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Nick Jonas Releases New Solo Album ‘Sunday Best’ Alongside “Gut Punch” Video

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Golden Globe and GRAMMY-nominated recording artist, songwriter, actor, and producer Nick Jonas proudly presents his brand new solo album, Sunday Best, out today via Republic Records—listen HERE. Spanning 11 tracks, Sunday Best marks Jonas’ first solo project in nearly five years and showcases him in a deeply open, introspective, and creatively renewed chapter. See the full tracklist for Sunday Best below.

To celebrate the album release, Jonas unveils the official music video for his fan favorite single, “Gut Punch,” offering a powerful visual companion to one of his most personal releases to date. The video is directed by acclaimed filmmaker Anthony Mandler, marking a striking collaboration that brings the emotional core of the song vividly to life.

At the center of the video is a surprising and symbolic character: a puppet named “Jick Nonas,” who embodies Jonas’ inner dialogue, the voice of self-doubt and self-criticism that often accompanies moments of vulnerability and personal growth. Throughout the video, Jick serves as both antagonist and mirror, representing the internal battles many face but rarely see portrayed so directly. Blending cinematic storytelling with surreal and emotional moments, the video visually explores the tension between self-perception and reality, reinforcing the song’s themes of introspection and confronting the ways we can sometimes be hardest on ourselves.

Sunday Best arrives amid a packed week for Jonas, who gave fans an early preview of the album earlier this week with an emotional performance of “Gut Punch” on The Tonight Show Starring Jimmy Fallon, followed by an appearance on Late Night with Seth Meyers last night. Not to mention, he sat down with Jay Shetty on On Purpose Podcast for an honest and vulnerable conversation about identity, purpose, marriage, and fatherhood—watch HERE.

Last night, fans in New York rang in the album’s release with Jonas at an intimate underplay show at Irving Plaza, as he took the stage to debut brand new songs off of Sunday Best live for the very first time, as well as perform some of his career-highlight solo releases from over the last 15 years. Up next, he’ll perform back-to-back album release shows tomorrow night in Los Angeles at Blue Note.

On Sunday Best, Jonas dives deeper than ever before, drawing from important life chapters, both celebratory and challenging, that he’s faced over the past two years and the new perspective he’s gained as both a husband and father. Through unguarded storytelling and vulnerable moments he has never previously shared publicly, the album offers listeners an intimate look into his world and explores honesty, growth, and rediscovery.

Sonically, Jonas draws inspiration from his musical roots and early years singing in church choirs, infusing the record with the warmth and spirit of musical influences from both his childhood and adult life. Sunday Best features vivid lyricism, rich and soulful arrangements, and warmly layered instrumentation that highlight his most emotionally resonant work to date.

“I’m so excited to share these new stories, candid thoughts, quiet walks home in the city, and snapshots of my life over these past few years. And while this album was made over the course of the last two years, it was truly 33 years in the making.” – Nick Jonas on Sunday Best

SUNDAY BEST TRACKLIST:
1. “Sweet To Me”
2. “Handprints”
3. “I Need You”
4. “You Got Me”
5. “Gut Punch”
6. “Hope”
7. “Seeing Ghosts”
8. “Aphrodite”
9. “911”
10. “The Greatest” feat. Jonas Brothers
11. “Princesses”

Paul McCartney Announces ‘Man on the Run Music From The Motion Picture Soundtrack’

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Ahead of the release of Paul McCartney: Man on the Runthe intimate new feature documentary by Oscar, Emmy, and Grammy Award-winning director Morgan Neville, exploring Paul McCartney’s creative rebirth after The Beatles’ breakup, Capitol Records, MPL Communications and UMG have announced details of a companion album titled, Man on the Run – Music from the Motion Picture Soundtrack.

The album includes all-time classics, hits and essential tracks from across Paul McCartney and Wings’ revered catalog. A snapshot of Paul’s creativity in the 1970s in 12 songs. “Arrow Through Me (Rough Mix),” a previously unreleased rough mix from the 1979 album sessions for Back to the Egg, and “Live And Let Die (Rockshow),” from the 1980 concert film Rockshow, can both be heard exclusively via Amazon Music here, ahead of release. The album will feature a third previously unreleased track in “Gotta Sing Gotta Dance,” originally featured in the 1973 The James Paul McCartney TV Special.

Both the soundtrack album and documentary will be released on February 27th, with Man on the Run – Music from the Motion Picture Soundtrack arriving in a variety of formats, including a limited edition New York Taxi Yellow Vinyl LP by Jack White’s Third Man Pressing plant (pre-order here), a limited edition Tangerine Peel Orange Vinyl LP Amazon Exclusive, and Black Vinyl LP, through to a 1CD edition and digital release. Each vinyl edition will also come with a Man on the Run poster.

The artwork had creative direction by Paul McCartney and Aubrey ‘Po’ Powell of Hipgnosis – the iconic design studio that worked with Paul for eight Wings albums, including Band on the RunVenus and MarsWings Over AmericaWings Greatest, and the 2025 anthology, WINGS. The artwork was designed by Peter Curzon of Storm Studios.

Fans can shop the Amazon exclusive soundtrack vinyl here today and find more merch on Paul McCartney’s official store on Amazon.com and in the Amazon Music app.

The Paul McCartney: Man on the Run documentary captures Paul’s transformative decade in the wake of The Beatles’ break-up and the rise of his new band Wings. Through stunning archival footage, Linda McCartney’s exceptional photographs, interviews with Paul, Linda, Mary and Stella McCartney, a number of Wings band members, Sean Ono Lennon, Mick Jagger, Chrissie Hynde, and more, the film examines this time through a uniquely vulnerable lens.

Speaking about his approach to the film and soundtrack, director Morgan Neville said:

“When people talk about the biggest acts of the 1970s, the list rarely includes Paul McCartney. Not because he wasn’t big – he was undeniably one of the biggest acts of the decade – but because of what he’d already done. Paul had been in the biggest band in the world, which in turn had created itself its own gravitational force.

In my film, Man on the Run, I wanted to look at Paul’s impossible run from that long shadow of The Beatles.

It was a journey full of unlikely choices – a van tour! Bruce McMouse! Nigeria! Thrillington! A Scottish anthem! – but looked at together, the madness of those choices actually started to seem sane. How else could one deal with the weight of such expectations than by doing the unexpected?

 I also saw that throughout the decade, Paul stopped running away from something and started running towards something else – his own voice, his own family, his own life. This was a story of somebody finding themselves. 

This soundtrack is a snapshot of that journey told through his music. Each of these songs is a result of some creative impulse of who Paul was at that moment in time. It was through song that Paul spoke, not only to the world, but to himself. We’re lucky enough to be able to listen along.”

Paul McCartney: Man on the Run is produced by Tremolo, in association with MPL Communications and Polygram Entertainment. The film will be available on Prime Video from February 27th in more than 240 countries and territories worldwide. The film will also be released in cinemas for one night only by Trafalgar Releasing on February 19, 2026. Tickets to see the film first, in select cinemas worldwide, are available at manontherun.film. Each theatrical screening also includes a bonus conversation between Paul McCartney and director Morgan Neville, exclusive to cinemas. Producers include Morgan Neville, Chloe Simmons, and Meghan Walsh for Tremolo; Scott Rodger and Ben Chappell for MPL; and Michele Anthony and David Blackman for Polygram Entertainment. Executive producers include Paul McCartney and Caitrin Rogers. Man on the Run – Music from the Motion Picture Soundtrack executive producers are Paul McCartney and Morgan Neville.

The new film and companion album provide the essential latest installment in the Wings renaissance – a series of exciting new releases connecting with fans across the world. 2025 saw the publication of Wings: The Story of a Band on the Run by Liveright / W.W. Norton / Penguin. A landmark oral history of Paul’s musical reinvention in the 1970s, described by The Sunday Times as “the story of a man who climbed every mountain, then set out to do it all over again”. In tandem, the WINGS self-titled collection was released in multiple formats, from a 32-track 3LP box set to new Dolby Atmos mixes – a definitive self-titled anthology of hits, personally curated by Paul, charting the story of the band as it became one of the biggest-selling acts of all time. The start of 2025 celebrated one of Wings’ most revered albums, Venus and Mars, 50 years since the original release. Now available as a special edition half-speed master LP, and mixed in Dolby Atmos for the first time. All this in addition to another epic leg of Paul’s Got Back tour, which included shows in 18 different cities across the United States and Canada through 2025.

Man on the Run – Music from the Motion Picture Soundtrack, Tracklisting:
1 Wings – Silly Love Songs (Demo)
2 Paul McCartney – That Would Be Something (2011 Remaster)
3 Paul and Linda McCartney – Long Haired Lady (2012 Remaster)
4 Paul and Linda McCartney – Too Many People (2012 Remaster)
5 Paul McCartney and Wings – Big Barn Bed (2018 Remaster)
6 Paul McCartney – Gotta Sing Gotta Dance
7 Wings – Live and Let Die (Rockshow)
8 Paul McCartney and Wings – Band on the Run (2010 Remaster)
9 Wings – Arrow Through Me (Rough Mix)
10 Wings – Mull of Kintyre (2016 Remaster)
11 Paul McCartney – Coming Up (2011 Remaster)
12 Paul McCartney and Wings – Let Me Roll It (2010 Remaster)

Redferrin Opens A New Chapter With “If I Was California”

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Redferrin has released a new song, “If I Was California”, marking the first release from his upcoming 2026 project. The track reflects a stylistic shift toward 1990s and early 2000s country influences, moving away from heavier production in favor of an organic, live-band sound. Pedal steel, banjo, and fiddle shape the arrangement, highlighting a more traditional approach rooted in country music fundamentals.

Co-written by Redferrin with Pete Good, Brinley Addington, Scott Stepakoff, and Jake Saghi, the mid-tempo song centers on a relationship shaped by distance and differing paths. “If I Was California” contrasts West Coast imagery with the Tennessee landscapes Redferrin calls home. The song was recorded at the Jack Daniel’s Distillery in Lynchburg, Tennessee, continuing a full-circle creative connection to the artist’s earlier work.

The Format Release New Charity Single “The Bar Is Set So Low”

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Fresh from the release of their album ‘Boycott Heaven’, indie pop favorites The Format have shared a powerful new standalone single, “The Bar Is Set So Low”, now available here. The song arrives as a Bandcamp-exclusive charity release, with 100 percent of proceeds directed to organizations supporting immigrant communities across the United States. It stands as a direct and heartfelt extension of the band’s renewed creative era.

Written by Nate Ruess and Sam Means and produced by Brendan O’Brien, the track carries the same melodic urgency and emotional clarity that has long defined The Format. The song’s directness lands immediately, pairing a stomping rhythm with lyrics shaped by real-world grief and solidarity. The recording captures an unfiltered intensity that feels alive and present from the first note.

Originally written during the sessions for ‘Boycott Heaven’, the song gained new meaning through live acoustic performances during recent in-store shows. Those moments turned the track into a shared emotional release, connecting audiences through collective reflection and resolve. The response was immediate and deeply affirming, reinforcing the song’s purpose beyond the album format.

“The Bar Is Set So Low” now arrives as both a musical statement and a call to action. Its release channels empathy into tangible support, reinforcing the band’s commitment to using their platform with intention. The song resonates as urgent, human, and necessary, offering connection and care through music at a moment when it matters most.

Lieutenant Governor Of Ontario Hosts Black History Month Exhibit Featuring Canada Black Music Archives

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The Office of the Lieutenant Governor of Ontario is pleased to announce a special in-suite exhibit in celebration of Black History Month, featuring collections from the Canada Black Music Archives, Black Diasporas TkarontoToronto, and the Archives of Ontario. It will showcase the rich contributions of diverse Black communities to Ontario’s cultural heritage.

Featured Exhibitions:

Canada Black Music Archives (CBMA) will be sharing materials from its collection and from its exhibit B’LACK THEN: Muted Melodies, which highlight the untold stories of 23 Black artists through photographs, albums, newspaper clippings, films, artifacts, and other materials.

Black Diasporas Tkaronto-Toronto traces life journeys of people of African ancestry through a multifaceted, immersive, and interactive installation that brings together a curated set of short community-led films and oral history narratives, exemplifying the diversity of experiences of the 265,000+ people from the African diaspora living in TkarontoToronto.

The Archives of Ontario will share a selection of images from its forthcoming on-site exhibition Illuminate Black: Shining Light on the Black Presence in Ontario, which explores the rich and complex histories of Black communities in Ontario from the earliest arrivals to the present day. The collection highlights themes including Black joy, Black culture and Black resilience.

“During Black History Month, this cultural gathering offers a unique opportunity to celebrate and honour the lasting contributions of Black communities that have shaped Ontario’s history and social fabric”, stated the Honourable Edith Dumont, Lieutenant Governor of Ontario.

The exhibit will take place in the Lieutenant Governor’s Suite at Queen’s Park from February 11 to 13, 2026.

Exhibit Schedule:

  • Wednesday, February 11 – 10:00 a.m. to 3:00 p.m.
  • Thursday, February 12 – 1:00 p.m. to 3:00 p.m.
  • Friday, February 13 – 10:00 a.m. to 3:00 p.m.

The exhibit is free and open to the public. To plan your visit: https://www.ola.org/en/visit-learn

Maisie Peters Releases “My Regards” With Amelia Dimoldenberg Directed Bodyguard Inspired Music Video

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Maisie Peters releases “My Regards,” the lead single from her recently announced new album ‘Florescence.’ The song finds Peters embracing her power and claiming her man while radiating the assured glow of being truly loved. “My Regards feels powerful, tongue in cheek, sexy and funny, all of which I feel are parts of myself I hadn’t really gotten to explore much musically up until this album,” Peters explains. “I was inspired by a lot of the country greats and their ‘stand by your man songs’, and so I thought I’d write my own modern day version; however in this song I get to play the role of fierce protector instead of simpering love interest, which is so often how women have been depicted in relationships throughout history.”

The music video marks Amelia Dimoldenberg’s directorial debut, featuring Peters as a security guard protecting a movie star played by Benito Skinner in a modern spin on the 1992 classic ‘The Bodyguard.’ “From the moment I heard the track, I knew we had to lean into her gift for storytelling,” Dimoldenberg shares. “I thought it would be interesting to subvert the ‘possessive girlfriend’ trope by making Maisie a literal bodyguard. It felt like a fun way to heighten the narrative.” ‘Florescence’ arrives May 15, co-produced with two-time Grammy winner Ian Fitchuck and featuring collaborations with Julia Michaels and Marcus Mumford. The record is a meditation on how the right love can help heal the wrong ones, exploring perspective, self-realisation, healing, and learning how to flourish. Peters embarks on her Before The Bloom theatre tour March 1 at Sydney’s Enmore Theatre, traveling through Australia, East Asia, Europe, the UK, America, and Canada.

Maisie Peters Tour Dates:

March

1 | Enmore Theatre, Sydney, Aus

2 | Enmore Theatre, Sydney, Aus

4 | Forum Theatre, Melbourne, Aus

5 | Forum Theatre, Melbourne, Aus

16 | La Madeleine, Brussels, BE

18 | Melkweg MAX, Amsterdam, NL

20 | Astra Kulturhaus, Berlin, DE

21 | Live Music Hall, Cologne, DE

23 | La Cigale, Paris, FR

25 | KOKO, London, UK

April

14 | 9:30 Club, Washington, DC

16 | Théâtre Beanfield, Montreal, QC

17 | The Phoenix Concert Theatre, Toronto, ON

19 | The Vic Theatre, Chicago, IL

22 | The Fonda Theatre, Los Angeles, CA

25 | Cine Joia, São Paulo, BR

Top 5 Private LLM Companies for Healthcare

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By Mitch Rice

Private LLMs are becoming a big deal in healthcare for one simple reason: most organizations can’t (and shouldn’t) send protected health information into a public chatbot and hope for the best. A “private” LLM approach usually means the model is deployed in a controlled environment (your cloud tenant, VPC, or on-prem), with tighter governance, auditability, and options to fine-tune or ground responses on internal clinical content. 

Below are five companies that come up often when healthcare teams want generative AI benefits without giving up data control.

LLM.co

LLM.co positions itself around private, compliant LLM deployments built for regulated industries, including healthcare, with an emphasis on keeping organizational data protected and under customer control. For healthcare use cases, that typically translates into safer handling of PHI, clearer separation between your proprietary data and the broader internet, and more predictable workflows for things like clinical documentation support, intake and routing, operational analytics, and internal knowledge assistance. 

The practical advantage of a private LLM vendor in this category is that it’s easier to design policies around data retention, access control, and “where the model runs,” which matters when your security team and compliance officer need firm answers. In other words, it’s less about flashy demos and more about building an AI capability you can actually deploy inside a real hospital or health system environment.

Hippocratic AI

Hippocratic AI is frequently discussed as a healthcare-first generative AI company with a strong focus on safety boundaries. A key point in their positioning is that their agents are designed for healthcare conversations while avoiding diagnosis or prescribing, which can help organizations reduce risk in patient-facing or patient-support interactions. 

They also publicly emphasize safety and evaluation, including structured approaches to validating model behavior in healthcare contexts, which is exactly the kind of thing clinical leaders want to see before rolling out anything patient-adjacent. If your goal is to use LLM-style agents for outreach, post-discharge check-ins, adherence support, or other non-diagnostic patient communications, a safety-forward approach can be a deciding factor—especially when you need escalation paths to humans and consistent behavior under ambiguity.

John Snow Labs

If your organization is looking for domain-tuned language models and clinical NLP capabilities that align with healthcare realities (medical terminology, clinical note patterns, entity extraction, and downstream analytics), John Snow Labs is often shortlisted. They explicitly market healthcare LLM offerings and highlight reproducible benchmarking as part of their story, which matters because healthcare buyers are tired of vague “it’s amazing” claims without measurable performance. 

For private deployments, many healthcare orgs care less about having the biggest general model and more about having a dependable model that performs well on medical tasks, can be deployed in a controlled environment, and integrates into existing data stacks. This is especially relevant for research, coding support, clinical text processing, and internal tooling where accuracy, traceability, and validation matter.

Cohere

Cohere is best known for enterprise LLM deployments, including options specifically marketed as “private deployments” where interactions can stay within a customer-controlled environment. That’s appealing in healthcare settings where data residency, vendor risk, and governance controls are non-negotiable. 

In practice, companies in this category are often chosen by healthcare-adjacent teams (payers, revenue cycle, providers with large operations groups) that want to build internal copilots, automate document-heavy workflows, or power agentic processes—without sending sensitive content into a public endpoint. If your priority is enterprise-grade deployment flexibility plus security posture (rather than a “healthcare brand” in the marketing), Cohere can fit well, particularly when you already have mature security and platform engineering teams.

SambaNova Systems

While some vendors focus on the “model + workflow” layer, SambaNova Systems is often discussed more in the context of private, high-performance enterprise AI deployments—useful when healthcare organizations want strong control over where the model runs and how data is handled. This can be relevant for systems that prefer on-prem or tightly isolated environments, or for organizations that want clearer ownership boundaries around models trained or tuned on private data. 

For healthcare, this kind of approach can be attractive when you’re building an internal generative AI platform to serve multiple departments (clinical ops, compliance, finance, analytics) and you need infrastructure designed for secure deployment patterns rather than a consumer-style SaaS experience. It’s not the only way to do “private LLM,” but it’s a valid route for organizations that treat AI as core infrastructure.

Conclusion

The “best” private LLM company for healthcare depends on what you’re actually deploying: patient-facing support agents, internal clinical tooling, medical text analytics, or a platform layer that multiple departments will share. 

In general, look for (1) clear deployment options (VPC/on-prem), (2) strong security and governance features, (3) evidence of healthcare-relevant performance, and (4) realistic workflow integration—because in healthcare, the rollout details matter just as much as the model.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Father and Daughter Antoine And Léane Baril Cover Genesis Epic “Supper’s Ready” In New Video

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Léane and Antoine Baril release a new video covering Genesis epic “Supper’s Ready.” The father-daughter duo recorded the ambitious track at Hemisphere Studio in Quebec City, with Antoine handling guitars, bass, keyboards, bass pedal, drums, percussions, flute, and backing vocals while Léane takes lead vocals and tambourine. A children’s choir featuring Léane Baril, Anaïs Pouliot, Laury-Jade Pouliot, and Justine Pouliot adds depth to the arrangement. Antoine Baril recorded, mixed, mastered, filmed, edited, and produced the video, which premiered February 6, 2025. The ending credit roll features “Horizon,” composed by Steve Hackett and arranged and performed by Antoine Baril.

Scream 7 Features Original Songs From Jessie Murph, Stella Lefty, Sueco And Ice Nine Kills Featuring Mckenna Grace

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Scream 7 features original songs from top artists including Jessie Murph, Stella Lefty, Sueco, and Ice Nine Kills. The tracks debut throughout February ahead of the film’s theatrical release on February 27. Ice Nine Kills collaborates with Scream 7 star Mckenna Grace on “Twisting the Knife,” which arrives February 19. The horror franchise continues its tradition of pairing visceral thrills with cutting-edge music from artists who understand the genre’s dark appeal.

Sueco kicks off the rollout with “Rearranging Scars” on February 13. Jessie Murph and Stella Lefty both release their contributions on February 27, the same day the film hits theatres. Murph delivers “Criminal” while Lefty offers “The Kill.” Additional artists will be announced in the coming weeks. The original songs add another layer of intensity to a franchise known for its self-aware approach to horror storytelling.

Directed by Kevin Williamson, Scream 7 follows Sidney Prescott as she faces a new Ghostface killer in the quiet town where she has built a new life. Her daughter becomes the next target, forcing Sidney to confront the horrors of her past. Neve Campbell returns alongside Courteney Cox, with Isabel May joining as Sidney’s daughter. The cast also includes Jasmin Savoy Brown, Mason Gooding, Anna Camp, Joel McHale, and Mark Consuelos.

Scream 7 opens only in theatres, 4DX, ScreenX, premium large formats and IMAX on February 27, 2026. Paramount Pictures and Spyglass Media Group present the Kevin Williamson film, produced by William Sherak, James Vanderbilt, and Paul Neinstein. The screenplay comes from Williamson and Guy Busick, based on characters created by Williamson. Original songs from the film are available at artist websites and streaming platforms.

Robyn Announces ‘The Sexistential Tour’ With Stops Across North America, Europe And Australia

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Robyn announces The Sexistential Tour, a run of arena shows supporting her first album in eight years. The tour launches in June and runs through November, spanning North America, Europe, and Australia. The Swedish pop icon will play three hometown shows at Stockholm’s Avicii Arena in July. Special guests including Erika de Casier, Smerz, 808 State, Saya Gray, Romy, Nourished by Time, Peaches, Grace Ives, and Lykke Li will join Robyn at various dates throughout the tour.

‘Sexistential’ arrives on March 27. Robyn has already shared three singles from the project: “Dopamine,” “Talk to Me,” and the album’s title track. “Dopamine” also received a remix from Jamie xx. The album marks her return after an extended hiatus from releasing full-length studio work.

The tour kicks off June 24 in Dublin at 3Arena and includes stops at major venues like The O2 in London, Barclays Center in Brooklyn, United Center in Chicago, and Kia Forum in Los Angeles. European dates hit cities including Glasgow, Manchester, Brussels, Paris, Berlin, Oslo, and Copenhagen. Robyn will also perform at C2C Festival in Turin, Italy on October 30. The tour wraps with Australian shows in Sydney and Melbourne in November.

Robyn Tour Dates:

06-24 Dublin, Ireland – 3Arena *
06-26 Glasgow, Scotland – OVO Hydro ^
06-27 Manchester, England – Co-op Live ~$
06-30 Brussels, Belgium – ING Arena ^
07-01 Paris, France – Adidas Arena *
07-03 London, England – The O2 +
07-08 Berlin, Germany – Uber Arena =$
07-11 Oslo, Norway – Unity Arena @
07-14 Copenhagen, Denmark – Royal Arena @
07-16 Stockholm, Sweden – Avicii Arena ^$%
07-17 Stockholm, Sweden – Avicii Arena ^$%
07-18 Stockholm, Sweden – Avicii Arena ^$%
09-08 Washington, D.C. – The Anthem &
09-10 Brooklyn, NY – Barclays Center @
09-12 Chicago, IL – United Center #
09-15 Toronto, Ontario – Scotiabank Arena >
09-19 Mexico City, Mexico – Palacio de los Deportes ±
09-23 Los Angeles, CA – Kia Forum ÷
10-30 Turin, Italy – C2C Festival
11-21 Sydney, Australia – Qudos Bank Arena
11-24 Melbourne, Australia – Rod Laver Arena

* with Erika de Casier
^ with Smerz
~ with 808 State
+ with Saya Gray
= with Mechatok
@ with Romy
$ with Zhala
% with Becky and the Birds
& with Nourished by Time
# with Peaches
> with Grace Ives
± with Lykke Li
÷ with Horsegiirl