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ALEXISONFIRE Announce Short Run Of Dates In Ontario and Quebec

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Iconic Canadian rock band ALEXISONFIRE has announced a limited engagement of performances this June. The five members will come together to perform four shows in June at Toronto’s Danforth Music Hall – including three 19+ shows presented by Budweiser’s Discover What’s Brewing series – as well as a special appearance at Montebello Rockfest. Having established a reputation worldwide for their killer live shows, AOF recently surprised fans lucky enough to get tickets to one of four sold-out Moneen concerts in Toronto when they hit the stage for a secret set at Lee’s Palace last month. The set precipitated a string of Australian Alexisonfire headline shows including Unify Gathering 2017.  Alexisonfire enjoyed the Aussie tour and recent club play so much, they looked for a hole in their individual schedules to squeeze in some shows of their own. The band eschewed interest from numerous festivals, opting instead to capture the energy and excitement of playing for their rabid fanbase in a smaller, more intimate setting.

Although the five members have not made any plans to reunite in a traditional sense, they remain very close and open to opportunities and holes in their busy schedules that bring them together to perform. Says frontman George Pettit, “We hope we can show up and play in random cities from time to time.” Case in point, on Monday Alexisonfire surprised fans at the Air Canada Centre after headliners Billy Talent invited the band to perform a few AOF songs during their show.

In order to ensure fans under 19 don’t get left out in the cold, the first Toronto date at Danforth Music Hall on June 18 is All Ages. Tickets for all show dates go on sale Friday, March 3 at NOON EST. See below for show dates and links to purchase tickets. These are the only show dates the band will perform this summer.

Hailing from St. Catharines, Alexisonfire rose up out of the Southern Ontario underground in late 2001, to become one of the most successful indie bands in Canada. The band’s success also reached far beyond Canada’s borders. AOF released four hugely successful studio albums, Alexisonfire (2002), Watch Out (2004), Crisis (2006), and Old Crows / Young Cardinals (2009). Crisis debuted at #1 on the Top 200 Soundscan chart (Canada), and Old Crows / Young Cardinals debuted at #2, and charted at #9 on the US Billboard Independent Album chart. Watch Out helped earn the band New Group of the Year at the 2004 JUNO Awards. Their first 3 albums achieved Platinum certification in Canada while Old Crows / Young Cardinals reached Gold certification. The band also topped charts and graced several notable music magazine covers internationally (Kerrang, Blunt, Big Cheese, Canadian Musician, Exclaim!). AOF’s sold-out 10th Year Anniversary Farewell tour in December 2012 touched down on four continents in 24 days, illustrating how meaningful the band still is to their legion of fans around the world.

Alexisonfire will release a new version of Crisis as part of Record Store Day (Canada) on April 27, 2017. Pressed on a white vinyl as a single LP for the first time, the Record Store Day (Canada) release will be hand-numbered out of 1977. Crisis debuted at #1 on the Top 200 SoundScan and is one of the band’s most successful albums with sales topping 130K in Canada alone. The LP hit #5 on Billboard’s Top Heatseekers chart, #18 on the U.S. Nielsen SoundScan Independent Album chart, and made waves worldwide charting in the UK and Australia’s ARIA charts. With songs ranging in subject matter from the Blizzard of 1977 which paralyzed portions of the Niagara and Northern New York region, to disenfranchised workers, the album embodied a much darker theme than previous Alexisonfire recordings which the JUNO-award winning quintet attributed to returning home from traveling around the world with a fresh perspective. The album also marked a much more “rhythmically liberal” process in the studio with AOF stripping everything down to write and record an album that captured the essence of the band’s live sound, without looping or overdubs or layers. For updates and more information, visit Alexisonfire’s official website.

For a list of roughly 150 participating Canadian stores, visit Record Store Day’s official website: http://www.recordstoreday.com/Stores

AOF 2017 SHOW DATES:
June 18 – Toronto, ON @ Danforth Music Hall (AA) – Ticket Link: http://bit.ly/2mxA0MO
June 19 – Toronto, ON @ Danforth Music Hall (19+) – Ticket Link: http://bit.ly/2mxA0MO
June 21 – Toronto, ON @ Danforth Music Hall (19+) – Ticket Link: http://bit.ly/2mxA0MO
June 22 – Toronto, ON @ Danforth Music Hall (19+) – Ticket Link: http://bit.ly/2mxA0MO
June 24 – Montebello, QC @ Montebello Rockfest (AA) – Ticket Link: http://bit.ly/2mEAZdg

Soundgarden Announce North American Tour Dates

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Soundgarden have announced their first US tour in three years. Additionally, they’ve confirmed work on a new studio album, the follow-up to 2012’s reunion LP, King Animal. Along with the upcoming album and tour, Soundgarden will release a deluxe reissue of their debut full-length, 1988’s Ultramega OK, on March 10th.

Soundgarden 2017 North American Tour Dates
4/28 — Tampa, FL — WXTV Rockfest
4/29 — Jacksonville, FL — Welcome to Rockville
4/30 — Ft Myers, FL — Fort Rock Festival
5/3 — Atlanta, GA — Fox Theatre
5/5 — Concord, NC — Carolina Rebellion
5/6 — Tuscaloosa, AL — Tuscaloosa Amphitheatre
5/7 — Memphis, TN — Beale Street Music Festival
5/10 — Indianapolis, IN — Farm Bureau Insurance Lawn
5/12 — Council Bluffs, IA — KIWR Rockfest
5/13 — Somerset, WI — Northern Invasion
5/14 — Kansas City, MO — Starlight Theatre
5/17 — Detroit, MI — Fox Theatre
5/19 — Columbus, OH — Rock on the Range
5/20 — Maryland Heights, MO — KPNT Pointfest
5/22 — Denver, CO — Fillmore Auditorium
5/25 — Houston, TX — Revention Music Center
5/26 — Dallas, TX — Bomb Factory
5/27 — Pryor, OK — Rocklahoma

Via

Elvis Costello & The Imposters Announces “Imperial Bedroom & Other Chambers” For North American Tour

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By popular demand, Elvis Costello & The Imposters bring their new show, “Imperial Bedroom & Other Chambers,” back for a coast-to-coast North American run of 20 dates this June and July. Last fall, Costello debuted the tour to rave reviews.

The show takes songs from the 1983 album, “Imperial Bedroom” as a starting point, but as Costello told our roving reporter…

“We never intended to recite this book from cover to cover. Listen to our new arrangement of ‘Tears Before Bedtime,’ it gets straight to the real meaning of that song, the way we hear and feel it today. Back in 1982, I might have been a step or two ahead of our crowd in the tragic, romantic stakes but I sense that they’ve all caught up with me now.”

Standout songs from “Imperial Bedroom” like “Beyond Belief,” “Almost Blue” and “Man Out Of Time” have remained in Costello’s repertoire throughout the years, but a blazing electric version of the rarely performed “Pidgin English” was among the many highlights of an initial run of dates that concluded at the Beacon Theatre in New York on the eve of the recent election.

Speaking of the second part of the show’s title, Costello added, “You never know who or what you are going to encounter down the corridor to those ‘Other Chambers.’”

The Imposters – Pete Thomas on drums, Davey Faragher on bass and vocals and Steve Nieve on piano and keyboards – will once again be augmented by accompanying vocalists, Kitten Kuroi and YahZarah.

At recent shows, these singers joined Costello at the microphone for a sparse but beautiful version of “Alison,” while “Everyday I Write The Book” was returned to its original recorded arrangement in a set that goes from hushed ballads to a rock and rhythm finale.

A sensational version of the “Get Happy” song, “King Horse,” Allen Toussaint’s “On Your Way Down,” the Burt Bacharach/Elvis Costello ballad, “This House Is Empty Now” and “American Mirror” from the forthcoming stage musical “A Face In The Crowd” have been among the “Other Chambers” visited so far…

Elvis Costello, “’Imperial Bedroom’ & Other Chambers” 2017 Tour Dates

6/3 — Berkeley, CA — Greek Theatre
6/4 — Los Angeles, CA — Greek Theatre
6/5 — San Diego, CA — Copley Symphony Hall
6/7 — Albuquerque, NM — Popejoy Hall
6/9 — Kansas City, MO — Crossroads
6/10 — Indianapolis, IN — The Murat Theatre
6/12 — Chicago, IL — Huntington Bank Pavilion at Northerly Island
6/13 — Pittsburgh, PA — Heinz Hall
6/15 — New York, NY — Central Park Summer Stage
6/16 — Upper Darby, PA — Tower Theatre
6/17 — Canandaigua, NY — Constellation Brands-Marvin Sands Performing Arts Center
6/20 — Richmond, VA — Richmond Raceway Complex
6/21 — Charlotte, NC — Charlotte Metro Credit Union Amphitheatre
7/16 — Milwaukee, WI — Riverside Theatre
7/18 — Kettering, OH — Fraze Pavilion
7/20 — Toronto, ON — Sony Centre for the Performing Arts
7/21 — Cooperstown, NY — Brewery Ommegang
7/23 — Shelburne, VT — The Green at Shelburne Museum
7/24 — Portland, ME — Thompson’s Point
7/25 — Providence, RI — Providence PAC

 

Gov’t Mule announce the ‘Come What May’ Spring 2017 headlining tour

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Gov’t Mule announce the ‘Come What May’ Spring 2017 headlining tour which will kick off with a very special show at New York City’s Central Park SummerStage with Chris Robinson Brotherhood on May 17th and bring the band’s unparalleled live performance to major markets along the East Coast and Midwest including Washington, DC, St. Louis, MO, Minneapolis, MN and more.

Fan Club pre-sale tickets begin Wednesday, March 8th at 12pm EST. Public on-sale starts Friday, March 10th. Every ticket purchased will include a digital download of Gov’t Mule’s new studio record, due out Summer 2017. Stay tuned for more details.

Gov’t Mule 2017 Tour Dates
March 3 – Lake Tahoe, NV – MontBleu Resort
March 4 – Las Vegas, NV – Brooklyn Bowl Vegas
March 5 – Phoenix, AZ – McDowell Mountain Music Festival
April 20-22 – Live Oak, FL – Wanee Festival
April 23 – Greenville, SC – Peace Center Concert Hall
April 24 – Huntsville, AL – Von Braun Center
April 26 – Memphis, TN – Minglewood Hall
April 27 – Mobile, AL – Saenger Theatre
April 28 – New Orleans, LA – Saenger Theatre^
May 17 – New York, NY – Central Park SummerStage
May 19 – Upper Darby, PA – Tower Theater
May 20 – Washington, DC – Warner Theatre
May 22 – St. Louis, MO – The Pageant
May 23 – Kansas City, MO – Uptown Theatre
May 25 – Minneapolis, MN – State Theatre
May 26 – Milwaukee, WI – Pabst Theatre
May 25-28 – Cumberland, MD @ DelFest
August 19 – Morrison, CO – Red Rocks Amphitheatre
August 24-27 – Arrington, VA – Lockn’ Festival

Meet The Black Mambas: All Female Anti-Poaching Unit Protecting Rhinos In South Africa

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The Black Mamba Anti-Poaching Unit (Black Mamba APU) is a mostly female ranger unit founded with the purpose of protecting wildlife in South Africa. They are on the front-line protecting dwindling numbers of rhino. The Greater Kruger Park is home to largest population of rhino in the world and has become the epicenter of the current rhino poaching crisis. In the last five years 4,000 rhino have been killed. If the current rate continues, rhinos will be extinct in the wild by 2025.

https://youtu.be/ftDqMNads_E

Check Out This Working Guitar Made From Hockey Sticks, Eh?

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Born in the Manitoba prefecture of Canada, samuraiguitarist, Steve-san Onotera, honed his discipline under the study of the country’s most powerful musical sensei. I don’t think he taught him how to make a guitar out of hockey sticks, though. Pretty great!

Metal Musicians Write A Pop Song In 24 Hours

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It took these metal musicians a day to come up with this song, which could easily be a top forty hit. With over 660,000 they’re not that far off from going viral.

What happens when you put bass strings on the guitar? This.

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What happens when you put bass strings on the guitar? This.

Ian McKellen Reads How to Change a Tire

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A classic bit from a 2002 episode of The Late Late Show with Craig Kilbourn hosting and Sir Ian McKellen reading the instructions for changing a flat tire.

Take a video tour of Jack White’s Third Man pressing plant

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Third Man Records is proud to announce the official opening of its state-of-the-art vinyl production facility in the heart of Detroit’s historic Cass Corridor neighborhood.. The past year has been spent investing creative energy and passion into crafting a meticulously designed boutique vinyl record production facility with a unique customer experience, providing visual evidence to visitors of vinyl’s beauty and importance. Third Man Pressing is an investment in Third Man Records’ hometown, a neighborhood within a city both rich with musical history, creating a space that is as inspiring as it is prolific.

As the first label to operate a fleet of brand new, environmentally efficient pressing machinery within a purpose-built manufacturing infrastructure, Third Man Pressing minimizes water waste by using recycled water from the record curing process in the air conditioning system, thus creating the only fully climate-controlled pressing plant work environment in the world. Each pressing station is outfitted with a digital touch screen control for temperature, hydraulic compression, and extruder speed, equaling increased control for the highly trained staff as well as a superior product. The plant was engineered to not only be environmentally sustainable, but also community sensitive with its innovative noise reduction construction techniques.

Third Man Pressing brings upwards of 50 new living wage jobs with benefits into Detroit (on top of the 20 jobs already created by the Willy’s building Third Man Records location at large), and, in complement with Shinola’s recent start of production of high-end turntables, marks the triumphant return of the once-thought-lost record industry to one of the country’s great industrial AND musical cities.

The manufacturing facility will not only press vinyl records for Third Man Records’ label releases (which will also continue to be produced at Nashville’s United Record Pressing), but will also fulfill orders from outside labels. The resurgence in popularity of vinyl records has left many small imprints, “bedroom” labels, and independent artists without the ability to press small runs of records in reasonable amounts of time. Third Man Pressing aims to dedicate a percentage of its capacity each month to pressing records for clients of this ilk, alleviating the bottlenecking of the production caused by major label orders, and bringing more niche, regionally-interesting pressings from inspired individuals onto record shelves worldwide.

The inner workings of Third Man Pressing will be on display during Third Man Records Cass Corridor business hours from the storefront’s open-to-the-public viewing platform 7 days a week, with employees always happy to answer questions about the process, and more in-depth tours available in the coming months for those interested. Third Man Records’ mission has always centered around bringing the tangible, the unexpected, and the beautiful back into the business, and the team is beyond thrilled to share the facility, its exceptional product, and its significance with the city it calls home.