Home Blog Page 281

The Ocean Cover Nine Inch Nails’ “Even Deeper” For Redux Tribute

0

German progressive metal outfit The Ocean have unveiled their rendition of Nine Inch Nails’ “Even Deeper” as the third single from ‘Best of Nine Inch Nails Redux’, a companion album releasing alongside the upcoming ‘The Downward Spiral Redux’ installment in the MER Redux Series. The track serves as both tribute and farewell, marking the final recording with former vocalist Loic Rossetti.

“When Nine Inch Nails released the double album ‘The Fragile’ in 1999, it was an eye-opening record for Loic and me in many ways,” guitarist Robin Staps explains. “The sheer scope of this album, the production marrying fat electronics with broken, organic, and acoustic elements that are intentionally slightly out of tune – no one else had done it like that before. Initially, we wanted to cover ‘The Great Below’, but someone had already picked that track, which made ‘Even Deeper’ our second choice.” The Ocean transform the industrial meditation into something distinctly their own while preserving the spirit of Trent Reznor’s original vision.

The recording features contributions from Simen of Spurv on trombone and Orestis of Playgrounded on synths, adding textural depth to The Ocean’s reimagining. “In hindsight, we were lucky with that,” Staps adds. “It is the perfect track for us and I like to think that we managed to make it ours, while honouring the original. This is also a farewell, big thank you, and send-off to Loic, as it was the final track that we recorded with him on vocals!”

Black Stone Cherry Unleash Title Track And Video From ‘Celebrate’ EP

0

Kentucky rockers Black Stone Cherry have dropped the title track and music video for their upcoming EP ‘Celebrate’, arriving digitally March 6th via Mascot Records. The new visual follows lead single “Neon Eyes” and showcases the band’s knack for turning everyday struggles into anthemic moments worth savoring.

“We had so much fun coming up with the concept for the ‘Celebrate’ video!” the band shares. “We got on a phone call with director Kyle Loftus and we all hashed out ideas until we landed on something that got us all excited! We wanted the video to show what it’s like to be stuck in something, whether that be a boring job or maybe stuck in your own head, and how any little opportunity can lead to a small victory! The song itself is about celebrating every little thing in life, even if it’s just making it through the day.” Actor and musician Aaron Paulsen stars in the visual, which culminates in a confetti-filled finale that captures the mental release of finding joy in small wins.

The self-produced ‘Celebrate’ EP spans emotional terrain with ease. Grunge-tinged singalong “I’m Fine” sits alongside the raw vulnerability of “Deep” and a cover of Simple Minds’ “Don’t You (Forget About Me)” featuring Tyler Connolly of Theory Of A Deadman. “Any piece of art is a snapshot of that artist’s life,” singer and guitarist Chris Robertson explains. “So, I look at these songs on the EP as a culmination of everything we’ve lived since Screamin’ At The Sky.” The record delivers unpolished emotion and genuine connection, qualities that have made Black Stone Cherry road warriors who bring the same energy to arenas and dive bars alike.

10 Non-Musicians Who Quietly Shaped Music History

Great songs do not appear in a vacuum. Sometimes the loudest influence comes from a book, a painting, a film, or an idea that sneaks into a lyric or a sound. Here are ten non-musicians who left fingerprints all over popular music, proving inspiration travels far beyond the studio.

Aleister Crowley
The occultist became a magnetic figure for rock artists chasing mysticism and rebellion. His ideas and imagery filtered into the work of David Bowie, Jimmy Page, and Ozzy Osbourne. Even when artists rejected his beliefs, the symbolism stuck.

Allen Ginsberg
The Beat poet gave rock and folk musicians permission to sound loose, personal, and unfiltered. Bob Dylan, Patti Smith, and The Clash absorbed his free-form delivery and political urgency. Poetry became something you could shout over a guitar.

Andy Warhol
Warhol blurred the line between art, celebrity, and commerce, and musicians noticed. His association with The Velvet Underground changed how artists thought about image, performance, and experimentation. Pop art became pop music.

Arthur Rimbaud
A teenage poet who burned bright and disappeared, Rimbaud became the blueprint for the romantic rock outsider. Jim Morrison, Patti Smith, and Bob Dylan drew from his symbolism and defiance. Rock lyricists found a literary patron saint.

David Lynch
Dream logic, dread, and beauty coexist in Lynch’s work, and musicians borrowed freely. Artists from Nine Inch Nails to Lana Del Rey echo his surreal atmospheres. Music learned how to feel unsettling without being loud.

George Orwell
Themes of control, surveillance, and rebellion made Orwell a constant reference point for musicians. His ideas appear in punk, post-punk, and progressive rock lyrics. Music turned dystopia into a warning siren.

H.P. Lovecraft
Cosmic horror gave metal and hard rock a vocabulary for darkness and scale. Bands like Metallica and Iron Maiden pulled directly from his mythos. Fear became epic instead of personal.

Jack Kerouac
His sense of motion, freedom, and restlessness fed the soul of rock and folk music. Bruce Springsteen, The Doors, and countless others borrowed his road-ready spirit. Music learned how to move without stopping.

J.R.R. Tolkien
Fantasy worlds inspired entire genres, especially metal. Band names, lyrics, and mythic storytelling trace back to Middle-earth. Tolkien turned imagination into amplification.

William S. Burroughs
Cut-up techniques and fractured narratives gave musicians new ways to write and think. David Bowie, Kurt Cobain, and Steely Dan all cited him as an influence. Songwriting stopped being linear and started being strange.

Mexican Actor Gerardo Taracena, Known for Roles in Apocalypto and La Reina del Sur, Has Died at Age 55

0

Mexican actor Gerardo Taracena has died at the age of 55, leaving behind a career that moved fluidly between Mexican cinema, major Hollywood productions, and acclaimed Spanish-language television.

The news of Taracena’s passing was confirmed on Saturday, January 31, by Mexico’s National Association of Actors, which shared a statement expressing its condolences to his loved ones and to the wider artistic community. No official cause of death has been made public.

Trained at the Centro Universitario de Teatro in Mexico City, Taracena built his reputation as a commanding on-screen presence, gaining international attention in 2006 for his role as Ojo de Lobo in Apocalypto. That performance marked a turning point, leading to work on high-profile projects both in Mexico and abroad.

His filmography includes appearances in productions such as The Mexican, where he shared the screen with Brad Pitt, as well as the Mexican feature Salvando al soldado Pérez. On television, Taracena became a familiar face through roles in series like La reina del sur, Capadocia, El señor de los cielos, Las Aparicio, El Pantera, and 40 y 20.

In more recent years, he continued working steadily. In 2025, he appeared in the series Celda 211, and one of his final performances came in Cometierra, released later that year.

Taracena’s work was formally recognized in 2007, when he received the Ariel Award for Best Supporting Actor for his performance in El Violín, directed by Francisco Vargas. Outside of acting, he also pursued music, founding the group Los Jilgueros de Rosarito and recording several songs, including “Es mi manera.”

Following the announcement of his death, tributes poured in from fellow actors, filmmakers, and cultural institutions across Mexico, all pointing to the same thing: a performer remembered for his intensity, versatility, and deep respect for his craft.


El actor mexicano Gerardo Taracena falleció a los 55 años, dejando una trayectoria marcada por su fuerza interpretativa y una presencia constante en el cine y la televisión, tanto en México como a nivel internacional.

La noticia fue confirmada el sábado 31 de enero por la Asociación Nacional de Actores, que expresó su pesar y envió condolencias a familiares, amigos y a la comunidad artística. Hasta el momento, no se ha dado a conocer la causa de su muerte.

Nacido en la Ciudad de México y formado en el Centro Universitario de Teatro, Taracena construyó una carrera sólida basada en personajes intensos y memorables. Su proyección internacional llegó en 2006 con su papel en Apocalypto, dirigido por Mel Gibson, un trabajo que lo llevó a participar en producciones de alto perfil dentro y fuera del país.

A lo largo de los años, formó parte de numerosas series y películas, consolidándose como un rostro reconocible del cine y la televisión de habla hispana. En 2007, recibió el Ariel a Mejor Coactuación Masculina por su actuación en El Violín, dirigida por Francisco Vargas.

Además de su trabajo como actor, Taracena también exploró la música y fundó el grupo Los Jilgueros de Rosarito, con el que grabó varias canciones.

Tras conocerse la noticia de su fallecimiento, colegas, instituciones culturales y figuras del medio artístico han compartido mensajes de despedida y reconocimiento, recordándolo como un artista comprometido, versátil y profundamente respetado por su oficio.

Most-Streamed Songs On Spotify (Updated For Feruary, 2026)

What happens when pop culture meets the repeat button? You get streaming history. From late-night heartbreak anthems to global sing-alongs that refuse to age, these songs have lived in playlists, headphones, cars, and dorm rooms around the world. Below are the most-streamed songs ever, ranked by total streams since release. Billions were pressed. Billions more hit play again.

The Most-Streamed Songs Ever On Spotify

  1. “Blinding Lights” – The Weeknd – 5.263 billion
  2. “Shape of You” – Ed Sheeran – 4.754 billion
  3. “Sweater Weather” – The Neighbourhood – 4.358 billion
  4. “Starboy” – The Weeknd and Daft Punk – 4.346 billion
  5. “As It Was” – Harry Styles – 4.231 billion
  6. “Someone You Loved” – Lewis Capaldi – 4.213 billion
  7. “Sunflower” – Post Malone and Swae Lee – 4.108 billion
  8. “One Dance” – Drake with Wizkid and Kyla – 4.017 billion
  9. “Perfect” – Ed Sheeran – 3.815 billion
  10. “Stay” – The Kid Laroi and Justin Bieber – 3.789 billion
  11. “Believer” – Imagine Dragons – 3.733 billion
  12. “Heat Waves” – Glass Animals – 3.648 billion
  13. “Lovely” – Billie Eilish and Khalid – 3.633 billion
  14. “Closer” – The Chainsmokers and Halsey – 3.584 billion
  15. “I Wanna Be Yours” – Arctic Monkeys – 3.580 billion
  16. “The Night We Met” – Lord Huron – 3.580 billion
  17. “Yellow” – Coldplay – 3.560 billion
  18. “Say You Won’t Let Go” – James Arthur – 3.520 billion
  19. “Something Just Like This” – The Chainsmokers and Coldplay – 3.501 billion
  20. “Riptide” – Vance Joy – 3.484 billion
  21. “Birds of a Feather” – Billie Eilish – 3.443 billion
  22. “Another Love” – Tom Odell – 3.418 billion
  23. “Die With A Smile” – Lady Gaga and Bruno Mars – 3.388 billion
  24. “Dance Monkey” – Tones and I – 3.387 billion
  25. “Take Me to Church” – Hozier – 3.338 billion
  26. “Counting Stars” – OneRepublic – 3.323 billion
  27. “Rockstar” – Post Malone and 21 Savage – 3.321 billion
  28. “Photograph” – Ed Sheeran – 3.285 billion
  29. “Every Breath You Take” – The Police – 3.249 billion
  30. “Señorita” – Shawn Mendes and Camila Cabello – 3.235 billion
  31. “Cruel Summer” – Taylor Swift – 3.228 billion
  32. “Watermelon Sugar” – Harry Styles – 3.192 billion
  33. “Can’t Hold Us” – Macklemore & Ryan Lewis with Ray Dalton – 3.191 billion
  34. “Viva La Vida” – Coldplay – 3.166 billion
  35. “Don’t Start Now” – Dua Lipa – 3.146 billion
  36. “Die for You” – The Weeknd – 3.135 billion
  37. “Just the Way You Are” – Bruno Mars – 3.104 billion
  38. “Iris” – Goo Goo Dolls – 3.082 billion
  39. “Circles” – Post Malone – 3.066 billion
  40. “Lucid Dreams” – Juice Wrld – 3.062 billion
  41. “Goosebumps” – Travis Scott and Kendrick Lamar – 3.055 billion
  42. “Love Yourself” – Justin Bieber – 3.050 billion
  43. “Bohemian Rhapsody” – Queen – 3.046 billion
  44. “Locked Out of Heaven” – Bruno Mars – 3.030 billion
  45. “Thinking Out Loud” – Ed Sheeran – 3.020 billion
  46. “That’s What I Like” – Bruno Mars – 3.007 billion
  47. “Shallow” – Lady Gaga and Bradley Cooper – 3.001 billion
  48. “In the End” – Linkin Park – 2.997 billion
  49. “Wake Me Up” – Avicii – 2.991 billion
  50. “Mr. Brightside” – The Killers – 2.991 billion

Slayer Announce Deluxe Reissues Of ‘Hell Awaits’ For 2026

0

Slayer have announced deluxe reissues of their second album, ‘Hell Awaits’, scheduled for release in 2026 via Metal Blade Records. The seven-track album will be available on May 15 in three physical configurations – 3 CDs, 3 LPs, and a limited liquid-filled “blood” vinyl – as well as digitally. Audio across all formats has been restored and remastered from the original 1985 production tapes by Patrick W. Engel at Temple of Disharmony in February 2025.

All editions include a previously unreleased live recording, Live From Bochum 1985, captured during the Hell Awaits Tour and spread across two discs with 18 tracks. Physical editions expand significantly on archival material. The CD Earbook features a 60-page 11-inch book and poster, while the 3 LP fire-splatter vinyl set includes a 60-page booklet, replica tour ephemera, posters, flyers, a slipmat, and memorabilia tied to the German dates. The liquid-filled vinyl edition is limited to 666 copies and will be sold exclusively through Slayer’s official store.

Originally released in 1985, ‘Hell Awaits’ marked a defining moment in Slayer’s evolution, pushing their sound toward darker themes, longer compositions, and more complex song structures. With Metal Blade Records backing the production, the album helped lay groundwork for extreme metal and is widely cited as a key precursor to death metal, solidifying Slayer’s reputation as one of the most aggressive and influential bands in heavy music.

Track Listing

CD 1: Original Album Remastered

  1. Hell Awaits
  2. Kill Again
  3. At Dawn They Sleep
  4. Praise of Death
  5. Necrophiliac
  6. Crypts of Eternity
  7. Hardening of the Arteries

CD 2: Live From Bochum 1985

  1. Hell Awaits
  2. Aggressive Perfector
  3. Captor of Sin
  4. The Final Command
  5. Kill Again
  6. Crypts of Eternity
  7. Fight Till Death
  8. Necrophiliac
  9. Haunting the Chapel
  10. Hardening of the Arteries

CD 3: Live From Bochum 1985

  1. Black Magic
  2. Die by the Sword
  3. The Antichrist
  4. At Dawn They Sleep
  5. Show No Mercy
  6. Evil Has No Boundaries
  7. Chemical Warfare
  8. Praise of Death

Ateez Announce Australian Headline Dates For 2026 World Tour

0

Ateez have confirmed an Australian return with the Ateez 2026 World Tour In Your Fantasy in Australia, scheduled for March 2026. The announcement follows the group’s 2024–2025 World Tour Towards the Light: Will to Power and continues their run of large-scale international arena shows.

The tour includes two headline dates, beginning March 3 at Rod Laver Arena before moving to Qudos Bank Arena on March 6. The Australian dates follow a year that saw Ateez recognized as iHeartRadio’s K-Pop Artist of the Year, underscoring their continued global momentum.

TikTok Introduces New AI Tools Designed To Speed Up Creation And Editing

0

TikTok has announced a new set of AI-powered creation tools aimed at simplifying how creators produce and share content on the platform. The updates were unveiled at the company’s U.S. Creator Summit and focus on editing efficiency, idea generation, and creator monetization.

The first new feature, Smart Split, is an AI-powered editing tool built for long-form video. Available globally through TikTok Studio Web, Smart Split automatically clips, reframes, captions, and transcribes videos longer than one minute into multiple short-form clips formatted for TikTok. Creators can upload a video, select specific sections, and allow the system to generate clips at either automatic or user-defined lengths.

Smart Split also handles vertical reframing and caption formatting, reducing the amount of manual editing typically required to repurpose longer content such as podcasts, vlogs, or interviews. Once clips are generated, creators can review and publish them directly to their TikTok accounts, keeping the entire workflow within TikTok’s ecosystem.

TikTok is also rolling out AI Outline, a second AI-powered tool focused on pre-production rather than editing. AI Outline helps creators structure videos by generating titles, hooks, hashtags, and a six-part content outline based on a prompt or trending topic identified through Creator Search Insights. Each section of the outline can be customized before recording begins.

AI Outline is launching first for creators aged 18 and older in the United States, Canada, and select markets, with broader international availability planned in the coming weeks. TikTok positions the tool as a support system rather than a replacement for creative input, giving creators a framework they can adapt to their own style and tone.

Alongside the creation tools, TikTok announced updates to its Subscription product. The company is increasing potential creator payouts to up to 90 percent of subscription revenue. After fees, creators receive 70 percent of TikTok’s revenue share, with an additional 20 percent monthly reward available to those who meet specific follower, view, and posting thresholds.

TikTok says all AI-generated suggestions, including outlines and captions, go through safety and moderation checks before being surfaced or published. Content created using Smart Split or AI Outline is reviewed under the same Community Guidelines as all other TikTok videos, and creators and viewers retain the ability to report content they believe violates platform rules.

The updates reflect TikTok’s broader strategy of embedding AI deeper into the creator workflow, from idea development to editing and monetization, while keeping creative control and publishing centralized within the platform.

Threads Introduces Disappearing Posts And It Says A Lot About Where Social Media Is Going

0

Social media was built on permanence. Post something, and it lives forever, searchable, screenshot-able, and ready to be resurfaced years later. That model is starting to crack, and the latest evidence comes from Meta, which has introduced a new feature on Threads called ghost posts.

Ghost posts are simple by design. You write a post, toggle on a ghost icon, and that post automatically archives after 24 hours. No deletion required, no cleanup necessary. It is there for the moment, then quietly gone. The idea is to lower the psychological cost of posting by removing the fear that every thought has to be polished, strategic, or permanent.

What makes ghost posts different from stories or temporary posts elsewhere is the way engagement works. Replies do not appear publicly in a thread. Instead, they are delivered directly to your messaging inbox. Likes and replies are visible only to the person who posted. In other words, the conversation still happens, but without the public scoreboard.

This is not an accident. Platforms have learned that public metrics shape behavior, often in ways that discourage experimentation. When everything is visible, users self-censor. They rewrite. They hesitate. Ghost posts are an attempt to create a quieter lane inside an otherwise loud social network, one where posting feels closer to talking than broadcasting.

The feature also fits into a broader pattern at Threads. Over the past year, the platform has added long-form text attachments, spoiler-hiding tools, and now disappearing posts. These are all mechanisms designed to make Threads feel less like a highlight reel and more like a place for thinking out loud, reacting in real time, and sharing work-in-progress ideas.

There is also a strategic reason this matters. Threads has positioned itself as a conversation-first platform, especially for people burned out by the performative nature of other networks. Ghost posts push that philosophy further by acknowledging something users have been saying for years: not everything needs to last forever, and not every reaction needs an audience.

Of course, disappearing content is not new. Snapchat built an empire on it, and Instagram normalized it with Stories. What is different here is the emphasis on text and ideas rather than visuals. This is less about sharing moments and more about sharing thoughts, even messy ones, without long-term consequences.

Whether ghost posts become a core feature or remain a niche option will depend on how people actually use them. But their existence tells us something important. Social platforms are finally admitting that permanence can be a barrier, not a benefit, and that sometimes the healthiest conversations are the ones that fade away.

Everything You Need To Know About The Grammys Tonight

0

The Grammys are back tonight, and for better or worse, this remains the one awards show where the industry still gathers in one room. The 68th Annual Grammy Awards air live from Los Angeles, with performances, tributes, and a careful balancing act between legacy acts and the next wave of pop, R&B, hip-hop, and rock.

If you only tune into one music awards show all year, this is still the one worth your time. Not because it always gets things right, but because it shows where the industry thinks music is going.

This year’s ceremony leans heavily into star power. Justin Bieber returns to the Grammy stage for the first time in several years, while Sabrina Carpenter continues her rapid climb with another high-profile performance. Lady Gaga is also performing, reinforcing her status as one of the few modern artists who treats awards shows like theatrical events instead of obligations.

The Grammys are also making space for collaboration and discovery. All eight Best New Artist nominees will appear together in a medley, a format designed to introduce audiences to artists they might not yet know. This year’s group includes Addison Rae, Leon Thomas, Olivia Dean, and The Marias, among others. It is one of the night’s most important moments because it signals who the Recording Academy believes has long-term potential.

Before the main broadcast, the Premiere Ceremony sets the tone. Hosted by Darren Criss, the pre-show features a wide range of genres, from gospel to rock to pop. Opening performances include Grace Potter and Trombone Shorty, reminding viewers that the Grammys are as much about musicianship as mainstream visibility.

Tributes are a major focus this year. Post Malone leads a tribute honoring Ozzy Osbourne, joined by Slash and Duff McKagan. Another tribute sees Lauryn Hill honoring D’Angelo and Roberta Flack, placing emotional weight at the center of the broadcast.

The In Memoriam segment will be led vocally by Reba McEntire, alongside Brandy Clark and Lukas Nelson. These moments often define the emotional arc of the night and remind audiences that music history is constantly being written and closed at the same time.

Hosting duties fall once again to Trevor Noah, marking his final turn as emcee. His approach has been steady and conversational, and the Grammys benefit from a host who understands the room is full of musicians first, celebrities second.

Whether you are watching for the awards, the performances, or simply to see where the industry is placing its bets, the Grammys remain a cultural checkpoint. They are imperfect, occasionally frustrating, and still essential if you care about how popular music documents itself.