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Nick Cave Announces New North American Dates For “Conversations With…” Speaking Tour

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Following a short debut run on the East coast early last year, Nick Cave brings his evenings of talk and music back to North America for a full tour.

Having recently taken this special show to sold out venues in Australia & New Zealand, and with a sell out tour of the UK and Europe to come this Spring, Cave will return to North America in the Fall. During this series of music and open discussion events, he will take questions direct from the audience on all manner of subjects and perform some of his most beloved songs on piano.

Described by Cave as ā€œan exercise in connectivityā€, no subject is sacred and audiences are encouraged to be bold and challenging, confrontational and unafraid.

The relationship between Cave and his audience has always been open and intense, but deepened during his recent shows with the Bad Seeds, inspiring these unconventional and unique evenings of unfiltered, unscripted and unmoderated Q&A.

ā€œI thought that a direct conversation with the audience might be valuable – in the recent live shows we have all shown a kind of willingness to open up,ā€ says Cave.

Fri Sept 20 The Lincoln Theatre, Washington, DC
Mon Sept 23 Town Hall, New York, NY
Wed Sept 25 Sanders Theatre, Cambridge, MA
Fri Sept 27 Eglise Du Saint-Jean-Baptiste, Montreal, QC
Sat Sept 28 Convocation Hall, Toronto, ON
Mon Sept 30 Copernicus Center, Chicago, IL
Tue Oct 1 Pantages Theatre, Minneapolis, MN
Thu Oct 3 James K. Polk Theater, Nashville, TN
Sun Oct 6 Austin City Limits Live at The Moody Theater, Austin, TX
Tue Oct 8 Revolution Hall, Portland, OR
Thu Oct 10 Massey Theatre, New Westminster, BC
Fri Oct 11 Moore Theatre, Seattle, WA
Sun Oct 13 Davies Symphony Hall, San Francisco, CA
Tue Oct 15 Walt Disney Concert Hall, Los Angeles, CA

My Next Read: Neil Young’s ‘To Feel the Music: A Songwriter’s Mission to Save High-Quality Audio’

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Neil Young took on the music industry so that fans could hear his music — all music — the way it was meant to be heard.

Today, most of the music fans listen to is streamed via online services and highly compressed. It’s convenient, but, frustratingly, this comes at the cost of quality. Gone are the days when it was technologically necessary to compress music into the smallest possible file size, yet this remains the industry standard.

The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn’t have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks.

Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo.

To Feel the Music, out September 10, 2019, is the true story of Neil’s quest to bring high-quality audio back to music lovers—which he considers the most important undertaking of his career. Inside, follow Neil as he discovers the step by step deterioration of recorded sound as analog is methodically replaced by digital CDs, MP3s, and low-price, low-quality streaming; gathers others committed to his goal of delivering music the way artists intend for it to sound; and eventually develops the Neil Young Archives, a high-res streaming site that gives users unprecedented access to all of Neil’s music—in the best quality their devices can handle—videos, photos, and more.

Neil’s efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website’s history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he’d imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge.

An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.

You can get it here.

Liz Phair to Release Memoir ‘Horror Stories’ This Fall

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From the two-time Grammy-nominated singer-songwriter behind the groundbreaking album Exile in Guyville comes a haunting memoir in stories in the tradition of Patti Smith’s M Train.

When Liz Phair was just starting out in the Wicker Park, Chicago, music scene in the early 1990s, she encountered some people–mostly men, who didn’t respect her and were determined not to see her fail, exactly, because they didn’t care enough about her to wish failure on her–they just wanted her to get out of their space, to disappear. “Girly Sound” was the name of the cassettes she used to pass around in those days, and in 1993 those songs became the landmark album Exile in Guyville, which turned Phair, at twenty-five, into a foul-mouthed feminist icon.

Now, like a Gen X Patti Smith, Liz Phair tells the story of her life and career in a memoir titled Horror Stories about the moments that have haunted her most. Horror is in the eye of the beholder. For Phair, horror is what stays with you–the often unrecognized, universal experiences of daily pain, shame, and fear that make up our common humanity. In Phair’s case it means the dangers of falling for “the perfect guy,” and the disaster that awaits her; the memory of a stranger passed out on a bathroom floor amid a crowd of girls, forcing her to consider our responsibilities to one another, and the gnawing regret of being a bystander; and the profound sense of emptiness she experienced on the set of her first celebrity photoshoot.

Horror Stories is a literary accomplishment, and reads like the confessions of a friend. It is a book that gathers up all of our isolated shames, bringing us together in our shared imperfection, our uncertainty and our cowardice, smashing the stigma of not being in control. But most importantly, Horror Stories is a memoir that asks questions of how we feel about the things that have happened to us, how we cope with regret and culpability, and how we break the spell of those things, leeching them of their power over us. This memoir is an immersive experience, taking readers inside the most intimate moments of Phair’s life. Her fearless prose, wit, and uncompromising honesty transform those deeply personal moments into tales about each and every one of us–that will appeal to both the serious fan and the serious reader.

The book will be released October 8, 2019, and you can get it here.

Bernie Sanders interview a couple of shopping mall goth kids in 1988

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When Bernie Sanders was mayor of Burlington, Vermont, he had a cable access show called Bernie Speaks. In this 1988 episode, Sanders spoke to a couple of affable goth kids about life.

Tom Brady Helps Jimmy Kimmel Vandalize Matt Damon’s House

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Tom Brady claims that his arm is as strong as it ever was, so Jimmy took him to Matt Damon’s house for surprise target practice.

Billie Eilish Takes ‘The Office’ Quiz With Rainn Wilson

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Billboard sent Rainn Wilson, who portrayed Dwight Schrute on the iconic television series ‘The Office,’ to Billie Eilish’s house to surprise her and to quiz her on some show-related trivia.

Glen Campbell’s Remarkable Life And Catalog Celebrated With Career-Spanning Four-Disc Box Set ‘Glen Campbell – The Legacy [1961-2017]’

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Ā Glen Campbell’sĀ inimitable life and trailblazing career is being celebrated withĀ Glen Campbell – The Legacy [1961-2017],Ā an updated and expanded edition of his long-out-of-print, career-spanning box set. Originally released in 2003, this lavish four-disc anthology, dueĀ June 21,Ā collects 78 beloved songs that beautifully tell the Rhinestone Cowboy’s remarkable sonic story, beginning with his earliest songs, traveling through his indelible classic hits—”Gentle On My Mind,” “By The Time I Get To Phoenix,” “Galveston,” “Wichita Lineman,” “Rhinestone Cowboy”Ā andĀ “Southern Nights”—and culminating with his final recordings. This comprehensive collection includes all of Campbell’s best-known and favorite songs and chronologically charts his meteoric rise that made him a GRAMMY-winning, global pop/country superstar for over six decades with sales totaling more than 50 million albums.

This new edition picks up where the previous one left off and adds songs from Campbell’s thrilling late-career renaissance to paint a complete picture of his peerless and pioneering catalog. Now included are songs from his string of acclaimed albums of the aughts – 2008’sĀ MeetĀ Glen Campbell,Ā 2011’sĀ Ghost On The Canvas, 2014’s soundtrack to his revealing and emotional documentary,Ā Glen Campbell: I’ll Be Me,Ā and 2017’sĀ Adiós, released shortly before he passed away from complications from his long, public battle with Alzheimer’s. This beautiful box set includes a stunning 60-page booklet and updated liner notes by well-known music scribeĀ Joel SelvinĀ who wrote the original liners.

Opening withĀ “Turn Around, Look At Me,”Ā Campbell’s first single released in 1961 shortly after he moved toĀ Los Angelesfrom Albuquerque to break into the music business,Ā Glen Campbell – The Legacy [1961-2017]Ā includes songs from nearly all of the sixty plus album’s he released in his lifetime, providing an outstanding overview of this influential, rare talent.

The collection traces his extraordinary evolution from his earliest days with songs like the bluegrass tuneĀ “Kentucky Means Paradise,”Ā the honky-tonk oldieĀ “Too Late To Worry – Too Blue To Cry,”Ā Ā Buffy St. Marie’sĀ protest anthemĀ “Universal Soldier”Ā andĀ “Guess I’m Dumb,”Ā written and produced by his friendĀ Brian WilsonĀ ofĀ The Beach BoysĀ who Campbell substituted for on tour when Wilson bowed out, to his first works with producerĀ Al De Lory, who helped him hone his signature sound with the song that would kickstart his recording career and put him on the map: the 1967 John Hartford-penned masterpieceĀ “Gentle On My Mind.”Ā AsĀ Joel SelvinĀ writes in his illuminating liner notes, “Despite a modest chart performance, ‘Gentle On My Mind’ did turn out to be the definitive record of Campbell’s career, the point where he not only took charge of his own artistic destiny but became his own creation.”

Campbell, who was concurrently also a first-call session musician recording with the likes ofĀ The Beach Boys,Ā Frank Sinatra,Ā Elvis Presley, Simon & Garfunkel, The Righteous Brothers,Ā Merle HaggardĀ and so many more as part ofĀ TheWrecking Crew, followed the hit with a song that would end up being a turning point for him.Ā “By The Time I Get To Phoenix”Ā both introduced a new lush sound for Campbell and a little known songwriter fromĀ OklahomaĀ namedĀ Jimmy Webb. The song, which along with “Gentle On My Mind,” helped him make history at the 1967 GRAMMYĀ® Awards by sweeping the song and performance awards in both the pop and country and western categories, was a crossover success that spent an incredible six months on the charts and catapulted Campbell to fame. It also began a fruitful lifelong partnership between the musician and songwriter that would last more than five decades and include some of Campbell’s biggest hits such asĀ “Wichita Lineman”Ā andĀ “Galveston,”Ā which kicks off disc two.

The late ’60s and early ’70s were especially prolific for Campbell who, in between starring in his hit TV showĀ “The Glen Campbell Good Time Hour”Ā and becoming a movie star oppositeĀ John WayneĀ in the westernĀ “True Grit”Ā (of which he recorded the Oscar-nominated theme song) and his feature film follow-up,Ā “Norwood,”Ā released four albums in 1970 and three more the following year.Ā The LegacyĀ collection includes many of the tracks released during this period including Webb’sĀ “Where’s The Playground Susie,”Ā andĀ “MacArthur Park,”Ā “I Wanna Live”Ā (a number one country hit), and several songs recorded with labelmateĀ Bobbie GentryĀ includingĀ “Let It Be Me,”Ā Scarborough Fair/Canticle,”Ā and theĀ Everly BrothersĀ hit,Ā “All I Have To Do Is Dream.”Ā There’s also Campbell’s version ofĀ Roy Orbison’sĀ “Dream Baby (How Long Must I Dream),”Ā the sweepingĀ Gordon Lightfoot-penned title track from his albumĀ “The Last Time I Saw Her”Ā and a medley withĀ Anne MurrayĀ ofĀ “I Say A Little Prayer/By The Time I Get To Phoenix.”

The second half of the box set features Campbell’s trademark songĀ “Rhinestone Cowboy,”Ā which earned him his first number one record and became his theme in many ways, and his sprightly spin onĀ Allen Toussaint’sĀ “Southern Nights.”More than four decades later Campbell’s rendition of “Southern Nights” would prominently feature in the film and soundtrack toĀ “Guardians of The Galaxy Vol. 2”Ā introducing a whole new generation to his music. Other highlights includeĀ “God Only Knows,”Ā Campbell’s beautiful take onĀ Brian Wilson’sĀ opus,Ā “Sunflower,”Ā a breezy #1 hit written byĀ Neil DiamondĀ andĀ “Highwayman,”Ā which eight years after recording the Jimmy Webb song, Campbell would introduce toĀ Willie Nelson,Ā Waylon Jennings,Ā Johnny CashĀ andĀ Kris Kristofferson. They not only used the name for their supergroup but also won a GRAMMYĀ®.

The final disc of the collection, which includes Campbell showcasing his love for gospel and his faith with a stirring live rendition ofĀ “Amazing Grace,”Ā and flexing his incredible guitar skills onĀ “Classical Gas,”Ā has been expanded to include songs from his albums released in the 2000s. Included from his acclaimed 2008 album,Ā MeetĀ Glen Campbell, which saw the icon tackle contemporary and classic songs, is his inspired covers of theĀ Foo Fighters “Times Like These,” Green Day’s “Good Riddance (Time Of Your Life)”Ā andĀ Jackson Browne’sĀ “These Days.”Ā 2011’sĀ Ghost On The CanvasĀ is represented withĀ a spirited take on theĀ Paul WesterbergĀ song of the same name while 2013’sĀ See You ThereĀ is represented withĀ “Waiting On The Comin’ Of My Lord.”

The last song Campbell ever recorded wasĀ “I’m Not Gonna Miss You.”Ā This touching goodbye to his family and fans co-written by him and producerĀ Julian RaymondĀ and recorded with members of The Wrecking Crew, is one of the many high points that round out the box set. The song featured in the documentaryĀ “Glen Campbell: I’ll Be Me,”Ā which chronicles Campbell’s diagnosis of Alzheimer’s and his final tour, won the GRAMMYĀ® Award for Best Country Song and was nominated for Best Original Song at the 87thĀ Academy Awards. The retrospective culminates with three songs from Campbell’s bucket list albumĀ Adiós, recorded while fighting his disease and released in 2017 to universal acclaim: a banjo-filled take onĀ “Everybody’s Talkin,'”Ā country weeperĀ “It Won’t Bring Her Back”Ā and the bittersweet title track, which brought Campbell’s career full circle by reuniting him one last time with his lifelong collaborator Jimmy Webb.

Glen Campbell – The Legacy [1961-2017]Ā pays honor to Campbell’s exceptional legacy and celebrates the timeless music of one of the best singers and musicians the world has even known with a lovingly compiled, comprehensive collection that is a must for longtime fans and anyone who wants to learn more aboutĀ Glen Campbell’sĀ singular musical journey.

GLEN CAMPBELL – THE LEGACY [1961-2017]Ā TRACK LISTING
DISC ONEĀ 
1. Turn Around, Look At Me
2. Kentucky Means Paradise (The Green River Boys featuringĀ Glen Campbell)
3. Too Late To Worry – Too Blue To Cry
4. Universal Soldier
5. Guess I’m Dumb
6. Burning Bridges
7. Just To Satisfy You
8. Less Of Me
9. Gentle On My Mind
10. Crying
11. By The Time I Get To Phoenix
12. Tomorrow Never Comes
13. Hey, Little One
14. I Wanna Live
15. Turn Around And Look At Me (New Version)
16. The Legend Of Bonnie And Clyde
17. Let It Be Me (Glen CampbellĀ &Ā Bobbie Gentry)
18.Ā Scarborough FairĀ / Canticle (Glen CampbellĀ &Ā Bobbie Gentry)
19. Wichita Lineman
20. Dreams Of The Everyday Housewife
21. Reason To Believe

DISC TWO
1. Galveston
2. Where’s The Playground Susie
3. If This Is Love
4. True Grit
5. Try A Little Kindness
6. Honey, Come Back
7. One Pair Of Hands
8. All I Have To Do Is Dream (Glen CampbellĀ &Ā Bobbie Gentry)
9. Everything A Man Could Ever Need
10. It’s Only Make Believe
11. Pave Your Way Into Tomorrow
12. MacArthur Park
13. Dream Baby (How Long Must I Dream)
14. The Last Time I Saw Her
15. I Say A Little Prayer / By The Time I Get To Phoenix (Medley) (Glen CampbellĀ &Ā Anne Murray)
16. The Last Thing On My Mind
17. I Knew Jesus (Before He Was A Star)
18. I’m So Lonesome I Could Cry
19.Ā HoustonĀ (I’m Comin’ To See You)
20. Bonaparte’s Retreat
21. The Moon’s A Harsh Mistress

DISC THREE
1. Rhinestone Cowboy
2. Country Boy (You Got Your Feet In L.A.)
3.Ā Arkansas
4. Don’t Pull Your Love / Then You Can Tell Me Goodbye (Medley)
5. Southern Nights
6. Sunflower
7. God Only Knows
8. I’m Gonna Love You
9. Can You Fool
10. Highwayman
11. Somethin’ ‘Bout You Baby I Like (Glen Campbell With Rita Coolidge)
12. Any Which Way You Can
13. I Was Too Busy Loving You
14. Faithless Love
15. AĀ Lady Like You
16. The Hand That Rocks The Cradle (Glen Campbell With Steve Wariner)
17. I Have You
18. If These Walls Could Speak
19. Unconditional Love
20. She’s Gone, Gone, Gone
21. Show Me Your Way (Glen CampbellĀ &Ā Anne Murray)
22. OnlyĀ One Life
23. Somebody Like That

DISC FOUR
1. You’ll Never Walk Alone
2. People Get Ready
3. Amazing Grace
4. Lean On Me
5. Times Like These
6. These Days
7. Good Riddance (Time Of Your Life)
8. Ghost On The Canvas
9. Waiting On The Comin’ Of My Lord
10. I’m Not Gonna Miss You
11. Everybody’s Talkin’
12. It Won’t Bring Her Back
13. Adiós

Mariah Carey Announces Return To The Colosseum At Caesars Palace In November 2019 With “All I Want For Christmas Is You”

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Mariah Carey, the iconic chanteuse and best-selling female artist of all time with over 200 million records sold, has announced that she will return toĀ The Colosseum at Caesars PalaceĀ this November with her acclaimed Christmas concert seriesĀ “All I Want For Christmas Is You”Ā for five dates fromĀ Nov. 22 through Nov. 30, 2019.

Additionally, Mariah has announced six new dates fromĀ Feb. 14Ā throughĀ Feb. 29, 2020Ā for her headliningĀ Las Vegasresidency,Ā “The Butterfly Returns”Ā atĀ The ColosseumĀ at Caesars Palace.

Tickets for all performances will go on sale to the public beginningĀ Friday, May 10Ā atĀ 10 a.m. PT.Ā A special presale forĀ Honey B. FlyĀ members beginsĀ Thursday, May 2Ā atĀ 10 a.m. PTĀ throughĀ Thursday, May 9Ā atĀ 10 p.m. PT.

Citi is the official presale credit card of “The Butterfly Returns” residency at The Colosseum at Caesars Palace. As such, Citi cardmembers will have access to purchase presale tickets beginningĀ Monday, May 6Ā atĀ 10 a.m. PTĀ untilĀ Thursday, May 9 atĀ 10 p.m. PTĀ through Citi EntertainmentSM. For complete presale details visitĀ www.citientertainment.com.

In addition, Caesars Rewards members, Caesars Entertainment’s loyalty program, as well as Live Nation and Ticketmaster customers will have access to a presale runningĀ Wednesday, May 8Ā atĀ 10 a.m. PTĀ throughĀ Thursday, May 9atĀ 10 p.m. PT.

The performances going on sale are:

“All I Want For Christmas Is You”Ā 
November 2019: 22, 23, 27, 29, 30

“The Butterfly Returns”
February 2020: 14, 15, 19, 21, 22, 26, 28, 29

General ticket prices begin atĀ $55, plus applicable tax and fees, and Meet & Greets are also available. Tickets may be purchased online atĀ ticketmaster.com/MariahĀ or in-person at The Colosseum box office. All shows begin atĀ 8 p.m.

Guitarist Recreates Other Instruments’ Sounds With Incredible Accuracy

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YouTuber and guitarist Davidlap doesn’t need anyone else to recreate a band.

Johnny Marr on his relationship with guitars

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“There’s politics in it, there’s obsession in it, there’s romanticism in it, there’s poetry in it, and there’s your own personal relationship to it. It’s an entire world really.”

In this episode, Johnny Marr discusses his inspirations in music and guitar and his relationship with Ernie Ball from the beginning.