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GG Magree Explores Trauma and Liberation On Her Ferocious Debut Album ‘Spit Love’

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Australian producer, vocalist, and multi-hyphenate artist GG Magree has released her highly anticipated debut album ‘Spit Love’. Following the acclaim of singles like “Wet Dreams” and “Run,” the 12-track project serves as a raw, multi-sensory exploration of self-acceptance and the reclamation of power after years of toxic relationships and emotional abuse. Co-produced by Magree alongside her longtime musical collaborator Duncan Murray, the record seamlessly blends high-octane electronic production with punk-rock ferocity. The album arrives as a companion piece to a 12-minute short horror film of the same name, which Magree wrote, co-directed, and starred in. The film—a gruesome tale of a cannibalistic exotic dancer—mirrors the album’s themes of defiance and the refusal to be silenced by societal expectations.

‘Spit Love’ is a sonic documentation of Magree’s personal metamorphosis, trading hollow vulnerability for an aggressive, liberated sound she describes as “art that bleeds.” Tracks like the title track “Spit Love” and “Bleed” showcase her dynamic vocal range, shifting between delicate, haunting passages and forceful screams. The album also features a high-energy collaboration with Silly Goose on “2 Hot 2 Handle,” further cementing Magree’s place at the intersection of the EDM and rock scenes. Having previously toured with legends like Steve Aoki and Zeds Dead, Magree uses this debut to shatter shame around female rage and sexual freedom. The instrumentation relies on thick distortion and layered arrangements, creating an immersive listening experience that fulfills her mission to hold space for the marginalized and the “too loud.”

P-Funk Keyboardist Daniel Bedrosian Chronicles Parliament-Funkadelic’s 1975 Breakthrough In New Book

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Daniel Bedrosian, the longest-tenured keyboardist in the history of Parliament-Funkadelic, has released his second book, Make My Funk the P-Funk: Parliament-Funkadelic’s Meteoric Rise in 1975 from Chocolate City to Mothership Connection. Published by Bloomsbury Academic, the monograph provides a deep dive into 1975—a pivotal year that saw the collective release three seminal albums: ‘Chocolate City’, ‘Let’s Take It to the Stage’, and the platinum-selling ‘Mothership Connection’. Bedrosian utilizes exclusive interviews with George Clinton and other key members to document the band’s transition from “underground darlings of the chitlin circuit” to global superstars. The book examines how Clinton’s Afrofuturism and the social climate of the mid-70s combined to crystallize the unique P-Funk sound that would later become a foundational pillar of hip-hop and modern popular music.

Beyond a mere discography, Bedrosian pulls back the curtain on the artistic processes and production styles that defined this epoch-making year. The narrative traces the group’s journey from the Washington D.C. tribute ‘Chocolate City’—which famously imagined Black people in the White House—to the cosmic movement of ‘Mothership Connection’, which launched them into space. The text also features contributions and accolades from industry heavyweights like Robert Glasper and Fred Wesley, who offer personal insights into the recording sessions and the group’s historical importance. As a historian and active member of the band’s “Third Generation,” Bedrosian provides a factual and immersive look at how 1975 served as the ultimate catalyst for the P-Funk paradigm shift.

Lauren Minear Confronts Betrayal and Resilience on Her Most Ambitious Album ‘Boxing Day’

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New York-based singer-songwriter Lauren Minear has released her third studio album ‘Boxing Day’, a transformative 11-track collection that explores the raw aftermath of betrayal and the eventual path toward liberation. Born from a period of intense self-reflection after cutting ties with a creative agency that had been stealing from her, the record moves through layers of anger, shame, and acceptance. Produced by Dan Weeks and featuring early sessions shaped by guitarist Dan Barracuda, the album was recorded across a series of creative retreats in New York and London, including a week-long session near Woodstock. The resulting soundscapes are both intimate and cinematic, blending alternative, pop, rock, and folk to create Minear’s most expansive work since her 2024 effort ‘Chasing Daylight’.

At the heart of the album is the lead single “Bruise,” an acoustic-driven track that highlights the fragility of the human spirit. Minear utilizes a haunting falsetto during the chorus to underscore the vulnerability found in loving someone who causes profound pain. This emphasis on honesty is a hallmark of the record, which was distilled from nearly 100 songs into a cohesive narrative of survival. With a vocal delivery reminiscent of Natalie Merchant and lyricism that echoes the depth of Joni Mitchell, Minear establishes herself as a fearless voice in the contemporary indie scene. ‘Boxing Day’ is more than a confessional record; it is a factual document of an artist successfully reclaiming her power and finding light within the shadows of personal conflict.

2ŁØT Reimagines Spiritual Grooves On ‘The Albert Harvey Mix’ EP

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Wichita-based collective 2ŁØT has released The Albert Harvey Mix, a four-track EP that reframes their signature “Electronic Jam Music” through the lens of acclaimed Dutch producer Albert Harvey. Reimagining standout tracks from their debut album Entropy, the project blurs the lines between soulful instrumentation and global dancefloor production. The closing track, “Arrow of Time,” exemplifies this transition, turning a meditation on cosmic impermanence into a propulsive, shared pulse. Harvey, known for his work with Avicii and David Guetta, was enlisted to dial in a club-ready sound that maintains the band’s identity as live instrumentalists. The result is a sophisticated balance of philosophical depth and rhythmic surrender.

The EP carries significant emotional weight, particularly with the inclusion of “Never Knew You,” originally penned by frontman Rudy Love Jr.’s late father, soul legend Rudy Love Sr. Rather than leaning into melancholy, Harvey’s remix transforms the track into a moody, club-ready cut that celebrates memory through movement. This release reinforces 2ŁØT’s mission as a band with a cause, using their platform to support addiction recovery and youth empowerment by encoding social commentary into a democratic, electronic space. Following recent collaborations with Aloe Blacc and Paul Oakenfold, this record marks a pivotal evolution in the band’s journey, proving that high-concept metaphysical ideas can be successfully translated into the universal language of rhythm.

New Edition, Boyz II Men, and Toni Braxton Unite For “The New Edition Way Tour”

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The Black Promoters Collective has announced a monumental R&B event for 2026: “The New Edition Way Tour.” This 30-city North American run features a powerhouse lineup consisting of New Edition, Boyz II Men, and Toni Braxton. The tour title pays homage to the legendary status of New Edition, particularly in their hometown of Boston, where a street was recently renamed in their honor to celebrate their decades of cultural influence. This series of shows offers a unique “360° view” stage design, specifically engineered to provide an immersive and intimate experience for fans in arenas across the continent. This tour serves as a factual celebration of three acts that defined the sound of contemporary R&B and soul.

Significantly, this tour marks the first time that New Edition and Boyz II Men will share a concert stage together. The two groups share a deep history, as New Edition’s Michael Bivins famously discovered and mentored Boyz II Men early in their career. Joining them is seven-time Grammy winner Toni Braxton, whose sultry vocals and iconic hits like “Un-Break My Heart” add a sophisticated layer to the supergroup lineup. The production promises a collaborative spirit, with all three acts performing together to create a seamless, high-energy musical experience. From the choreographed precision of New Edition to the flawless harmonies of Boyz II Men, “The New Edition Way” is set to be one of the most significant live events of the 2026 concert season.

The Melancholy Kings Deliver Jangly Power-Pop Energy On The New Single “Victoria”

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New Jersey quartet The Melancholy Kings have unveiled their latest single “Victoria,” a jangly guitar-rock track that serves as a centerpiece for their sophomore album Her Favorite Disguise. Resurrected from the band’s early archives and updated for the modern era, the song blends the influence of 1980s alternative legends like R.E.M. and The Replacements with a contemporary lyrical perspective. Frontman Mike Potenza describes the track as a “time capsule” that advocates for mutual kindness as a way to confront personal demons. Produced and mastered by Ray Ketchem at Magic Door Recording Studio, the recording captures the raw, unpolished energy of the band’s live performances with minimal overdubs and a driving, guitar-forward arrangement.

The duo of Potenza and bassist Scott Selig, who first met while working in a Manhattan law firm, have built a record that serves as a sophisticated nod to pre-grunge alternative rock. Her Favorite Disguise follows their self-titled debut and features an impressive roster of guest contributors, including trumpeter Mac Gollehon and vocalist Reneé LoBue. The single arrives alongside a music video that offers a factual look at the band’s studio process, including clips of the group discussing the take in real-time. This release cements The Melancholy Kings as a vital force for fans of authentic, high-wire power pop, bridging the gap between nostalgic college rock and the complexities of the digital age.

Keaton Henson Embraces Grunge-Tinged Nostalgia On Dual Singles “Past It” and “Loose Ends”

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Enigmatic polymath Keaton Henson has shared two new singles, the introspective “Past It” and the incisive “Loose Ends,” ahead of his ninth studio album, Parader. Out now via Play It Again Sam, the album marks a significant sonic departure as Henson sheds his “quiet boy” persona in favor of the grunge-infused sounds of his youth. The project was recorded with production duties split between longtime friend Luke Sital-Singh and Alex Farrar, creating a balance between intimate folk-rock and high-energy American garage-rock. This new chapter follows the success of his July comeback single “Lazy Magician,” co-written with Julia Steiner of Ratboys, which signaled a restless and romantic redefinition of his artistry.

The dual release of “Past It” and “Loose Ends” highlights the thematic breadth of the forthcoming record. “Past It” is a lo-fi, nostalgia-soaked reflection on aging as a musician, delivered with a crackling hum reminiscent of Christian Lee Hutson. In contrast, “Loose Ends” revisits the “musical snark” first teased on his previous single “Insomnia,” utilizing lurking distortion and a combative rhythm that channels early 2000s rock influences. Henson describes the latter as a sardonic and self-loathing track that contrasts its dark lyrical themes with the infectious energy of the music. These songs serve as the final preview of a twelve-track collection that bridges the gap between Henson’s classical compositions and his raw, distorted rock roots.

Angel Du$t Reunites With Producer Brian McTernan For The Ferocious New Album ‘Cold 2 The Touch’

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The ever-evolving punk innovators Angel Du$t have announced their new studio album, Cold 2 The Touch, scheduled for release on February 13, 2026. This 26-minute project marks the band’s debut full-length for Run For Cover Records and features a high-energy reunion with producer Brian McTernan, who was instrumental in shaping the group’s early sound on records like A.D. and Rock The Fuck On Forever. Frontman Justice Tripp describes the record as a definitive statement of intent, blending aggressive rock & roll with the fearless experimentation that has made the Baltimore collective a punk rock institution. The announcement is paired with the release of the title track, a hyperactive cut defined by galloping drums and razor-sharp riffs, accompanied by a tongue-in-cheek music video directed by Blaise Cepis.

Cold 2 The Touch also introduces a refreshed lineup featuring guitarist Jim Carroll and drummer Nick Lewis, whose backgrounds in storied hardcore acts like American Nightmare and The Suicide File add a new layer of intensity to the band’s sonic profile. The album is a collaborative powerhouse, boasting guest appearances from a wide array of hardcore luminaries including Scott Vogel of Terror, Wes Eisold of American Nightmare, and Frank Carter. Following the acclaim of their 2023 LP Brand New Soul, this new material leans back into the “ferocious” and “hyperactive” energy of their roots while maintaining Tripp’s signature melodic hooks. The instrumentation highlights a balance of raw, bluesy rock constructs and high-speed punk energy, ensuring the record stays true to the band’s goal of inciting movement and raw emotional connection.

Status Audio Shatters the Sound Barrier with Pro X

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If you haven’t already upgraded your daily listening gear, you need to stop what you’re doing right now. Status Audio has officially moved the goalposts with the launch of the Pro X earbuds, and they are, without a doubt, the most advanced true wireless wearables they have ever engineered. This is a benchmark-shattering leap for anyone who demands premium, uncompromised audio in a sleek, compact form factor that actually fits your life on the move.

The heart of this beast is a hybrid triple-driver acoustic system that makes typical single-driver designs sound like they’re underwater. By enlarging the dynamic driver to 12mm, Status has unlocked a deeper, more powerful bass and a significantly wider soundstage. When you pair that with two custom-tuned Knowles balanced armature drivers, you get stunning clarity in the mids and highs that reveals details in your music you never knew existed. It is a refined, audiophile-grade experience packed into a tiny shell.

What really blows me away is the “brain” powering this device. We’re talking about a bleeding-edge Bluetooth 5.3 chipset capable of processing millions of instructions per second. This allows for 24-bit/96 kHz audio over Bluetooth, which actually surpasses CD quality. With LDAC codec support streaming at up to 990 kbps, the Pro X delivers a richer, more immersive wireless audio experience that is officially certified by the Japan Audio Society.

The noise cancellation here is simply leading the pack. The hybrid ANC is capable of reducing ambient noise by a massive 52 dB, meaning you can completely drown out the drone of a city street or a loud office for truly focused listening. But Status didn’t stop there; the Ambient Mode is radically improved, letting you stay aware of your surroundings when it matters most without ever having to pull the buds out of your ears.

For those of us who live on our phones, the call quality is a total game-changer. Status dedicated massive R&D resources to introduce Voiceloom AI Speech Enhancement, which uses deep learning to filter out background chaos. Combined with three beam-forming microphones per earbud, your voice comes through sharp and uninterrupted, even if you’re standing in the middle of a windstorm or a busy train station.

Status also absolutely nailed the industrial design this time around. The Pro X is substantially smaller and ergonomically optimized compared to its predecessors, making it wear slimmer and sleeker in your ears. It features a sculpted, ergonomic fit designed to lock in securely whether you’re deep in a listening session or running for a flight. Plus, with IP55 water and dust resistance, these buds are built to handle the elements along with you.

The user interface is a breath of fresh air, offering the best of both worlds by including both a capacitive touch surface and a physical button. It’s an interface that actually respects your instincts rather than fighting them. When you combine that with the Status HUB app, which offers full 8-band EQ customization, re-mapping of controls, and FindMy support, you have a level of control that most flagship models simply can’t touch.

With 8 hours of playback per charge and 24 hours total with the case, the Pro X is a serious contender for the best wireless audio on the market right now. It is future-proofed with Bluetooth LE Audio and Auracast protocol support, ensuring these will be your go-to buds for years to come. Inside and out, the Pro X is in a class of its own—this is the new benchmark for wireless audio.

Chaparelle Teams Up With Sierra Ferrell For The Sultry New Single “When It Snows In Texas”

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Alt-country supergroup Chaparelle has collaborated with Grammy Award-winning artist Sierra Ferrell to release their newest single, “When It Snows In Texas.” Released through Mom+Pop Music on October 24, 2025, the track serves as a sonic love letter to the trio’s home state, capturing the surreal and rare beauty of a Texas snowfall. The song was co-written by Ferrell alongside band members Zella Day, Jesse Woods, and Beau Bedford during a summer writing session in the Texas Hill Country. Recorded at Modern Electric Sound Recorders, the production utilizes a melodic narrative and sultry, timeless storytelling that recalls the golden age of country music while maintaining a contemporary edge.

The collaboration marks a significant milestone for the Austin-based trio, following the successful release of their debut album Western Pleasure in April 2025. Composed of indie-pop standout Zella Day, singer-songwriter Jesse Woods, and acclaimed producer Beau Bedford, Chaparelle has quickly become a fixture on the festival circuit with appearances at Newport Folk Festival and Willie Nelson’s Luck Reunion. The instrumentation on the new single highlights the group’s “countrypolitan” aesthetic, blending lush harmonies with the sharp guitar work that Bedford has previously lent to artists like Orville Peck and Wyatt Flores. This release further solidifies Chaparelle’s reputation for creating high-wire sonic performances that balance intimate vulnerability with a captivating stage presence.