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Kendrick Lamar’s ‘DAMN.’ & Ed Sheeran’s ‘Shape of You’ Are 2017’s Biggest Sellers So Far

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Kendrick Lamar’s DAMN. and Ed Sheeran’s ÷ (Divide) lead Nielsen Music’s 2017 mid-year album charts, while Sheeran’s “Shape of You” dominates the mid-year song lists. (See charts, below.)

For the tracking period of Dec. 30, 2016 through June 29, 2017, Kendrick Lamar’s DAMN. dominates as the most popular album in the country, having earned 1.77 million equivalent album units. (Equivalent album units are comprised of traditional album sales, track equivalent albums [TEA] and streaming equivalent albums [SEA]. Each unit equals one album sale, or 10 individual tracks sold from one album, or 1,500 on-demand audio streams generated by songs on an album.)

DAMN. marked Lamar’s third No. 1 album on the weekly Billboard 200, following its release on April 14. It bowed with the largest week of the year for an album on the chart: 603,000 units earned.

In terms of traditional album sales, Ed Sheeran’s ÷ (Divide) is tops, with 742,000 copies sold so far in 2017. It’s ahead of the No. 2 seller, DAMN., with 678,000. Those are the only two albums to have sold at least a half-million copies in 2017. Comparably, in the first half of 2016, the industry saw five albums sell more than 500,000 – including a trio that moved in excess of a million (Adele’s 25, Drake’s Views and Beyoncé’s Lemonade).

Nielsen Music’s Mid-Year 2017 Charts:

2017’s Mid-Year Top 10 Albums (Based on Overall Equivalent Album Units)
1. Kendrick Lamar, DAMN. (1,772,000)
2. Ed Sheeran, ÷ (Divide) (1,749,000)
3. Drake, More Life (1,693,000)
4. Bruno Mars, 24K Magic (1,110,000)
5. Migos, Culture (1,002,000)
6. The Weeknd, Starboy (981,000)
7. Soundtrack, Moana (819,000)
8. Future, Future (760,000)
9. The Chainsmokers, Memories… Do Not Open (760,000)
10. Post Malone, Stoney (711,000)

2017’s Mid-Year Top 10 Selling Albums
1. Ed Sheeran, ÷ (Divide) (743,000)
2. Kendrick Lamar, DAMN. (678,000)
3. Bruno Mars, 24K Magic (494,000)
4. Soundtrack, Moana (494,000)
5. Metallica, Hardwired… To Self-Destruct (487,000)
6. Chris Stapleton, From A Room: Volume 1 (419,000)
7. Soundtrack, Trolls (373,000)
8. Soundtrack, Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 (351,000)
9. Drake, More Life (343,000)
10. Soundtrack, Beauty and the Beast (337,000)

2017’s Mid-Year Top 10 Selling Vinyl Albums
1. The Beatles, Sgt. Pepper’s Lonely Hearts Club Band (39,000)
2. Soundtrack, La La Land (33,000)
3. Soundtrack, Guardians of the Galaxy: Awesome Mix Vol. 1 (30,000)
4. Bob Marley and the Wailers, Legend (30,000)
5. Amy Winehouse, Back to Black (27,000)
6. Ed Sheeran ÷ (Divide) (27,000)
7. The Beatles, Abbey Road (26,000)
8. Prince and the Revolution, Purple Rain (24,000)
9. Tennis, Yours Conditionally (24,000)
10. Pink Floyd, The Dark Side of the Moon (23,000)

2017’s Mid-Year Top 10 Selling Digital Songs
1. Ed Sheeran, “Shape of You” (2,170,000)
2. Luis Fonsi & Daddy Yankee featuring Justin Bieber, “Despacito” (1,437,000)
3. Bruno Mars, “That’s What I Like” (1,377,000)
4. Sam Hunt, “Body Like a Back Road” (1,246,000)
5. Zayn / Taylor Swift, “I Don’t Wanna Live Forever (Fifty Shades Darker)” (1,048,000)
6. The Chainsmokers & Coldplay, “Something Just Like This” (988,000)
7. James Arthur, “Say You Won’t Let Go” (914,000)
8. Imagine Dragons, “Believer” (905,000)
9. Julia Michaels, “Issues” (889,000)
10. Bruno Mars, “24K Magic” (769,000)

2017’s Mid-Year Top 10 On-Demand Song Streams (Audio and Video Combined)
1. Ed Sheeran, “Shape of You” (689,756,000)
2. Migos featuring Lil Uzi Vert, “Bad and Boujee” (648,129,000)
3. Luis Fonsi & Daddy Yankee featuring Justin Bieber, “Despacito” (624,375,000)
4. Bruno Mars, “That’s What I Like” (522,071,000)
5. Kendrick Lamar, “Humble.” (519,887,000)
6. Future, “Mask Off” (505,473,000)
7. Kyle featuring Lil Yachty, “Ispy” (494,113,000)
8. Post Malone featuring Quavo, “Congratulations” (483,252,000)
9. Lil Uzi Vert, “XO TOUR Llif3” (474,220,000)
10. Kodak Black, “Tunnel Vision” (388,186,000)

2017’s Mid-Year Top 10 On-Demand Audio Streams
1. Ed Sheeran, “Shape of You” (354,245,000)
2. Kendrick Lamar, “Humble.” (345,980,000)
3. Future, “Mask Off” (327,281,000)
4. Luis Fonsi & Daddy Yankee featuring Justin Bieber, “Despacito” (316,581,000)
5. Migos featuring Lil Uzi Vert, “Bad and Boujee” (313,596,000)
6. Lil Uzi Vert, “XO TOUR Llif3” (277,610,000)
7. Post Malone featuring Quavo, “Congratulations” (273,964,000)
8. Kyle featuring Lil Yachty, “iSpy” (271,738,000)
9. Bruno Mars, “That’s What I Like” (261,115,000)
10. Big Sean, “Bounce Back” (230,278,000)

2017’s Mid-Year Top 10 On-Demand Video Streams
1. Ed Sheeran, “Shape of You” (335,511,000)
2. Migos featuring Lil Uzi Vert, “Bad and Boujee” (334,533,000)
3. Luis Fonsi & Daddy Yankee featuring Justin Bieber, “Despacito” (397,795,000)
4. Bruno Mars, “That’s What I Like” (260,956,000)
5. Kyle featuring Lil Yachty, “iSpy” (222,376,000)
6. Post Malone featuring Quavo, “Congratulations” (209,288,000)
7. Ayo & Teo, “Rolex” (199,244,000)
8. Lil Uzi Vert, “XO TOUR Llif3” (196,611,000)
9. Zay Hilfigerrr & Zayion McCall, “Juju On That Beat (TZ Anthem)” (196,524,000)
10. Rae Sremmurd, “Swang” (188,790,000)

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Rolls-Royce Announces ‘The John Lennon Phantom V’ To Return To London During 50th Anniversary Of Sgt. Pepper’s Lonely Hearts Club Band

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Today, Rolls-Royce has announced that it will celebrate the 50th anniversary year of Sgt. Pepper’s Lonely Hearts Club Band in its own way by bringing the colourful Rolls-Royce Phantom V, famous for being owned by John Lennon, back home to London for the British public to see.

Currently owned by the Royal British Columbia Museum in Canada, ‘The John Lennon Phantom V’ will travel from Canada to London to join ‘The Great Eight Phantoms’ – A Rolls-Royce Exhibition, at Bonhams on New Bond Street, an area visited regularly by Lennon in the late 1960s in this very car.

Members of the public will be able to see ‘The John Lennon Phantom V’ at Bonhams from 29 July to the 2 August.

On 3 June 1965 – the same day that Edward H White left the capsule of his Gemini 4 to become the first American to walk in space – John Lennon took delivery of something rather special. It was a Rolls-Royce Phantom V in Valentine Black. He would later say that he always wanted to be an eccentric millionaire, and the Phantom would become an important step towards that dream.

Lennon had the Phantom V customised in true rock-star style. The rear seat was converted to a double bed, a television, telephone and refrigerator were installed, along with a ‘floating’ record player and a custom sound system (which included an external loud hailer). Then, in April 1967, just as the recording of the game-changing Sgt. Pepper’s Lonely Hearts Club Band was finishing, Lennon asked Surrey coachbuilders, JP Fallon, to give the Phantom a new paint job. The freshly-painted Phantom was unveiled days before the worldwide release of Sgt. Pepper’s on 1 June and it seemed part of the overall concept of the album.

The new colour scheme is often described as ‘psychedelic’ and certainly the colours, particularly the dominant yellow, reflected the cover of Sgt. Pepper’s Lonely Hearts Club Band. But look carefully and you will see it is no random swirl, but a floral Romany scroll design, as used on gypsy caravans and canal barges, with a zodiac symbol on the roof.

The Phantom V was used regularly by Lennon until 1969 (Lennon also owned a slightly less conspicuous all-white Phantom V). Having used it, pre-paint change, to collect his MBE with his bandmates in 1965, he then used it again in 1969 to return his MBE to the Palace, in protest against, among other things, the Vietnam War. The car was shipped to the USA in 1970 when Lennon moved there and was loaned out to ferry other rock stars around such as The Rolling Stones, Bob Dylan and The Moody Blues. In 1977, after a period in storage, it was donated by billionaire Jim Pattison to the Royal British Columbia Museum in Victoria, British Columbia, Canada.

Hit Rewind: Cassettes Are Making A Comeback

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First vinyl records made a comeback, and now there’s an even newer trend in music: The lowly tape cassette is making a comeback, and there are sales numbers to prove it.

Disney Releases Video Of First Look at ‘Star Wars’ Land Models

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Today until Sunday, Disney will be giving D23 Expo attendees in Anaheim a close-up look at the new Star Wars-themed lands at Disneyland and Walt Disney World in 2019. Star Wars Land will be the largest-ever single-themed expansion at the theme park. If you’re not there this weekend, here’s the sneak peek:

Warner Music Canada To Release Teenage Head’s “Fun Comes Fast” Compilation

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Warner Music Canada has announced a licensing deal with Canadian punk rock pioneers Teenage Head to release Fun Comes Fast, a double album collection of songs spanning the group’s 40 year career. The album is scheduled for release later this Fall.

Warner Music Canada President Steve Kane commented on the agreement saying “C’mon, it’s Teenage Head! Their contribution to the Canadian music scene should not go unsung. We’re thrilled to be able to make sure that important bands like Teenage Head remain visible on our musical landscape.”

Teenage Head formed in Hamilton, Ontario in 1975 by Frankie Venom, Gord Lewis, Steve Mahon and Nick Stipanitz. Fronted by the charismatic Venom, the band’s live shows became infamous for inciting apocalyptic reaction from audiences across the country. Their 1978 show at The Horseshoe Tavern in Toronto ended in a riot, captured in the documentary film, The Last Pogo.

In 1978 the band’s first single, “Picture My face,” hit the streets followed a year later by self-titled debut album. In 1980, Teenage Head released their breakthrough album, Frantic City, that produced the hits “Let’s Shake” and “Somethin’ On My Mind.” In total, Teenage Head have released eight studio albums and one live record.

By 1986, Frankie Venom had left the band and was replaced by Dave Rave. Venom rejoined the band three years later but succumbed to throat cancer in 2008.

Teenage Head recently opened for Billy Talent at Hamilton’s new Tim Hortons Stadium. The band returns to the Horseshoe Tavern for a show this Friday, July 14.

More details on the release of Fun Comes fast including a full track-listing to be released in the future.

And now, a few words from Teenage Head’s Steve Mahon:

Back in the seventies, when Nick, Gord, Frank and myself decided to try and form a rock group, we had no idea what lay ahead. All we knew was what we loved, and that was loud, in your face bands like Alice Cooper, The Stooges, MC5, and The New York Dolls. That was the blueprint.

It was this mutual love that determined what Teenage Head would become. If you didn’t absolutely love the “Funhouse” album by the Stooges, then you were out. You were not going to be in this band.

How lucky we all were to have been influenced by such amazing bands. Without them, there never would have been a band that sounds like Teenage Head.

Now all we had to do is learn how to play our instruments, how hard could that be? We practiced relentlessly, wherever we could, and whenever we could. I can honestly tell you that even though there’s only 4 strings on a bass, I struggled the most.

In Bruce Springsteen’s latest book, he mentions how the members of bands like The Sex Pistols, The Dolls, and even U2, may not have had the “best” players, but they were the “right” players. I knew we had the right players, right from the beginning, including myself. I may not have been the best bass player in the world, but nobody wanted it more than I did. To this day, I still feel very fortunate to say I’m a member of Teenage Head.

Nick started out early on, playing drums in his older brothers cover bands, and is a natural born drummer. Just listen to our first album. It may sound deceptively simple, but Nick thought out every single cymbal hit, every snare hit. Finding the right drummer has always been the most difficult position to fill in any rock band. Beatles, Stones, Led Zeppelin, you name it. We had our Ringo.

What can you say about Frankie? He was originally our drummer. Watching him gradually move off the drums, and out to centre stage, is when I first knew we had something. Much has been said of his on stage antics, and ability to entertain the troops, but not enough about his voice. He had the perfect voice for Rock, Pop, even ballads, he never let us down. We had our Iggy.

Gord started out as a bass player, and fortunately, not only for me, he decided to switch to guitar. Self-taught, and determined, this was his calling. This is where the heart of the Teenage Head sound comes from. The crunch, the tone, the riffs, it’s all coming from Gord, and his Les Paul Special. Not only did we find our Johnny Ramone, we found our Johnny Thunders.

Now, after 40 plus years, we’ve finally dug through the vaults, and with the help of Warner Music Canada, are set to release a 20 song collection of what I feel is our best work. If you’ve ever wondered what all the fuss about Teenage Head has been about, now you can finally hear it for yourself, for the first time, all on one amazingly remastered package. This is the one.

Facebook deprecating the ability to customize link previews

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As of July 17 at 11:59pm PST, Facebook will deprecate the ability to customize link previews, in an effort to reduce misrepresentation of link content. The changes will apply in Facebook natively, as well as to Facebook’s API integration partners, including Hootsuite and Buffer.

It will no longer be possible to customize the image, title or description of a link preview in Facebook profile or group posts. Pages will not be affected by this change until a later date.

Facebook pulls link previews from website metadata. If you share a link to a website that is not your own, be aware that it may not have this metadata available. So a complete link preview with an image may not be generated in some cases.

Polaris Music Prize Announces The 2017 Short List

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The Polaris Music Prize, presented by CBC Music and produced by Blue Ant Media, today announced its 2017 Short List of 10 Canadian albums which will vie for the Polaris Music Prize being decided Sept. 18 in Toronto.

The 2017 Short List was announced by CBC Radio 2 Morning host and Polaris juror Raina Douris. Douris will also host the Polaris Music Prize Gala, which will be held at The Carlu in Toronto and live-streamed at cbcmusic.ca/polaris and on CBC Music’s Facebook page and YouTube channel.

2017 Polaris Music Prize Short List:

A Tribe Called Red – We Are The Halluci Nation
BADBADNOTGOOD – IV
Leonard Cohen – You Want It Darker
Gord Downie – Secret Path
Feist – Pleasure
Lisa LeBlanc – Why You Wanna Leave, Runaway Queen?
Lido Pimienta – La Papessa
Tanya Tagaq – Retribution
Leif Vollebekk – Twin Solitude
Weaves – Weaves

My pick for the winner? Gord Downie’s Secret Path.

On CBC Radio 2 at 6 p.m. (6:30 p.m. NT) tonight, CBC Music will feature a special hour-long broadcast celebrating the Polaris Music Prize Short List on Drive with Rich Terfry. Tune in online or find your local CBC Radio 2 frequency at cbcmusic.ca/radio2, and visit cbcmusic.ca/polaris for more coverage.

The eligibility period for the 2017 Polaris Music Prize runs from June 1, 2016 to May 31, 2017. An independent jury of music journalists, broadcasters and music bloggers from across Canada determines the Long List and Short List. Eleven people are selected from the larger jury pool to serve on the Grand Jury and they will convene the night of the gala to select the Polaris Music Prize winner.

The Polaris Music Prize will award $50,000 to the artist who creates the Canadian Album of the Year. Each of the nine other short-listed artists will receive $3,000 courtesy of Slaight Music. Judged solely on artistic merit, without consideration of genre or record sales, the prize’s past winners are Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007), and Final Fantasy / Owen Pallett (2006).