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Jack Johnson Brings Surf Film Classics ‘Thicker Than Water’ and ‘The September Sessions’ Back to the Big Screen

Eric Alper
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Jack Johnson Brings Surf Film Classics ‘Thicker Than Water’ and ‘The September Sessions’ Back to the Big Screen

Acclaimed musician, filmmaker and surfer, Jack Johnson returns to the big screen for the first time in decades for three unforgettable nights, celebrating the re-release of his landmark surf films that helped define a generation and launched his career in music, Thicker Than Water (1999) and The September Sessions (2000).

Meticulously remastered in 4K from the original 16mm film prints, Thicker Than Water and The September Sessions will return to theaters for the first time in 25 years. Previously unavailable to stream or purchase, these screenings mark the first opportunity for audiences to experience both films since their original release. For surf fans from the late nineties, this is a chance to relive the films in their most vivid form and for a new generation, an introduction to the works that fused surf, film, and music into a cultural movement. Accompanying the screenings will be newly reissued limited-edition vinyl of the original soundtracks.

On Thursday, November 6, 2025, Johnson will return for a one-night-only event at the historic Arlington Theatre in Santa Barbara, featuring back-to-back screenings of Thicker Than Water and The September Sessions. The evening will also include an intimate Talk Story with filmmakers Jack Johnson, Chris Malloy and Emmett Malloy, followed by a live performance from Jack & Friends, including Hermanos Gutierrez, G. Love, Adam Topol, Merlo Podlewski, Zach Gill, Todd Hannigan, Xocoyotzin Moraza, and Rob Machado.

The celebration continues at the Coast Film Festival in Laguna Beach on Saturday, November 8, and Sunday, November 9, 2025, where Jack will present Thicker Than Water and The September Sessions, respectively. Additionally, Jack will perform with friends, Hermanos Gutierrez, G. Love, Todd Hannigan, Xocoyotzin Moraza, bandmates Adam Topol, Merlo Podlewski, and Zach Gill on Saturday and G. Love, Donavon Frankenreiter, bandmates Adam Topol, Merlo Podlewski and Zach Gill, along with Matt Costa on Sunday.

Thicker Than Water, a film by Jack Johnson, Chris Malloy, and Emmett Malloy, was filmed across the globe and captured the beauty, camaraderie, and wanderlust of surf exploration at the turn of the millennium. The film’s soundtrack introduced audiences to Johnson’s music for the first time, sparking a career that would soon reach audiences worldwide.

The September Sessions, filmed by Jack Johnson during a spontaneous trip to Indonesia, remains one of the most intimate portraits of surf legend Kelly Slater ever put to film. With unforgettable waves from Kelly, Rob Machado, Brad Gerlach, Shane Dorian, Ross Williams, and Luke Egan, the movie captured the essence of surf life away from competition, raw, soulful and timeless, and inspired generations.

Due to the limited capacity of these special events, tickets will only be available through a request system powered by Seated. This system is designed to block scalpers and bots, ensuring tickets end up in the hands of real fans. Fans can register now until Tuesday, September 30th at 7pm PT at https://jackjohnsonmusic.com/. Fans must register separately for each show they wish to attend.

On Wednesday, October 1st, a select number of fans will either have their tickets secured for them automatically via Seated, or will be notified that they will receive a unique code to have an opportunity to purchase tickets on the venue’s ticketing platform the following day on Thursday, October 2nd starting at 10am PT. Remaining fans will be placed on a waitlist and notified if additional tickets become available for purchase.

Net proceeds will go to Johnson ‘Ohana Foundation to support Southern California based ocean conservation groups, with proceeds of the Laguna Beach shows also benefiting Coast Film Foundation to support its mission of connecting outdoor and ocean communities through film.

Maggie Andrew Unleashes Alt-Pop Fire With New EP ‘HOW TO SING FOR MONEY’

Eric Alper
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Maggie Andrew Unleashes Alt-Pop Fire With New EP ‘HOW TO SING FOR MONEY’

Alt-pop powerhouse Maggie Andrew reveals her new EP, HOW TO SING FOR MONEY. The project features buzzworthy singles such as “Fall Like A Feather,” “How To Sing For Money,” and “Emotional Touchdown,” which broke through on US pop radio this week with a top 60 debut.

With HOW TO SING FOR MONEY, Andrew cements herself as a rising phenom, fully in command of her expansive pop vision. Through glowing ’80s synthscapes, arena-rocking existential dilemmas, and moments of intimate reflection, she delivers melodies that oscillate between sweet and striking. Her lyricism balances sharp wordplay with unflinching vulnerability, underscoring what sets her apart as a songwriter. The record stands as both a milestone in Andrew’s artistry and a glimpse of what’s ahead.

“I think ‘HOW TO SING FOR MONEY’ offers a clear view into another dimension or chapter of myself,” Andrew says. “It reveals who I am and what I can do if I have the tools and the opportunities.”


One of the opportunities that helped make this record happen was Andrew’s 2024 win in CBC Music’s Searchlight competition, which earned her a recording residency at Calgary’s National Music Centre. Before heading west, she spent a month in Toronto writing and preparing with longtime collaborators Carleton Stone and Kyle Mischiek. “That month helped reignite the magical creative environment I’d been craving,” Andrew says. Their close-knit history—Stone is her partner, Mischiek her ex, and both are frequent collaborators—made for especially fruitful sessions. With the exception of one song, the HOW TO SING FOR MONEY EP emerged entirely from that period of writing.

On HOW TO SING FOR MONEY, Andrew moves fluidly across sounds and themes: the gauzy synths of “Emotional Touchdown” capture the emptiness of a jet-set life; the title track’s grinding guitars mirror the exhaustion of the music industry; and the hazy melancholy of “Unfinished Business” explores the ache of chasing someone still caught in their past. The EP’s focus single, “Did You Cry,” erupts into distortion-fueled catharsis, while “Father Figure” pairs acoustic strums with reflections on growing up and transcending her past. She denounces the idea of a big bearded guy upstairs with the buoyant, folk-leaning “If God Was Real,” before closing with “Fall Like a Feather,” a stirring anthem of resilience.

Alongside the EP, Andrew unveils the cinematic video for “Did You Cry,” directed by MOOSECANFLY. In it, she embodies a runaway bride escaping a toxic relationship before it’s too late. “I wanted to conceptualize the aftermath of a breakup,” Andrew says. “When you’re with someone and think you’re in love, it’s easy to make promises. The video represents running away from something—or someone—who turned out to be no good. By contrasting stillness with chaos, it captures the wreckage that comes from having your heart broken.”

Call it alternative pop, or call it something else—Andrew’s music resists labels, but its constant is clear: “I embrace my flair and attitude; I don’t give a fuck about external pressure when I’m making music,” she says. “My voice is the thing that makes my sound my own, and the elements around it will always shift and change.”

10 Indigenous Artists You Need to Know on the National Day for Truth and Reconciliation

Eric Alper
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10 Indigenous Artists You Need to Know on the National Day for Truth and Reconciliation

Today is the National Day for Truth and Reconciliation, a time to reflect on the painful legacy of residential schools, honour survivors, and amplify Indigenous voices. Music is one of the most powerful ways to listen, learn, and heal — and these artists are helping lead the way.

Francis Baptiste

Syilx singer-songwriter Francis Baptiste blends indie folk textures with lyrics sung in both English and nsyilxcən, the endangered language of his community. His work is a moving act of reclamation, using contemporary songwriting to preserve and revive Indigenous language.

Mike Bern

From Tobique First Nation in New Brunswick, Mike Bern crafts rock and soul-infused songs rooted in his Maliseet heritage. With airplay on Indigenous radio and festival stages across the country, his voice carries both grit and tenderness, bridging tradition with modernity.

Trent Agecoutay (Uncle Trent)

Métis singer-songwriter Trent Agecoutay, known as Uncle Trent, writes music steeped in storytelling and connection. Drawing from country, folk, and blues traditions, his songs explore family, heritage, and lived experience in ways that resonate across cultures.

Susan Aglukark

The first Inuk artist to win a JUNO Award, Susan Aglukark has been a trailblazer for decades. Singing in English and Inuktitut, she fuses pop and traditional Inuit sounds, often highlighting themes of healing, hope, and cultural pride. Her legacy paved the way for many who followed.

Tom Wilson

A towering figure in Canadian music, Tom Wilson (Blackie and the Rodeo Kings, Lee Harvey Osmond) reconnected with his Mohawk heritage later in life. His art — spanning music, visual work, and his memoir Beautiful Scars — reflects identity, discovery, and the lifelong journey of truth.

TRIBZ

TRIBZ is more than a band; it is a coalition of experience, heritage, and conviction. Comprised of Juno Award–winning vocalist Errol Starr Francis, Six Nations Tuscarora guitarist Earl Johnson, Mohawk bassist Donny Hill, and Hamilton drummer Dave Davidson, the group has over four decades each of lived musical history. Their music is a melting pot of R&B, blues, Motown, reggae, rock, and Indigenous tradition, unified under a mission of peace, love, and empowerment.

Stirling John

Ojibwa Inspirational Country artist Stirling John, from Saugeen First Nation, brings uplifting energy to every track. Influenced by country greats like Paul Brandt, he uses music as a platform to shine a light on real-life struggles and triumphs.

Logan Staats

After winning The Launch in 2018, Logan Staats has become one of the most recognizable Indigenous voices in Canada. The Mohawk singer-songwriter draws deeply from Six Nations’ blues and rock traditions, blending raw emotion with a mission of healing and sovereignty.

Joel Wood

Cree musician Joel Wood, winner of the 2024 JUNO for Traditional Indigenous Artist of the Year, infuses his songs with powwow and round dance traditions. By centering the Cree language in his music, he preserves its beauty while bringing traditional forms to new audiences.

Zoon

Anishinaabe artist Daniel Monkman, known as Zoon, has been hailed as a pioneer of “moccasin-gaze,” merging shoegaze textures with Indigenous identity and language reclamation. Their JUNO-nominated album Bekka Ma’iingan explores resilience, colonial history, and self-discovery.

These are just ten of the many Indigenous artists making vital, beautiful music today. On this National Day for Truth and Reconciliation, take the time to listen — and then go seek out more voices. Indigenous music is vast, diverse, and essential, and it deserves to be heard every day of the year.

20 Songs That Define the 1990s

Eric Alper
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20 Songs That Define the 1990s

The ’90s: a decade of flannel, frosted tips, girl power, boy bands, and the occasional song about an actual worm. These 20 tracks, alphabetized for your convenience, double as a playlist and a time machine.

“1979” – The Smashing Pumpkins (1995)

Billy Corgan bottled suburban ennui into a shimmering alt-rock daydream. “1979” gave us car rides with the windows down, a Grammy nod, and an anthem for every teen wanting to be in the next great band.

“All I Wanna Do” – Sheryl Crow (1993)

Turns out, all Sheryl wanted was some fun in the sun with a margarita and a sardonic smile. This breezy hit won Record of the Year at the Grammys and proved radio was ready for cool-kid storytelling.

“Basket Case” – Green Day (1994)

Three chords, a caffeine rush, and Billie Joe asking if we have the time to listen to him whine. Answer: yes. Dookie sold 20 million copies, and pop-punk went from Gilman Street to the world.

“Bitter Sweet Symphony” – The Verve (1997)

Strings looped into infinity, Richard Ashcroft pacing a London street like it was his personal catwalk. The single hit #2 in the U.K., and suddenly everyone wanted to walk dramatically to work.

“Black Hole Sun” – Soundgarden (1994)

A psychedelic lullaby disguised as grunge thunder. MTV played the surreal video nonstop, and Chris Cornell’s voice stretched across a decade that loved its darkness weird and melodic.

“Doo Wop (That Thing)” – Lauryn Hill (1998)

Debuting at #1, Lauryn Hill gave us wisdom, harmonies, and the joy of shouting “That thing!” in the car. A feminist manifesto disguised as a summer jam, it snagged two Grammys and eternal rotation.

“Don’t Speak” – No Doubt (1995)

What began as a ska band from Anaheim turned into the breakup ballad heard ’round the world. Gwen Stefani poured her heart out, and Tragic Kingdom moved 16 million copies while we all cried in Doc Martens.

“Enter Sandman” – Metallica (1991)

A lullaby from hell, built on one of the most recognizable riffs in metal. It launched The Black Album to 30 million sales and guaranteed at least one baseball player still uses it as walkout music.

“Gangsta’s Paradise” – Coolio (1995)

Stevie Wonder sample, Michelle Pfeiffer in a classroom, and Coolio delivering rap sermons for the ages. It sold millions, won a Grammy, and remains one of the ’90s most quoted cultural artifacts.

“I Will Always Love You” – Whitney Houston (1992)

Whitney didn’t just sing this song—she levitated it into eternity. From The Bodyguard soundtrack, it spent 14 weeks at #1 and sold 20 million copies. A karaoke Everest ever since.

“Iris” – Goo Goo Dolls (1998)

Written for City of Angels, but it really belongs to everyone who ever fell in love at a school dance. Eighteen weeks at #1 on Billboard’s Airplay chart later, it’s still a slow-dance staple.

“Losing My Religion” – R.E.M. (1991)

Mandolin in hand, Michael Stipe turned doubt into art and gave alternative rock its mainstream coronation. Two Grammys, endless MTV play, and suddenly mandolins were cool again.

“My Heart Will Go On” – Celine Dion (1997)

Leonardo DiCaprio sinks, Celine soars. The Titanic theme topped charts in 25 countries, sold 18 million copies, and turned pan flutes into a global emotional trigger.

“No Scrubs” – TLC (1999)

T-Boz, Left Eye, and Chilli set the record straight on dating standards. The track hit #1, won two Grammys, and gave us the most important PSA of the decade: say no to scrubs.

“Say My Name” – Destiny’s Child (1999)

Part love song, part interrogation, part Beyoncé’s arrival notice. The harmonies are tight, the beat futuristic, and the Grammys (two of them) rolled in. Everyone started practicing their vocal runs.

“Semi-Charmed Life” – Third Eye Blind (1997)

Sunshine melody meets lyrics about… well, less sunny things. It peaked at #4 on Billboard, stayed on the radio forever, and proved the ’90s loved hiding darkness under “do-do-do’s.”

“Smells Like Teen Spirit” – Nirvana (1991)

One riff, one cheerleader video, and suddenly grunge had a passport to the mainstream. Nevermind knocked Michael Jackson off the charts, sold millions, and made flannel an international fabric.

“Torn” – Natalie Imbruglia (1997)

Originally by Ednaswap, Natalie’s version became the global heartbreak standard. It was one of the most played songs on ’90s radio, complete with iconic video: Natalie, empty room, emotional devastation.

“Wannabe” – Spice Girls (1996)

“Zig-a-zig-ah” became a global language. Topping charts in 37 countries, it remains the best-selling single by a girl group and the unofficial national anthem of sleepovers everywhere.

“You Get What You Give” – New Radicals (1998)

A one-hit wonder that refuses to fade. With its mix of pep and protest, it became a youth anthem praised by everyone from Joni Mitchell to Bill Clinton. A reminder that kindness rocks.

How To Build a Patreon That Actually Engages Fans

Eric Alper
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How To Build a Patreon That Actually Engages Fans

The magic of a membership or Patreon comes alive when it feels like a genuine exchange. Fans want to support artists, and artists want to share their world in meaningful ways. The best memberships glow with creativity, intimacy, and a sense of community.

Starting Out: Finding Your Foundation

Launching a membership begins with clarity. Ask yourself: What do I want to share? The answer sets the tone. It could be music demos, journal entries, artwork, or simply conversations. Choose a platform that feels intuitive—Patreon, Bandcamp, or even a personal website. Fans respond best when the structure reflects your authentic style.

The Power of Early Access

Fans love being close to the creative spark. Early releases of songs, video premieres, or newsletters make supporters feel like insiders. A “first listen” or “first look” turns anticipation into celebration, and the joy of discovery becomes collective.

Storytelling as Connection

Membership thrives on storytelling. Short updates about your songwriting day, a snapshot from rehearsal, or a note about a lyric’s inspiration transform into anchors of intimacy. These glimpses make the creative journey feel shared, not distant.

Interactive Magic

Fans want to engage, not just observe. Polls about setlists, live chats, or fan-submitted questions spark dialogue. By inviting input, you cultivate a space where everyone feels valued. Engagement flows naturally when fans see their voices matter.

Keepsakes and Treasures

Merchandise within a membership carries special energy. Limited-edition prints, handwritten lyrics, or a playlist made just for supporters feel timeless. These items are not just merch—they are symbols of belonging, reminders of the connection between artist and fan.

Rhythm and Consistency

Consistency builds trust. Updates every week or every month keep the pulse strong. Even short messages let fans know you are present. The rhythm matters more than the scale—members love being reminded that they are part of something ongoing.

Building Community Together

A membership creates a gathering place. Comment threads, forums, or private Discord servers grow into spaces where fans connect with one another. Music ignites friendships, and the community expands beyond the artist’s own voice.

The Living Space of Creativity

When a membership grows with openness, it becomes a living extension of your artistry. Fans experience the music not only as finished songs but as evolving stories. Together, you and your supporters create a space that feels vibrant, collaborative, and full of possibility.

Protected: The Resurgence of Vinyl: Why Millennials Are Driving the Analog Revival

Eric Alper
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Nation of Language Perform Live on KEXP, Debut New Album on Sub Pop

Eric Alper
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Nation of Language Perform Live on KEXP, Debut New Album on Sub Pop

Nation of Language stopped by KEXP for a full studio session, performing songs from their new album Dance Called Memory. The set featured “Inept Apollo,” “I’m Not Ready for the Change,” and more. With Cheryl Waters hosting, the performance captured the band’s synth-driven energy and marks their debut release on Sub Pop Records.

Taco Bell Drops Doja Cat Vinyl for Feed The Beat Record Club

Eric Alper
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Taco Bell Drops Doja Cat Vinyl for Feed The Beat Record Club

Following May’s launch of the Feed The Beat Record Club, Taco Bell today announces a second edition for this week’s Tuesday Drop in the Taco Bell app. 500 Taco Bell Rewards members will have the chance to win a Record Club box, featuring a vinyl edition of Doja Cat’s brand new album Vie, which arrived just this past Friday via Kemosabe Records/RCA Records.

Each box includes a vinyl record plus an exclusive Feed The Beat Mexican Pizza vinyl slipmat. Taco Bell Rewards Members will have the chance to enter to win tomorrow, Tuesday September 30 from 2pm – 3pm PST in the Taco Bell app. In addition to the exclusive Tuesday Drop, Taco Bell Rewards Members can also score a free Mexican Pizza with an order $5+ in the Taco Bell app on Tuesday, September 30*.

Doja Cat’s history with Taco Bell and the Feed The Beat music program runs deep, with her bringing back the beloved Mexican Pizza in 2022, as well as multiple appearances in Big Game advertisements, including in 2025. Doja Cat made a surprise video appearance at this year’s Taco Bell Live Mas Live event in New York City in March. And in April Taco Bell premiered the track, “Cards” featured on Vie, in an advertisement for the 5/7/9 Combo.

The Feed The Beat Record Club launched in May of this year to great fanfare, featuring new albums from Anxious, Magdalena Bay, and Frankie and the Witch Fingers . With the launch, Taco Bell is bringing the music directly to its loyal, music-loving fans with these thoughtfully designed, limited edition vinyl record boxes.

Since 2006, Taco Bell and its Feed The Beat program have helped support more than 2,000 artists/bands. Along the way, we have helped fans discover new bands and bands discover new fans. Feed The Beat support starts in the form of feeding touring musicians with $500 in Taco Bell gift cards.

The brand’s passion for supporting artists and artist discovery does not stop with free food. The Feed The Beat program also boosts exposure for various artists by giving them a stage at events around the world, featuring their music in television commercials, and providing amplification through Taco Bell’s social presence.

About Taco Bell Corp.
For more than 62 years, Taco Bell has brought innovative, craveable, Mexican-inspired food to t

Oasis Partners with Opus and Photographer Simon Emmett for ‘OASIS LIVE ’25 OPUS’ Book

Eric Alper
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Oasis Partners with Opus and Photographer Simon Emmett for ‘OASIS LIVE ’25 OPUS’ Book

Opus today announces the partnership with the legendary band Oasis, Liam and Noel Gallagher and iconic photographer Simon Emmett to officially celebrate the reunion tour by creating the OASIS LIVE ’25 OPUS.

Oasis were a force that stormed a nation and conquered the world with a unique, mesmerising sound that seemed like it was ‘gonna live forever’. For millions of fans around the world Oasis provided the soundtrack for a generation with beautifully crafted melodies and relatable lyrics about everyday life. Their potent dose of British swagger was unmistakable, their working-class pride worn like a badge of honour with their anthemic rock music finding new audiences decades after their first release. Arriving on the music scene in the 90s, Oasis were prominent in the Britpop era and fashioned a feeling of youthful rebellion and optimism as political change in the UK generated much positive energy. Oasis offered a sense of pride and aspiration with an unapologetic attitude that many of their fans related to.  

Oasis had become a cultural phenomenon, influencing musical trends, fashion and even popular culture. (What’s the Story) Morning Glory? was the biggest British album of that decade, having now sold over five million copies in the UK, six million copies in the US and over 22 million worldwide. The band’s music was infectious and in 1996 at the height of their fame, Oasis headlined Knebworth in front of 250,000 fans. The story of Oasis had a true rock ‘n’ roll end when the band split up in 2009 leaving a stellar musical legacy. Many fans dreamed about the brothers reconciling, but that seemed unlikely.

Fast forward to August 2024 and a press announcement from Oasis sent the world into a frenzy with the news that the band would reunite to perform a series of concerts for the first time in 16 years.

Opus is thrilled to announce the OASIS LIVE ’25 OPUS that celebrates the most anticipated reunion of all time through the iconic lens of one of the world’s most influential photographers, Simon Emmett. Simon also captured the iconic portraits of Liam and Noel together that has been widely used since the announcement of the tour.

“Being chosen to photograph the top-secret Oasis reunion portraits was a real honour. As the only photographer to document it from the very start through to the end of the tour, it’s been a truly unique and privileged experience and insight. The extraordinary mania and positivity has been intoxicating. Much more than a band reunion, it’s been a real cultural movement.”

Simon Emmett

OASIS LIVE ’25 OPUS will be a celebration of the band’s live legacy, captured by the very best with unprecedented and unique access plus collaboration from both Liam and Noel.

The Limited Marquee Edition will be strictly limited to only 100 copies worldwide, with the edition measuring a giant 62cm x 45cm. The 400 pages will be printed in ultra-high-definition on luxury heavyweight 200gsm silk paper and then hand-bound by master binders, and presented in a silk covered clamshell case.

Three further editions – The ‘Midi’ and the ‘Retail’ edition will be made unlimited in number so that millions of fans around the world will have the opportunity to own and cherish their piece of Oasis history and memorabilia.

More details and information about all the unique Opus editions and special features to be released will be announced in the coming weeks during the Oasis Live ’25 Tour.

Jonas Brothers Add New Dates to ‘JONAS20: Greetings From Your Hometown’ Tour

Eric Alper
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Jonas Brothers Add New Dates to ‘JONAS20: Greetings From Your Hometown’ Tour

After launching their milestone ‘JONAS20: Greetings From Your Hometown’ tour in August and playing sold-out shows across the U.S. and Canada, Jonas Brothers announced additional North American dates today. Tickets for the new shows go on sale Thursday, October 2 at 10 a.m. local time via Ticketmaster.com. Following his surprise appearances at the shows in New Jersey and Boston, Jesse McCartney will join as a special guest for additional dates in select markets.

The JONAS20 Tour highlights every chapter of Jonas Brothers’ 20-year journey, seamlessly blending early hits with solo projects such as Nick Jonas & the Administration and DNCE and brand-new tracks from their latest album Greetings From Your Hometown. Surprise cameos from Demi Lovato, Switchfoot and Dean Lewis on opening night set the tone for a tour filled with crowd-roaring sing-alongs to classics like “Lovebug,” “S.O.S.” and “Burnin’ Up,” underscoring the trio’s enduring impact and ever-growing fanbase.

​​Since the kickoff, the tour has been filled with headline-making surprise appearances. Fans have been treated to surprise collaborations and performances with 5 Seconds of Summer, Alessia Cara, All Time Low, Cartel, Chord Overstreet, Christina Perri, Dashboard Confessional, Fifth Harmony, Hanson, Hoobastank, Jack’s Mannequin, Jason Mraz, John Legend, JoJo, JP Saxe, Kelsea Ballerini, Machine Gun Kelly, Neon Trees, Paul Russell, Phantom Planet, Plain White T’s, Russell Dickerson, Ryan Cabrera, Simple Plan, Sum 41, The Click Five, The Veronicas and more making each night a one-of-a-kind celebration.

Fans around the world can stream the JONAS20: Greetings from Your Hometown tour live from Milwaukee on October 12, Orlando on October 26, and Buffalo on November 9 – exclusively on Samsung TV Plus!

See the full list of tour dates below.

‘JONAS20: Greetings From Your Hometown’ TOUR DATES:
+With The All American Rejects
#With Boys Like Girls
^With Jesse McCartney

*With Franklin Jonas

newly added dates bolded, go on sale Thursday, October 2

Mon Sep 29 – Phoenix, AZ – PHX Arena#*

Tue Sep 30 – Albuquerque, NM – Isleta Amphitheater#*

Thu Oct 02 – Denver, CO – Ball Arena#*

Sun Oct 05 – Des Moines, IA – Wells Fargo Arena#*

Mon Oct 06 – Omaha, NE – CHI Health Center#*

Tue Oct 07 – Kansas City, MO – T-Mobile Center+*

Wed Oct 08 – St. Louis, MO – Enterprise Center+*

Fri Oct 10 – St. Paul, MN – Xcel Energy Center+*

Sun Oct 12 – Milwaukee, WI – Fiserv Forum+*

Tue Oct 14 – Nashville, TN – Bridgestone Arena+*

Thu Oct 16 – Tulsa, OK – BOK Center+*

Fri Oct 17 – Austin, TX – Moody Center+*

Sat Oct 18 – San Antonio, TX – Frost Bank Center+*

Sun Oct 19 – Houston, TX – Toyota Center+*

Wed Oct 22 – Tampa, FL – Amalie Arena+*

Fri Oct 24 – Sunrise, FL – Amerant Bank Arena+*

Sun Oct 26 – Orlando, FL – Kia Center+*

Mon Oct 27 – Orlando, FL – Kia Center+*

Tue Oct 28 – Atlanta, GA – State Farm Arena+*

Wed Oct 29 – Raleigh, NC – Lenovo Center+*

Fri Oct 31 –  DNCE HALLOWEEN

Sat Nov 01 – Lexington, KY – Rupp Arena+*

Sun Nov 02 – Indianapolis, IN – Gainbridge Fieldhouse+*

Tue Nov 04 – Knoxville, TN – Thompson-Boling Arena at Food City Center+*

Wed Nov 05 – Charlotte, NC – Spectrum Center+*

Thu Nov 06 – Columbia, SC – Colonial Life Arena+*

Sat Nov 08 – Columbus, OH – Schottenstein Center+*

Sun Nov 09 – Buffalo, NY – KeyBank Center+*

Tue Nov 11 – Cleveland, OH – Rocket Arena+*

Wed Nov 12 – Pittsburgh, PA – PPG Paints Arena+*

Fri Nov 14 – Uncasville, CT – Mohegan Sun Arena+*

Sun Nov 16 – Newark, NJ – Prudential Center+*

Sat Nov 22 – Cincinnati, OH – Heritage Bank Center^*

Sun Nov 23 – Detroit, MI – Little Caesar’s Arena^*

Sat Nov 29 – Las Vegas, NV – MGM Grand Garden Arena*

Sun Nov 30 –  Nick Jonas Sunday Best Brunch

Sun Nov 30 – Salt Lake City, UT – Maverik Center*

Wed Dec 03 – Wichita, KS – INTRUST Bank Arena^*

Thu Dec 04 – Fort Worth, TX – Dickies Arena^*

Sat Dec 06 – New Orleans, LA – Smoothie King Center^*

Tue Dec 09 – North Little Rock, AR – Simmons Bank Arena^*

Thu Dec 11 – Rosemont, IL – Allstate Arena^*

Fri Dec 12 – Grand Rapids, MI – Van Andel Arena^*

Sun Dec 14 – Hamilton, ON – TD Coliseum^*

Mon Dec 15 – Ottawa, ON – Canadian Tire Centre^*

Wed Dec 17 – Montreal, QC – Bell Centre^*

Thu Dec 18 – Manchester, NH – SNHU Arena^*

Sat Dec 20 – Baltimore, MD – CFG Bank Arena^*

Sun Dec 21 – Belmont Park, NY – UBS Arena^*

Mon Dec 22 – Brooklyn, NY – Barclays Center^*

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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