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The Doors Singles Collection Includes Quad Blu-ray

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The Doors’ 50th anniversary celebration continues this summer with three new collections that spotlight every single and B-side the band released in the U.S., all gathered together for the first time.

THE SINGLES will be available in multiple formats listed below on September 15 from Rhino.

2-CD – All 20 U.S. singles with their corresponding B-sides, plus four mono radio versions
2-CD/Blu-ray – All the content from 2-CD version plus the 1973 compilation The Best Of The Doors in Quad on Blu-ray for the first time
7-Inch Vinyl Box – All 20 U.S. singles with their corresponding B-sides on twenty 7-inch vinyl 45s with original sleeve art and labels, presented in an ornate, lift-top box. Limited to 10,000 copies worldwide
Audio will also be available on digital download and streaming services

THE SINGLES shows the creative chemistry shared by drummer John Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek, and vocalist Jim Morrison; four brilliant artists who made The Doors one of America’s most iconic and influential rock bands.

The collection includes the single versions from all six of the landmark studio albums the quartet released between 1967 and 1971, including classics like “People Are Strange,” “Love Her Madly” and “Riders On The Storm.” Also included on the CD versions are four mono radio versions of some of the band’s biggest hits, such as “Hello, I Love You” and “Touch Me,” which have never been made available anywhere after being sent to radio around their original release. The B-sides – many of which are making their CD debut – add another dimension to the band’s legacy with such stellar tracks as “Who Scared You,” which appeared in March 1969 as the flipside to “Wishful Sinful,” and a cover of Willie Dixon’s “(You Need Meat) Don’t Go No Further,” which was paired with the 1971 smash “Love Her Madly.”

THE SINGLES also features several songs released after Morrison’s passing in 1971. Among those recordings are tracks the surviving trio recorded together (“Tightrope Ride” and “The Mosquito”), as well as live selections from posthumous releases (“Roadhouse Blues” and “Gloria.”)

The Blu-ray disc that accompanies the expanded version of THE SINGLES features a high-resolution Quadraphonic mix of The Best Of The Doors. This 11-song compilation, available on Blu-ray for the first time, was remixed specifically for Quad in 1973 and offers a unique sonic experience on songs like “Soul Kitchen,” “Moonlight Drive” and “Love Me Two Times.”

The summer is already a busy one for the Doors. The group will celebrate the 50th anniversary of its first #1 hit on July 28 with a limited edition, 7” vinyl reissue of “Light My Fire” that features artwork from the Japanese version of the single and is limited to 7,500 copies.

THE SINGLES
CD Track Listing
Disc One
“Break On Through (To The Other Side)”
“End Of The Night”
“Light My Fire”
“The Crystal Ship”
“People Are Strange”
“Unhappy Girl”
“Love Me Two Times”
“Moonlight Drive”
“The Unknown Soldier”
“We Could Be So Good Together”
“Hello, I Love You”
“Love Street”
“Touch Me”
“Wild Child”
“Wishful Sinful”
“Who Scared You”
“Tell All The People”
“Easy Ride”
“Runnin’ Blue”
“Do It”
“You Make Me Real”
“Roadhouse Blues”
“Love Her Madly”
“(You Need Meat) Don’t Go No Further”
“Riders On The Storm”
“The Changeling”

Disc Two

“Tightrope Ride”
“Variety Is The Spice Of Life”
“Ships W/ Sails”
“In The Eye Of The Sun”
“Get Up And Dance”
“Treetrunk”
“The Mosquito”
“It Slipped My Mind”
“The Piano Bird”
“Good Rockin’”
“Roadhouse Blues” (Live)
“Albinoni: Adagio”
“Gloria” (Live)
“Moonlight Drive” (Live)
“Hello, I Love You” (Mono Radio Version)
“Touch Me” (Mono Radio Version)
“Wishful Sinful” (Mono Radio Version)
“Tell All The People” (Mono Radio Version)

The Best Of The Doors (1973)
Blu-ray Track Listing
“Who Do You Love”
“Soul Kitchen”
“Hello, I Love You”
“People Are Strange”
“Riders On The Storm”
“Touch Me”
“Love Her Madly”
“Love Me Two Times”
“Take It As It Comes”
“Moonlight Drive”
“Light My Fire”

THE SINGLES
Vinyl Track Listing

1a. “Break On Through (To The Other Side)”
1b. “End Of The Night”

2a. “Light My Fire”
2b. “The Crystal Ship”

3a. “People Are Strange”
3b. “Unhappy Girl”

4a. “Love Me Two Times”
4b. “Moonlight Drive”

5a. “The Unknown Soldier”
5b. “We Could Be So Good Together”

6a. “Hello, I Love You”
6b. “Love Street”

7a. “Touch Me”
7b. “Wild Child”

8a. “Wishful Sinful”
8b. “Who Scared You”

9a. “Tell All The People”
9b. “Easy Ride”

10a. “Runnin’ Blue”
10b. “Do It”

11a. “You Make Me Real”
11b. “Roadhouse Blues”

12a. “Love Her Madly”
12b. “(You Need Meat) Don’t Go No Further”

13a. “Riders On The Storm”
13b. “The Changeling”

14a. “Tightrope Ride”
14b. “Variety Is The Spice Of Life”

15a. “Ship W/ Sails”
15b. “In The Eye Of The Sun”

16a. “Get Up And Dance”
16b. “Treetrunk”

17a. “The Mosquito”
17b. “It Slipped My Mind”

18a. “The Piano Bird”
18b. “Good Rockin’”

19a. “Roadhouse Blues” (Live)
19b. “Albinoni: Adagio”

20a. “Gloria” (Live)
20b. “Moonlight Drive” (Live)

Third Man Records’s Lillie Mae announces North American tour dates

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Lillie Mae is excited to share a run of headlining North American dates for this August and September behind her recent album Forever And Then Some (out now on Third Man Records). In addition to the headline shows, the tour includes appearances at Sloss Music & Arts Festival, Bumbershoot Music Festival and AmericanaFest. Tickets for the headline shows go on sale this Thursday, June 29th at 10am local time. A special pre-sale is available for Third Man Records Vault members on Wednesday, June 28th at 10am local time. The full run of dates can be found below. For tickets and more information visit lilliemaemusic.com.

Lillie Mae performed “Over The Hill And Through The Woods” last night on The Late Show With Stephen Colbert watch below.

https://youtu.be/GFcElg2QJB4

Forever And Then Some received a great deal of advance praise leading up to its release. Rolling Stone praised “Over The Hill And Through The Woods” for “melding unique old-time vocal breaks, a rich sonic chug that evokes some Seventies rock psychedelia and evocative storytelling;” Stereogum lauded “Honky Tonks And Taverns” as “an expertly polished, delightfully upbeat track;” and Elle noted that the album is “filled with songs that showcase her songwriting talent, blending pop heartbreak with country joy — kind of like if Robyn spent some quality time with Willie Nelson.”

Lillie Mae was also included in NPR‘s esteemed “Austin 100” in advance of SXSW 2017, and was named one of “10 Country Artists You Need To Know” by Rolling StoneEntertainment Weekly included Lillie Mae in their “Breaking Big” column, praising “Over The Hill and Through The Woods” as “a stomping lament for a restless heart.” People Magazine did the same in their “People’s Pick” column, noting that “Mae’s warm, self-assured vocal twang is rivaled by her vivid storytelling.”

Lille Mae’s upcoming tour dates:
7/15 – Proud Larry’s – Oxford, MS
7/16 – Sloss Music & Arts Festival – Birmingham, AL
7/22 – Elliston Place Street Festival – Nashville, TN
8/22 – The Southgate House Revival – Newport, KY
8/23 – Grog Shop – Cleveland, OH
8/25 – Velvet Underground – Toronto, ON
8/26 – Third Man Records Cass Corridor – Detroit, MI
8/27 – Schubas – Chicago, IL
8/28 – Off Broadway – St. Louis, MO
8/30 – Globe Hall – Denver, CO
9/1 – Live From The Divide/Peach St. Studios – Bozeman, MT
9/2 – The Bartlett – Spokane, WA
9/3 – Bumbershoot Music Festival – Seattle, WA
9/4 – Mississippi Studios – Portland, OR
9/6 – Cafe DuNord – San Francisco, CA
9/7 – Hotel Cafe – Los Angeles, CA
9/12-17 – AmericanaFest – Nashville, TN
9/16-17 – Bristol Rhythm & Roots Reunion – Bristol, TN

Nickelback with Daughtry and Shaman’s Harvest at Toronto’s Budweiser Stage

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All photos and review by Mini’s Memories. You can contact her at minismemories@hotmail.com

Shaman’s Harvest started the night off with style, this band hails from Missouri and I have just recently discovered this band thanks to Spotify. It was their cover song of Michael Jackson’s “Dirty Diana” that caught my attention and now is permanently on my Spotify list. They were a perfect fit for Nickelback’s “Feed The Machine Tour” and I can’t wait until they come back to town. They explained to everyone in attendance that this was their first time in Canada, and that seeing their name on the huge LED wall was “we is highfalutin up here”. It was unfortunate that the venue wasn’t even half full at this point. I wish more people would come for the openers, you never know what you may find.

Daughtry was next up, and I was thrilled they were on the bill. I recently caught their acoustic show at a venue not far from Toronto and was happy I was finally able to see the full show. Chris was full of energy as he moved around on stage with ease, they made the most of their 45 min set. I was a bit taken aback when they started a cover of Metallica’s “Nothing Else Matters” but much to my surprise they did a good job. Nothing quite like covering such an iconic song. Chris asked the audience to help them sing “Over You” and to sing along “kinda little sitting in the car waiting for the one line you know, and then you kill that shit” in which the fans happily obliged. As Chris started “Over You” he proceeded to sing out of key not once but twice, but had a good laugh over it. Seeing this reaction made everyone in the venue smile, and I can’t wait until they come back and kill it again.

50 million cds sold, countless hits and a jam packed Budweiser Stage, Nickelback didn’t hold anything back on Tuesday night. Even the skies decided to co-operate and the rain stayed clear of the Budweiser Stage so we could enjoy the show. The beer was flowing freely throughout the 16,000+ in attendance and if you ask me that is an awful lot of closet Nickelback fans out there. Starting off the night with “Feed The Machine”, which is also the name of their new CD, the fans jumped to their feet and waved their hands in the air for the rest of this 2 hour show.

Alcohol seemed to be the theme of the evening as Chad stated he may or may not be nursing a hangover as he explained that they came into town the night before and may or may not have gone to an adult establishment. Talking about Jell-O shots all the way to tape worms, the banter between Chad and the fans was witty to say the least. I found myself laughing quite a few times throughout the evening. Some bands I have seen recently need to up their banter game a bit more. The audience wants to feel involved and Chad had no problems doing this, even passing a pitcher of shots to fans in the front row to share.

The stage set up was very similar to the last time Nickelback was in town. Behind the stage set up of the normal gear, there was an enourmous LED wall that showed video of the performance, video effects and b roll from videos. The circle trusses surrounded the LED wall with bright moving lights. I do have to make mention that I miss the stage show from years ago, the over the top, larger than life pyro needs to make a come back.

Nickelback didn’t need any help getting the audience involved at all but they went one step further by incorporating The Tragically Hip song “Blow At High Dough” into their song “Too Bad” which of course, the fans went crazy for being in “Hip Country”. Smart way to win over the fans but honestly I don’t think Nickelback needed any help, there was nothing but love in the audience for them.

There was one unsuspecting fan in the crowd that had the surprise of a lifetime. Chad brought a gentleman on stage to sing “Rockstar”. “Ok let’s play karaoke does anyone want to come sing with us? Does anyone know all the words to Rockstar?” Chad found someone in the audience that he apparently knew, a fire fighter, and proceeded to tell him as his nerves were probably at the highest point, “When you start feeling the butterflies just remember one thing, YouTube is forever!” As far as I am concerned this guy did a great job and you can probably see for yourself because it is all over the Internet by now.

The whole night wasn’t all about their hit songs, even though they played a lot of them (Lullaby, Animals, Stand Together, just to name a few). They played a few new ones as well. Chad asked the crowd “If we play one of those songs do you promise not to go take a piss and get a beer, I have been guilty of this”. Sorry Chad, as much as I love you guys, I am guilty as well. If it is any consolation I could still hear the song on my travels.

I can safely say if there were any birds nests, cobwebs, or any debris in the rafters of the Budweiser Stage it is now laying comfortably on the venue floor. That was one loud show.

Once again thanks to the crew because without them there is no show!

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Steve Carell & Kristen Wiig Answer the Web’s Most Searched Questions

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‘Despicable Me 3’ stars Steve Carell and Kristen Wiig take the WIRED Autocomplete Interview and answer the Internet’s most searched questions about themselves.

Spider-Man Drops In On Starbucks Customers

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In this clever promo for the upcoming Spider-Man movie, Spider-Man: Homecoming, customers at a New York City Starbucks are in for a surprise when Spider-Man drops down on his web to grab his coffee order. Hidden cameras capture everyone’s reactions.

DJ Cummerbund’s Marching of the Ants Is The WTF Mashup You Need Right Now

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Remix master DJ Cummerbund latest effort brilliantly combines another group of tunes, selecting the best of Dave Matthews, DeBarge, Spin Doctors into a single juicy track into a vision of funk as a philosophy.

Watch Ben Folds Compose A Song LIVE For Orchestra In Only 10 Minutes

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During a recent appearance at The Kennedy Center, musician Ben Folds showed off his ability to quickly improvise, as he composed an entire song live in less than 10 minutes. If that wasn’t great enough, he also including all the parts for the National Symphony Orchestra so they could play along.

Author David Sedaris discusses his writing process

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David Sedaris, author of the new book “Theft by Finding: Diaries (1977-2002)” discusses humor, his process and relating to his readers with PBS NewsHour Arts Correspondent Jeffrey Brown.

The Wife Of Leo Fender Has A New Book Out

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Occasionally, the world produces one of those rare thinkers that alter the course of history.

Disney reinvented entertainment, Einstein revolutionized science, Edison lit up our lives with the light bulb, Bell got the world talking with the telephone … and Fender revolutionized music.

If you think about it, Leo Fender has influenced every person on earth today – at least everyone who has ever heard a song.

Guitar Player Magazine declared that Clarence Leo Fender is the father of the solid body guitar. Not only did he invent it, but Leo’s guitars were used by everyone from Elvis Presley, to Eric Clapton and from Jimmy Page to Jimmy Hendrix. Indeed, Rolling Stone Magazine published a list of the world’s top 100 guitarists, and 90 of them used one of Leo’s guitars on stage, and the others used guitars that copied Leo’s inventions and concepts.

Leo Fender was shy, had one glass eye, and was nearly deaf. Yet, from the small town of Fullerton, California, he built an iconic worldwide empire that is worshiped by the rock stars themselves. The highest price ever spent for music memorabilia was not for Michael Jackson’s glove, original Beatles’ handwritten lyrics or even Elvis’ killer pantsuit. It was for a Fender Stratocaster, which sold for a staggering $2.7 million.

Leo Fender: The Quiet Giant Heard Around the World will be out on November 1, 2017. Written by the wife of the late Leo Fender, for the very first time, this book provides a rare look into the wonderful mind and world of this quiet genius.

Liam Gallagher Announces Tour And Release Date Of Debut Solo Album ‘As You Were’

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After the sensational reaction to his debut solo track “Wall of Glass’” and the fanatical scenes that accompanied his first solo shows in Ireland and the U.K., Liam Gallagher has announced his eagerly anticipated debut solo album As You Were.  Set for an October 6 release date via Warner Bros./Parlophone Records, fans can pre-order the album today and receive and instant download of “Wall of Glass” followed by “China Town” on June 30. Fans will also have the ability to purchase the album in a variety of formats including digitally (standard and deluxe), CD (standard and jewel case) and vinyl (standard 12” and limited edition color 12” formats).Click here to pre-order.

A special boxset will also be available from here. This exclusive compiles a 12” color vinyl pressing of the album, an exclusive 7” single of “For What It’s Worth,” a print designed by Klaus Voorman (the artist behind The Beatles’ Revolver album cover) and additional collectors’ items.

Gallagher has also confirmed his first ever North American tour as a solo artist. Fans can pre-order tickets beginning today at 12:00 p.m. ET/9 a.m. PT. Local market tickets pre-sales begin June 27. All pre-sales will end June 28 at 10:00 p.m. local time. General ticket on-sales begin June 29, at 10:00 a.m. local time.  Ticket bundles packages will also be available. With every online ticket purchased for Gallagher’s fall tour, fans will receive a choice of either a standard physical or standard digital copy of his upcoming album, As You Were, releasing October 6, 2017. For further info check here: liamgallagher.com

Liam Gallagher North American tour dates:

Nov 13              San Francisco, CA        Warfield
Nov 18              Denver, CO                   Gothic
Nov 20              Minneapolis, MN           First Avenue
Nov 21              Chicago, IL                   The Riviera
Nov 23              Toronto, ON                  Rebel
Nov 25              Boston, MA                   House of Blues
Nov 27              New York, NY               Terminal 5
Nov 29              Washington, DC            Lincoln Theatre
Nov 30              Philadelphia, PA            Union Transfer

Joining Liam Gallagher on the road will be Jay Mehler on guitars, Mike Moore on guitars, Christian Madden on keyboards, Drew McConnell on bass, and Dan McDougall on drums.

 

 

As You Were was recorded in two locations. Greg Kurstin performed all of the instruments on the four songs that he produced (“Wall Of Glass,” “Paper Crown,” “Come Back To Me” and the psychedelic whoosh of “It Doesn’t Have To Be That Way”), while Dan Grech-Marguerat produced the remainder of the album at Snap! Studios in London.

The result is exactly what you would have hoped a Liam Gallagher solo album would sound like: the passion for the classic 60s/70s influence that he’s always had has been updated for the here and now.

“I didn’t want to be reinventing anything or going off on a space jazz odyssey,” says Gallagher. “It’s the Lennon ‘Cold Turkey’ vibe, The Stones, the classics. But done my way, now.”