Ever drive under a bridge and wonder if any trucks have misjudged the height? Check out this 11’ 4” bridge in Enid, Oklahoma, well known for eating trucks that officials painted teeth on it. The East Maine Bridge is so voracious that it has its own Facebook page.
Unlike most spinoffs, Better Call Saul doesn’t fizzle out once the first few episodes aired, getting better and better as the weeks went on. Bob Odenkirk as small-time lawyer James Morgan “Jimmy” McGill is predictably great on the show, and the second season will premiere on February 15, 2016. I’ve missed his extraordinary company.
Over nearly four decades at Disney, Glen Keane animated some the most compelling characters of our time: Ariel from The Little Mermaid, the titular beast in Beauty and the Beast, and Disney’s Tarzan, to name just a few. The son of cartoonist Bil Keane (The Family Circus), Glen learned early on the importance of holding onto your childhood creativity—and how art can powerfully convey emotion. Keane has spent his career embracing new tools, from digital environments to 3D animation to today’s virtual reality, which finally enables him to step into his drawings and wander freely through his imagination. Watch this video as he’ll explore how to tap into your own creativity, connecting to emotion and character more directly than ever before.
Valio Milk shot an ad with Motohead singer Lemmy about a month ago, but now has been updated due to the lead singer’s recent death, turning the spot into a heartfelt tribute. A take that came late in the shoot was selected – one of Lemmy’s brilliant improv moments that was never in the script. This was their magical encounter with a great man and rock and roll legend.
In a rare, real-life underdog story, the male and female prisoners of Zomba Prison in Malawi scored a surprise coup this past week by receiving a Grammy nomination for this year’s awards. Alongside titanic names of the World Music genre– Gilbert Gil, Ladysmith Black Mambazo, Anoushka Shankar, and Angelique Kidjo (who won the award last year)— the prisoners are the sole unknowns and newcomers.
Produced by Grammy-winning music producer and author, Ian Brennan (Tinariwen, Ramblin’ Jack Elliott), the record features the voices and songs of prisoners from of one of the world’s #1 poorest country’s maximum-security prison.
Zomba Central Prison, a dilapidated 19th century brick structure, more resembles a factory from a Dickens novel. Most prisoners lack the funds for even a basic defense, and can be detained for decades or even life. Convicted of offences ranging from theft to murder, many of the women are held indefinitely merely due to allegations of witchcraft, or the men for acts of homosexuality— which remains a criminal offence that can result in up to a fourteen year sentence. Often, these are charges that have resulted from counter-accusations made by their own assailant(s), following the victim’s attempts to seek help after first being victimized.
In the words of more than one resident: “Every sentence here is a death sentence. If you don’t have HIV when you enter, you will by the time you leave.”
Overstuffed to nearly ten times the building’s capacity— thus, forcing individuals to literally sleep astride and on top of one another at night, head-to-toe like sardines– many of the men and women are incarcerated for such dubious charges as “witchcraft” and homosexuality. Compounding the overpopulation of the prison, many of the guards also live on the grounds, just outside the walls, in conditions that are only slightly better than their charges.
Brennan and Italian documentary filmmaker and photographer Marilena Delli were granted special access by the head of prisons in exchange for Brennan providing violence-prevention classes for some of the inmates and guards (a subject that he has been a sought-after expert in for decades and has authored two books on the topic). Brennan and Delli were sworn to the utmost secrecy, and at one point were detained briefly for sneaking photos in a forbidden area. At another moment, they were caught amidst a brawl and witnessed guards beating a prisoner who attempted escape through the main door.
To raise awareness about the prisoners’ situation, and to advocate on inmates’ behalf, Brennan and Delli have established the Zomba Prison Project. A portion of the proceeds from sales of the I Have No Everything Here album help fund legal representation and other support. Since the Zomba Prison Project’s formation in the summer of 2013, three incarcerated women have gained release, and two other cases are now under review.
Sadly, though, one of the women featured on the album had already suffered the loss of her toddler, who was also imprisoned with her. And, then a year later— though only 37 years of age— she too perished within the walls of this same institution.
Please welcome newcomers John, Paul, George and Ringo to Billboard’s Hot Rock Songs chart.
“Come Together” leads with debuts at Nos. 14 and 18, respectively, on Hot Rock Songs (where older songs are eligible to chart if they rank in the top half and show notable gains; the list launched in 2009) and Rock Streaming Songs, fueled by its 2.1 million domestic clicks in the week ending Dec. 31, according to Nielsen Music. The track, a No. 1 Billboard Hot 100 hit in 1969 from the Abbey Road album, also leaps by 177 percent to 4,000 sold. Its rank as the most-streamed Beatles song for the week is logical: In addition to its standing as one of the Fab Four’s inarguable classics, it’s also the first song on Spotify’s Beatles best-of playlist named Come Together.
Although “Come Together” is the only Beatles song new to Rock Streaming Songs (which runs 25 positions-deep), the band sends three other titles onto Hot Rock Songs: “Hey Jude” (No. 19), “Here Comes the Sun” (No. 20) and “Yesterday” (No. 25). (Hot Rock Songs encompasses sales, streaming and radio airplay activity.)
Over on the Billboard 200 albums chart, five of the group’s sets dot the list, including greatest-hits collection 1, which ascends 41-16. It earned 36,000 equivalent album units in the week ending Dec. 31. Forty percent of the album’s total units for the week are owed to streams of its songs, thanks to the popularity of 1’s tracks. (All 27 were No. 1 singles on either the Billboard Hot 100 or Official U.K. Singles Chart.)