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Jason Isbell Marks 10 Years Of ‘Something More Than Free’ With Remastered Reissue And New B-Side

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Celebrating ten years of his critically acclaimed studio album Something More Than Free, six-time Grammy Award-winning musician Jason Isbell has released a reissue of the project via his own Southeastern Records. The newly remastered edition comes replete with updated mixes and a previously unreleased B-side, “Should I Go Missing.” The reissued album is out now on all streaming services, with LP and CD versions available on Friday, October 3rd.

With songs like “24 Frames,” “Flagship,” and “Children of Children,” the 2015 album found Isbell tackling the subjects he knows best: the dignity of work, the difficulty of love, the friction between the present and the past. Something More Than Free further established the North Alabama native as a bona fide songwriter and also netted him his first two Grammy Awards.

Ten years later, Something More Than Free has been remixed by the legendary Sylvia Massy (Prince, Johnny Cash, Tom Petty), breathing new life into these now classic songs in the Isbell canon. The man has broken his normal rule and included a B-side. “Should I Go Missing,” a bluesy jammer highlighted by Isbell’s slide guitar playing. If we’re lucky, it will become a staple at his upcoming live shows.

Isbell is performing across the US with his band, the 400 Unit, on their An Evening with Jason Isbell and the 400 Unit tour. Isbell will notably perform at the fourth edition of his ShoalsFest on October 11-12. The two-day festival boasts a lineup of Jason Isbell and the 400 Unit, Jackson Browne, Waxahatchee, MJ Lenderman, Dan Penn and Spooner Oldham, Garrison Starr, and Steve Trash. Isbell will then head from his home state to a six-night residency at the Ryman Auditorium in Nashville, marking the tenth anniversary of the band’s residency at the famed Music City theater. This year, Isbell has partnered with public schools and music programs throughout the southeast region for each night’s opening act to highlight some of the educators and students working to shape the next generation of live music.

Old Crow Medicine Show Unwraps Holiday Spirit With First Christmas Album ‘OCMS XMAS’

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Two-time Grammy-winning band Old Crow Medicine Show are bringing out the jingle bells early this year, announcing the November 21 release of OCMS XMAS on Hartland Records. Featuring just two covers and 11 originals, the band’s first holiday album is decorated with seasonal spirit and string-band stomp, shining new light on their chart-topping version of American roots music.

Along with the announcement, Old Crow honors John Lennon’s birthday with a timely take on his and Yoko Ono’s global peace anthem “Happy Xmas (War Is Over).” The song is stacked with choral harmonies from the children of the Episcopal School of Nashville, the East Nashville-based school founded by frontman Ketch Secor.

Old Crow Medicine Show aren’t just reinterpreting their favorite yuletide standards; they’re adding new songs to the canon and telling fresh stories, too. From barn-burners like “December 26” (which marks the songwriting debut of longtime band member Morgan Jahnig) to the Zydeco-flavored “All About A Baby” and a tribute to New England winters called “North By Northeast,” OCMS XMAS upholds Old Crow’s combination of the timely with the timelessness. The album also features a few classics, including a cover of “Holly Jolly Christmas” with horns from the Tennessee State University ensemble Brassville, and a rowdy version of the Appalachian standard “Breakin’ Up Xmas,” recorded live in the band’s East Nashville headquarters, Hartland Studio.

“We’re in the joy business,” says Secor. “From the very start, a lot of the virtues of Christmas — the revelry, the singalongs, the happiness — have been present in our show.” Supported by the band’s first-ever Holiday Hootenanny TourOCMS XMAS just might be the start of a new tradition itself: a celebration of the seasonal sounds, shared joy, and holiday rituals that bring us all together.

This is the latest release from Old Crow Medicine Show, who celebrated their 25th anniversary as a band with the 2023 Grammy-nominated album Jubilee. Last year, the group performed an NPR Tiny Desk Concert and dropped the first-ever vinyl release of their debut album O.C.M.S., remastered from the original analog tapes by its original producer David Rawlings. This summer Ketch Secor released his first solo album Story The Crow Told Me and made his debut as the new host of the long-running travel and culture series Tennessee Crossroads. He recently spoke about both projects on Rolling Stone’s Nashville Now podcast and gave more insight into his Louder Than Guns documentary, which premiered at the Nashville Film Festival last month.

Old Crow Medicine Show have also announced support for the band’s annual New Year’s Eve performances at The Ryman Auditorium, with The 502s and AJ Lee & Blue Summit on Tuesday, December 30, and Shovels & Rope and The Creekers on Wednesday, December 31. See a full list of tour dates below, and find more info here: crowmedicine.com/tour.


OCMS XMAS Tracklist

  1. Breakin’ Up Xmas
  2. Holly Jolly Christmas Feat. Brassville
  3. Jolly Man
  4. North By Northeast
  5. Corn Whiskey Christmas
  6. Happy Xmas (War Is Over)
  7. All About A Baby
  8. Jinglin’ Jack Guy
  9. Store-Bought Christmas
  10. December 26
  11. Krampus Night
  12. Grandpa’s Gone
  13. Bethlehem, PA

Old Crow Medicine Show 2025 Tour Dates

October 9 – Kalispell, MT @ Wachholz College Center
October 10 – Bozeman, MT @ The ELM
October 11 – Billings, MT @ The Pub Station
October 12 – Rapid City, SD @ The Monument
October 23 – Charlottesville, VA @ Ting Pavilion
October 24 – Virginia Beach, VA @ Sandler Center for the Performing Arts
October 25 – Spruce Pine, NC @ Hilloween’s Hurricane Helene Benefit Concert – Three Peaks Enrichment Center
December 3 – Fayetteville, AR @ Walton Arts Center
December 4 – Nashville, IN @ Brown County Music Center
December 5 – Cincinnati, OH @ Taft Theatre
December 6 – Joliet, IL @ Rialto Square Theatre
December 7 – Huntington, WV @ Joan C Edwards Performing Arts Center
December 16 – Tysons, VA @ Capitol One Center (Capital One Hall)
December 17 – Troy, NY @ Troy Savings Bank Music Hall
December 18 – New London, CT @ Garde Arts Center
December 19 – Torrington, CT @ Warner Theatre
December 20 – Englewood, NJ @ Bergen Performing Arts Center
December 30 – Nashville, TN @ Ryman Auditorium
December 31 – Nashville, TN @ Ryman Auditorium

Masked Metalcore Visionary OBELISK Announces Debut Album ‘Brushed By Darkness’

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Emerging from the underground with a sound that is as raw as it is resonant, enigmatic metalcore artist OBELISK is set to release his captivating debut album, Brushed By Darkness, on Friday 12th December. Before then, look out for the blistering new single, Working Class Zero, which has just been released.

Hailing from Edinburgh, Scotland, OBELISK is the brainchild of a mysterious, masked, and anonymous solo artist. A true one-man project, OBELISK writes, performs, and produces all instrumentation, crafting an immersive sonic world that challenges the boundaries between performer and listener. His music is a visceral exploration of emotion, identity, and perseverance in a world that often overlooks the artist’s struggle.

OBELISK made his debut with 2024’s haunting single Stardust Cycle, followed by Where Do You End? and Tragically Designed — tracks that showcased his chaotic yet calculated sound, winning him early acclaim in the alt-metal scene. With each release, OBELISK has continued to build momentum, developing a reputation for intense musicality and emotionally charged storytelling.

Drawing inspiration from the likes of Sleep Token, Green Day, Bring Me The Horizon, and Electric Callboy, Brushed By Darkness is a genre-blurring journey that delves into themes of isolation, frustration, and the deep ache of unrecognized artistry. The album is as much a personal catharsis as it is a rallying cry for those navigating the margins.

OBELISK doesn’t just perform — he reveals. His music is both a shield and a voice, pulling listeners into a world where vulnerability meets ferocity, and where every scream, riff, and lyric is drenched in purpose.

With Brushed By Darkness, OBELISK is poised to make a powerful statement. This is more than a debut — it’s the beginning of something deeply special, and undeniably potent.

River Rise Band Unleashes Classic Rock Power And Emotion On New Single ‘Storm’

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River Rise Band, formed by Juliana von Mühlen (vocals), Márcio Arend ( guitar), Marcelo Pesh (drums), and Ozéias Rodrigues ( bass), has just released their brand-new single, “Storm”, a track that marks a new chapter in the band’s journey.

With a solid discography that includes the album Right Path (2021), the EP Leave Behind (2022), the album Untold Stories (2023), and the live session From Inside Out (2024), the group continues to establish its name in the independent scene — blending classic energy, refined technique, and raw emotion.

“Storm” is a sonic tempest that turns the clash between strength and vulnerability into music. Built on the timeless foundation of drums, bass, guitar, and vocals, the track delivers an aggressive, dense, and emotional performance, asking: after the storm, will calm ever come?

The vibrant and intense guitars of Márcio Arend create a pulsating foundation, reinforced by Ozéias Rodrigues’ powerful bass lines and Marcelo Pesh’s explosive drumming. Over this wall of sound, Juliana von Mühlen’s powerful and versatile vocals emerge like a natural force — sometimes a cold current, sometimes a soft breeze over burning notes.

Recorded, produced, and mixed entirely independently in the band’s home studio during the second half of 2024, the single embodies the DIY spirit that has defined River Rise Band since its inception. Juliana wrote the lyrics, while Márcio handled production, instrument recording, mixing, and mastering — ensuring authenticity and cohesion in every detail.

With “Storm”, River Rise Band reaffirms its identity in the realm of contemporary Classic Rock, combining power, emotion, and artistic integrity. It’s a track that not only cuts through chaos but also celebrates the strength to start anew — with the volume all the way up and the soul laid bare.

Jon Wolfe Gets Real On New Country Anthem ‘The Older I Get (More Country I’m Gettin’ To Be)’

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Texas country mainstay Jon Wolfe has officially released his new single, nostalgia-laced anthem “The Older I Get (More Country I’m Gettin’ to Be),” now available on all digital streaming platforms via his Fool Hearted Productions. Produced by longtime collaborator Dave Brainard and co-written by Wolfe and Tony Ramey, the track captures Wolfe in his most reflective—and most authentic—form yet. With its warm throwback feel, lyrical nods to country legends, and a chorus built for backroads and beer joints, the single is a love letter to small-town roots and the enduring power of country values.

“’The Older I Get (More Country I’m Gettin’ to Be)’ is truly an autobiographical effort in a song,” Wolfe told Holler. “It’s exactly where I’m at in my life and in my career as a country singer. It’s not about chasing trends to me. I’m writing songs and singing songs that mean something to me. It’s about being true to myself and letting that reflection come through in my music.”

From references to Hank, Merle, and Waylon, to dad’s old pickup and barbecue weekends, “The Older I Get (More Country I’m Gettin’ To Be)” kicks off the sonic thread of Wolfe’s planned 2025 and 2026 releases, a collection he describes as his most personal and grounded to date. With the new release, Wolfe continues to blend tradition with timeless songwriting and a DIY spirit. After years of building a loyal fanbase across Texas and beyond, the artist continues to evolve while staying rooted in what matters most: honesty, heart, and the kind of country music that sounds like country.

Born in Tulsa, Oklahoma, and raised in the small town nearby, Miami, Jon Wolfe’s depth of talent and commitment to craft were evident from an early age. What began as a gift for creativity grew into an obvious affinity for music, and the rest is history. Making a name for himself in the Texas country scene alongside present-day mainstays like Hayes Carll and Randy Rogers, Wolfe’s released a series of successful albums that have yielded several standout tunes, including the viral streamer “Boots on a Dance Floor,” and most recent release – deeply introspective, sonically daring Dos Corazones – which firmly established Wolfe as a songwriter.

Country Artist Lauren Watkins Channels Western Romance On New Single ‘Marlboro Man’

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Big Loud songstress Lauren Watkins leans into western nostalgia with the release of “Marlboro Man.” The slow-burning track captures the longing for an old-school cowboy – part myth, part memory – painting a romantic portrait of a love that never stays but always leaves a mark.

Written by Watkins, Natalie Hemby, and Jeremy Spillman and produced by Will Bundy (“You Look Like You Love Me”), “Marlboro Man” offers the timeless country storytelling that listeners have come to expect from Watkins, delivered with a modern edge. A cinematic nod to the rugged westerns and unattainable romance, the track evokes a bygone archetype that still lingers today.

“I’d had the idea for ‘Marlboro Man’ in my back pocket for a while,” shares Watkins. “I’m a pretty nostalgic person by nature – I’m always reminiscing, missing how things used to be. I brought the idea to Natalie and Jeremy because I knew they’d go there with me. I’ve always been drawn to this image of the ‘Marlboro Man’ — not necessarily for the cigarettes, but for what he stood for. He was rugged, masculine, quiet and kind of untouchable. There’s something romantic about it, and I wanted to write a song that felt like that.”

The new music comes amidst a big summer for the rising artist, with “Marlboro Man” joining the no-nonsense anthem “I’ll Get Through It” and April’s “Lose My Cool” – her first since her 17-track critically acclaimed debut album The Heartbroken Record. Now happily married, Watkins is moving on from heartbreak and on to greener pastures in her new chapter.

Last month, Watkins fulfilled a lifelong dream by stepping into the coveted Grand Ole Opry circle for the first time. She’ll continue to build momentum on the road, touring with Riley Green this summer before joining Lainey Wilson and Kameron Marlowe in the fall.

WinterWonderGrass Steamboat 2026 Unveils Americana And Bluegrass Powerhouse Lineup

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WinterWonderGrass Steamboat is thrilled to announce the 13th annual installment of the beloved music, brews, mountains festival. This year will feature 30 bands on 4 stages over 3 days filled with new acts, music on the mountain, skiing and fun for the whole family including free pop up shows at Thunderhead Lodge, the infamous Grass After Dark late night sets and more. WinterWonderGrass has established a reputation in the Americana/bluegrass/roots communities as being a tastemaker and ahead of the curve when it comes to seeking out the best emerging talent. 2026 is no exception, and will highlight 11 acts that will make their WWG debut.

WWG remains focused on curating simple and authentic community gatherings for the adventurous spirit – where the quality of the experience is the top priority, not the number of tickets sold. In a world where few independent festivals remain, WinterWonderGrass prides itself on being one of the best. The full artist lineup is listed below and features The Devil Makes Three, Leftover Salmon, The Infamous Stringdusters, Daniel Donato’s Cosmic Country, Elephant Revival, Sierra Hull, Andy Frasco, Lindsay Lou, and more.

Purchase tickets HERE.

2026 WinterWonderGrass Steamboat Lineup

THE DEVIL MAKES THREE
LEFTOVER SALMON
THE INFAMOUS STRINGDUSTERS
DANIEL DONATO’S COSMIC COUNTRY
ELEPHANT REVIVAL
SIERRA HULL
ANDY FRASCO (Artist at Large)
LINDSAY LOU (Artist at Large)
MOUNTAIN GRASS UNIT
MOONTRICKS
CLAY STREET UNIT
TOPHOUSE
CHAPARELLE
MAGOO
THE FRETLINERS
DANIEL RODRIGUEZ STRING BAND
THE LAST REVEL
BRONWYN KEITH-HYNES
WINTERWONDERWOMEN
PICKIN’ ON THE DEAD featuring ROB EATON
JOHNNY MULLENAX
AJ LEE (Artist at Large)
SILAS HERMAN & THE TONE UNIT
BANSHEE TREE
BROKEN COMPASS BLUEGRASS
TYREE WOODS (Artist at Large)
LITTLE MOON TRAVELERS
DEER CREEK SHARP SHOOTERS
GRAHAM GOOD AND THE PAINTERS

Irish Indie Artist Liam Foody Shares Reflective New Single ‘The One’

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Since his 2024 debut, “New Local Hero” nominee Liam Foody has been earning widespread acclaim across Irish media, with features in Hot Press, The Beat, Pure M Zine, The Daily Music Report and more; his atmospheric indie sound and heartfelt songwriting positioning him as a sure ‘one to watch’ in the Irish music scene.

Upcoming single, “The One”, releasing October 10th, is another introspective release from the Ballyhaunis singer-songwriter. Written about the emotional struggle of holding on to things we don’t want to let go of, it also delves into the difficult, though important realization that everything happens for a reason. “Sometimes this truth is hard to accept,” Foody explains. “But it’s a part of life that we all have to face”.

The single, which came together rather unexpectedly, features longtime collaborator and fellow Mayo musician Kriss Kurda, who worked with Foody on second single “Waiting For You”.

Foody recalls, “I was in the studio working on a different song when the chorus melody came to mind. The rest of the song came together rather quickly after we stopped what we were doing and put everything into getting this track finished. My friend Kriss Kurda played a big role in bringing this song to life with the addition of synthesisers, live guitar and heavy drums. I then got in touch with Dublin based producer Gavin Doyle who worked his magic and made the song what it is”

With what is only his third original release, “The One” deepens the promise Foody has shown from the beginning, marking another confident step forward in the journey to becoming one of Ireland’s freshest new voices in indie.

We Are Scientists Reflect And Rip On ‘The Big One’ From Album ‘Qualifying Miles’

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“One problem with constantly mining your own personal life for lyrical inspiration is that you sometimes catch yourself experiencing personal interactions through the lens of your own future lyrical depiction of the moment,” says We Are Scientists vocalist and guitarist Keith Murray about the band’s emotionally raw new single, “The Big One.” “We hear a lot about artists coping with difficult emotional experiences by hashing them out in their work; much less is said about how the anticipation of doing that artistic hashing plays in at the actual moment. Like, ‘Oh, geez, I’m in trouble now-here comes a good song!'”

He continues: “There’s a scene in Noah Baumbach’s Kicking and Screaming where a couple, fresh out of undergrad, are fighting over who gets to ‘use this material in a story’,” he continues, alluding to the 1995 film. “As a referendum on artistic solipsism, it haunts me to this day. I guess ‘The Big One’ is about those moments when things go so awry that that sort of in-the-moment arm’s-length analysis is no longer a possibility. Now you’re just in it. It also has maybe my favorite guitar solo ever, so, yeah.”

“The Big One” is the final preview of Qualifying Miles, the band’s highly anticipated ninth studio album, out now via Gronland Records. It follows a trio of emotionally rich singles that capture the band’s sharpened, guitar-forward direction and trademark lyrical wit: the aching, effervescent “Please Don’t Say It,” the shimmering, self-lacerating ballad “I Could Do Much Worse,” and “What You Want Is Gone,” a melancholic mid-tempo stunner paired with a fan-shot tour video that leans into memory, longing, and letting go.

Together, the four singles serve as a proper reintroduction to We Are Scientists: a band reflecting on their past without being trapped by it, chasing an immediacy that feels both familiar and revitalized. The album’s title, Qualifying Miles, plays like a wry nod to the band’s decades-long journey, but there’s no nostalgia for nostalgia’s sake here, this is a collection of songs that crackle with life and gut-punch emotional resonance.

Qualifying Miles is a stripped-down, emotionally expansive record that sees We Are Scientists embracing the ’90s guitar rock influences that first lit the fuse back in their early Brooklyn days. Tracks like “Dead Letters,” “At The Mall In My Dreams” and “What You Want Is Gone” lean into themes of memory, impermanence, and the haunting weight of lost connections. But there’s levity, too – the band’s self-effacing humor and melodic swagger remain front and center.

Recorded with a “band in a room” ethos and a let-it-rip energy, Qualifying Miles finds longtime duo Keith Murray and Chris Cain pushing themselves toward something looser, louder, and more instinctive than anything they’ve done in years. For a band celebrating 20 years since their breakthrough debut With Love and Squalor, Qualifying Miles doesn’t feel like a victory lap – it feels like the start of something urgent and new.

Blues-Rock Guitarist Leilani Kilgore Unleashes Fiery Debut Album ‘Tell Your Ghost’

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Standout Nashville-based guitarist Leilani  Kilgore – who has been hailed by Guitar World, SPIN, Loud Hailer Magazine and  numerous others – has released her highly-anticipated debut album, Tell Your Ghost,  which is now available digitally on all streaming platforms, as well as on CD and vinyl.  

Tell Your Ghost – produced by Kilgore herself – showcases the prodigious guitar skills  and knack for compelling songwriting that have garnered her such widespread critical  acclaim. Spanning nine diverse tracks, the album also reflects Kilgore’s eagerness to  expand her sonic profile by fearlessly embracing more elements of rock and alternative  music while still paying homage to her roots in the blues.  

Kilgore has built and solidified a reputation as one of the most talented and highly regarded guitar acts in the industry. Hundreds of shows across the U.S. and  internationally have cemented her status as a can’t-miss live performer and helped her  build a robust, enthusiastic following, and she has released a string of successful  singles that have accumulated hundreds of thousands of streams. But after a series of  both professional and personal challenges in recent years, the West Coast native  decided the time was right to finally release a full-length album.  

“It was really important to be able to prove to myself, and others as well, that I was  capable of putting out an album after focusing solely on singles for so long and that it  was something actually worth doing,” notes Kilgore. “Admittedly, I also had a lot to get  off my chest after facing a number of issues over the past few years and recording this  album became a kind of therapy because I was able to tap into and emotionally process  those struggles in what is probably the most natural and healthy way for me – through  music.”  

Tell Your Ghost includes three of Kilgore’s previously-released singles – the thumping  and energetic “High/Low” that serves as the album’s opener, the mesmerizing, scaled back “Early Grave” that provides a stellar example of both Kilgore’s artistic versatility  and growth as a songwriter and the raucous banger “Wish You Were Dead,” which  delivers a healthy dose of infectious, crunchy guitars and the kind of raw energy for  which she is known.  

It also features “Spanish Moss,” which Kilgore counts as perhaps her favorite on the  album and represents everything that gets her excited about songwriting, and the  album-closing “I See Stars,” an emotional and poignant track that she predicts may  catch listeners a bit off guard.  

Although regarded primarily as a blues artist throughout her career, Kilgore approached  the recording process intent on making sure her debut album had a more rock-centric 

sound and an overall feel that mirrors her live performances, and she went about  executing that vision in part by deciding to produce Tell Your Ghost herself.  

“Ultimately, I realized that the best way to capture the sound I was looking for on the  album was to produce it myself,” she says. “I wanted this record to sound like we do as  a band when we play live and to capture the same energy and synergy we have when we’re on stage together. Making that happen in essentially only three days in the studio  was definitely a challenge at times but I think we accomplished what we set out to do  and I’m incredibly proud of the final product.” 

Tell Your Ghost Track Listing 

1. ‘High/Low’ 

2. “Back to You” 

3. “Spanish Moss” 

4. “Early Grave” 

5. “Creepin’” 

6. “Burn” 

7. “Can’t Take it Back” 

8. “Wish You Were Dead” 

9. “I See Stars” 

All songs on Tell Your Ghost were written and produced by Leilani Kilgore. She is joined  on the record by Jon Wisecarver (guitar), Josh Rice (bass) and David Keith (drums).  

Lauded by Guitar World for her “killer vibe and chops to back it up,” Leilani Kilgore is a  bona fide rising star whose distinctive, blistering rock sound features elements of soulful  blues and fearless, unapologetic emotional expression.  

The West Coast native first began playing professionally at the age of 14 before honing  her skills with performance- and guitar-focused training at the renowned Berklee  College of Music, and she has garnered critical acclaim throughout the industry for her prodigious musicianship and immense sonic profile ever since. 

Kilgore, dubbed a “must-see live performer” by Loud Hailer Magazine, has notched  hundreds of shows and festivals both in the U.S. and internationally, including  headlining slots on legendary stages like Sturgis Buffalo Chip and Summerfest, and she  has opened for such renowned acts as Buddy Guy, Lita Ford, 38 Special, The Dead  Daisies (feat. Glenn Hughes and Doug Aldrich) and Tommy Castro. 

Kilgore has released numerous successful singles since arriving in Nashville that have  accumulated hundreds of thousands of streams and earned her a large, loyal following  nationwide. In the Fall of 2025, she will release her debut full-length album, Tell Your Ghost, a nine-song collection that not only captures her prodigious guitar skills, but her  artistic versatility and evolution as a songwriter as well.