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Ryan Dart Releases New Single “Dirt Road Woman” Celebrating Empowered Women And New Love

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Colorado Americana songwriter, producer, and touring veteran Ryan Dart releases his new single “Dirt Road Woman” on February 20, offering a warm, roots-driven celebration of empowered women, hard-earned wisdom, and the electric pull of new love. The track serves as the first single from Dart’s new album ‘If Love Don’t Break You’, arriving May 1, 2026. Built on acoustic grit and Dart’s weathered, soulful vocal, “Dirt Road Woman” lives in the sweet spot between Colorado country and Southern-rooted Americana, capturing the intoxicating honeymoon phase of a relationship that follows heartbreak. Dart explains, “This song is about celebrating strong, empowered women and the people who love them. It’s that feeling when you’ve been through something toxic, you’ve learned the hard lessons, and then something real shows up. You gotta ride the bad horses before you know the good ones.” The track features Colorado musicians including Katie Mintle on vocals, Peyton Langford on bass, Nate Barnes on drums, Charlie Rose on mandolin and banjo, Bridget Law on fiddle, and Eric Moon on keys.

Born in Colorado and raised in rural Arkansas, Dart’s music bridges the landscapes that shaped him: the Rocky Mountains and the Ozarks. A longtime member of the Coupe Studios family, Dart has spent decades behind the scenes as a producer, engineer, tour manager, and artist manager for acclaimed acts including Elephant Revival, Dinosaur Jr, and J Mascis, while touring globally with artists such as Bob Dylan, Willie Nelson, Ryan Bingham, Wilco, Beck, and more. In 2024, Dart returned to Coupe Studios as Director of Music and Media Partnerships, while continuing to write, record, and perform shows annually. His forthcoming album ‘If Love Don’t Break You’ explores themes of love, loss, resilience, time, and healing shaped by divorce, the loss of his farm, falling in love again, and life as a single father.

Tour Dates:

February 6 – Magic Rat, Fort Collins

February 7 – House Concert, Boulder

May 2 – Roots Music Project, Boulder, Colorado

May 24 – Gold Hill Inn, Boulder

July 6-12 – Medora, North Dakota

July 13 – Dickinson, North Dakota

Laryngectomy Choir “Louder Than Before” Showcases Creative Expression Through Music

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Linguist Simon Roper was invited to document a remarkable choir performance titled “Louder Than Before”, featuring people who have undergone partial or total laryngectomy due to throat cancer. The performance was organized by Shout at Cancer, a London-based non-profit founded by Dr Thomas Moors that combines speech training with music to support laryngectomy patients. The charity explores various creative expression avenues after voice box removal surgery, with choir singing serving as one powerful outlet for participants to reclaim their voices.

7 Music Genres You Didn’t Know Existed

Think you’ve heard it all? Music keeps splintering into strange, wonderful corners when creativity meets curiosity. These genres are real, thriving, and proof that sound has no boundaries.

Pirate Metal blends heavy metal with sea shanties, folk melodies, and nautical storytelling. Lyrics revolve around rum, mutiny, and life on the open sea. It’s theatrical, loud, and built for rowdy singalongs. Key names in the genre include Alestorm, Running Wild, and Swashbuckle.

Dungeon Synth emerged from the black metal underground but took a sharp turn toward atmosphere. It swaps guitars for lo-fi keyboards and medieval moods. The music feels like a soundtrack for forgotten castles and fantasy worlds. Foundational artists include Mortiis, Depressive Silence, and Secret Stairways.

Vaporwave is part genre, part internet art experiment. It slows down elevator music, smooth jazz, and ’80s pop until they feel dreamlike and distorted. The sound plays heavily with nostalgia and irony. Artists closely tied to the genre include Macintosh Plus, Saint Pepsi, and Chuck Person.

Skweee mixes chiptune sounds with funk and R&B rhythms. It’s minimalist, playful, and focused on groove over polish. The music feels light but intentional. Notable names include Daniel Savio, Freller, and Slagsmålsklubben.

Lowercase pushes music to the edge of silence. It focuses on extremely quiet sounds like room noise, static, or subtle environmental hums. Listening requires patience and close attention. Artists associated with the style include Steve Roden, Bernhard Günter, and Toshimaru Nakamura.

Witch House combines slowed-down hip-hop beats, dark synths, and occult imagery. Vocals are often heavily distorted or buried in the mix. The mood is shadowy, hypnotic, and unsettling. Key artists include Salem, oOoOO, and Crystal Castles.

Japanoise is chaos as art. Originating in Japan, it embraces extreme volume, distortion, and the rejection of traditional song structure. The goal isn’t comfort, but raw expression. Influential figures include Merzbow, Hijokaidan, and Boredoms.

Gabriel Basso Reveals Why He Deleted His Instagram, Confirms He Only Cries on His Birthday

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Gabriel Basso talks to The Tonight Show with Jimmy Fallon about deleting his Instagram after seeing a picture of Mt. Everest, writing and illustrating his children’s book The Grove of Lost Things and filming Season 2 of The Night Agent in New York City.

Keanu Reeves and Jonah Hil Star In Jonah Hill’s Dark Comedy “Outcome” Arriving April 10

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Today at the 2026 Apple TV Press Day, Apple TV unveiled the first look images for director Jonah Hill’s upcoming dark comedy, “Outcome.” Stars Keanu Reeves, Cameron Diaz, Golden Globe and Critics Choice Award winner and Emmy Award nominee Matt Bomer, and Hill announced that the Apple Original Film will premiere globally on Apple TV on Friday, April 10, 2026.

“Outcome” is a dark comedy that centers on Reef Hawk (Reeves), a beloved Hollywood star who must dive into the depths of his hidden demons after he is extorted with a mysterious video that’s sure to shatter his image and end his career. With the support of his lifelong besties, Kyle (Diaz) and Xander (Bomer), along with his crisis lawyer, Ira (Hill), Reef embarks on a soul-searching journey to make amends with anyone he could have possibly wronged in hopes of identifying the blackmailer. Co-writer and director Hill brings a unique lens to Reef’s wild but spiritually cleansing, nostalgic and eye-opening trip down memory lane, where confronting his past might be the only way to rescue his future.

Alongside Reeves, Diaz, Bomer and Hill, the ensemble cast includes Martin Scorsese, Susan Lucci, Laverne Cox, David Spade, Atsuko Okatsuka, Roy Wood Jr., Kaia Gerber, Ivy Wolk and more.

Written by Hill and Ezra Woods, “Outcome” hails from Apple Studios and is produced by Matt Dines, Alison Goodwin and Hill under their Strong Baby banner, with Adam Merims serving as executive producer.

Gospel Worship Leader Ron Kenoly Dies At 81, Leaving Legacy That Shaped Generations

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Legendary American gospel singer and worship leader Ron Kenoly has died at the age of 81, confirmed by his music director Bruno Miranda. Kenoly’s influence stretched across 123 nations over 48 years of ministry. His songs became fixtures in churches around the world. “Ancient of Days”, “Let There Be Praise”, “Whose Report Shall We Believe”, “Jesus Is Alive”, and “Lift Him Up” rang out in congregations from California to Nigeria. He won the GMA Dove Award for Praise and Worship Album of the Year in 1997 for ‘Welcome Home’.

Born December 6, 1944 in Coffeyville, Kansas, Kenoly grew up singing at a Baptist church in his hometown. He served in the United States Air Force from 1965 to 1968, performing in a top 40 cover band called The Mellow Fellows. After the military, he pursued secular music, singing demos of Jimmy Webb songs and releasing R&B tracks for A&M Records under the stage name Ron Keith. He and Candy Rae signed to George Semper’s Inner City label in 1972. Their single “Lovely Weekend” sold nearly 200,000 copies. But by the late 1970s, Kenoly left secular music behind and spent four years trying to land a gospel record deal.

His first Christian album ‘You Ought to Listen to This’ arrived in 1983. Two years later, he became worship leader at Jubilee Christian Center in San Jose, California. The breakthrough came in 1992 when ‘Lift Him Up’ became the fastest selling worship album to that point. Released through Integrity Music, the record established Kenoly as a defining voice in contemporary Christian worship. ‘Welcome Home’, produced by Tom Brooks, topped Billboard’s contemporary worship chart. Kenoly held multiple degrees including a Doctorate of Ministry in sacred music. He moved to central Florida in 1999 and spent the rest of his life traveling, teaching, and recording.

Miranda, who worked alongside Kenoly for over 20 years, wrote that the worship leader was “very intentional about one thing: he was not an artist, never an entertainer. He was a worship leader. And he would take all the time necessary to explain what that truly meant. A worship leader’s calling is not to perform songs, but to lead people into true worship in the presence of a King; the King of Kings, Jesus Christ.” Kenoly was particularly beloved in Africa, especially Nigeria, where his ministry helped spark the renaissance of English language gospel music in the late nineties and influenced artists like Sammy Okposo, Cobham, and Sinach.

Nigeria Bishop WaLe Oke called Kenoly “a man of humility, a vessel of grace, and a true worshipper who gave his life to the glory of God.” Gospel artists Nathaniel Bassey and Dunsin Oyekan paid tribute to the legend. Just two days before his death, Kenoly posted on Instagram thanking the people who helped him reach over 123 nations. “I am 81 and in my 48th year of ministry,” he wrote. Kenoly was married to Tavita for 42 years and had three sons: Samuel, Ronald, and Tony. He married Diana, a United Nations Ambassador, on November 24, 2014. His cousin is actor Don Cheadle. Miranda wrote that “today we grieve deeply but not without hope. The worship he lived is now the worship he beholds.”

Jesse Sykes And The Sweet Hereafter Announce UK And EU Dates Supporting ‘Forever, I’ve Been Being Born’

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Jesse Sykes and the Sweet Hereafter announce a string of headline dates in the UK and EU, including a performance at Roadburn Festival. The tour supports ‘Forever, I’ve Been Being Born’, released on Southern Lord in the USA and Ideologic Organ in Europe. The album was in the making for ten years and centers around Jesse Sykes’ transcendent voice and guitarist Phil Wandscher’s playing, which masterfully frames the songs with classic and fractured tones. The record dwells in themes of magical thinking, emotional dislocation, death and transformation through masterful, emotive songwriting.

Sykes describes the album as “our attempt to create elegant folk and sometimes ragged, cosmic, heart-rendered songs full of eulogies and laments. Our sound is still familiar enough, but unrecognizable at times—we’ve gotten older and wearier, the music more fragile.” When recording began, Sykes told the band to “play the songs as if the edge of a butterfly wing was brushing against your cheek in the dark while you’re holding a small child.” The tour dates run as follows:

04/16/26 – Botanique – Brussels

04/17/26 – Roadburn Festival – Tilburg

04/19/26 – Chapel @ Angel Microbrewery – Nottingham

04/20/26 – Hyde Park Book Club – Leeds

04/21/26 – The Cumberland Arms – Newcastle

04/22/26 – The Hug & Pint – Glasgow

04/24/26 – BelloBar – Dublin

04/26/26 – The Hope & Ruin – Brighton

04/27/26 – The Lexington – London

Absinthe Green Releases “Death By A Thousand Cuts” From Debut Album ‘Of Love And Pain’

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Absinthe Green releases “Death By A Thousand Cuts” on February 13, 2026 across all platforms. The track serves as the valediction and epilogue to the band’s debut album ‘Of Love And Pain’, which arrived September 19, 2025 and was produced by Hiili Hiilesmaa. Absinthe Green describes the song as inspired by the ancient Chinese method of slow slicing, where many small wounds cumulatively lead to death. “Symbolically, the song reflects how love can feel this way: a series of small betrayals, slights, or pains that gradually erode the heart,” Absinthe Green explains. The song transforms pain into ritual, bleeding devotion into every note as a shadowed farewell written in scars.

Absinthe Green began as a personal project in 2016, led by songwriter and producer Eirini ‘Absinthe Green’ in Dortmund, Germany. After moving back to Greece in 2019, Absinthe was joined by drummer Harry Mason, bassist Villy Pirris, and later guitarist Panos Economakis. The band fuses pop elements, aggressive guitars, groovy rhythms, and versatile vocal range into emotionally charged sound. A critic once described them as “a melodic storm of beauty and heartbreak, both ferocious and tender.” Soul-stirring vocals shift between power and fragility while skillful guitar work and infectious grooves underpin melodies that cut straight to the core.

‘Of Love And Pain’ ventures into the contradictions of human experience, where destruction and creation, light and darkness merge. Absinthe Green describes the album as “a vessel for my experiences, woven from love, grief, defiance, and redemption. Yet it is not only born of sorrow; within its depths there is also humour, playfulness, and the strange joy of turning darkness into sound.” The band credits sound engineer Geegor as the fifth member whose dedication gave the record its beating heart. What began as a solitary project has grown into a band that resists simple definition, both fierce and fragile, shadowed and luminous.

Xfinity Reunites Laura Dern, Sam Neill And Jeff Goldblum For Jurassic Park Super Bowl Spot

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Xfinity’s extended Super Bowl commercial reunites Laura Dern, Sam Neill, and Jeff Goldblum, imagining what would have happened if Jurassic Park had worked as planned. Directed by Taika Waititi, the spot envisions a successful theme park filled with genetically-engineered dinosaurs, bringing the actors back together with the help of hair, makeup, and VFX.


Here’s How To Get Tickets For ‘Paul McCartney: Man on the Run’ – The New Documentary Chronicling Paul McCartney and Wings’ 1970s Ascension

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What happens when you wake up the morning after leaving the most important rock band of all time? Paul McCartney: Man on the Run, the intimate new feature documentary by Oscar, Emmy, and Grammy Award-winning director Morgan Neville, explores Paul McCartney’s creative rebirth after The Beatles’ breakup. The film is released in cinemas for one night only by Trafalgar Releasing on Thursday,  February 19th, 2026. Tickets are on sale today at manontherun.film.

In April 1970, Paul released his first solo album, McCartney. When asked what he’d do next, he said his only plan was to grow up. Paul McCartney: Man on the Run captures Paul’s transformative decade in the wake of The Beatles’ break-up and the rise of his new band Wings. Through stunning archival footage, Linda McCartney’s exceptional photographs, interviews with Paul, Linda, Mary, and Stella McCartney, a number of Wings band members, Sean Ono Lennon, Mick Jagger, Chrissie Hynde, and more, the film examines this time through a uniquely vulnerable lens.

Paul McCartney: Man on the Run is released theatrically in select territories worldwide. In addition to the film, each theatrical screening includes a bonus conversation between Paul McCartney and director Morgan Neville, exclusive to cinemas. All participating cinemas and ticket listings can be found at manontherun.film. Fans are encouraged to sign up to the email newsletter for event alerts.

Paul McCartney: Man on the Run is produced by Tremolo, in association with MPL Communications and Polygram Entertainment. Following the theatrical release, the film will be available on Prime Video from 27th February in more than 240 countries and territories worldwide. Producers include Morgan Neville, Chloe Simmons, and Meghan Walsh for Tremolo; Scott Rodger and Ben Chappell for MPL; and Michele Anthony and David Blackman for Polygram Entertainment. Executive producers include Paul McCartney and Caitrin Rogers. The new film provides the essential latest installment in the Wings renaissance – a series of exciting new releases connecting with fans across the world. 2025 saw the publication of Wings: The Story of a Band on the Run by Liveright / W.W. Norton / Penguin. A landmark oral history of Paul’s musical reinvention in the 1970s, described by The Sunday Times as “the story of a man who climbed every mountain, then set out to do it all over again”. In tandem, the WINGS self-titled collection was released in multiple formats, from a 32-track 3LP box set to new Dolby Atmos mixes – a definitive self-titled anthology of hits, personally curated by Paul, charting the story of the band as it became one of the biggest-selling acts of all time. The start of 2025 celebrated one of Wings’ most revered albums, Venus and Mars, 50 years since the original release. Now available as a special edition half-speed master LP, and mixed in Dolby Atmos for the first time. All this in addition to another epic leg of Paul’s Got Back tour, which included shows in 18 different cities across the United States and Canada through 2025.