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Dire Straits’ The Studio Albums 1978-1991 CD box set announced for released on October 9

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On October 9, to coincide with National Album Day 2020, Dire Straits will release a 6 CD box set of all of the studio albums from the group that straddled the globe with their sophisticated rootsy guitar rock wedded to literate story-telling lyrics.

Emerging on the club and pub circuit in 1977, Dire Straits were led by charismatic Geordie singer-songwriter, record producer and composer Mark Knopfler, one of the most successful musicians the UK has ever produced, who is often cited as one of the greatest guitarists of all time. Dire Straits’ sound defined the late 70s/early 80s with monster hits such as “Sultans Of Swing,” “Romeo And Juliet,” “Money For Nothing” and “Walk Of Life.”

Dire Straits’ 1985 album Brothers In Arms, a global No 1 and double Grammy Award winner, is one of the world’s best selling albums. After releasing their final album On Every Street in ’91, Knopfler called time on Dire Straits in 1995 and set off on a new path as a solo artist.

On the same date, the band will also release a repressing of the hugely popular 2013 8 LP vinyl box set Dire Straits – The Studio Albums 1978-1991.

Dire Straits – The Studio Albums 1978-1991 features the albums Dire Straits (1978), Communiqué (1979), Making Movies (1980), Love Over Gold (1982), Brothers In Arms (1985) and On Every Street (1991) – all of which are certified multi-platinum. The albums will come in a deluxe clamshell box with the CDs housed in mini-vinyl style cardboard wallets and each album will include a beautiful poster with the original sleeve artwork (including lyrics and credits).

TRACKLISTINGS FOR CD BOX SET:
CD 1 – Dire Straits
Down To The Waterline
Water Of Love
Setting Me Up
Six Blade Knife
Southbound Again
Sultans Of Swing
In The Gallery
Wild West End
Lions

CD 2 – Communiqué
Once Upon A Time In The West
News
Where Do You Think You’re Going?
Communiqué
Lady Writer
Angel Of Mercy
Portobello Belle
Single-Handed Sailor
Follow Me Home

CD 3 – Making Movies
Tunnel Of Love
Romeo And Juliet
Skateaway
Expresso Love
Hand In Hand
Solid Rock
Les Boys

CD 4 – Love Over Gold
Telegraph Road
Private Investigations
Industrial Disease
Love Over Gold
It Never Rains

CD 5 – Brothers In Arms
So Far Away
Money For Nothing
Walk Of Life
Your Latest Trick
Why Worry
Ride Across The River
The Man’s Too Strong
One World
Brothers In Arms

CD 6 – On Every Street
Calling Elvis
On Every Street
When It Comes To You
Fade To Black
The Bug
You And Your Friend
Heavy Fuel
Iron Hand
Ticket To Heaven
My Parties
Planet Of New Orleans
How Long

My Next Read: “Queercore: How to Punk a Revolution: An Oral History”

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Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, John Waters, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines, Queercore by Walter Crasshole, Yony Leyser, and Liam Warfield traces the history of a scene originally “fabricated” in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore gets a down-to-details firsthand account of the movement explored through the people that lived it—from punk’s early queer elements, to the moments Toronto kids decided they needed to create a scene that didn’t exist, to the infiltration of the mainstream by Pansy Division, and the emergence of riot grrrl as a sister movement—as well as the clothes, zines, art, film, and music that made this movement an exciting, in-your-face middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

1-minute tip for artists: Your health.

Did you used to burn through the week and crash on the weekends? This is the time to tell your story of getting better.

Hamilton, ON’s Alt Roots Rockers BRYCE CLIFFORD & BROTHER SUPERIOR Face Their “Worst Enemy” in NEW Single

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Hamilton, ON’s alt-rock roots artists Bryce Clifford & Brother Superior come face to face with their “Worst Enemy” — the latest single off their forthcoming release, Rebounder.

With added influences of bluegrass, honky tonk, post-punk and old school soul woven in, the band’s newly minted third album sews in a bow the Hamilton, Ontario-based frontman’s storied 10-year sojourn to Austin, Texas and back — complete with love gained and lost.

“The story behind this album is a difficult one to talk about,” Clifford laments. “Not because of the hard feelings behind the breakup, but for the regrettably trite scenario…

“I seethe at the idea of being lumped in with lame ‘singer/songwriter seclusion’ stories,” he continues, half-groaning, half-laughing. “In all seriousness, though, I hope it isn’t filed under ‘pain makes art,’ but something more like ‘art as survival.’

“‘Worst Enemy’ was the first song I wrote for the album, and two things were going on: I was decimated by the betrayal of my girlfriend, and feeling as though the bottom had dropped out. I was also excited about giving myself the space to build a new collection of songs from scratch, so I packed up and drove north to Canada with no plan except to mine the circumstances for a collection of songs.”

Armed with experience, the 2,500-odd kilometre drive confirmed to Clifford two things: he had a record and he couldn’t let it get away. “Worst Enemy,” in particular, came to the songwriter at some point on the 1-70 E through Kansas.

“I was afraid the adrenaline would wear off, so I worked on those songs nonstop for the first several weeks. Like a common cold, I knew I’d get better so I had to chase the ideas while I was still on the bad side of symptoms.

“I set up recording gear in an unused RV my family had been storing on some empty farmland near London, Ontario. It was cold and this was self-imposed isolation before that was a thing, pre-pandemic; I was completely surrounded by snow-covered cornfields, and I shut off all social media for months, but it was perfect for silence and experimentation. It was very freeing to allow myself to be off the grid and off the hamster wheel.

“Honestly, it felt like my compass was pointing closer to the right direction.

“Based on the overwhelming feelings I had, and a racing mind, that goal was an antidote to a heart in free fall,” he continues. “This was neuron-firing creativity that had a way of absorbing the letdown, almost like a built-in defence mechanism.

“I relied on that.

“The beauty of going to such a small town was there was absolutely nothing going on, and everyone I’d known from there had moved on,” he says, recalling the time in Ingersoll. “In Austin, there had been too much going on and I’d been distracted for years. It was like a velvet coffin; at some point you realize you can have too good of a time playing the same places for the same people that you don’t notice you’re getting nowhere. By going to such a desolate spot, I tricked myself into doing the work.

“I needed to be pushed out of my comfortable rut.”

Before this year’s release, it had been ten years since Bryce Clifford & Brother Superior’s debut LP, Hail Tapes (2010), and another four since the sophomore EP, Whatever Coach (2016). The band has toured, performed and been featured extensively, including at or on NXNE, MTV, CBS, The Syfy Channel, Bravo Canada, The CW, and in the award-winning film, Here We Are.

For its part, Rebounder lands as a 12-track tome to a relationship that was, wasn’t and could be again. Its early pre-release success includes features at Austin’s DIY Conference, Toronto’s Indie Week and filming at YouTube’s headquarters; Bryce Clifford & Brother Superior are currently CD Baby Canada’s Artist of the Month for August.

“I think the songs do a good job of reflecting the mood swings in a person when the bottom drops out,” Clifford says of the release. “It documents a sort of manic confusion, and tangents from disbelief, to loss, to a ‘rock and roll’ defiance.

“The songs don’t wallow too deep for too long, either,” he adds. “They reach back in time for the bright moments, all with a narrator struggling to get the words right.

“Heartbreak is universal, and everyone gets their turn. I just feel lucky to have had a place to put it.”

“Worst Enemy” is available now.

Rebounder is available Autumn 2020.

Netflix’s “All Together Now” – Based on “Sorta Like A Rock Star” – Official Trailer Is Here

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Amber Appleton (Auli’i Cravalho) remains an optimist even when her personal life is far less stable than it appears on the surface. A musically gifted high school student with aspirations to attend Carnegie Mellon, Amber balances work, life, and some tough life secrets with a smile.

But when new obstacles present themselves that threaten her dreams, Amber must learn to lean on the strength of her chosen family to move forward. Directed by Brett Haley (All The Bright Places, Hearts Beat Loud) and based on Matthew Quick’s novel “Sorta Like a Rock Star,” ALL TOGETHER NOW is on Netflix August 28.

 

‘New Kids on the Block’ report following BPI & ERA Insight Session with Music Ally & Kids Insights

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Following on from the recent BPI and ERA Insight Session held in association with Music Ally and Kids Insights, which focused on the role of young people in music consumption, we are pleased to share the accompanying report, which can be accessed here.

The report looks at the role of technology and online platforms, and how listening habits are continuing to evolve with the development of new apps, including the likes of TikTok. It also focuses on how children interact with music, looking at how it becomes more important to young people as they become teenagers. Finally, it looks to the future, and discusses the ever-changing consumer power of young people within a family unit.

Held in July, the joint Insight Session, attended by several hundred people, was the second virtual Insight Session from BPI & ERA, and included contributions from individuals working within world of children and music, from organisations such as Spotify Kids, Sony Music UK, Roblox, SuperAwesome, TikTok, and the team at Kids Insights.

The report can be downloaded here:
https://bit.ly/30KTwvK

TOMORROW X TOGETHER Announce ‘DRAMA’ CD Available In The U.S. September 25 Plus 3 Limited Edition Versions

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TOMORROW X TOGETHER (SOOBIN, YEONJUN, BEOMGYU, TAEHYUN and HUENINGKAI) will release DRAMA on September 25, 2020 on CD in the U.S. via UMe. Watch trailer, HERE. Pre-order, HERE.

TOMORROW X TOGETHER read as ‘tomorrow by together’, has come together under one dream in hopes of building a new tomorrow. Composed of five members, SOOBIN, YEONJUN, BEOMGYU, TAEHYUN and HUENINGKAI, the band is full of bright and playful energy, where each member is different from one another, shining in their own way to create synergy. In just two months of their debut, TOMORROW X TOGETHER successfully sold out their first US showcase tour in 6 cities with their debut album, The Dream Chapter: STAR. Emerging as one of K-pop’s most highly acclaimed acts, the global super rookies have already cultivated Best New Artist accolades on various award shows and received nomination in 2019&2020 MTV Video Music Awards’ Best K-Pop category.

The single track, “Drama [Japanese Ver.]” was released on August 7, and went No.1 on LINE MUSIC real time song chart TOP 100 (as of 8/7) as well as BGM & Ringback Tone TOP 100 chart (as of 8/11). LINE MUSIC is a local music streaming service in Japan with more than 32M App download.

Available in 4 formats:  the Limited Edition A, CD+DVD contains “Drama [Japanese Ver.]” Music video and making of the video; Limited Edition B, CD+DVD contains the making of the cover photo session; Limited Edition C, CD+ 36-page Photobook; and Standard Edition, CD only.

DRAMA is comprised of 3 tracks: “Drama,” (Japanese version) and “Can’t You See Me?” (Japanese version) from their recent The Dream Chapter: ETERNITY and their new original song, “Everlasting Shine.”

Their new original song, “Everlasting Shine,” will be the opening theme on the animation series, “Black Clover” starting Sept. 1. “Black Clover” (subtitled) is available on crunchyroll.comFUNimation (dubbed version with a 2 week delay) and on the Cartoon Network (dubbed) two months from its original air date in Japan.

The Dream Chapter: ETERNITY is TOMORROW X TOGETHER’s second mini album. Following the band’s debut album The Dream Chapter: STAR and their first studio album The Dream Chapter: MAGIC, The Dream Chapter: ETERNITY unfolds the experiences the boys encounter as they grow up.

Their Korean 2nd mini-album Dream Chapter: ETERNITY, which was released globally in May, topped the charts at No.1 on iTunes “Top Album” chart in 50 territories including U.S., CanadaMexicoBrazilFranceHollandRussiaIndia, and Japan and went No. 1 on Oricon Daily Album chart and Oricon Weekly album chart.

TOMORROW X TOGETHER made their debut in March last year and has proved themselves as global super rookies leading the K-Pop scene, claiming 10 Rookie Awards and a nomination for the 2019 & 2020 MTV Video Music Awards. Watched and recognized for their high-quality content and impeccable performances, TOMORROW X TOGETHER is once again prepared to take the world by storm.

CD Tracklisting (for all configurations):

  1. Drama [Japanese Ver.]
  2. Everlasting Shine [new original track]
  3. Can’t You See Me? [Japanese Ver.]

Configurations:

  • Limited Edition A (CD+DVD)
    *DVD contains “Drama [Japanese Ver.]” Music video and making of the video
  • Limited Edition B (CD+DVD)
    *DVD contains the making of the photo session for the cover photo
  • Limited Edition C (CD+ 36-page Photobook)
  • Standard Edition (CD only)

 

Good Humor and The RZA Collaborate on a New Ice Cream Truck Jingle for a New Era

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We know ice cream trucks are one of the joys of summer, but did you know that the origins of a familiar ice cream truck tune are actually not joyful at all? ‘Turkey in the Straw’ is a 200-year-old song with surprisingly racist roots — it first became popular in minstrel shows and can still be heard in ice cream trucks today.

Good Humor learned about this melody’s history and decided to take action. The ice cream maker has teamed up with legendary music producer and founder of the Wu-Tang Clan, The RZA, to create a new ice cream truck jingle for a new era, available to ice cream trucks nationwide starting this month.

While Good Humor did not create ‘Turkey in the Straw’ or other ice cream truck jingles, the brand is using its influence to acknowledge the song’s history, educate drivers and fans, and help the ice cream truck industry remove it from use.

“Good Humor invented the ice cream truck and is the maker of some of today’s most iconic ice cream truck treats. And while we have not owned ice cream trucks since 1976, we wanted to be part of the solution and offer ice cream truck drivers a jingle that can bring joy to every community,” said Russel Lilly, Senior Director, U.S. Ice Cream at Unilever. “So, to create a new jingle, we knew we had to team up with the mastermind behind some of the most memorable melodies of our time.”

To create an original jingle, The RZA drew inspiration from his own childhood memories of chasing after the ice cream truck in his neighborhood. The track borrows from traditional ice cream truck music and adds jazz and hip-hop elements. Expect trap drumbeats, some old-school bells that reference Good Humor’s original ice cream trucks, and a distinct RZA hook that you will not be able to get out of your head.

“I remember the days when I would hear that iconic ice cream truck jingle outside, and I would drop what I was doing to chase it down for a treat. When I learned about that song’s problematic history this summer, I knew I had to get involved and do something about it,” said RZA. “I’m excited to share this new jingle with a new era of ice cream truck fans and continue to spread that joy with Good Humor.”

The new jingle is available to ice cream truck drivers nationwide starting this month on GoodHumor.com and through Nichols Electronics, the family-owned, Minneapolis-based manufacturer of ice cream truck music boxes. Good Humor will also be providing resources to help educate drivers about ‘Turkey in the Straw’s’ history and instructions for how to replace it in their trucks.

Good Humor is proud to be part of Unilever and its family of brands who have pledged more than $8 million in 2020 to organizations and activists working for social justice and racial equality. As part of Unilever:

  • We will continue to increase our work with and investment in diverse suppliers
  • We continue to work to ensure the diversity of our workforce fully reflects the communities we serve
  • We uphold a zero-tolerance policy on intolerance – both among Unilever employees and the suppliers, customers and partners that work with us
  • We will add our voice and influence to advocate for safe and fair access to voting this November

Learn more about Good Humor’s commitment to the ice cream truck community by checking out Good Humor on social media, YouTube and GoodHumor.com/JINGLE.

You Can Now Master Your Tracks Directly On SoundCloud

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Whether it’s a just-recorded demo or a mix you’ve been sitting on, now you can make sure every track sounds its best before being heard by the world. Today SoundCloud introducing Mastering on SoundCloud, powered by Dolby – a new mastering tool that gives you instant and affordable access to the iconic audio brand’s advanced technology, directly from your SoundCloud workflow.

Results you can hear

Dolby’s mastering technology doesn’t just analyze your track, it critically listens to your music similar to the way an engineer would – identifying the details, the sections, and musical transitions that give your song its unique story arc. Using the mastering profiles of your choice, this detailed “sonic map” is then used to sculpt the tone and overall dynamic profile of your mix while prioritizing your creative intent.

With this technology now built into your workflow and available via a custom suite of mastering styles created specifically for SoundCloud artists, your track will be ready for streaming playback and you can be confident about releasing new music.

Any creator can start mastering on SoundCloud for a low price of $4.99 per master. Unlike other services, it costs the same to master any file type (even lossless HD like WAV, FLAC or AIFF) so we recommend uploading the highest quality as your mastering output will reflect the same format. Pro Unlimited subscribers get 3 free masters every month with the option to purchase more for $3.99 each, so if you’re planning on mastering at least three tracks a month, it saves to upgrade.

Try Mastering on SoundCloud for free

Because we know hearing is believing, you can try Mastering on SoundCloud for free to test out unlimited snippets of your tracks before taking the leap. If you want a quick tutorial before you get started, you can watch and learn via the SC101 video below.

Frank Zappa’s Epic 1981 Halloween Concert Immortalized With King-size Six-Disc Halloween 81 Costume Box Set

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By 1981, Frank Zappa’s Halloween shows in New York were already legendary – a rock and roll bacchanalia of jaw-dropping musicianship, costume-clad revelry, spontaneous theatrical hijinks and of course a heavy dose of Zappa’s signature virtuosic guitar workouts. Eagerly anticipated every year, fans never knew exactly what was in store but knew it would be of epic proportions and one-of-a-kind experience that only Zappa and his skilled group of musicians could provide. When Zappa returned to The Palladium in NYC in 1981 for a five-show four-night run from October 29 to November 1, the nearly-annual tradition was even more anticipated than usual as the 1980 concerts were cut short due to Zappa falling ill. Curiously there was no fall tour the previous year and thus no Halloween shows.

Perhaps because of this, Zappa arrived at the 3,000 capacity Palladium raring to play, armed with a cracking new band, a just-released double album and a film crew in tow. In addition to recording all shows with a professional mobile rig and filming the Halloween night festivities for future releases, the midnight concert was to be the first live simulcast in cable history, broadcasting via satellite over the radio and on a recently launched music channel called MTV. The early 8 pm show was captured on video by Zappa’s crew and the footage of the two shows ended up being utilized for a number of different video projects over the years, most notably the home video releases, The Dub Room Special (1983) and The Torture Never Stops (1982). While some of the audio from these concerts has been released on CD over the years including as part of the You Can’t Do That On Stage Anymore live series, The Dub Room Special soundtrack and One Shot Dealaudio from the complete shows has never been released in its entirety…until now.  

For the first-time ever, Zappa’s historic October 31 Halloween night concerts and the closing November 1 show recorded live at The Palladium in 1981 will be released as a gigantic six-disc box set featuring 78 unreleased live tracks totaling more than seven hours of live performances from three complete concerts. Available October 2 via Zappa Records/UMe, the expansive release is the next in the acclaimed costume box set series which began with the Halloween 77 box set in 2017 to chronicle these iconic concerts and celebrate Zappa’s love of Halloween. The specially-designed costume box will include a Count Frankula mask along with a red and black cape so fans can dress like vampire Frank Zappa for Halloween or display alongside their FRANKenZAPPA mask and gloves from last year’s Halloween 73 box or the retro mask and costume of the maestro himself from the inaugural release. Fully authorized by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the concerts have been newly mixed from the original Ampex 456 2-inch 24-track analog tape masters by Craig Parker Adams in 2020. This king-size offering also includes a 40-page booklet with rare photos from the event by John Livzey (Livzey.com) and new liner notes by touring band member Robert Martin, Vaultmeister Joe Travers and super fan-in-attendance Gary Titone who pens a remembrance of the shows. In addition, a 1CD version titled Halloween 81: Highlights From The Palladium, New York City will also be released, featuring performances from all three shows along with an exclusive track, “Strictly Genteel,” from the November 1 show not included on the box set. It will be packaged in a jewel case with liners by Travers. Pre-order is available for both albums now and all pre-orders of the box will receive an instant grat of the previously unreleased track, “I’m The Slime,” from the November 1 show.

Zappa returned to The Palladium boasting a brand new band with three new players – Scott Thunes on bass, Chad Wackerman on drums and Robert Martin on keyboards – joining veteran members Ray White on guitar, Ed Mann on percussion and Tommy Mars on keys along with that “Little Italian Virtuoso” Steve Vai, now on his second tour as a band member. While the group had only been on the road for a month, by the time the Halloween shows took place they were in lockstep when they hit the stage and delivered sensational performances night after night. As Travers writes in the insightful liners, “although there may not have been as much audience interaction and festivities as in the past, the performances lived up to the hype. There were hardly any stops in the action, song after song being presented like rapid fire, all the while drenched in Halloween spirit.”

From the audience’s exalted roar and opening salvo of “Chunga’s Revenge” from the early 8 pm Halloween show that kicks off disc 1 to the closing notes of “The Torture Never Stops” on disc 6 that concluded the November 1 show, that spirit and enthusiasm is palpable throughout the more than seven hours of performances which features Zappa leading his band through three wildly eclectic concerts, handling vocals for many of the songs. Having recently released his new album You Are What You Is in September of that year, the setlist is a showcase of many of the songs from that double LP such as the title track, “Teen-Age Wind,” “Goblin Girl,” “Doreen,” “I’m A Beautiful Guy,” “Mudd Club,” “Dumb All Over,” “Suicide Chump,” and others, alongside Zappa classics like “Black Napkins,” “Strictly Genteel,” “Dancin’ Fool,” “Bobby Brown Goes Down,” and “King Kong.” Zappa and Vai’s mind-altering guitar prowess is on full display throughout the shows and spotlighted here with extensive guitar workouts on “The Black Page #2,” “Easy Meat” and “Stevie’s Spanking.” Other highlights include the band’s feverish take on the Allman Brothers Band’s “Whipping Post” and standout tracks “Drowning Witch” and “Sinister Footwear II.”

Although the final concert ends with Zappa saying, “see you next year,” unbeknownst to him this would actually be both the last Halloween show at The Palladium and the last time he’d ever play the classic venue. It would also end up being the penultimate Halloween show as the final one would take place in 1984 at the Felt Forum where the NYC tradition began in the ‘70s. “Halloween 1981 became one of Zappa’s most popular of all the Halloween residencies in New York City,” Travers writes. “The image of Frank in his hot magenta jumpsuit has gone on to become an iconic one in the world of rock and roll.”

Now nearly forty years later, Zappa’s legendary Halloween 81 concerts have been immortalized for all to experience or to revisit for the lucky ones that got to witness these transcendent nights of musical history. Robert Martin, who manned the keyboards at these shows, offers in the liner notes, “All in all, the elements of sonic exploration and social commentary that run through all of Frank’s albums and tours are especially well represented in this release, perhaps amplified by the surreal aspect of Halloween and the openness of the crowd to participate even more fully in the ‘anything can happen’ experimental atmosphere that Frank lived in and personified.”

HALLOWEEN 81 – 6CD COSTUME BOX SET TRACKLISTING:

DISC 1: 10/31/81 – 8pm Show 1

  1. Chunga’s Revenge
  2. “The Finest Night Of The Year”
  3. You Are What You Is – Take 1
  4. You Are What You Is – Take 2
  5. Mudd Club
  6. The Meek Shall Inherit Nothing
  7. Dumb All Over
  8. Heavenly Bank Account
  9. Suicide Chump
  10. Jumbo Go Away
  11. Envelopes
  12. Drowning Witch
  13. What’s New In Baltimore?
  14. Moggio
  15. We’re Turning Again
  16. Alien Orifice

DISC 2: 10/31/81 – 8pm Show 1 – cont’d

  1. Teen-age Prostitute
  2. Flakes
  3. Broken Hearts Are For Assholes
  4. The Blue Light
  5. Tinsel Town Rebellion
  6. Yo Mama
  7. Bobby Brown Goes Down
  8. City Of Tiny Lites
  9. “We’re Not Gonna Stand For It!”
  10. Strictly Genteel
  11. Dancin’ Fool
  12. Whipping Post

DISC 3: 10/31/81 – 12am Show 2

  1. Black Napkins
  2. “A Historical Event”
  3. Montana
  4. Easy Meat
  5. Society Pages
  6. I’m A Beautiful Guy
  7. Beauty Knows No Pain
  8. Charlie’s Enormous Mouth
  9. Fine Girl
  10. Teen-age Wind
  11. Harder Than Your Husband
  12. Bamboozled By Love
  13. Sinister Footwear II
  14. Stevie’s Spanking
  15. Commercial Break

DISC 4: 10/31/81 – 12am Show 2 – cont’d

  1. Cocaine Decisions
  2. Nig Biz
  3. Doreen
  4. Goblin Girl
  5. The Black Page #2
  6. Tryin’ To Grow A Chin
  7. Strictly Genteel
  8. The Torture Never Stops
  9. “The Real Show Keeps Going”
  10. Joe’s Garage
  11. Why Does It Hurt When I Pee?
  12. The Illinois Enema Bandit
  13. “The Halloween Tradition”
  14. King Kong
  15. Auld Lang Syne

DISC 5: 11/01/81

  1. Zoot Allures
  2. “The Last Of Our Halloween Shows”
  3. I’m The Slime
  4. Pound For A Brown
  5. Dave & Al
  6. Cosmik Debris
  7. Montana
  8. Easy Meat
  9. Dumb All Over
  10. Heavenly Bank Account
  11. Suicide Chump
  12. Jumbo Go Away
  13. Envelopes
  14. Drowning Witch

DISC 6: 11/01/81 – cont’d

  1. What’s New In Baltimore?
  2. Moggio
  3. We’re Turning Again
  4. Alien Orifice
  5. Teen-age Prostitute
  6. Sinister Footwear II
  7. Stevie’s Spanking
  8. Cocaine Decisions
  9. Nig Biz
  10. Goblin Girl
  11. The Black Page #2
  12. Whipping Post
  13. Broken Hearts Are For Assholes
  14. The Torture Never Stops

HALLOWEEN 81 HIGHLIGHTS – 1CD TRACKLISTING:

  1. Chunga’s Revenge (Live at the Palladium – 10/31/81 – Show 1)
  2. “The Finest Night Of The Year” (Live at the Palladium – 10/31/81 – Show 1)
  3. I’m The Slime (Live at the Palladium – 11/1/81)
  4. Montana (Live at the Palladium – 10/31/81 – Show 2)
  5. Easy Meat (Live at the Palladium – 11/1/81)
  6. Joe’s Garage (Live at the Palladium – 10/31/81 – Show 2)
  7. Why Does It Hurt When I Pee? (Live at the Palladium – 10/31/81 – Show 2)
  8. Sinister Footwear II (Live at the Palladium – 10/31/81 – Show 2)
  9. Stevie’s Spanking (Live at the Palladium – 11/1/81)
  10. Goblin Girl (Live at the Palladium – 11/1/81)
  11. The Black Page #2 (Live at the Palladium – 11/1/81)
  12. Strictly Genteel (Live at the Palladium – 11/1/81) – Exclusive Bonus Track
  13. Whipping Post (Live at the Palladium – 11/1/81)
  14. The Torture Never Stops (Live at the Palladium – 10/31/81 – Show 2)