Home Blog Page 2376

Roxy Music The Debut Album 45th Anniversary Four-Disc Super Deluxe Edition To Be Released On February 2, 2018

0

Every so often an album comes along that changes not just the rules but the game, opening new possibilities for music. In America in the late 1960s, The Velvet Underground & Nico was one such record. And in Britain, released on June 16, 1972, the self-titled debut album by Roxy Music would be another.

From the first lines of the opening track, “Re-Make/Re-Model” — “I tried, but I could not find a way, looking back all I did was look away” — to the final “Should make the cognoscenti think” lyric of the closing song, “Bitters End,” it was immediately clear that Roxy Music’s first record was an album like no other.

By the time the album was released, the band had fewer than ten gigs to their name, they had no two tracks in their repertoire that were alike, and critics simply couldn’t pin down their influences. As Richard Williams said at the time in Melody Maker, “If Roxy Music go very much further, they’ll be one of the great success stories of modern times.”

45 years later, with the group’s involvement, we get an opportunity to assess the album and listen as Roxy evolved and developed. The 3CD/DVD Roxy Music box set, to be released February 2 by Virgin/UMe, provides a thrilling insight into the world of Roxy Music in 1971/1972, starting with the demo tape that caught the attention of writer Richard Williamsthat ultimately led to their deal with EG Management and then Island Records.

Included are the John Peel BBC Sessions which saw the group honing their craft as they prepared to record their debut album. The second CD in the set captures something very special with unheard glimpses into Roxy’s working methods in the studio. Alternate session versions are offered for every album track, plus their first single, “Virginia Plain.”

The original album is presented in the 1999 Bob Ludwig master, while the remainder of the audio has been mastered by Frank Arkwright at Abbey Road Studios.

The set’s DVD includes promos and BBC TV appearances, as well as rare footage of Roxy at the Bataclan Club in Paris in November 1972, the only surviving visual document of this line-up live on stage. To round off the audio/visual elements of the set, lifetime admirer Steven Wilson has mixed the album into 5.1 DTS 96/24 and Dolby AC3 Sound.

The box set also contains a 136-page book, featuring many rare and previously unpublished photographs and an essay by aforementioned Guardian journalist and author Richard Williams, the man who first wrote about the group in Melody Maker in 1971.

Speaking today about the band’s debut, guitarist Phil Manzanera commented, “At 21, my musical dreams came true, recording this album with these wonderfully talented and unique band members. Magical times, magical music.”

Saxophonist Andy Mackay recalls, “Late ’71/’72 Roxy was our Arts Lab.  The place where we exchanged ideas and dreams freely and created and explored a new sound landscape. We stepped into Command Studios with a complete album in our heads (and half the next one) and it only needed the tape to start running… no album was as easy to record again.”

Drummer Paul Thompson: “The first Roxy Music album was my opportunity to create. I wasn’t used to this type of line-up, I was used to being in guitar-based bands but always wanted to broaden my horizons and here was my chance. A landmark in the history of pop!”

Looking back on the album, Bryan Ferry reflected, “We never really felt accepted, I can see how the old guard would have felt threatened by it, because it was so jammed full of ideas and a massive amount of energy. But we hadn’t paid our dues, not in the same way. And we’re still not a part of it, not really, even to this day. That’s been very hard over the years, to try and make it work without being one of them. The ‘them’ is always different, but we’re not part of it. It’s been one of the triumphs, that we’ve managed to stay sane. Or sane-ish. We’re a part of it all, somehow, but still on the outside.”

ROXY MUSIC
THE DEBUT ALBUM 45TH ANNIVERSARY (3CD/DVD SUPER DELUXE EDITION)

DISC ONE: THE ALBUM
Re-Make/Re-Model (5.14)
Ladytron (4.28)
If There Is Something (6.34)
Virginia Plain (2.57)
2 HB (4.31)
The BOB (Medley) (5.49)
Chance Meeting (3.10)
Would You Believe? (4.03)
Sea Breezes (7.04)
Bitters End (2.08)

DISC TWO: DEMOS & OUTTAKES

EARLY DEMOS April/May 71
Ladytron (5.21)
2 HB (7.16)
Chance Meeting (4.22)
The BOB (Medley) (5.39)

ALBUM OUT-TAKES
Instrumental (0.32)
Re-Make/Re-Model (8.13)
Ladytron (5.29)
If There Is Something (7.06)
2 HB (4.43)
The BOB (Medley) (6.20)
Chance Meeting (3.05)
Sea Breezes (2.38)
Bitters End (6.04)
Virginia Plain (3.33)

DISC THREE: THE BBC SESSIONS

THE PEEL SESSIONS 4/1/72
If There Is Something (6.38)
The BOB (Medley) (5.50)
Would You Believe? (3.48)
Sea Breezes (8.18)
Re-Make/Re-Model (4.58)

THE PEEL SESSIONS 25/5/72
2 HB (3.46)
Ladytron (6.14)
Chance Meeting (3.01)

THE PEEL SESSIONS 25/5/72
Virginia Plain (4.03)
If There Is Something (12.15)

BBC IN CONCERT 3/8/72
The BOB (Medley) (5.51)
Sea Breezes (7.13)
Virginia Plain (3.27)
Chance Meeting (5.31)
Re-Make/Re-Model (6.28)

DISC FOUR: DVD
The full album remixed in 5.1 by Steven Wilson

VIDEOS
Re-Make/Re-Model The Royal College Of Art, 6/6/72
Ladytron The Old Grey Whistle Test, 20/6/72
Virginia Plain Top Of The Pops, 24/8/72
Re-Make/Re-Model Full House, 25/11/72
Ladytron Full House, 25/11/72
Would You Believe French TV, Bataclan, Paris26/11/72
If There Is Something French TV, Bataclan, Paris26/11/72
Sea Breezes French TV, Bataclan, Paris26/11/72
Virginia Plain French TV, Bataclan, Paris26/11/72

ROXY MUSIC
THE DEBUT ALBUM 45TH ANNIVERSARY (2CD / DIGITAL DELUXE EDITION TRACKLISTING)

DISC ONE: THE ALBUM
Re-Make/Re-Model (5.14)
Ladytron (4.28)
If There Is Something (6.34)
Virginia Plain (2.57)
2 HB (4.31)
The BOB (Medley) (5.49)
Chance Meeting (3.10)
Would You Believe? (4.03)
Sea Breezes (7.04)
Bitters End (2.08)

DISC TWO: THE BBC SESSIONS

THE PEEL SESSIONS 4/1/72
If There Is Something (6.38)
The BOB (Medley) (5.50)
Would You Believe? (3.48)
Sea Breezes (8.18)
Re-Make/Re-Model (4.58)

THE PEEL SESSIONS 25/5/72
2 HB (3.46)
Ladytron (6.14)
Chance Meeting (3.01)

THE PEEL SESSIONS 25/5/72
Virginia Plain (4.03)
If There Is Something (12.15)

BBC IN CONCERT 3/8/72
The BOB (Medley) (5.51)
Sea Breezes (7.13)
Virginia Plain (3.27)
Chance Meeting (5.31)
Re-Make/Re-Model (6.28)

Frank Zappa’s Legendary 1973 “The Roxy Performances Captured” On Definitive Seven-CD Boxed Set

0

43 years ago in December 1973, Frank Zappa played a series of legendary concerts at the famed Roxy Theatre on the Sunset Strip in Hollywood. Considered a high-water mark of his career, owing to the incredible, virtuosic performances of himself and his stellar band The Mothers, the five shows – across three nights – included a private invite-only performance/soundcheck/film shoot followed by back-to-back doubleheaders. A few days later, continuing this incredibly prolific week, Zappa brought his band and camera crew to Ike Turner’s Bolic Sound in Inglewood for a filmed recording session. In typical Zappa fashion, he recorded it all.

On February 2, 2018, Zappa Records will release The Roxy Performances, a definitive seven-CD box set that collects all four public shows from December 9-10, 1973, and the December 8th film shoot/soundcheck, each presented in their entirety for the first time, along with bonus content featuring rarities from a rehearsal, unreleased tracks and highlights from the Bolic Studios recording session. This complete collection, totaling nearly eight hours, documents the Roxy shows as they happened and presents brand new 2016 mixes by Craig Parker Adams from new 96K 24 Bit transfers of the multi-track masters. The set is rounded out with a 48-page booklet that includes photos from the performances, extensive liner notes by Vaultmeister Joe Travers, essays from Zappa family friend, Australian writer Jen Jewel Brown, and American singer/songwriter Dave Alvin, who give their firsthand recollections about the shows, and a selection of archival press reviews. Those who digitally pre-order the box set will receive an instant grat download of “RDNZL.” Culled from the very first show on December 9, the track is a live version of the classic song featuring the never-before-heard 2016 mix that exemplifies the sonics of the new box set.

“This is one of my favorite FZ line-ups ever. This box contains some of the best nights of music Los Angeles has ever seen with their ears at an historic venue,” says Ahmet Zappa, who co-produced the collection along with Travers, “Hold on to your hotdogs people. This box is the be-all-end-all. This is it. This is all of it. It’s time to get your rocks off for the Roxy.”

While portions of these concerts have been released in various formats over the years – first in 1974 on the album Roxy and Elsewhere, which mixed material from the shows with performances recorded in different locations months later, followed by 2014’s Roxy By Proxy, which featured Zappa’s 1987 digital mixes of tracks from various shows, and most recently the 2015 film Roxy The Movie and its accompanying soundtrack – the shows have never been released in their entirety until now.

The Roxy Performances capture Zappa and The Mothers in peak condition as they play to rowdy sold-out crowds in the intimate, just-opened venue in their hometown Los Angeles following the release of Over-Nite Sensation. The extraordinary band was one of Zappa’s best with keyboardist George Duke, bassist Tom Fowler, trombonist Bruce Fowler, tenor saxophonist and vocalist Napoleon Murphy Brock, percussionist Ruth Underwood and drummers Ralph Humphrey and Chester Thompson all flawlessly in lockstep as Zappa led them through his musically adventurous compositions filled with complicated time signatures and sudden tempo changes. As the Los Angeles Times remarked in their review, “The content of any show starring Frank Zappa and the Mothers of Invention is unpredictable. But the quality of the show is predictable. I have seen this satirical rock group many times and every show has been excellent. True to form, the group performed sensationally at the Roxy on Sunday night.” The (long-defunct) Los Angeles Herald-Examiner was equally impressed: “This time around Zappa, the counter-culture’s John Cage, has assembled a remarkable group of musicians. Tim Fowler on bass, his brother Bruce on trombone, Ralph Humphrey on drums, and George Duke, whose keyboard skills almost upstaged the leader himself. Percussionist Ruth Underwood kept up with the band’s frenetic pace without missing a single swat of the gong, and she was incredible.”

The material expertly performed across the five shows consisted mostly of songs from 1969 and beyond and included a dizzying array of stylistic diverse tracks from Uncle Meat, Hot Rats, Waka/Jawaka and Over-Nite Sensation. The shows also include a number of live favorites like “Village Of The Sun,” “Pygmy Twylyte,” “Cheepnis,” “Penguin In Bondage,” “Echidna’s Arf (Of You),” and “Don’t You Ever Wash That Thing.” Many of these ended up on Roxy & Elsewhere.

Jen Jewel Brown and Dave Alvin give a glimpse at what it was like to be at these historic shows in their richly detailed essays in the liner notes that accompany the recordings. Alvin reflects about meeting Zappa on the Isle of Capri in 1982 while on tour with his band The Blasters and how Zappa’s eyes lit up when he told him he saw him at the Roxy. “You were at a Roxy show?,” he beamed. He goes on to write, “The Roxy Mothers were a grand combination of high art, low art, masterful technique and razor sharp humor with a touch of wild abandon.” In Brown’s reflection, Frank and Gail’s personal friend tells about what it was like for a young girl from Australia to witness Zappa on the Sunset Strip in the ’70s and paints a vivid picture about what the shows were like. “This material shows an absolutely sleek beast at its prime,” she pens, adding, “This is a cultural record and there’s some prime Zappanalia here. Frank had put the crippling disasters of December ’71 behind him and was plunged headlong into some of the most beautiful music and zestful, open-hearted engagement with life imaginable.”

DISC 1
12-9-73 Show 1
1. Sunday Show 1 Start 4:59
2. Cosmik Debris 11:33
3. “We’re Makin’ A Movie” 3:16
4. Pygmy Twylyte 9:08
5. The Idiot Bastard Son 2:19
6. Cheepnis 3:44
7. Hollywood Perverts 1:07
8. Penguin In Bondage 5:54
9. T’Mershi Duween 1:56
10. The Dog Breath Variations 1:44
11. Uncle Meat 2:29
12. RDNZL 5:14
13. Montana 7:49
14. Dupree’s Paradise 15:25
TT: 76:43

DISC 2
1. Dickie’s Such An Asshole 10:29
12-9-73 Show 2
2. Sunday Show 2 Start 4:08
3. Inca Roads 8:27
4. Village Of The Sun 4:19
5. Echidna’s Arf (Of You) 4:01
6. Don’t You Ever Wash That Thing? 13:22
7. Slime Intro :59
8. I’m The Slime 3:34
9. Big Swifty 9:01
TT: 58:25

DISC 3
1. Tango #1 Intro 3:50
2. Be-Bop Tango
(Of The Old Jazzmen’s Church) 18:12
3. Medley:
King Kong
Chunga’s Revenge
Son Of Mr. Green Genes 9:46

12-10-73 Show 1
4. Monday Show 1 Start 5:31
5. Montana 6:57
6. Dupree’s Paradise 21:26
7. Cosmik Intro 1:05
8. Cosmik Debris 8:05
TT: 74:57

DISC 4
1. Bondage Intro 1:52
2. Penguin In Bondage 6:54
3. T’Mershi Duween 1:52
4. The Dog Breath Variations 1:48
5. Uncle Meat 2:29
6. RDNZL 4:59
7. Audience Participation – RDNZL 3:08
8. Pygmy Twylyte 4:05
9. The Idiot Bastard Son 2:21
10. Cheepnis 4:49
11. Dickie’s Such An Asshole 10:21
12-10-73 Show 2
12. Monday Show 2 Start 5:13
13. Penguin In Bondage 6:33
14. T’Mershi Duween 1:52
15. The Dog Breath Variations 1:46
16. Uncle Meat 2:28
17. RDNZL 5:11
TT: 67:50

DISC 5
1. Village Of The Sun 4:05
2. Echidna’s Arf (Of You) 3:54
3. Don’t You Ever Wash That Thing? 6:56
4. Cheepnis – Percussion 4:08
5. “I Love Monster Movies” 2:10
6. Cheepnis 3:35
7. “Turn The Light Off”/Pamela’s Intro 3:59
8. Pygmy Twylyte 7:23
9. The Idiot Bastard Son 2:22
10. Tango #2 Intro 2:01
11. Be-Bop Tango
(Of The Old Jazzmen’s Church) 22:08
TT: 62:46

DISC 6
1. Dickie’s Such An Asshole 15:39

Bonus Section: 12-10-73 Roxy Rehearsal
2. Big Swifty – In Rehearsal 2:50
3. Village Of The Sun 3:13
4. Farther O’Blivion – In Rehearsal 5:34
5. Pygmy Twylyte 6:17

Unreleased Track
6. That Arrogant Dick Nixon 2:19

12-12-73 Bolic Studios Recording Session
7. Kung Fu – In Session 4:50
8. Kung Fu – with guitar overdub 1:17
9. Tuning and Studio Chatter 3:38
10. Echidna’s Arf (Of You) – In Session 1:22
11. Don’t Eat The Yellow Snow – In Session 9:49
12. Nanook Rubs It – In Session 5:41
13. St. Alfonzo’s Pancake Breakfast – In Session 2:46
14. Father O’Blivion – In Session 2:31
15. Rollo (Be-Bop Version) 2:36
TT: 70:31

DISC 7
12-8-73 Sound Check/Film Shoot
1. Saturday Show Start 2:20
2. Pygmy Twylyte/Dummy Up* 20:25
3. Pygmy Twylyte – Part II 14:25
4. Echidna’s Arf (Of You) 3:42
5. Don’t You Ever Wash That Thing? 6:01
6. Orgy, Orgy 3:39
7. Penguin In Bondage 6:30
8. T’Mershi Duween 1:53
9. The Dog Breath Variations 1:45
10. Uncle Meat/Show End 4:01
TT: 64:46

SOCAN Foundation Launches Charitable Fund

0

The SOCAN Foundation announced that it has established the SOCAN Foundation Charitable Fund.

The launch of the Charitable Fund comes as the SOCAN Foundation celebrates its 25th anniversary. So far, the SOCAN Foundation has awarded over $25,000,000 to Canadian music initiatives. This represents more than 6,000 grants to individuals and organizations that have empowered and supported thousands of Canadian composers and songwriters across the country.

“The SOCAN Foundation Charitable Fund will allow the Foundation to continue to support even more music initiatives,” said Charlie Wall-Andrews, Executive Director of the SOCAN Foundation. “It also presents a unique opportunity for music fans, members of SOCAN, and the general public to get involved and easily support Canadian music, ensuring that the music-creator community continues to thrive and build on its extraordinary talent.”

Founded in 1992, SOCAN Foundation is dedicated to fostering musical creativity and promoting a better understanding of the role of music creators in today’s society. SOCAN Foundation is an independent organization guided by its own board of directors. The board, which consists of composers, songwriters and music publishers, reflects concert music and popular music genres as well as the geographic and linguistic regions of Canada. It is closely aligned to the interests of SOCAN—the Society of Composers, Authors and Music Publishers of Canada.

While the SOCAN Foundation regularly awards and funds individual music creators, and music organizations, proceeds from the Charitable Fund will be awarded only to eligible charitable initiatives that foster Canadian music, such as: music festivals, songwriting camps, awards and scholarship programs.

All proceeds from the SOCAN Foundation Charitable Fund will be administered by the Chimp Foundation while being governed by the SOCAN Foundation Board of Directors. All proceeds will be donated directly to the Foundation’s grants and awards programming.

The Doors At Isle of Wight Festival, 1970 Gets A Proper Release

0

August, 1970: With Jim Morrison’s ongoing Miami obscenity trial casting an ominous shadow over the band, The Doors flew to England to play the Isle of Wight Festival. Waiting for them at “The Last Great Festival” were over 600,000 fans who had already torn down the barriers, crashed the gates, and enjoyed performances by the world’s top acts such as Jimi Hendrix, The Who, Miles Davis and Joni Mitchell. The Doors took the stage at 2 am, playing with the weight of the trial on their backs, and showed fans they still had the magic that had propelled them to the top during the Summer of Love. “We played with a controlled fury and Jim was in fine vocal form,” said Doors organist Ray Manzarek. “He sang for all he was worth, but moved nary a muscle. Dionysus had been shackled.” Less than a year later, The Doors were no more. Here, for the very first time, is the last Doors concert ever filmed. The Doors: Live at the Isle of Wight Festival 1970.

An Incredible Ten-Minute Freestyle From Black Thought Of The Roots

0

Today, you can freak out over an incredible ten-minute freestyle that Black Thought of The Roots dropped during a visit to Funkmaster Flex’s Hot 97 show. “That verse was just what I had to say at the moment,” the rapper later tweeted about the pointed freestyle, which name-drops Nat Turner, Kanye West, characters from Hamlet, and F. Scott Fitzgerald.

Via

The Who’s “Baba O’Riley” As Played On Accordions Is Better Than You Think It Would Be

0

The Who’s classic Baba O’Riley is one of the great rock and roll songs of all time. Here, Those Darn Accordions! turn in a fun cover version of the song, even substituting the synths for their main instruments.

The Most Popular Tracks, Artists, And Genres on Soundcloud in 2017

0

The 2017 Soundcloud year end list celebrates the diverse creativity on the platform – everything from the buzziest tags in 2017 like ChillHop and Vaporwave, to the year’s most creative cities including new entries Houston, Atlanta, Philadelphia and Seoul.

*The above information was compiled based on indicators and actions taken from across the SoundCloud community including streams, likes, reposts, shares and location.

How John Prine Saved Bill Murray

0

Bill Murray tells the story of how he got his sense of humor back, thanks to “the humor of John Prine.”

How John Prine Saved Bill Murray

0

Bill Murray tells the story of how he got his sense of humor back, thanks to “the humor of John Prine.”

A simple note pattern can be heard all over music, yet can’t be described

0

A simple note pattern can be heard all over music, yet can’t be described without notating it or playing it. Here how it fits in to four examples of relatively modern music.