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Reggae Rise Up Reveals Florida And Arizona Spring 2026 Festival Lineups

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Reggae Rise Up has announced the 2026 spring lineups for its two flagship events, returning to Florida and Arizona with expanded, genre-spanning bills. Reggae Rise Up Florida takes place March 12 through March 15 at Vinoy Park, while Reggae Rise Up Arizona follows April 17 through April 19 at Tempe Beach Park. Across both festivals, artists include De La Soul, Steel Pulse, Protoje, SOJA, Rebelution, and Slightly Stoopid, with additional performers appearing exclusively at each location.

Reggae Rise Up Florida’s lineup also includes Cypress Hill making its first-ever appearance at the Florida edition, alongside Sublime, 311, Iration, Skip Marley, Yelawolf, Tribal Seeds, Common Kings, and more. Reggae Rise Up Arizona features headlining sets from Stephen Marley, Dirty Heads, Atmosphere, Collie Buddz, J Boog, Maoli, Matisyahu, and Fortunate Youth, among others. Both festivals continue Reggae Rise Up’s fan-first format focused on community, waterfront settings, and non-overlapping sets, with tickets and festival details available via reggaeriseup.com.

2026 Festival Dates:
Reggae Rise Up Florida
March 12–15, 2026
Vinoy Park, St. Petersburg, FL

Reggae Rise Up Arizona
April 17–19, 2026
Tempe Beach Park, Tempe, AZ

Alternative Rock Legends They Might Be Giants Share New ‘Eyeball’ EP

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They Might Be Giants have released the ‘Eyeball’ EP, now available across digital platforms and the band’s official download store. The project includes the title track “Eyeball,” “The Glamour of Rock,” the instrumental “Peggy Guggenheim,” and a reimagined version of “Eyeball” by The Elegant Too. The EP highlights the band’s horn-driven arrangements, with “Peggy Guggenheim” placing the brass section front and center in a cinematic, high-energy instrumental setting.

The release arrives alongside the announcement of new spring dates for the “BIGGER SHOW TOUR,” which begins April 17. John Linnell describes the EP as a collection of tracks left over from album sessions, likening them to an appetizer ahead of the band’s next full-length release. The upcoming tour features multi-night runs across the East Coast and Midwest, with the band performing as an eight-piece ensemble that emphasizes their expanded horn section and wide-ranging catalog.

2026 US Tour Dates:
April 17 Woodstock, NY – Bearsville Theatre
April 18 Woodstock, NY – Bearsville Theatre

April 24 Indianapolis, IN – The Vogue
April 25 Indianapolis, IN – The Vogue
April 26 Indianapolis, IN – The Vogue

April 28 Detroit, MI – Majestic Theatre
April 29 Detroit, MI – Majestic Theatre

May 1 Chicago, IL – Vic Theatre
May 2 Chicago, IL – Vic Theatre
May 3 Chicago, IL – Vic Theatre

May 15 Philadelphia, PA – Union Transfer
May 16 Philadelphia, PA – Union Transfer
May 17 Philadelphia, PA – Union Transfer

May 28 Brooklyn, NY – Brooklyn Steel
May 29 Brooklyn, NY – Brooklyn Steel
May 30 Brooklyn, NY – Brooklyn Steel

June 5 Boston, MA – House of Blues
June 6 Boston, MA – House of Blues

Dallas Pop R&B Artist AVRA BOOM Introduces Debut EP ‘Live From My Dreams’

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AVRA BOOM has released her debut EP ‘Live From My Dreams,’ a five-track project blending pop, R&B, and dance music through an emotionally driven lens. The EP opens with the title track “Live From My Dreams,” built around expansive synths and a steady rhythmic pulse that places AVRA’s vocals front and center. The collection establishes a consistent focus on movement, with songs designed to be felt as much as heard. The release presents a cohesive introduction to her sound, shaped by both melody and physical rhythm.

Based in Dallas, Texas, AVRA BOOM is a singer-songwriter, dancer, and composer whose background in dance informs the structure and energy of the EP. Across the project, she explores themes including grief, frustration, and guilt, pairing direct lyrical expression with production that maintains forward motion. She describes her creative approach simply, stating, “I believe that the feelings that live inside your body will always find a way to be released.” The EP closes with “Float,” a spacious, atmospheric track that brings the project to a reflective conclusion.

Max Styler Launches Nu Moda With Indie Dance Compilation ‘Nexus 001’

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Max Styler has released ‘Nexus 001,’ the debut compilation from his newly launched Nu Moda imprint. The five-track EP serves as a foundational statement for the label, spotlighting a focused group of rising artists from the indie dance and house underground. The release features exclusive tracks from Welker, Josh Gigante and Ugo Banchi, Mishell, Pavel Petrov, and DvirNuns alongside DOX. Each contribution is designed for late-night club settings, emphasizing groove, tension, and controlled momentum.

The compilation is led by Welker’s “Ice In My Eyes,” which sets the tonal framework for the project. Additional tracks include “Kill Bill” by Josh Gigante and Ugo Banchi, “Desire” from Mishell, “Feel Good Inside” by Pavel Petrov featuring Tyler Hill, and “Here We Go” from DvirNuns and DOX. Collectively, ‘Nexus 001’ presents a concise snapshot of current intersections between indie dance and house, positioning Nu Moda as a label rooted in club functionality and intentional curation.

Australian Dream-Pop Artist Airling Shares New Single “Better When You Groove”

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Australian singer-songwriter Airling has released her new single “Better When You Groove,” the second track revealed from her upcoming EP ‘Retrieve,’ set for release on March 6, 2026. Described by Shepherd as her “love-hate letter to music,” the song centers on creative vulnerability and emotional honesty. Built around smooth R&B-leaning dream-pop production and clear, understated vocals, the track reflects an ongoing dialogue between self-doubt, expression, and artistic commitment. The single functions as a thematic anchor for the EP, highlighting its reflective tone.

Airling, the musical project of Hannah Shepherd, returned in late 2025 with “Mona Lisa,” her first release in eight years. During her time away from music, Shepherd pursued nursing, later returning to songwriting with renewed perspective. ‘Retrieve’ explores themes of loss, recovery, infatuation, and personal power, and was written and recorded with longtime collaborators Tom Iansek and Graham Ritchie. The EP was recorded between Brisbane and Melbourne, with all tracks performed and programmed by the trio.

Heavier Songs by Artists Who Usually Don’t Go That Hard

Every artist has a breaking point. Sometimes it’s a bad day in the studio. Sometimes it’s a political mood. Sometimes the amps just accidentally get turned up and nobody stops it. Here are 20 moments when usually non-heavy artists leaned into distortion, volume, rage, or sheer sonic weight – and surprised everyone.

The Beautiful Ones” – Prince
A slow burn that detonates. Prince’s screams at the end sound less like singing and more like emotional freefall.

Exit” – U2
Dark, grinding, and relentless. Bono sounds possessed, and the band locks into a groove that never lets up.

Misunderstood” – Wilco
Starts inward-looking and ends in shouted existential collapse. Wilco at their most confrontational.

The Nile Song” – Pink Floyd
Proto-punk fury hiding in the Floyd catalogue. Fuzzed-out guitars and zero psychedelia.

I’m So Afraid” – Fleetwood Mac
Especially live, this becomes a showcase for Lindsey Buckingham’s barely contained guitar rage.

She Shook Me Cold” – David Bowie
Sweaty, distorted, and unapologetically heavy. Bowie flirting openly with hard rock and early metal.

Fire (Mrs. O’Leary’s Cow)” – The Beach Boys
Avant-garde chaos from the Smile era. No harmonies, no sunshine, just pure sonic panic.

State of Grace” – Taylor Swift
Big guitars, bigger momentum. A reminder that arena rock lives comfortably in her songwriting DNA.

Violet Hill” – Coldplay
Militaristic drums, distorted bass, and political bite. Coldplay briefly embrace grit over gloss.

Kiwi” – Harry Styles
Raw, chaotic, and loud. Styles tearing through glam-rock energy with zero restraint.

Don’t Hurt Yourself” – Beyonce
Industrial stomp and vocal fury. Beyoncé weaponizes distortion and attitude like a veteran rocker.

Pressure” – Billy Joel
New wave anxiety meets hard-edged rock. Joel sounds genuinely stressed, and it works.

Dirty Diana” – Michael Jackson
Slashing guitars and aggressive vocals. One of the darkest moments in his catalogue.

Leave It Open” – Kate Bush
Unsettling rhythms and clipped vocals. Heavy through tension rather than volume.

The Overload” – Talking Heads
Inspired by post-punk bands they hadn’t even heard yet. Oppressive, slow, and ominous.

Zombie” – The Cranberries
Crunching guitars and raw anger. Dolores O’Riordan sounds ferocious and unfiltered.

Ogre Battle” – Queen
Fantasy lyrics riding a proto-metal riff. Queen flexing their heaviest instincts early on.

The Knife” – Genesis
Violent dynamics and sharp edges. Peter Gabriel-era Genesis going darker than expected.

Slow Train” – Bob Dylan
Lyrically heavy and musically blunt. Dylan trades subtlety for fire-and-brimstone urgency.

Crazy Horses” – The Osmonds
Yes, those Osmonds. A genuinely heavy, proto-metal stomper with a snarling riff and environmental anger, this song blindsided everyone in 1972 and still sounds improbably hard coming from a family pop group.

McCormick Partners With Paris Hilton For Flavor-Forward Multi-Year Collaboration

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In a partnership primed for flavor-forward content and one-of-a-kind recipe inspiration, the McCormick brand announces a two-year long collab with lifestyle icon, Paris Hilton and her next-gen media company, 11:11 Media. This partnership is a celebration of delicious food and memorable film and TV moments, all highlighted in a new ad from McCormick that shares how the best food and flavor brings us together.

“I love having family and friends over to enjoy delicious food— whether it’s a big dinner party or a family movie night. There’s nothing quite like sharing a good meal made with the best ingredients,” said Paris Hilton, pop culture icon, co-founder and CEO of 11:11 Media. “I can’t wait to share my favorite ways to use McCormick spices to make flavorful food, lasting memories, and sliving our best lives around the table!”

Just like the iconic scenes from film and TV featured in the new spot – coming soon in January 2026 – McCormick makes even everyday meals best-in-class with their spices, seasonings, and extracts. Hilton and 11:11 Media will serve as a multi-year strategic partner to help the brand evolve and meet the next generation of taste chasers, honoring McCormick heritage while propelling the classic house of flavor into what’s ‘hot’.

“McCormick brings the best flavor to every table, and we’re excited to announce this collaboration with Paris Hilton as we roll out our new McCormick creative spot,” said Tabata Gomez, Chief Marketing Officer at McCormick & Company, Inc. “With Paris’s cultural influence and the unmatched culinary expertise behind the McCormick brand, this partnership inspires consumers everywhere to make their best meals and have fun doing it. We’re excited to connect with them in a fresh, exciting way.”

Aloe Blacc Rebuilds Altadena Home Using Fire-Resilient Modular Construction

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One year after the Eaton Fire destroyed more than 9,400 structures in Altadena and surrounding communities, Grammy-nominated artist Aloe Blacc is rebuilding his family’s home using an approach that dramatically shortens construction timelines, prioritizes structural resilience and keeps communities whole. Blacc, whose family was also affected by the January 2025 fires, selected LiveLarge Home’s modular building system, a decision that reflects a broader shift among California homeowners seeking faster, more durable rebuilding solutions.

Blacc’s rebuild illustrates challenges facing thousands of displaced families across Los Angeles County. Traditional reconstruction can stretch 18 to 24 months or longer, leaving homeowners in temporary housing as insurance assistance expires and construction costs continue climbing. The emotional and financial strain of prolonged displacement has pushed many residents to explore alternatives that can deliver permanent homes in a fraction of conventional timelines.

“Altadena is home for so many,” said Aloe Blacc, “Through my work helping fire survivors, and managing our property loss, one thing became clear: our community can’t survive if rebuilding takes years. Families need permanent, safe homes they can move into quickly, finding ways to rebuild faster without sacrificing quality, that’s how we keep Altadena whole.”

In November 2025, LiveLarge Home installed the first modules of Blacc’s new residence, marking a tangible milestone in his family’s return to Altadena. The factory-built approach allowed construction to advance in weeks rather than months, with two residential units already in place on the property. This accelerated timeline represents a structural difference from conventional building methods, not simply faster execution of traditional processes.

“Speed matters, but only when quality is not compromised,” said Endong Zhang, CEO of LiveLarge Home. “Traditional rebuilding can take two years or more. We’re cutting that to months, not through shortcuts, but through systematization and precision manufacturing.”

LiveLarge Home’s system centers on light steel frame construction, a non-combustible structural approach that addresses wildfire risk at the foundational level rather than through surface treatments or retrofits. The company has conducted real-world fire resistance testing on its exterior wall systems, demonstrating the ability to withstand direct flame exposure without structural ignition.

The modular units incorporate triple-pane windows, fire-resistant exterior materials, and sealed building envelopes designed to prevent ember penetration, a primary cause of structure loss during wildfires. Factory construction allows for precision installation of these components under controlled conditions, eliminating many variables that can compromise quality in field-built homes.

“This project represents more than a single home,” said Thalia Cheng, President of LiveLarge Home. “It demonstrates a rebuilding pathway that prioritizes speed, safety, and long-term livability model that can be replicated for many families facing the same reality after wildfire.”

Beyond speed, many homeowners are prioritizing structural durability and lower ongoing maintenance compared to traditional builds. Factory-built homes eliminate weather-related construction delays, reduce material waste, and incorporate quality control checkpoints that can be difficult to replicate on conventional job sites.

Blacc, who has helped channel $8 million in direct assistance to 2,300 fire survivors through his work with nonprofit The Change Reaction, understands the urgency families face. “People need to get home,” he said. “Not into temporary housing or stopgaps, but into real, permanent homes where they can rebuild their lives.”

As California confronts the reality of recurring wildfire seasons, the choices homeowners make today are shaping a new standard for post-disaster housing across the state. From Altadena to other fire-vulnerable communities, the conversation has shifted from whether to rebuild to how to rebuild smarter, faster, and more durably than conventional methods allow.

Note-Perfect Beatles Tribute ONES Brings #1 Hits To Toronto Stage

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ONES – The Beatles #1 Hits arrives in Toronto for a limited run at the Princess of Wales Theatre, running July 28 through August 2, 2026. Presented by Mirvish Productions, the multi-media concert focuses exclusively on the band’s chart-topping singles, performed note-for-note by Canadian session musicians and five lead vocalists recreating the group’s intricate harmonies. The production also features a live orchestra performing the original string and brass arrangements heard on the recordings.

The show incorporates period-correct instruments, including 28 guitars and vintage amplifiers and drums used to match the sound of the original sessions. Visual elements and archival-style clips are integrated throughout the performance, with narration provided by Toronto radio broadcaster Al Joynes. Performances are scheduled Tuesday through Saturday evenings at 7:30 PM, with matinees Wednesday at 1:30 PM and Saturday and Sunday at 2 PM.

Japanese Psych-Funk Visionary Shintaro Sakamoto Unveils New Single “Numb” From ‘Yoo-hoo’

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Shintaro Sakamoto shares the new single “Numb,” a tightly wound, groove-driven cut from his forthcoming album ‘Yoo-hoo.’ The track arrives alongside an exclusive live in-studio performance video and highlights Sakamoto’s sharp instinct for rhythm, space, and tone. Built on a minimalist riff and wah-wah guitar, “Numb” locks into a funk-forward pulse, elevated by the crisp horn lines of Tetsu Nishiuchi. The song carries a subtle lyrical warning that unfolds naturally, giving it depth without sacrificing momentum. The response to the track has been immediate and energized, with its groove landing hard and staying there.

‘Yoo-hoo’ is written and produced by Sakamoto and performed with his long-running live band, featuring AYA on bass and Yuta Suganuma on drums and percussion. The album moves fluidly through 1960s soul, surf instrumentals, tropicalia, and mood kayō, reflecting the feel of Sakamoto’s recent international touring. Mixed and mastered by Soichiro Nakamura, the record also includes the singles “Dear Grandpa” and “Is There A Place For You There?” Tracklist highlights include “Protect Your Brain,” “Ghost Town,” and the title track “Yoo-hoo,” forming a cohesive set that sounds lived-in, focused, and joyfully precise.