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Inside Drake’s Record-Breaking Debut Week for “More Life”

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Drake scores his seventh No. 1 on the Billboard 200 albums chart and sets a new streaming record, as his More Life set bows atop the tally dated April 8.

The effort, which was released on March 18, earned 505,000 equivalent album units in the week ending March 23, according to Nielsen Music. That’s the biggest week for any album since Drake’s own Views launched with 1.04 million units on the list dated May 21, 2016.

Of More Life’s starting sum, a record 257,000 units were driven by streaming equivalent album units, equating to 384.8 million streams of songs from the 22-track album during the tracking frame (each unit equals 1,500 streams of songs from the album). More Life’s streaming sum beats the previous record holder of Drake’s Views, which launched with 163,000 streaming equivalent units (245.1 million song streams).

More Life is Drake’s seventh consecutive album to debut at No. 1. Only his debut EP, So Far Gone, has missed the top slot, as it debuted and peaked at No. 6 back in 2009. Drake’s seven No. 1s ties him with Kanye West and Eminem for the second-most No. 1s among hip-hop acts, trailing only Jay Z, with 13 leaders.

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Michael Stipe on Creativity: “Be challenged by your friends and the people whose opinions you trust the most”

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Music was always like a beautiful fog around me. I’m very susceptible to music. Anyone who has been out to dinner with me, been out in public with me, will tell you how distracting music can be for me. It blocks out all other input. In a way, the band blocked out all this input for me for a long time. It made it very hard for me to be able to focus on other things, like reading books.

In the band, it’s a democratic compromise. Everyone arrives at a place that is hopefully bigger than all of the separate parts. You find yourself working towards a common goal and try very hard to get there together. That doesn’t always work and sometimes you fail and you fail horrifically. I was just always really proud of the fact that we did everything we did and that we owned everything that we did. The highlights and the triumphs as well as the fall-on-your-face-publicly-in-a-very-big-way kind of moments. And there were plenty of those. Or the compromises that were made for, you know, position—whether on charts or for some kind of cultural position, all that stuff. To work outside of that is pretty freeing… and also terrifying. The guys in my band had my back and I had theirs. I was very protected. Working on my own I realize I’m not so protected.

Well, I find that I need to bounce ideas off of people. I need to have people around constantly to ask, “Is this good, or is this shit?” ‘Cause a lot of it is shit. And you have to kind of move through that. In terms of the kind of mediums that I work in now, I’m really comfortable with video and I’m really comfortable with film and photography. Making visual art comes very naturally to me, so it’s not difficult or complex in terms of imagining what I want. I know what I want. I sometimes just need people to help me with lighting or with the mechanical aspect of taking a picture or creating a video. But I know what I wanna see and I know how I wanna feel when I see it, so that’s what I’m always working towards.

It’s so important, no matter what you are doing or making, to be challenged by your friends and the people whose opinions you trust the most. People who aren’t going to tell you something’s good if it’s not and vice versa. It’s also healthy to realize what you’re good at and what you aren’t and to be honest about that. The things that I know that I’m really bad at: I know I’m a terrible painter, and I know I can’t stand my own drawing. I can’t stand my speaking voice. I can’t stand my signature. That’s all the stuff I can’t stand. So then I’m left with video and film, and my singing voice which I love, mostly. It’s limited, but it’s got something.

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The Tone That Seems To Rise In Pitch Forever

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The Shepard tone is an audio illusion which seems to get forever higher but never really does. The tone, named after Roger Shepard, is a sound consisting of a superposition of sine waves separated by octaves. When played with the base pitch of the tone moving upward or downward, it is referred to as the Shepard scale. This creates the auditory illusion of a tone that continually ascends or descends in pitch, yet which ultimately seems to get no higher or lower. It has been described as a “sonic barber’s pole”.

Meredith Graves Is So Brilliant

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“It heads off assholes right out of the gate. Nobody can look at me and say shit about my appearance or my body, which is all too common for women in music. It’s like, ‘Are you going to call me a cunt? Are you going to tell me I’m ugly? Well, here’s my band name—do your worst, motherfucker.’” – PERFECT PUSSY’S MEREDITH GRAVES

No, this isn’t a Rickroll. Watch Rick Astley cover AC/DC

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Here’s Rick Astey having a great time behind the drums performing AC/DC’s Highway to Hell, which he delivered during his encore set at the Troubadour in Los Angeles a few months ago. Astley, was on tour in support of his recent self-performed, self-penned 50 LP, made two Stateside appearances during the trip — one in L.A., and one in New York.

Bastille Photos From The Air Canada Centre, Toronto

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Check out these photos from Bastille’s Wild Wild World Tour at the Air Canada Centre. All photos taken by Mini’s Memories, and for all your photo needs, please contact her at minismemories@hotmail.com

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THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Trailer Starring Frances McDormand Is Here

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THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

Alice Cooper Performs “Goin’ Out of My Head” On The Gong Show

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Chuck Barris, the goofball host of The Gong Show who also was the manic mastermind behind two other spontaneous game-show classics, The Dating Game and The Newlywed Game, died last week.

Barris, who in his book, Confessions of a Dangerous Mind: An Unauthorized Biography, claimed to have been an assassin for the CIA — his implausible story became a fantastical 2002 movie directed by first-timer George Clooney and written by Charlie Kaufman.

The Philadelphia native also penned the 1962 pop song “Palisades Park,” a tribute to the old amusement park in New Jersey that was a hit for Freddy Cannon and figured high on Barris’ list of career achievements.

But let’s go back to The Gong Show for a moment and watch this clip features Alice Cooper serenading him with Goin’ Out of My Head while stuck in his famous guillotine.

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Future Islands Use American Sign Language For Their Promo Clip Of “Cave”

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I always have time for the fine Future Islands, but using American Sign Language in their lyric video for Cave was the first time in eons I’ve been excited to share a promo clip.