Home Blog Page 2627

Multi-Grammy nominated director, author and iconic photographer Ethan Russell is coming to Hamilton

0

Multi-Grammy nominated director, author and iconic photographer Ethan Russell has photographed some of the biggest names in rock ‘n’ roll, and is the only photographer to have his work famously grace the covers of albums for The Beatles (Let It Be), the Rolling Stones (Through the Past Darkly), and The Who (Who’s Next and Quadrophenia). You can buy tickets here.

This is a rare opportunity to go behind-the-scenes and be a part of music history; the event, filled with over 375 photographs, music and personal stories, ensures attendees leave feeling like they were there too.  In recounting the moments behind the images and in showing the audience the worlds that extended beyond the picture’s frame, Ethan Russell ensures that audiences get to relive this incredible era in the history of music from the best seat in the house.

“You think you’ve seen all there is to see of the Rolling Stones. You haven’t. Ethan Russell’s photographs reveal a completely different side to the band — relaxed, unguarded and light years away from any rock-star posturing. The only way you’d get closer would be to join them on tour,” said The London Sunday Times.

Russell directed the last film of John Lennon & Yoko Ono strolling through Central Park, shot the Beatles last performance high atop Apple Records, and has shot over 20 other rock ‘n roll icons including Linda Ronstadt, The Doors, Janis Joplin, Jim Morrison, The Moody Blues, Cream and Jerry Lee Lewis. “It was quite a ride,” says Russell.

He has also written three books exploring those years including LET IT BLEED, considered by many to be the “best Rolling Stones’ book ever.”

Photographs will be display before the show at The Studio at Hamilton Place and will be on sale after the show, and Ethan will be present to personally autograph them for buyers.

Headbangin’ Metal Cover Of Shakira’s “Waka Waka”

0

A kid’s toy drum set and a horse’s head are just a few features of this epic metal version of Shakira’s Waka Waka.

“We Are Number One” from LazyTown Played On The Floppotron

0

The Computer Hardware Orchestra are back with their special version of We Are Number One from LazyTown. Bring on the Floppotron!

Local Animal Shelter Is Trending Due To Their Low-Budget Ad…And With Very Good Reason

0

You don’t need slick production values for your ad – just check out this video for a local animal shelter. Despite the low production quality, it’s trending right now on YouTube, and has a great, emotional and authentic message.

David Bowie Made Some Incredibly Accurate Predictions About The Internet Back In 1999

0

In this BBC Newsnight interview from 1999 David Bowie talks to Jeremy Paxman about going to meet Tony Blair in stilettos, his alter egos – and makes some incredibly accurate predictions about the potential of the internet. The whole interview is fascinating, but the internet section is at around nine minutes.

A year progress of learning the fiddle video

0

Ever wanted to pick up and learn how to play an instrument? This video shows what a year working on to play the fiddle will do.

Guy Teaches The Most Insane Guitar Lesson On The Internet

0

This video is amazing on so many levels. Finger picks, slide and FUCKING INSANITY.

The Inside Scoop On How Pop Singers “Cheat”

0

Thought autotune is the only thing used to fix singer’s voices? Think again!

Lightsaber Night Has Been Cancelled

0

That guy Todd had something to do with Lightsaber Night being cancelled at The Hideaway piano bar in St. Louis. Thanks a lot Todd!

via reddit

Former CEO Of Ticketmaster Explains Why You Can’t Get The Best Tickets

0
“If every ticket in the venue ‘sells out’ at the face value printed on the ticket, that wouldn’t be enough to pay the artist what they are contractually guaranteed by the promoter for the performance. How does the promoter make up the difference? You guessed it: by selling some of the best seats directly in the secondary market, so that artists don’t get flack from you for pricing them high right out of the gate. That means the artist is either directly complicit, or that the artist is taking a massive check for the performance while looking the other way. Goddammit, right?” Nathan Hubbard (who used to be the CEO of Ticketmaster) explains why you can never get good tickets to a major event.

Via