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Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 Gets Released On March 23, 2018

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Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018.

Available in 4CD boxset and digital configurations, Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 brings together, for the first time in an authorized edition with state-of-the-art production, five mythic concert performances as heard by lucky audiences during the epochal Spring 1960 Jazz At The Philharmonic European Tour.

Showcasing the musical chemistry shared by Miles and Trane, The Final Tour: The Bootleg Series, Vol. 6 offers five of the best recorded shows from that pivotal 1960 tour (Coltrane’s last as sideman): two shows from Paris’s L’Olympia Theater on Monday, March 21; two shows from the next night at Stockholm’s Konserthuset; and one from Copenhagen’s Tivolis Koncertsal three days later, on March 24.

The box set was produced by the multi-Grammy winning team of producers Steve BerkowitzMichael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The set is authorized for official release by the Miles Davis Estate, the John Coltrane Estate, and Columbia Records/Legacy Recordings.

Miles Davis and John Coltrane were each implementing their own jazz revolutions at the time these recordings were made and the electrifying sonic frisson produced by the sometimes-competing/sometimes-intertwining musical visions of the artists perplexed contemporary jazz fans–many of whom were just getting acquainted with the recently-released and now iconic Kind of Blue.

“Much happened on that 1960 tour onstage and off, including powerful, emotionally charged performances in which one can hear the swinging, divergent energy of a band, and the unfiltered reactions of the European audiences: the crowd responses are indeed an inherent part of these historic performances,” writes Grammy Award®-winning music historian Ashley Kahn in his in-depth revelatory liner notes penned especially for this collection. “The common judgement on this music is that it represents a great jazz ensemble audibly straining to hold itself together…An equally convincing interpretation of the 1960 situation is that Miles and his quintet were redefining what a great band could sound like, and how much music it could contain—at one time, in one concert, even in one tune. It’s not that the bandmembers were so much apart, but rather that each were more themselves within the same unit—that divergence could co-exist and make music together.”

The  repertoire performed in this collection is a veritable Miles Davis “Greatest Hits” including ” ‘Round Midnight”, “Bye Bye Blackbird”, “On Green Dolphin Street”, “Walkin’ “, “All Of You” and “Oleo”, all of which he had made his own and had been performing for some time. As well as more recent additions to the repertoire which were composed by Davis – “So What” and “All Blues” —  both from Kind Of Blue.

The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers. The ensemble includes Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums), all of whom had been performing together since the Kind Of Blue album.

The Final Tour closes with a rare contemporaneous audio interview with John Coltrane (conducted by Swedish deejay Carl-Erik Lindgren). “Do you feel angry?,” asks Lindgren. “No, I don’t,” says Coltrane. “I was talking to a fellow the other day, and I told him, the reason I play so many sounds, maybe it sounds angry, I’m trying so many things at one time. I haven’t sorted them out.”

Originally broadcast on European radio in March 1960, these concert recordings have been long sought after and prized by collectors and are now officially available at last as the latest installment in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series.

For 12″ vinyl collectors and audiophiles, Columbia/Legacy will release The Final Tour: CopenhagenMarch 24, 1960 as a single 12″ vinyl album.

A 2LP 12″ vinyl edition of Miles Davis & John Coltrane – The Final Tour: ParisMarch 21, 1960 will be reissued exclusively through Vinyl Me, Please as part of their new VMP Classics subscription featuring the best jazz, blues & soul reissues on 180g black vinyl with exclusive listening notes.

The first five volumes of The Miles Davis Bootleg Series have enjoyed numerous honors and accolades:

Live in Europe 1967: The Bootleg Series Vol. 1 (released September 2011) was the most acclaimed historic jazz box set of 2011, receiving a “5-star” review from Down Beat magazine, where it was voted Historical Album of the Year in the Down Beat 2012 Readers and Critics Poll.  The album was ranked #1 reissue in the Readers Poll of JazzTimes magazine while the Jazz Journalists Association voted it Best Historical or Boxed Set.  The set peaked at #3 on Billboard’s Top Jazz Album Charts.

Miles Davis Quintet – Live In Europe 1969: The Bootleg Series Vol. 2 (released January 2013) won the Jazz Journalists Association Historical Record of the Year, voted Historical Album of the Year in the Downbeat Readers and Critics Poll, and #1 reissue in both the Critics and Readers polls of JazzTimes magazine. Like its predecessor, the album also peaked at #3 on Billboard’s Top Jazz Album Charts.

MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3 (released March 2014) won the Jazz Journalists Association Historical Record of the Year, voted the #1 Historical Album of the Year in the 2014 Downbeat Critics Poll, #3 Historical Album of the Year in the 2014 JazzTimes Critics Poll, and included in Rolling Stone’s Best Reissues of 2014 list with a 4.5/5 STAR rating. The set peaked at #1 on Billboard’s Top Jazz Album Charts.

MILES DAVIS AT NEWPORT 1955-1975: The Bootleg Series Vol. 4 (released March 2015) was voted the #1 Historical Reissue in the 2015 JazzTimes Critics Poll and won Historical/Reissue/Vault Release in the 2015 JazzTimes Readers Poll. The set was also named in Downbeat’s “Best Albums of 2015” list, received 4 Stars in the Historical category and in Downbeat’s Critics Poll was the winner in the Historical Album category. The set won the 2016 NAACP Image Award for the Outstanding Jazz Album category.

Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol 5 (released October 2016) was #2 Historical Album of the Year in Downbeat’s 65th annual Critic’s Poll (August 2017 issue) and #6 Historical Album of the Year in Downbeat’s 82nd Readers Poll (December 2017 issue).

Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 Gets Released On March 23, 2018

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Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018.

Available in 4CD boxset and digital configurations, Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 brings together, for the first time in an authorized edition with state-of-the-art production, five mythic concert performances as heard by lucky audiences during the epochal Spring 1960 Jazz At The Philharmonic European Tour.

Showcasing the musical chemistry shared by Miles and Trane, The Final Tour: The Bootleg Series, Vol. 6 offers five of the best recorded shows from that pivotal 1960 tour (Coltrane’s last as sideman): two shows from Paris’s L’Olympia Theater on Monday, March 21; two shows from the next night at Stockholm’s Konserthuset; and one from Copenhagen’s Tivolis Koncertsal three days later, on March 24.

The box set was produced by the multi-Grammy winning team of producers Steve BerkowitzMichael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The set is authorized for official release by the Miles Davis Estate, the John Coltrane Estate, and Columbia Records/Legacy Recordings.

Miles Davis and John Coltrane were each implementing their own jazz revolutions at the time these recordings were made and the electrifying sonic frisson produced by the sometimes-competing/sometimes-intertwining musical visions of the artists perplexed contemporary jazz fans–many of whom were just getting acquainted with the recently-released and now iconic Kind of Blue.

“Much happened on that 1960 tour onstage and off, including powerful, emotionally charged performances in which one can hear the swinging, divergent energy of a band, and the unfiltered reactions of the European audiences: the crowd responses are indeed an inherent part of these historic performances,” writes Grammy Award®-winning music historian Ashley Kahn in his in-depth revelatory liner notes penned especially for this collection. “The common judgement on this music is that it represents a great jazz ensemble audibly straining to hold itself together…An equally convincing interpretation of the 1960 situation is that Miles and his quintet were redefining what a great band could sound like, and how much music it could contain—at one time, in one concert, even in one tune. It’s not that the bandmembers were so much apart, but rather that each were more themselves within the same unit—that divergence could co-exist and make music together.”

The  repertoire performed in this collection is a veritable Miles Davis “Greatest Hits” including ” ‘Round Midnight”, “Bye Bye Blackbird”, “On Green Dolphin Street”, “Walkin’ “, “All Of You” and “Oleo”, all of which he had made his own and had been performing for some time. As well as more recent additions to the repertoire which were composed by Davis – “So What” and “All Blues” —  both from Kind Of Blue.

The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers. The ensemble includes Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums), all of whom had been performing together since the Kind Of Blue album.

The Final Tour closes with a rare contemporaneous audio interview with John Coltrane (conducted by Swedish deejay Carl-Erik Lindgren). “Do you feel angry?,” asks Lindgren. “No, I don’t,” says Coltrane. “I was talking to a fellow the other day, and I told him, the reason I play so many sounds, maybe it sounds angry, I’m trying so many things at one time. I haven’t sorted them out.”

Originally broadcast on European radio in March 1960, these concert recordings have been long sought after and prized by collectors and are now officially available at last as the latest installment in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series.

For 12″ vinyl collectors and audiophiles, Columbia/Legacy will release The Final Tour: CopenhagenMarch 24, 1960 as a single 12″ vinyl album.

A 2LP 12″ vinyl edition of Miles Davis & John Coltrane – The Final Tour: ParisMarch 21, 1960 will be reissued exclusively through Vinyl Me, Please as part of their new VMP Classics subscription featuring the best jazz, blues & soul reissues on 180g black vinyl with exclusive listening notes.

The first five volumes of The Miles Davis Bootleg Series have enjoyed numerous honors and accolades:

Live in Europe 1967: The Bootleg Series Vol. 1 (released September 2011) was the most acclaimed historic jazz box set of 2011, receiving a “5-star” review from Down Beat magazine, where it was voted Historical Album of the Year in the Down Beat 2012 Readers and Critics Poll.  The album was ranked #1 reissue in the Readers Poll of JazzTimes magazine while the Jazz Journalists Association voted it Best Historical or Boxed Set.  The set peaked at #3 on Billboard’s Top Jazz Album Charts.

Miles Davis Quintet – Live In Europe 1969: The Bootleg Series Vol. 2 (released January 2013) won the Jazz Journalists Association Historical Record of the Year, voted Historical Album of the Year in the Downbeat Readers and Critics Poll, and #1 reissue in both the Critics and Readers polls of JazzTimes magazine. Like its predecessor, the album also peaked at #3 on Billboard’s Top Jazz Album Charts.

MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3 (released March 2014) won the Jazz Journalists Association Historical Record of the Year, voted the #1 Historical Album of the Year in the 2014 Downbeat Critics Poll, #3 Historical Album of the Year in the 2014 JazzTimes Critics Poll, and included in Rolling Stone’s Best Reissues of 2014 list with a 4.5/5 STAR rating. The set peaked at #1 on Billboard’s Top Jazz Album Charts.

MILES DAVIS AT NEWPORT 1955-1975: The Bootleg Series Vol. 4 (released March 2015) was voted the #1 Historical Reissue in the 2015 JazzTimes Critics Poll and won Historical/Reissue/Vault Release in the 2015 JazzTimes Readers Poll. The set was also named in Downbeat’s “Best Albums of 2015” list, received 4 Stars in the Historical category and in Downbeat’s Critics Poll was the winner in the Historical Album category. The set won the 2016 NAACP Image Award for the Outstanding Jazz Album category.

Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol 5 (released October 2016) was #2 Historical Album of the Year in Downbeat’s 65th annual Critic’s Poll (August 2017 issue) and #6 Historical Album of the Year in Downbeat’s 82nd Readers Poll (December 2017 issue).

New Jimi Hendrix Album Out March 9 “Both Sides of the Sky” Completing the Trilogy Started with Valleys of Neptune and People, Hell and Angels

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On March 9, Experience Hendrix and Legacy Recordings, the catalog division of Sony Music Entertainment, proudly release Both Sides of the Sky, a dynamic new Jimi Hendrix album featuring 13 studio recordings made between 1968 and 1970—10 of which have never before been released. The album will be released on multiple formats including CD, digital, and as a numbered 180 gram audiophile vinyl 2LP.

Both Sides of the Sky is the third volume in a trilogy of albums intended to present the best and most significant unissued studio recordings remaining in the music legend’s archive. Beginning with Valleys of Neptune (2010), which earned top ten sales rankings in fifteen countries (including a top position of #4 on Billboard’s Top 200 Album Chart), followed by People, Hell and Angels (2013) which peaked on Billboard’s Top 100 album chart at #2. Billboard’s coveted number one singles ranking went to “Somewhere,” the album’s lead track and the legendary guitarist’s highest ever US singles chart achievement. This third release is anticipated to complete the spectacular recording event in epic fashion. “Since Experience Hendrix began its restoration of the Jimi Hendrix music catalog in 1997, our goal has been to present these important recordings to Jimi’s fans in the best possible quality. We are excited about achieving that. We’ve also been intent on generating album releases which present this amazing music in its proper context,” explains John McDermott, one of the album’s co-producers, together with Janie Hendrix and Eddie Kramer.

Recorded between January 1968 and February 1970, Jimi’s desire to push the boundaries of blues music can be heard throughout. Both Sides of the Sky additionally highlights Jimi’s mastery of studio production and his increasing use of these facilities as a proving ground for new sounds, material, and techniques. Many of the album’s tracks were recorded by the trio that would come to be known as Band of Gypsys: Jimi on guitar and vocals, Billy Cox on bass, and Buddy Miles on drums. For their first-ever recording session on April 22, 1969, Hendrix turned to their shared musical root, delta blues. Their previously unreleased, uptempo reworking of Muddy Waters’ “Mannish Boy” opens the album and sets the tempo for what follows. “Lover Man” was a favored Hendrix original and the guitarist was determined to realize a finished master. Previous attempts by the original Experience had yet to yield this for Hendrix but this December 1969 effort by the Band Of Gypsys — complete with its homage to the popular Batman theme song—was his strongest effort to date.

“Hear My Train A Comin'” features drummer Mitch Mitchell and bassist Noel Redding from the original Jimi Hendrix Experience. This original blues composition had become a staple of Hendrix’s concerts. This previously unreleased April 1969 recording captured the furious power and dynamic tension that made the song so memorable. Previously unheard recordings of “Stepping Stone,” “Jungle,” “Cherokee Mist” (which features Hendrix on both electric guitar and sitar) as well as the January 1968 recording of “Sweet Angel” provide further highlights.

Both Sides of the Sky also features an assortment of notable guest musicians. Stephen Stills befriended Hendrix at the June 1967 Monterey Pop Festival. In September of 1969 Stills was invited to a Hendrix session at the Record Plant in New York. Stills burst into the session with a song Joni Mitchell had recently composed, titled “Woodstock.” Joined by Hendrix and Buddy Miles, the trio recorded this version first–months before Crosby, Stills, Nash & Young released their popular rendition of Mitchell’s song. Stills would also contribute $20 Fine, an original song that featured Hendrix on multiple guitars, Mitchell on drums, Stills on organ and lead vocals and Duane Hitchings (Buddy Miles Express) on piano.

Another of the album’s unique band creations sees Jimi Hendrix and Johnny Winter on guitar, backed by Billy Cox and drummer Dallas Taylor of Crosby, Stills, Nash & Young. An excerpt of their rendition of Guitar Slim’s “Things I Used To Do” was initially heard as part of a 1990 nationally syndicated radio program and accompanying box set, but here it is presented in full, newly mixed by Eddie Kramer for Both Sides of The Sky. On “Georgia Blues,” Jimi is reunited with his old bandmate Lonnie Youngblood (vocals/sax) from his pre-fame days in Curtis Knight & The Squires. Briefly issued as part of the 2008 Martin Scorsese Presents the Blues series but out of print for nearly a decade, this special recording is once more available to Hendrix fans throughout the world on all audio formats.

Both Sides of the Sky was produced by Janie Hendrix, John McDermott, and Eddie Kramer. Kramer served as recording engineer on every Jimi Hendrix album made during the artist’s life. In order to preserve the integrity and continuity of the Hendrix legacy, this same team has produced every Jimi Hendrix audio and visual release since 1996.

Janie Hendrix, President and CEO of Experience Hendrix, L.L.C. commented, “We have a growing commitment to preserve the legacy of Jimi and also to continue to give the worldwide family of Jimi fans quality releases. That’s what “Both Sides of The Sky reflects…our ongoing commitment. In a deeper sense, it’s the keeping of a promise. Jimi and I once made a promise to each other. He said he would take care of me and I told him I would take care him. Through his music and our preservation of his work, my brother and I honor one another. We are now in our third decade of watching over Jimi’s creative works and our resolve to maintain the integrity of what he left us has only grown stronger with time.”

That is also the purpose for Eddie Kramer’s involvement and his devotion to the project. He remarked, “Jimi’s true home was the studio, that’s where the music and the magic happened. He loved everything about recording and it’s been my distinct pleasure and an honor to play a part in that process both then and now.”

Both Sides of the Sky tracklist:

1) Mannish Boy*
2) Lover Man*
3) Hear My Train A Comin’*
4) Stepping Stone*
5) $20 Fine*+
6) Power Of Soul^
7) Jungle*
8) Things I Used to Do#
9) Georgia Blues++
10) Sweet Angel*
11) Woodstock*+
12) Send My Love To Linda*
13) Cherokee Mist*

*Previously unreleased
^ Previously unavailable extended version
+Featuring Stephen Stills
#Featuring Johnny Winter
++Featuring Lonnie Youngblood

All-Star Tribute Album ‘Strange Angels: In Flight With Elmore James’ Celebrates Blues Pioneer’s Centenary

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On January 26th, Sylvan Songs Records will release ‘Strange Angels: In Flight With Elmore James,’ a tribute album to the undisputed “King of the Slide Guitar,” timed to what would have been his 100th birthday. The 13-track collection puts James’ legendary body of work in the hands of master interpreters from blues, soul, country, pop and Americana – including Tom Jones, Rodney Crowell, Bettye LaVette, Keb Mo, Warren Haynes, Billy Gibbons, Shelby Lynne & Allison Moorer + more. Today NPR Music premiered Jones’ wickedly scruffy and reverent take on “Done Somebody Wrong,” praising its “sexy, stormy, stop-time feel that still sounds as arresting in the right hands today as it did when blues giant Elmore James originated it.”

Produced by Marco Giovino (Robert Plant, Tom Jones, Norah Jones), with the help of Executive Producer Tom Siering, ‘Strange Angels’ puts iconic James tunes like “Shake Your Moneymaker,” “Look on Yonder Wall,” and “Person to Person” alongside songs known mainly by James aficionados. While James was famously a ‘Triple Threat’ – he excelled at songwriting, singing, and (of course) guitar – the songs on ‘Strange Angels’ aim to highlight his contributions to American music beyond riffs and an amp-at-11 intensity. He left a body of memorable, adaptable songs that can be renewed again and again in surprising ways.

‘Strange Angels’ was recorded in various locations across the country, including studios in Los Angeles, Nashville, Boston, and NYC. Although the musicians vary slightly from track-to-track, a bulk of the recording features house band Elmore’s Latest Broomdusters, comprised of Rick Holmstrom (guitar), Doug Lancio (slide guitar), Rudy Copeland (Hammond B3), Viktor Krauss (bass), Larry Taylor (bass) and Giovino himself (drums).

James died at age 45 in 1963 of a heart attack and was therefore never able to fully reap the rewards of the late-60’s blues revival, but his music is a crucial bridge between generations of blues artists – from Robert Johnson (who James played with) to Muddy Waters, Howlin Wolf and beyond. He pioneered full band electric performances as early as 1939, serving as the bedrock example for generations of musicians. His list of admirers is unparalleled – Richards, Hendrix, Harrison, Allman, Robertson, Vaughan, and on and on.

All of the profits for ‘Strange Angels’ will go to MusicCares, who provide resources and attention to human service issues that directly impact the health and welfare of the music community, and Edible Schoolyard NYC, who partner with NYC public schools to provide garden and kitchen classes integrated into the school day.

‘Strange Angels’ will be available for pre-order on December 15. Full tracklist below, more info here: https://elmorejamesstrangeangels.com

‘Strange Angels: In Flight With Elmore James’ Tracklist:

Can’t Stop Lovin’ You – Elayna Boynton
Person to Person – Bettye LaVette
Shake Your Money Maker – Rodney Crowell
Done Somebody Wrong – Tom Jones
Mean Mistreatin’ Mama – Warren Haynes w/ Billy Gibbons & Mickey Raphael
Dust My Broom – Deborah Bonham
It Hurts Me Too – Jamey Johnson
Strange Angels – Shelby Lynne & Allison Moorer
Look On Yonder Wall – Keb Mo’
My Bleeding Heart – Mollie Marriott
Hawaiian Boogie – Chuck E. Weiss
Dark and Dreary – Addi McDaniel
Bobby’s Rock – Elmore’s Latest Broomdusters

All-Star Tribute Album ‘Strange Angels: In Flight With Elmore James’ Celebrates Blues Pioneer’s Centenary

0

On January 26th, Sylvan Songs Records will release ‘Strange Angels: In Flight With Elmore James,’ a tribute album to the undisputed “King of the Slide Guitar,” timed to what would have been his 100th birthday. The 13-track collection puts James’ legendary body of work in the hands of master interpreters from blues, soul, country, pop and Americana – including Tom Jones, Rodney Crowell, Bettye LaVette, Keb Mo, Warren Haynes, Billy Gibbons, Shelby Lynne & Allison Moorer + more. Today NPR Music premiered Jones’ wickedly scruffy and reverent take on “Done Somebody Wrong,” praising its “sexy, stormy, stop-time feel that still sounds as arresting in the right hands today as it did when blues giant Elmore James originated it.”

Produced by Marco Giovino (Robert Plant, Tom Jones, Norah Jones), with the help of Executive Producer Tom Siering, ‘Strange Angels’ puts iconic James tunes like “Shake Your Moneymaker,” “Look on Yonder Wall,” and “Person to Person” alongside songs known mainly by James aficionados. While James was famously a ‘Triple Threat’ – he excelled at songwriting, singing, and (of course) guitar – the songs on ‘Strange Angels’ aim to highlight his contributions to American music beyond riffs and an amp-at-11 intensity. He left a body of memorable, adaptable songs that can be renewed again and again in surprising ways.

‘Strange Angels’ was recorded in various locations across the country, including studios in Los Angeles, Nashville, Boston, and NYC. Although the musicians vary slightly from track-to-track, a bulk of the recording features house band Elmore’s Latest Broomdusters, comprised of Rick Holmstrom (guitar), Doug Lancio (slide guitar), Rudy Copeland (Hammond B3), Viktor Krauss (bass), Larry Taylor (bass) and Giovino himself (drums).

James died at age 45 in 1963 of a heart attack and was therefore never able to fully reap the rewards of the late-60’s blues revival, but his music is a crucial bridge between generations of blues artists – from Robert Johnson (who James played with) to Muddy Waters, Howlin Wolf and beyond. He pioneered full band electric performances as early as 1939, serving as the bedrock example for generations of musicians. His list of admirers is unparalleled – Richards, Hendrix, Harrison, Allman, Robertson, Vaughan, and on and on.

All of the profits for ‘Strange Angels’ will go to MusicCares, who provide resources and attention to human service issues that directly impact the health and welfare of the music community, and Edible Schoolyard NYC, who partner with NYC public schools to provide garden and kitchen classes integrated into the school day.

‘Strange Angels’ will be available for pre-order on December 15. Full tracklist below, more info here: https://elmorejamesstrangeangels.com

‘Strange Angels: In Flight With Elmore James’ Tracklist:

Can’t Stop Lovin’ You – Elayna Boynton
Person to Person – Bettye LaVette
Shake Your Money Maker – Rodney Crowell
Done Somebody Wrong – Tom Jones
Mean Mistreatin’ Mama – Warren Haynes w/ Billy Gibbons & Mickey Raphael
Dust My Broom – Deborah Bonham
It Hurts Me Too – Jamey Johnson
Strange Angels – Shelby Lynne & Allison Moorer
Look On Yonder Wall – Keb Mo’
My Bleeding Heart – Mollie Marriott
Hawaiian Boogie – Chuck E. Weiss
Dark and Dreary – Addi McDaniel
Bobby’s Rock – Elmore’s Latest Broomdusters

Here It Is. The Video Of The Year Featuring A Russian Playing The Recorder.

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Here it is. The best video of the year. Russian musician Vladimir Cauchemar pops up in the strangest places while he plays his recorder. Director Alice Kunisue just created one giant WTF video you’re going to watch and share.

Guys Play Stevie Ray Vaughan’s “Pride and Joy” On A $25 Kids’ Guitar At WalMart

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The mark of a great guitarist, says Keith Richards, is how well they can handle an acoustic guitar. The mark of a great song, I say, is how well it can be played on a toy instrument. Watch how Clay Shelburn and Zac Stokes play Stevie Ray Vaughan’s Pride and Joy on a $25 kids’ guitar at their local WalMart.

Guys Play Stevie Ray Vaughan’s “Pride and Joy” On A $25 Kids’ Guitar At WalMart

0

The mark of a great guitarist, says Keith Richards, is how well they can handle an acoustic guitar. The mark of a great song, I say, is how well it can be played on a toy instrument. Watch how Clay Shelburn and Zac Stokes play Stevie Ray Vaughan’s Pride and Joy on a $25 kids’ guitar at their local WalMart.

The New Trailer For HBO’s David Bowie Doc Is Out

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Focusing on the artist’s final years, David Bowie: The Last Five Years presents a nuanced look at the evolution of Bowie’s music as told through archival footage and interviews with the musical legend’s bandmates. Largely focused on Bowie’s final two albums, The Next Day and Blackstar, the film also explores his musical, Lazarus, which he began developing in the midst of his illness. In this clip, Bowie lays out his artistic philosophy: ‘Always go a little further into the water than you feel you’re capable of being in. And when you don’t feel that your feet are quite touching the bottom, you’re just about at the right place to do something exciting.'” The film premieres Jan. 8 on HBO.

https://youtu.be/OwuuDpwPYxo

Toronto bids a festive farewell to Skittles Holiday Pawn Shop

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fter two insanely successful years, Toronto’s iconic and favourite holiday pawn shop is closing its doors – for good. To end on a high note and go out with a bang, Canadians have one last chance to pawn their unwanted holiday gifts for something way sweeter – Skittles candy!

Like any other store closure, everything must go. The beloved Dale the Dealmaker and store pawnbrokers are ready to give out double, triple, quadruple the Skittles in exchange for holiday gifts you don’t want. The Skittles Holiday Pawn Shop will be open for business from December 26 through December 29 at 277 Queen Street West (just east of John Street) in Toronto, from 10 a.m. to 6 p.m. each day. Unwanted gifts in good condition that have been pawned for Skittles will be donated to United Way Toronto and York Region.

“It’s bittersweet news to deliver before the holidays, but fear not, Canadians will have one last chance to trade all those unwanted holiday gifts for something they really want – Skittles candy!”, says Laura Amantea, Wrigley marketing director and lifelong Skittles fan. “We are going out with a bang because we know this store is held close to the hearts of Torontonians. The Skittles Holiday Pawn Shop will be doling out the best Skittles deals our fans have ever seen, and will never see again.”

Starting December 13, upload a photo of your unwanted holiday gift to www.SkittlesPawn.ca for appraisal and receive a certificate with a photo of the item, its estimated Skittles value, along with a coupon for $2 off select (151g, 191g and 320g) packs of Skittles.

For those planning on stopping by, other iconic Skittles fans will be making in-store appearances to bid their final farewell to the shop, including:

Justin Broadbent, visual artist (December 27, 12 p.m. – 2 p.m.)
Hollerado, Canadian indie rock band (December 28, 12 p.m. – 2 p.m.)
Norm Kelly, the 6 Dad (December 29, 11 a.m. – 12 p.m.)
Pawned items in good condition will be donated to United Way Toronto and York Region to help spread the holiday cheer. Hot items for the season such as new socks, PJs, gloves and personal care products will get pawners extra Skittles candy.

Toronto – this is your last chance to put those haggling skills to the test! Visit the Skittles Holiday Pawn Shop between December 26-29, where Dale the Dealmaker and Skittles pawnbrokers are ready to make some sweet deals. Join the conversation on social using #SkittlesPawn.