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Canadian Blues Rock Veterans ERROL STARR AND TRIBZ Release New Single “True Love”

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Hamilton, Ontario-based Errol Starr and Tribz unveil their new single “True Love,” a deeply felt blues-rock track shaped by decades of musicianship and shared creative instinct. The song highlights the collective strength of artists whose careers helped define Canadian rock, R&B, and blues radio from the 1970s through the 1990s.

Frontman Errol Starr, a JUNO Award winner widely recognized for his enduring vocal presence and crossover appeal, leads the project alongside guitarist Earl Johnson, founder of the influential rock band Moxy. Johnson’s blues-rooted guitar work and Starr’s expressive vocal delivery anchor the band’s sound, bringing together two Canadian music mainstays whose work has long resonated with rock, blues, and soul audiences.

Drummer Dave Davidson played a central role in the formation of the band, bringing Johnson and bassist Donny Hill together at his home to form the nucleus of Tribz. Davidson was also instrumental in completing the band’s earliest studio recordings, including “True Love,” the first song the group developed together. A longtime member of the American Rogues for over a decade, Davidson brings with him a dedicated fanbase across Canada and the United States that continues to connect strongly with the band’s direction.

“True Love” reflects a songwriting approach rooted in patience, feel, and emotional clarity. Written by Johnson and completed collaboratively by the band, the track allows space for each performance to breathe, guided by a production philosophy centered on authenticity and groove. The band self-produced the single, ensuring the recording captures the chemistry that defines their live performances.

Lyrically, the song speaks with understated honesty and reflection, carried by lines like “Too many times I never realized just what I had” and “I was blind to the love standing right in front of me.” The message unfolds naturally through restrained instrumentation and expressive phrasing, reinforcing the song’s timeless blues foundation.

Released under the name Errol Starr and Tribz, the project reflects a clear and focused artist identity, aligning with current trends while honoring the collective strength behind the music. With growing interest from blues radio and festival programmers in both Canada and the U.S., “True Love” positions the band for continued momentum throughout the year.

Addi John’s New Single “Busan” Explores Connection Across Continents

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Building on the momentum of a breakout debut year, London, ON-born, Windsor, ON-based artist and producer Addi John officially ushers in 2026 with the release of his latest single, ‘Busan’. Available now, the track serves as a soaring exploration of the threads that bind us across oceans and time zones. Following the success of his 10-track record ‘Another Way To Love’ and two internationally recognized singles, ‘Busan’ highlights Addi’s signature ability to craft music for the hopeful and the adventurous.

Addi’s artistic journey is defined by a spirit of independence and creative evolution. After years of touring with the award-winning project “Lost in Japan,” Addi has stepped into the spotlight as a formidable solo force, earning a nomination for FCLMA “Producer of the Year”. His music, often described as an inviting blend of sad songs and sing-alongs all the way to indie pop, captures the essence of human connection, ensuring every listener feels like part of a larger story.

The inspiration for “Busan” grew from a profound period of change within Addi’s own family, as his mother relocated to France and his brother moved to the South Korean city of the song’s title. Rather than focusing on the distance, Addi chose to celebrate the enduring nature of their bond, writing from a perspective of shared experience. The track mirrors the feeling of an adventure, capturing the wonder of discovering unique, hidden gems in an unfolding city. As Addi poignantly sings: “Find your way soon / We’re under the same moon / I’ll always be with you”.

A master of his craft, Addi served as the sole songwriter, composer, and producer for “Busan,” performing every instrument heard on the track. This minimalist and meticulous approach to production was honed in his home-built studio in Windsor, where he continues to produce for a diverse range of musicians. The result is a familiar yet fresh sound that allows his strong songwriting and authentic voice to resonate deeply with a global audience.

The accompanying music video for “Busan” further emphasizes Addi’s commitment to community and his identity as a member of the LGBTQIA+ community. Shot in a single day, the video features a diverse cast of fans from various backgrounds and cultures, all invited via social media to sing along in a display of unity. This collaborative spirit reflects Addi’s overarching goal: to create a space where listeners can forget everything else and simply live in the moment.

As Addi prepares for the release of his upcoming album, ‘Love & Misfortunes,’ he is set to bring his captivating live show to stages across the globe. After a series of Ontario dates supporting John Muirhead in February, Addi will embark on an extensive European tour this April, with stops in Germany and France. With “Busan” setting the stage, Addi is firmly positioned as one of Canada’s most promising artists to watch in the coming year.

ADDI JOHN ON TOUR:

  • March 14 – London, ON – London Brewing Co. (Melanoma Fundraiser)
  • April 24 – Hamburg, Germany – Harbour
  • April 30 – Nice, France – Waynes Pub

Former Ronnie Hawkins’ The Hawks Bassist KC ARMSTRONG Scales Global Charts with Powerful New Single “Mountain Man”

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Brantford-based singer, songwriter, and producer KC Armstrong is celebrating a monumental global surge as his latest single, “Mountain Man,” captures the top spot on international airwaves.

Originally a hidden gem from his acclaimed 2024 album ‘Finally Crafted’, the track has exploded in popularity, entering the UK’s ITISNOW Radio charts and skyrocketing to #1 in just three weeks with over 125,000 votes cast.

This unexpected international momentum has propelled “Mountain Man” onto the Canadian Independent Country Countdown, marking a high-velocity new chapter for an artist whose roots run deep in the fabric of Canadian music history.

“Mountain Man” is a masterclass in Americana storytelling, woven from a personal narrative of friendship and changing paths. Written years ago, after Armstrong’s longtime musical “wingman” left the road to start a family, the song captures the tension between the calling of the stage and the pull of domestic life.

The track features a stellar lineup of veteran musicians, including legendary guitarist Barry Haggarty, whose unique instrumentation brings the lyrics to life with sounds of a howling coyote and a clucking hen. As Armstrong sings in the final verse: “Sure am glad that you ain’t me / ‘cause I’m half the man that you try to be / you work your heart out – I’ll sing my songs”.

Armstrong’s current chart success is the culmination of a career spent alongside industry titans. A former bass player for the legendary Ronnie Hawkins as a member of “The Hawks,” Armstrong follows in the footsteps of icons like Robbie Robertson and Levon Helm. His journey has seen him share stages and studios with the likes of Jeff Healey and Grammy-winning producer Greg Wells (Disney’s Wicked, Celine Dion, Taylor Swift, Aerosmith.)

This wealth of experience is evident in ‘Finally Crafted’, which has already seen Armstrong named a finalist for International Male Album of the Year and International Male Single of the Year by the International Singer Songwriter Association.

The “Mountain Man” release highlights Armstrong’s sophisticated evolution as a self-taught producer and mixing engineer. By blending rock, blues, and folk into a “Finally Crafted” signature sound, he has created a project that resonates across borders, from the UK to France and beyond.

His previous singles have already made deep inroads on the Canadian Independent Country Countdown, peaking as high as #8 and #9, setting a formidable foundation for his current trajectory.

Beyond the studio, Armstrong’s digital presence continues to grow, with his YouTube channel surpassing 12,000 views and his Christmas single, “I Hate That Sweater,” recently winning the Cashbox Radio most requested song contest. This diverse success across holiday tracks, Americana ballads, and high-energy rock-a-billy showcases an artist who is as versatile as he is authentic.

With “Mountain Man” now officially released worldwide, KC Armstrong is proving that timeless storytelling and seasoned musicianship always find their audience. Armed with a supporting band of gold and platinum-selling collaborators and a #1 international hit, Armstrong is poised to further redefine the Americana landscape in 2026 and beyond.

Justin Faulknor Crafts a DIY Puppet Masterpiece Amidst Muppets’ 50th Anniversary Fever

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As the world anticipates the star-studded return of The Muppet Show this February on ABC and Disney+, rock singer-songwriter Justin Faulknor is proving that the spirit of Jim Henson’s artistry is alive and well in the indie music scene. This month, Faulknor unveils the music video for his new single “Girl Like You,” a production that redefines the term labor of love. While the upcoming Seth Rogen-produced Muppet special brings the icons back to the big screen, Faulknor has spent the last year independently designing, sewing, and building an entire cast of original puppets to bring his sixties-inspired rock track to life.

A lifelong admirer of Henson’s legacy, Faulknor transformed his creative space into a puppet workshop. Drawing on his background in film and television production from Sheridan College, he took on the monumental task of storyboarding the narrative, designing characters, and hand-crafting ten unique puppets from scratch. From the initial doodles to the final hand-stitched costumes and tiny, puppet-sized musical instruments, the project serves as a masterclass in DIY creative independence. To ensure the authenticity of the movement, Faulknor even sought guidance from seasoned puppeteers, including Jogchem Jalink of Sesamstraat, to capture that specific “Henson-esque” soul.

The song itself, “Girl Like You,” is a vibrant, tongue-in-cheek ode to classic rock storytelling. Steeped in the timeless grooves of The Beatles and Bob Dylan, the track features tight musicianship from session players Federico Cremoli and Sammy Dumanauw, balancing a vintage sixties sound with Faulknor’s modern wit. It is the lead single from his full-length album, ‘Far From Home,’ a collection of songs written during the isolation of the pandemic. The album explores the duality of feeling adrift while clinging to a sense of hope – a sentiment that mirrors the resilient, joyful spirit of the Muppet characters Faulknor grew up idolizing.

By acting as director, set builder, lead puppeteer, and editor, Faulknor has created a visual love letter to the era of practical effects and whimsical storytelling. At a time when digital effects dominate the landscape, his “Girl Like You” video is a refreshing reminder of the power of handmade artistry.

Both the single and the album ‘Far From Home’ are available now on all streaming platforms, offering a warm, nostalgic, and deeply sincere experience for fans of classic rock and the enduring magic of puppetry alike.

Crystal Shawanda Lands 2026 JUNO Award Nomination with ‘Sing Pretty Blues’ in Best Blues Album of the Year

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JUNO Award-winning powerhouse Crystal Shawanda returns with Sing Pretty Blues, the album that just earned her a 2026 JUNO Award nomination for Blues Album of the Year. The record takes listeners on a soulful journey through blues and southern country soul, paying homage to the classic sounds of Stax, Chess, and Motown. United by themes of resilience, self-worth, and independence, the songs reflect Shawanda’s refusal to settle in love, life, or business, delivering a powerful statement of strength and self-discovery.

“It’s been three years since my last album, and so much has happened, so there’s a lot of life in this music,” says Crystal. “The good, the bad, the redemption and healing can be messy, and life is not always pretty. That’s the Sing Pretty Blues.”

The album is the follow-up to 2022’s Midnight Blues, which earned Crystal a JUNO Award nomination in the Blues Album of the Year category, the 8th of her career. She became the first Indigenous woman to appear in the Top 10 of the American Billboard Blues chart upon the album’s release when it debuted at #8.

Produced by her husband and long-time collaborator Dewayne Strobel, Sing Pretty Blues is a thrilling mix of original songs – like the sassy standout “Stop Funking Me Around” and the sultry “Waiting For My Lover to Call” – alongside genre and era-spanning covers of Tom Petty’s “Honey Bee,” Son House’s “Preaching Blues” and Black Sabbath’s “Changes,” the latter recorded in tribute to a late fan and devoted friend.

“She grew up just down the road, back home on the Rez,” says Crystal. “She had a beautiful heart and just wanted to be loved, and people took advantage of that. Addiction is killing our communities, and her death triggered a lot of emotions about old friends who have passed and loved ones currently in active addiction. I needed to sing this song, to mourn, to grieve, because she mattered, and she was loved.”

Sing Pretty Blues is preceded by the album’s heartfelt first single, “Would You Know Love,” which was released in January and blends Crystal’s signature raspy vocals with the raw emotion of blues and the storytelling soul of country.

“It sounds like it’s from somewhere in between, where old meets new, and the blues meets country, kind of like me,” she says. “It’s honest, vulnerable and soulful. When I sing it, I think about who wouldn’t be in my life, if I had let love slip on by. I think sometimes people walk away from love too easily when it gets tough, but that’s what makes it love. It endures.”

Born and raised in Wikwemikong First Nation, on Manitoulin Island, in Northern Ontario, Crystal was introduced to the blues by her eldest brother and to old-time country by her parents. “I was also into other styles of music that led me to the blues,” she says, citing everything from Elvis Presley’s “Hound Dog,” written by Big Mama Thornton, to R&B-pop star Monica’s “Misty Blue,” by Dorothy Moore.

And yet Crystal’s first foray as a professional singer was in country music, not blues. She was in her early 20s and had immediate success after signing a U.S. record deal with RCA Nashville. 2008’s Dawn of a New Day, featuring the single “You Can Let Go,” reached No. 1 on the Canadian Country Album chart and No. 16 on the Billboard Top Country Albums, the highest charting album by a full-blooded Canadian Indigenous country artist (in the SoundScan-era).

The following year she left the label and created her own, New Sun Records. Her first release was the holiday album I’ll Be Home For Christmas. Her next country album was 2010’s Just Like You, which won a 2013 JUNO Award for Best Aboriginal Album, before she made the change to the blues with 2014’s The Whole World’s Got The Blues. Two years later, in quick succession, came 2016’s Fish Out of Water and 2017’s Voodoo Woman, then recognition as a bonafide blues talent with 2020’s Church House Blues, which won the 2021 JUNO Award for Best Blues album.

2x JUNO Award Nominee BELINDA BRADY Releases “Rise Up” – A Charity Anthem for Hurricane Melissa Victims

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Toronto-based reggae, pop, soul, and jazz artist Belinda Brady releases “Rise Up” out now, through Slammin’ Media and Believe Distribution – a stirring anthem of hope and unity born from the devastation of Hurricane Melissa.

Written and composed by Brady alongside her husband, Grammy-nominated and JUNO Award-winning producer Eddie Bullen, the single transforms tragedy into collective strength, with all proceeds supporting Food for the Poor Jamaica to provide critical aid to communities rebuilding across western Jamaica. This is music with purpose: an act of solidarity that honours Jamaica’s national motto, “Out of Many, One People,” while demanding action in the face of disaster.

The two-time JUNO Award nominee brings decades of professional artistry to “Rise Up,” drawing on her Kingston, Jamaica roots and her career performing alongside internationally renowned artists including Shaggy, Julian Marley, and Soca star Denyse Plummer. Brady, who was honoured as one of Canada’s 100 Accomplished Black Canadian Women in 2018 and served as music ambassador for UN Women Canada, has long understood music’s power to galvanise change. “Come together, let our hearts unite / Angels fly from around the world / Lifting spirits high, relieving our sorrows / So we can be strong,” she sings, her voice rising with conviction over Bullen’s masterful reggae production. These are not merely lyrics – they are a call to collective action, a refusal to let catastrophe define a community’s future.

What makes “Rise Up” particularly resonant is its unflinching acknowledgement of Hurricane Melissa’s human toll. Brady addresses the crisis directly: “Hey, little girl, don’t you cry / You’ve lost your shoes / Washed away in muddy waters / Hey, little boy, you’ve lost your home / Now everything’s changed.” The verses chronicle real loss—children displaced, homes destroyed, lives upended—before building toward the song’s defiant chorus. “We will rise, we will rise, we will rise,” Brady repeats, her vocals layered with backing harmonies with thousands of voices joining in solidarity.

Hurricane Melissa ravaged western Jamaica with catastrophic force, destroying infrastructure, displacing families, and wiping out livelihoods built over generations. Brady’s lyric “A mother’s cry, losing all hope / Forty years have gone / All her blood, sweat, and tears” captures the cruelty of such disasters – how decades of work can vanish overnight. Yet the song refuses despair. Instead, it honours the resilience embedded in Jamaican culture, the same spirit that inspired Brady’s father, Carl Brady, one of the original members of the iconic Byron Lee and the Dragonaires, to pursue music as a vehicle for joy and community connection. This is reggae in its truest form: music that speaks truth whilst lifting spirits, that protests injustice whilst celebrating collective strength.

Brady’s track record demonstrates her commitment to using artistry for social good. Her collaboration with producer Leroy ‘Artist’ Brown and the legendary Sly Dunbar on the smash hit “Dance With Me” showcased her ability to merge infectious rhythms with substance. Her designation as a UN Women honouree and years of service as their music ambassador reflect her understanding that platform demands responsibility. “Rise Up” represents the culmination of this philosophy – a single that delivers musically while serving a concrete humanitarian purpose.

Brady, who has steadily built momentum with 15,000+ streams and 90,000+ video views to date, positions “Rise Up” as both artistic statement and humanitarian intervention. For journalists seeking stories that transcend entertainment – where music becomes tool for tangible change – this release offers rare substance. Every stream, every download, every share translates directly into support for Jamaican families rebuilding their lives.

As Hurricane Melissa’s aftermath continues to unfold, “Rise Up” stands as testament to what art can accomplish when purpose and craft converge. Belinda Brady has created more than a charity single; she has crafted an anthem that honours those affected whilst mobilising global support. “Out of many, we are one,” she sings, invoking Jamaica’s motto not as nostalgic sentiment but as present-day imperative. In an era when natural disasters increasingly devastate vulnerable communities, “Rise Up” offers both mirror and roadmap—reflecting present crisis whilst charting a path toward collective recovery. This is music that matters, released at precisely the moment it’s needed most.

Portland Polymath Brandon Carmody Celebrates Four Decades of Artistry With ‘The Cutting Room Floor’

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Portland-based actor and musician Brandon Carmody officially unveils ‘The Cutting Room Floor’, a breathtaking 50-song retrospective capturing 40 years of creative evolution. Spanning from his first compositions written at age 10 to his present-day mastery, this collection serves as a vibrant diary of a life dedicated to the arts.

A cornerstone of the Portland creative scene since 1990, Carmody has seamlessly balanced a prolific career in film and television with a deeply personal musical journey. From his early roles in ‘Frozen Assets’ to his acclaimed portrayal of Christian Jordorski in ‘Emptyland’, Carmody’s storytelling prowess shines through in every medium he touches.

‘The Cutting Room Floor’ reimagines Carmody’s earliest keyboard melodies as lush 70’s rock ballads. Tracks like ‘Paper Boy’ transport listeners to 1988, reflecting his youthful determination. As the lyrics vividly recount: “I’d be pedal to the metal dead tired of dawn / Getting all the papers out / They know that I’m on the run”.

The album also marks a historic moment for Carmody, featuring ‘Coming Out’, the first musical exploration of his journey as a proud member of the LGBTQIA+ community. A frequent performer for Pride NW, Carmody uses his platform to foster deep connection, with listeners praising the record’s raw, transformative honesty.

This release bridges the gap between Carmody’s storied “band era” and his sophisticated solo production. By integrating themes of resilience and growth, he ensures that ‘The Cutting Room Floor’ is not just a look back, but a bold step forward for an artist who continues to reinvent himself.

The momentum continues into 2026 with the highly anticipated film ’24X: The Motion Picture’, where Carmody returns to his iconic role as Mullet Bower. Accompanied by a year-long social media campaign to share his musical legacy, Carmody remains a vital, forward-looking force in the independent arts.

Shaquille O’Neal Returns To Panther Island Pavilion For The Third Annual SHAQ’s Bass All-Stars Festival

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The largest bass music festival in Texas returns to Panther Island Pavilion on March 21, 2026. Shaquille O’Neal brings SHAQ’s Bass All Stars Festival back to the Dallas-Fort Worth area for its third and most ambitious edition. Produced in partnership with Medium Rare and Disco Donnie Presents, the event follows a successful history of hosting over 30,000 fans. This year features expanded production and the return of ‘The Trenches’ which functions as a 360 degree second stage designed to pull attendees into the center of the crowd.

SHAQ personally curated the lineup to feature a mix of established heavyweights and rising talents within the culture. The main stage hosts a back to back performance from Levity and Wooli alongside DJ Diesel and Jessica Audiffred. Fans also await the reveal of a special guest headliner. This record sounds like a high energy masterstroke of curated chaos and heavyweight sound. The festival environment includes enhanced visual effects, immersive art installations, and a ferris wheel to complement the music programming.

The experience continues to integrate local Texas flavor through specific food and beverage partners alongside interactive brand activations. ‘The Trenches’ stage adds further depth to the roster with performances from Big Florida, Whales, and Tynan. This event stands as a cornerstone celebration for the bass music community both in Texas and across the country. Every detail reflects the unique energy and scale that only O’Neal delivers to his audience.

Seminal Los Angeles Mod Trio The Question Reissue Landmark 1982 EP “Shall Be Love”

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Seminal Los Angeles mod trio The Question officially released their landmark 1982 EP “Shall Be Love” to all streaming platforms today via Oglio Records. This launch begins a long-awaited archival series that features newly remixed and remastered material alongside previously unheard tracks. Regarded as the most significant mod band from the city, the group earned a massive reputation through explosive live shows and sharp melodic songwriting. Tony Rugolo leads the band with jazz-influenced chord progressions that honor the legacy of his father, award-winning composer Pete Rugolo.

The band reached beyond the underground scene with a sound defined by Phil Cusimano’s 60s-infused Rickenbacker tone and the powerhouse drumming of David White. Music journalist Jack Rabid describes the group as one of the best bands ever to come out of Los Angeles. While their official discography was historically limited to a few self-released EPs and compilations, the group actually recorded a vast archive of more than 20 songs. Oglio Records will debut these deep cuts and singles over the coming months to finally give fans access to the complete collection.

The Question remains active today and is currently performing live gigs for their devoted following. They are also preparing to record a new album in 2026, which marks their first collection of fresh material in several decades. This record sounds like a vital missing piece of Los Angeles music history finally finding its place in the modern era. The archival series ensures that their influence on the power pop and mod genres is properly documented for a new generation of listeners.

Bowling For Soup Teams With Punk Rock Factory And Wheatus For A New Version Of “Endless Possibility”

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Pop-punk legends Bowling For Soup have joined forces with UK viral sensations Punk Rock Factory and alt-rock mainstays Wheatus to release a brand-new version of “Endless Possibility” today. Originally written by Jaret Reddick as the theme for the 2008 game Sonic Unleashed, the track remains one of the most celebrated pieces of music in the franchise history. This new recording honors the cinematic arrangements of original SEGA composer Tomoya Ohtani while injecting a fresh energy and humor unique to this specific collaboration.

The enduring legacy of the track continues to grow more than 15 years after its initial debut through constant fan covers and digital streams. Reddick notes that interest in the song is currently at an all-time high. “I know people will always love the original; it’s part of their childhood,” he shares. “But I have to say, this new version keeps the song intact and, sonically, it’s gonna knock your socks off!” This record sounds like a high-octane celebration of nostalgia and modern punk-rock synergy.