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Sam Houston Race Park Announces Stampede Concert Series With La Mafia, Randy Houser & More

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Concerts are back at Sam Houston Race Park! The Sam Houston Stampede Concert Series will include live music performances on October 4th, and October 11th. The series will include two Country shows and one Latin show with live performances by La Mafia, and Randy Houser accompanied by Owen Riegling, Los Palominos, The Wilder Blue, and Cameron Sacky Band.

Upcoming Shows & Dates

  • Saturday, October 4: La Mafia and Los Palominos
  • Saturday, October 11: Randy Houser, The Wilder Blue, and Cameron Sacky Band

Sam Houston Race Park is Houston’s premier racing and entertainment facility, located just 15 miles northwest of downtown Houston. Owned by Penn Entertainment Inc. (NASDAQ – PENN), the racetrack, which opened in 1994, offers a variety of attractions for businesses, group outings and families during racing and the off-season. The track is best known for its award-winning dining and features multiple areas for fans looking for casual to upscale dining options including its Winner’s Circle Restaurant, Jockey Club, Luxury Suites and Pavilion Centre. 

AR Rahman Champions Creative Freedom, Cultural Renaissance, and Balanced AI Use at IGF London 2025

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 In a deeply personal and expansive conversation at the final day of India Global Forum London 2025 at Taj St. James’ Court, Academy Award-winning composer AR Rahman urged artists, institutions, and governments alike to nurture creative freedom and cultural innovation.

“In cinema for over 40 years now, I was bored with the same rectangle form,” Rahman confessed. “It’s just seeing and hearing—what else can we do?” That question sparked Le Musk, Rahman’s pioneering immersive project which brings scent, touch, and narrative together. “The idea came from my ex-wife who loved perfumes. I thought, why not create a theatre experience with perfume and haptics?”

Now coming to London for a year, Le Musk is more than a film—it’s an artistic manifesto, showcasing Rahman’s continued defiance of convention.

The fireside chat turned from personal to philosophical, as Rahman explored the urgent need to preserve traditional Indian music, asking: “Where is the next shehnai player? Where is the next Bismillah Khan Sahib? Unless we find them, recognize them, and let the world see them—they’ll vanish. That’s where the inspiration for JHAALA came in.” JHAALA, Rahman’s initiative to platform and preserve Indian classical arts, seeks to make the invisible visible—through technology, talent discovery, and global exposure.

On artificial intelligence, Rahman struck a balanced note of caution and curiosity: “AI is like Frankenstein—it just steals from human experiences, human knowledge, human art, and then puts together multiple thoughts. It’s copied from us. And now it gets faster, because we feel with emotion—and it just runs on data.”

“We should use it for what it is—for speeding up the mundane. Don’t fear it, use it.”

Beyond technology, Rahman called for a national cultural renaissance: “If you look at South Korea and K-pop, it emerged in the last 10 years because of government involvement and economic growth. It was a collective movement. That needs to happen with Indian music too. We need to reinvent the wheel.”

Throughout the session, one sentiment rang clear: true art is unbound by formats, expectations, or institutions.

“The most important thing about art is freedom,” Rahman stated. “You can’t do that with a film studio.”

He ended with a reminder of music’s enduring universality: “Music transcends religion. It heals. It connects. It’s a shared soul.”

IGF London 2025’s closing conversations made one thing certain: in a world fractured by algorithms and agendas, it is artists like Rahman who restore harmony—not just in sound, but in society.

The forum forms part of IGF London 2025. With over 100+ speakers, 1000 participants, and events across iconic venues in London, IGF London 2025 encompasses a spectrum of topics – from technology and trade to culture and commerce. This year’s edition marks a powerful milestone – a decade since Prime Minister Narendra Modi’s landmark 2015 visit to the UK, and the two nations have finalised the long-awaited Free Trade Agreement. IGF London is the first major international platform to celebrate and analyse this historic achievement, unlock new opportunities that emerge from its conclusion, and shape the next phase of UK-India collaboration.

From Ashes to New Announce 2025 ‘New Disease’ Tour With Magnolia Park, Until I Wake & Not Enough Space

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From Ashes to New announced their 2025 New Disease Tour. Produced by Live Nation, the 28-city tour kicks off on September 20 at Delmar Hall in St. Louis making stops across the U.S. in Chicago, Cleveland, Atlanta and more before wrapping up in Fort Lauderdale at Revolution Live on November 14

After coming off a wildly successful two-year album cycle for their Blackout album – where the band amassed their biggest hit, the #2-charting “Barely Breathing” (feat. Chrissy from Against the Current), multiple Top 10s, and over 120 million streams – they played the biggest festivals and toured with top acts including Shinedown, Motionless In White, In This Moment, Nothing More and Set It Off. From Ashes to New refuses to stop the momentum.

Finishing touring in November 2024, From Ashes to New immediately went into the studio – facing multiple obstacles, including abandoning the initial writing and recording sessions to instead focus on refining the evolution of their sound. Eventually reorganizing, the band wrote and recorded what will be their upcoming, currently unnamed album in just three months. “The songs just kept flowing. Once we decided to just go for it…”

Already in 2025, the band has toured with scene legends Asking Alexandria and revisited the stages at the world-famous Sonic Temple and Welcome to Rockville festivals. Getting ready to begin releasing new music this summer, From Ashes to New are as poised as they’ve ever been to further their extraordinary career.

“This tour with incredible support from Magnolia Park, Until I Wake and Not Enough Space is gonna rip so hard! We may even have to break out a few new songs and a whole new vibe. The next chapter is almost here and we are beyond ready to share it with everyone.” – Matt Brandyberry

While the focus right now remains on touring – including hitting all stops on the 2025 Warped Tour and Louder Than Life – From Ashes to New are hopeful to unleash a new single for summer 2025 and give fans a small taste of an album they are all in on..

FROM ASHES TO NEW – NEW DISEASE 2025 TOUR DATES:

Sat Sep 20 – St. Louis, MO – Delmar Hall

Sun Sep 21 – Oklahoma City, OK – Tower Theatre*

Tue Sep 23 – Houston, TX – House of Blues Houston

Wed Sep 24 – Dallas, TX – House of Blues Dallas

Fri Sep 26 – Phoenix, AZ – The Van Buren

Sat Sep 27 – Santa Ana, CA – The Observatory

Sun Sep 28 – Sacramento, CA – Ace of Spades

Tue Sep 30 – Portland, OR – McMenamins Crystal Ballroom

Wed Oct 01 – Seattle, WA – The Showbox*

Thu Oct 02 – Garden City, ID – Revolution Concert House & Event Center

Sat Oct 04 – Denver, CO – Summit

Sun Oct 05 – Lawrence, KS – The Granada*

Tue Oct 07 – Green Bay, WI – EPIC Event Center*

Thu Oct 09 – Chicago, IL – House of Blues Chicago

Fri Oct 10 – Grand Rapids, MI – Intersection – Elevation

Sat Oct 11 – Cleveland, OH – House of Blues Cleveland

Sun Oct 12 – Detroit, MI – Saint Andrew’s Hall

Fri Oct 31 – Buffalo, NY – Town Ballroom

Sat Nov 01 – McKees Rocks, PA – Roxian Theatre

Sun Nov 02 – Norfolk, VA – The NorVa*

Tue Nov 04 – Albany, NY – Empire Live*

Wed Nov 05 – Boston, MA – Big Night Live

Fri Nov 07 – Portland, ME – Aura

Sat Nov 08 – Sayreville, NJ – Starland Ballroom*

Sun Nov 09 – Baltimore, MD – Baltimore Soundstage

Tue Nov 11 – Atlanta, GA – The Masquerade

Wed Nov 12 – Charlotte, NC – The Underground

Fri Nov 14 – Fort Lauderdale, FL – Revolution Live

* Not A Live Nation Date

Balming Tiger and ATARASHII GAKKO! Unite for Playful Cross-Cultural Single “Narani Narani”

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South Korean avant-garde collective Balming Tiger joins forces with Japan’s explosive performance unit ATARASHII GAKKO! for a vibrant new single titled “Narani Narani.” The track is a kaleidoscopic celebration of childhood freedom and creativity, representing the first official collaboration between Balming Tiger and a Japanese artist.

Inspired by memories of carefree days on the playground, “Narani Narani” is a psychedelic folk anthem that defies genre and national boundaries. Fueled by the unfiltered imagination of both groups, the track bursts with unpredictable sonic twists and bold artistic choices, inviting listeners into a vivid world where cultural lines dissolve and pure joy takes center stage. The accompanying video mirrors this spirit, blending playful visuals and surreal storytelling to bring their shared creative vision to life.

“We met by crossing mountains and seas with a heart that cared for each other,” stated Balming Tiger“Thanks to AG!’s kindness and smile, a work full of positive energy was born. We hope that you will find a little peace in your hearts as well, recalling the memories of laughing and crying with your childhood friends.”

ATARASHII GAKKO added: “We have been inspired and inspired by Balming Tiger’s activities for a long time. Because it is BT and AG!, a chemical reaction is possible, and we cannot hide our excitement. We hope that this work will spread not only to our countries, but also to the world!”

“Narani Narani” follows months of creative exchange between the two groups, including a joint performance of “Buriburi / Pigeon and Plastic” at Wonderlivet Festival and a viral dance to “Spirit Chaebol” that captured media attention across South Korea and Japan.

Taking their name from the iconic Asian ointment, Balming Tiger describes themselves as a “multinational alternative K-pop band.” With an eclectic roster of performers and creators — including Omega Sapien, sogumm, bj wnjn, Mudd the student, San Yawn, Unsinkable, Jan’ Qui, Leesuho, Chanhee Hong, DJ Abyss, and Henson Hwang — the collective is known for its genre-fluid music and boundary-pushing visuals. Their mission: to reflect and amplify the voices of today’s youth and to propel Asian culture to the global forefront.

From their boundary-defying debut mixtape Balming Tiger vol.1: 虎媄304 to their recent single “Wash Away” (theme of the acclaimed drama Tokyo Salad Bowl), Balming Tiger continues to subvert expectations. Accolades from Rolling Stone, The New York Times, Vogue, and a Colbert Show performance further cement their status as one of music’s most innovative forces. Their 2023 SXSW appearance earned them the prestigious Grulke Prize, awarded to the festival’s most exciting emerging act.

Joan Baez’s ‘Diamonds & Rust’ Returns in Definitive 45 RPM Audiophile Edition

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Diamonds & Rust, Joan Baez’s introspective, poetic, and musically lush 1975 album, returns in a definitive 180-gram 45 RPM edition is out now via Analogue Productions, the esteemed imprint of Acoustic Sounds. Strictly limited to 2,000 individually numbered copies, this collectible reissue is cut from a ½” flat tape copy of the original analog master tape by Matthew Lutthans at The Mastering Lab and pressed at Quality Record Pressings. It delivers the most vivid, tonally rich listening experience of Baez’s timeless classic to date.

This deluxe reissue is housed in a tip-on old style gatefold jacket with textured stock, crafted with care by Stoughton Printing, offering both a stunning visual and tactile presentation to match the sonic excellence within. The 45 RPM format allows for deeper grooves and greater fidelity, capturing Baez’s pristine voice and evocative arrangements in their most natural and immersive form.

Originally released at a pivotal point in her career, Diamonds & Rust bridges Baez’s folk roots with the sophisticated production of the mid-70s, bringing a new sonic dimension to her songwriting and interpretations. Anchored by the iconic title track—a bittersweet reflection on her past relationship with Bob Dylan—the album finds Baez at her most personal and expressive, balancing intimate storytelling with bold sonic ambition.

The record also showcases Baez’s interpretive power on tracks like Jackson Browne’s “Fountain of Sorrow” and Stevie Wonder’s “Never Dreamed You’d Leave in Summer,” both rendered with striking emotional clarity and nuance. “Winds of the Old Days” and “Dida” reveal Baez’s evolution as an artist and her willingness to explore new textures and lyrical perspectives.

Diamonds & Rust (45 RPM Vinyl)

Side 1

Diamonds & Rust

Fountain of Sorrow

Side 2

Never Dreamed You’d Leave in Summer

Children and All That Jazz

Side 3

Simple Twist of Fate

Blue Sky

Side 4

Hello in There

Dida

Winds of the Old Days

For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. The company was founded by Chad Kassem, whose unlikely journey from a small apartment-based vinyl resale operation to the helm of the world’s largest vertically integrated vinyl production facility has transformed the high-end audio industry. His Salina, Kansas-based company houses Acoustic Sounds in its entirety, a reissue label (Analogue Productions), state-of-the-art pressing plant (Quality Record Pressings), a mastering facility (The Mastering Lab at Acoustic Sounds), a recording studio and concert venue (Blue Heaven Studios), print shop (Consolidated Printing) and original recordings label (APO Records). Kassem’s relentless dedication to sound quality and preservation of historical recordings has made Acoustic Sounds a trusted source for high-fidelity music. Today, the company presses over a million records each year, bringing legendary labels and artists—from Verve, Impulse, Atlantic and Contemporary Records, to John Coltrane, Jimi Hendrix, Steely Dan and The Doors—as they’ve never been heard before to fans worldwide. Chad Kassem’s commitment to excellence has redefined the boundaries of high-quality vinyl production and built an empire grounded in authenticity and quality.

A legendary voice in American folk music and activism, Joan Baez has inspired generations with her distinct soprano, powerful songwriting, and commitment to social justice. From her early days on the front lines of civil rights marches to her role as a musical voice of protest during the Vietnam War, Baez has always intertwined artistry with action. With a career spanning over six decades and honors including the Recording Academy’s Lifetime Achievement Award and induction into the Rock & Roll Hall of Fame, Baez remains an enduring figure in American cultural history.

MTV News Unearths 1994 Segment of Real College Students Reviewing PCU

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When the college comedy PCU hit theaters in 1994, MTV News turned to the real experts—actual college students—for their take. In this throwback segment, students offered unfiltered reviews, praising the film’s campus satire while poking fun at its stereotypes. The clip captures the spirit of ’90s MTV and the culture of the moment, blending pop culture with student life.



Before SNL: Lorne Michaels Released 1968 Comedy Album With Hart Pomerantz

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Years before shaping the landscape of late-night television with Saturday Night Live, Lorne Michaels was performing comedy alongside Hart Pomerantz. Together, the Canadian duo released the 1968 album The Comedy of Hart and Lorne, showcasing their sharp wit and playful sketches. The record stands as a little-known artifact from Michaels’ early career, long before his rise as one of TV’s most influential producers.



Peter Gabriel Performs Rare German-Language “Here Comes the Flood” Live in 1983

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Unbeknownst to many, Peter Gabriel recorded full German-language versions of his third and fourth solo albums in the early 1980s. Among the rarest performances from this period is his 1983 live rendition of “Jetz Kommt Die Flut,” the German version of “Here Comes the Flood.” This clip remains the only known video of Gabriel delivering the song in German, offering a fascinating glimpse into his experimental cross-cultural artistry.



Unearthed 1975 Pilot of The Gong Show Reveals Major Differences From Final Version

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The original unaired 60-minute pilot of The Gong Show from 1975 offers a fascinating look at what might have been. Unlike the version that eventually aired, the pilot featured a different host, an alternate set design, more celebrity panelists, and an abundance of gongs. It’s a quirky time capsule that highlights the experimental spirit behind one of television’s strangest game shows.



Rare 1973 Clip Shows Pat Sajak Delivering the News on WSM-TV

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Long before becoming a household name as host of Wheel of Fortune, Pat Sajak worked as a local broadcaster. In this rare May 1, 1973 clip from WSM-TV in Kentucky, he interrupts game show programming to deliver the evening news. The footage offers a fascinating glimpse of Sajak in his early career, years before his rise to TV fame.