed concert documentary captured their unique, first-of-a-kind performance in the Paris catacombs in July 2024. Purchase or rent the film now at https://qotsa.com/ or stream the audio on all streaming services.

Composed of all-new arrangements crafted specifically for the occasion, The Catacombs Tour will see QOTSA draw upon the spirit of those sublime subterranean renditions and infuse it into reimagined versions that promise to twist the volume knob in both directions. Enhanced by assembled ensembles, the result will be a precious few unique and intimate performances unlike any previous QOTSA tour.

Dates for the US leg of The Catacombs Tour have also been announced and are on the brink of completely selling out already.

Queens of the Stone Age The Catacombs Tour 2025 European Dates:

Oct 18 – Milan, IT @ Teatro Lirico Giorgio Gaber
Oct 23 – Berlin, DE @ Theater des Westens
Oct 24 – Copenhagen, DK @ DR Koncerthuset, Koncertsalen
Oct 26 – Amsterdam, NL @ Royal Theater Carré
Oct 27 – Antwerp, BE @ Queen Elisabeth Hall
Oct 29 – London, UK @ Royal Albert Hall

The Cult Reignite Their Post-Punk Legacy With ‘Death Cult’ North American Tour

Music

Eric Alper

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Oct 12, 2025

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The Cult Reignite Their Post-Punk Legacy With ‘Death Cult’ North American Tour

The Cult will once again celebrate Death Cult, its storied post-punk progenitor featuring The Cult singer Ian Astbury and guitarist Billy Duffy, with a string of North American dates in October. Special guests on the trek will be the Los Angeles band Patriarchy. The shows will feature one set as Death Cult and one as The Cult.

Initially known as Death Cult when they formed in 1983, the British group shortened their name to The Cult in January 1984.

In the mid-1980s, The Cult gained a strong following in the UK with a post-punk and gothic rock sound, exemplified by singles like “She Sells Sanctuary.” Their early albums, like Dreamtime (1984) and Love (1985), showcase this era.

In the late 1980s, they shifted towards a harder rock sound, breaking into the mainstream in the United States, largely influenced by producer Rick Rubin on their 1987 album Electric, which featured hits like “Love Removal Machine.” Their subsequent album, Sonic Temple (1989), continued this trajectory with popular songs such as “Fire Woman.”

While retaining a hard rock style, their later albums, such as Hidden City (2016) and Under the Midnight Sun (2022), have seen them return to some of their gothic roots.

After their initial success, internal tensions and substance abuse issues led to a split in 1995. They reunited in 1999, released Beyond Good and Evil, and then went on hiatus again in 2002. Since reforming in 2006, they have continued to tour and release new material.

The Cult Death Cult N America 2025 Tour Dates:

Oct 14 – New York City @ Beacon Theatre
Oct 15 – Washington, DC @ Warner Theatre
Oct 17 – Charlotte, NC @ Ovens Auditorium
Oct 18 – Atlanta, GA @ Cobb Energy Center
Oct 20 – Ft Worth, TX @ Will Rogers Auditorium
Oct 21 – San Antonio, TX @ Majestic Theatre
Oct 24 – Las Vegas, NV @ The Pearl
Oct 25 – San Diego, CA @ The Sound
Oct 27 – San Francisco, CA @ The Warfield
Oct 30 – Los Angeles, CA @ Shrine Auditorium

Chase McDaniel Sparks Hope With Emotional ‘Lost Ones’ Album And Music Video

Music

Eric Alper

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Oct 12, 2025

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Chase McDaniel Sparks Hope With Emotional ‘Lost Ones’ Album And Music Video

Big Machine Records singer-songwriter Chase McDaniel strikes a deep emotional chord with the official music video for his latest release, “Lost Ones.” It also serves as the soul-searching title track of the Kentucky-bred artist’s autobiographical debut album, Lost Ones, out now.

Helmed by director and repeat collaborator Robby Stevens, the cinematic visual tells a raw, relatable, and all too real story. After losing his brother to depression, the main character quickly begins to lose himself. Left with only a suicide note and his brother’s lighter, he can’t get the light to ignite no matter how hard he tries, while drowning his pain in alcohol. In between, McDaniel performs in the clearing of a forest illuminated by flickering and flashing lamps. The intensity of his countenance throws off just as much heat in its way. The clip threads together footage of fellow “Lost Ones” who’ve scrawled their respective struggles on paper like “Lost, Broken, + Addicted,” “Attempted Suicide,” and “Cheated on, Left, + Divorced by 26.” Dawn breaks by the end, and we hear McDaniel ask, “Hey man, you need a light?” Catching fire finally, McDaniel reminds, “Sometimes, all you need is a little spark.” After displaying the 988 Suicide & Crisis Lifeline, a heartfelt message appears on the screen, “Lost one, you are not alone.”

Lost Ones is a body of work born from McDaniel’s mission of bringing strength to anyone who feels hopeless or adrift. With every track co-written by McDaniel, the album shares the most painful aspects of his personal story, including his struggle with depression and the life-altering experience of losing his father to addiction. Produced by Lindsay Rimes and recorded with a first-rate lineup of musicians at Sound Stage Studios in Nashville, Lost Ones merges that bravely honest storytelling with McDaniel’s gritty and exhilarating form of country-rock, ultimately providing a powerful catharsis even in its most devastating moments.

Fueled by his soulful vocal work previously shown on hit songs like “Project” (a 2022 release that shot to No. 1 on the Billboard Country Digital Song Sales chart), Lost Ones reaches a particularly gripping intensity in its title track. With its haunting piano riff, waltz-like tempo, and spellbinding steel guitar, the Lindsay Rimes-produced “Lost Ones” unfolds with a hypnotic urgency as McDaniel opens up about the very phenomenon that inspired the entire album: the deeply affecting experience of connecting with fans who’ve found solace in the unfiltered truth of his songwriting (“They come outta nowhere from all around / From big city streets to them county road towns / Broken and hopeless, hoping to be found / Hurtin’ so loud but they don’t make a sound / All showing up with their broken wings / Praying their misery meets company”). Co-written by McDaniel, Chris LaCorte, and Josh Miller, “Lost Ones” ultimately finds McDaniel delivering a bit of hard-won wisdom and much-needed guidance: “Ain’t what you wanna hear, but hell, since you’re here, let me tell you that pain’s got purpose / Tell me who you’re gonna reach if you ain’t been through nothing / Take the pain and overcome it, turn it into something.”

With album tracks “Heart Still Works” and “Made It This Far” initially dropped as solo releases in 2024, McDaniel rolled out back-to-back songs from Lost Ones earlier this year. In February, he offered a potent insight into the emotional landscape of the full-length project with “Burned Down Heaven.” A true-to-life reflection on the overwhelming sorrow that follows hurting someone you love, the debut single landed him in the Top 3 most added at country radio for the first time.

Country Star Charles Wesley Godwin Brings It Home With ‘The Hometown Sessions’

Music

Eric Alper

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Oct 12, 2025

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Country Star Charles Wesley Godwin Brings It Home With ‘The Hometown Sessions’

Charles Wesley Godwin delivers The Hometown Sessions to fans with weekly performance video drops on YouTube. The series includes fan-favorite songs as well as reworked versions of beloved live show staples. It kicks off with the release of his rendition of Tyler Childers’ “Whitehouse Road.”

Teaming up with his longtime band, The Allegheny High, Godwin collaborated with director Justin Clough, who shot the performances at The Metropolitan Theater in Godwin’s hometown of Morgantown, West Virginia. “It’s one of my favorite venues in my hometown,” Godwin shares. “We chose some of our favorite songs to perform live and even reworked a few. Can’t wait for y’all to see these!”

The Hometown Sessions span Godwin’s career and feature songs such as “All Again” from his breakout album Family Ties, tracks from his most recent EP Lonely Mountain Town, including the title track and “It’s The Little Things,” as well as songs from his breakthrough debut Seneca – “Hardwood Floors,” “Seneca Creek,” “Strawberry Queen” – and more.

Maná Make History With Fifth L.A. Show On Record-Breaking ‘Vivir Sin Aire’ Tour

Music

Eric Alper

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Oct 12, 2025

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Maná Make History With Fifth L.A. Show On Record-Breaking ‘Vivir Sin Aire’ Tour

Due to overwhelming demand, the iconic Mexican rock band Manà, internationally recognized not only for breaking barriers through their music but also for their environmental commitment, have announced the fifth and final show in Los Angeles at Kia Forum on November 29th, on the band’s upcoming Vivir Sin Aire Tour set to kick off this September across North America.

With these five shows — November 14, 15, 21, 22, 29 — Manà will break the record for the most arena concerts performed in Los Angeles history, reaching 45 shows, surpassing the previous 42 held by Bruce Springsteen. The tour promises unforgettable nights filled with energy, passion, and all the hits that have defined generations.

Fresh off the heels of their summer run in Spain and their historic nomination to the Rock and Roll Hall of Fame, Maná begins the countdown for their highly anticipated return to US and Canada. The Vivir Sin Aire Tour, promoted by Live Nation, kicks off on Friday, September 5th, with back-to-back shows at Frost Bank Center in San Antonio, Texas, with the band committing to donate a portion of the profits from their concerts in San Antonio to humanitarian efforts following the devastating river floods via their ecological foundation, Selva Negra. Spanning 21 cities and 32 stops, the tour features an electrifying new production and a setlist filled with all the classics.

The Vivir Sin Aire Tour is sponsored by Yaamava’ Resort & Casino at San Manuel, where Manà has twice performed private shows at its intimate, world-class live entertainment theater.

This exciting announcement follows Manà’s recent nomination for the Rock and Roll Hall of Fame, marking them as the first all-Spanish-language act to be nominated. This historic milestone recognizes their lasting impact on global music and their role as pioneers of Latin rock.

A portion of ticket sales will help establish the Manà Latinas Luchonas program in honor of Rosario Sierra, the late mother of vocalist Fher Olvera, whose strength and resilience continue to inspire the band. In partnership with the Hispanic Heritage Foundation, the program will empower Latina women entrepreneurs through scholarships, mentorship, and leadership opportunities. Together, they’ll uplift the next generation of Latina business owners, honoring their lucha, spirit, and contributions.

Set It Off Ignite The Stage With The Self-Titled Tour

Music

Eric Alper

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Oct 12, 2025

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Set It Off Ignite The Stage With The Self-Titled Tour

Set It Off has announced The Self-Titled Tour, set to hit North America this fall. Produced by Live Nation, the tour will kick off in Atlanta on October 28th with stops through December 10th in Raleigh, North Carolina. The band will be joined by Fame On Fire as main support with Vana and The Pretty Wild rotating supporting slots.

“It’s been a while since we’ve been able to do an entire headline tour on the back of a brand new album and we can’t WAIT get back on the road and celebrate the release of our first completely independent self-titled album with all of our amazing fans!” says vocalist Cody Carson. “This album was made with our live show in mind. The energy level of these shows is going to be out of control and we can’t wait for you to see why we named ourselves Set It Off in the first place! On top of that, we are bringing with us three amazing artists in Fame On Fire, Vana and The Pretty Wild! We are genuinely fans of all of them and we all can’t wait to give you the show of a lifetime! So grab tickets while you still can, because these shows are going to sell out.”

Presales are underway ahead of the general sale on Friday, July 18th at 10 am local time.

The tour supports the band’s upcoming independent self-titled album, due on November 7th. The band recently released a new single, “Rotten.”

The band’s new era has found them selling out tours globally, playing conversation-starting sets at hard rock festivals and supporting the likes of I Prevail and Hollywood Undead, while singles like “Punching Bag” and “Wolf In Sheep’s Clothing [Reborn]” have hit rock radio charts for the first time in the band’s career.

The tour is dedicated to the memory of Dave Shapiro, Emma Huke and Kendall Fortner.

Set It Off 2025 North American Tour Dates:

Oct 28 – Atlanta @ Masquerade
Oct 29 – Nashville @ Marathon Music Works
Oct 30 – Louisville, KY @ Mercury Ballroom
Nov 1 – Cleveland, OH @ House of Blues
Nov 4 – Chicago @ House of Blues
Nov 7 – Denver @ Fillmore Auditorium
Nov 8 – Salt Lake City @ The Complex
Nov 10 – Spokane, WA @ Knitting Factory
Nov 11 – Vancouver, BC @ Commodore Ballroom
Nov 12 – Seattle @ Showbox SoDO
Nov 14 – Sacramento, CA @ Ace of Spades
Nov 16 – Los Angeles @ The Regent Theater
Nov 17 – Santa Ana, CA @ Observatory OC
Nov 18 – Tempe, AZ @ Marquee Theatre
Nov 20 – Houston @ House Of Blues
Nov 21 – Dallas @ South Side Music Hall
Nov 23 – Orlando @ House of Blues
Nov 25 – Cincinnati, OH @ Bogart’s
Nov 26 – Detroit @ St. Andrew’s Hall
Nov 28 – Indianapolis @ Egyptian Room At Old National Centre
Nov 30 – Buffalo, NY @ Buffalo RiverWorks
Dec 1 – Toronto @ Danforth Music Hall
Dec 2 – Boston @ Paradise Rock Club
Dec 5 – New York City @ Irving Plaza
Dec 6 – Allentown, PA @ Archer Music Hall
Dec 7 – Philadelphia @ The Fillmore Philadelphia
Dec 9 – Baltimore @ Nevermore Hall
Dec 10 – Raleigh, NC @ The Ritz

Country And Chrome Collide At Harley-Davidson’s 2025 Homecoming Festival

Music

Eric Alper

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Oct 12, 2025

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Country And Chrome Collide At Harley-Davidson’s 2025 Homecoming Festival

The four-day 2025 Harley-Davidson Homecoming Festival immersed the Milwaukee region in music and moto-culture July 10-13, drawing thousands of enthusiasts to Veterans Park, the Harley-Davidson Museum, Harley-Davidson Headquarters and Davidson Park, and to local Harley-Davidson dealerships.

The annual Harley-Davidson Homecoming Festival represents a commitment by Harley-Davidson to its hometown community and a way to promote this vibrant region. Next year’s annual Harley-Davidson Homecoming Festival is scheduled for July 9-12, 2026, in Milwaukee.

The 2025 edition featured Chris Stapleton headlining to a sold-out crowd on the main stage, with performances by Turnpike Troubadours, Sierra Ferrell, 49 Winchester, The Droptines, and others.

The Monster Energy Freestyle Motocross Shows featuring pro riders Axell Hodges and Takayuki Higashino thrilled onlookers on Friday and Saturday. Unfortunately, due to severe weather in the area, Harley-Davidson had to end Friday’s show earlier than hoped. Due to the shortened performance schedule, all single-day Friday tickets purchased through official festival ticketing agent Front Gate Tickets will receive a full refund, and all two-day tickets purchased through Front Gate Tickets will receive a 50 percent refund.