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Rhiannon Giddens Releases Intimate Mini-Documentary for ‘What Did the Blackbird Say to the Crow’

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Continuing what Garden & Gun has called a “banner year,” Grammy and Pulitzer Prize winner Rhiannon Giddens today released a new mini-documentary with performance videos to accompany each song for What Did the Blackbird Say to the Crow. The film and video collection, available now on YouTube, offer an intimate look into the creation of her collaboration with fellow Carolina Chocolate Drops co-founder Justin Robinson, further illuminating their powerful tribute to the Black string band tradition of North Carolina.

The eighteen-track collection draws directly from that tradition, featuring Giddens on banjo and Robinson on fiddle as they play a mix of their favorite regional instrumentals and tunes with words. Many were learned from their late mentor, the legendary Piedmont musician Joe Thompson, and other musical heroes like Etta Baker and Evelyn Shaw. “‘Come to our porch, sit down, have some tea, and we’re just going to play some tunes,’” says Giddens. “We wanted to record that feeling.” 

The new mini-documentary brings that intimate vision to life, taking viewers to the very porches and homesteads where the music was made. It captures the album’s unique soundscape, which was recorded outdoors and features the natural sounds of cicadas and birdsong. The experience is deepened by the new visual album, a playlist featuring one video for each of the eighteen tunes, made during the album’s recordings.  

What Did the Blackbird Say to the Crow, released in April on Nonesuch Records, has been praised by Bandcamp as a “scorching album of revved-up traditionals” and heralded by Rolling Stone for cementing Giddens’ status as “a foundational influence for a generation of younger Black roots musicians.” It was followed by Giddens’ sold-out inaugural Biscuits & Banjos festival in Durham, NC, a weekend of music, panels, biscuits and dancing that featured a highly anticipated reunion of the Carolina Chocolate Drops. From there, she launched a tour with her new band, The Old-Time Revue, playing to packed houses at venues like the Hollywood Bowl with special guests Steve Martin and Ed Helms, and a rare reunion of Our Native Daughters (w/ Amythyst Kiah, Leyla McCalla and Allison Russell).

This flurry of creative work continues with several new projects. Giddens has co-authored a groundbreaking new songbook with music writer Kristina R. Gaddy, Go Back and Fetch It: Recovering Early Black Music in the Americas for Fiddle and Banjo. The book presents nineteen examples of early Black Atlantic music from the 1600s through the 1800s, making them accessible for today’s musicians and restoring the roots of Black music to the musical canon. Released earlier this month, the book has already become a #1 New Release in Ethnomusicology and is into its second pressing. Read more in a recent feature in the Oxford American: Giddens also recently performed with Paul Simon during The Juilliard School’s annual fall festival.

Looking ahead, Giddens will return to headline Carnegie Hall on May 8, 2026, as part of the “United In Sound: America at 250” series. She will be featured on an upcoming episode of the acclaimed PBS series Finding Your Roots with Dr. Henry Louis Gates, Jr.

Giddens will continue her extensive touring schedule into the spring, performing with her band and with the Silkroad Ensemble, where she is Artistic Director. For all tour dates, visit rhiannongiddens.com/tour

Rhiannon Giddens has made a singular, iconic career out of stretching her brand of folk music, with its miles-deep historical roots and contemporary sensibilities, into just about every field imaginable. A two-time GRAMMY Award–winning singer and instrumentalist, 2023 Pulitzer Prize winner, MacArthur “Genius” grant recipient, and composer of opera, ballet, and film, Giddens has centered her work around the mission of lifting up people whose contributions to American musical history have previously been overlooked or erased, and advocating for a more accurate understanding of the country’s musical origins through art. Her most recent solo release is 2023’s You’re the One, Giddens’ first album of all original songs; her banjo can be heard on the history-making song “Texas Hold ‘Em”; and she is the Artistic Director of Silkroad Ensemble. In addition to her musical pursuits, Giddens has published two children’s books featuring her lyrics, hosts the Aria Code podcast on WQXR, and has composed music for ballet and film, and two of her songs are featured in the hit video game Red Dead Redemption 2. 

What Did the Blackbird Say to the Crow Track List:

1. Rain Crow

2. Brown’s Dream

3. Hook and Line

4. Pumpkin Pie

5. Duck’s Eyeball

6. Ryestraw

7. Little Brown Jug

8. Going to Raleigh

9. Country Waltz

10. Molly Put the Kettle On

11. Fly Around My Pretty Little Miss

12. John Henry

13. Love Somebody

14. Ebenezer

15. Old Joe Clark

16. Old Molly Hare

17. Marching Jaybird

18. Walkin’ in the Parlor

TOUR DATES

October 10-11, 2025 – Mebane, NC – Mebane Arts & Community Center

March 10, 2026 – Bowling Green, OH – Bowling Green University*

March 12, 2026 – Bloomington, IN – Indiana University Auditorium*

March 15, 2026 – Chicago, IL – Harris Theater*

March 19-20, 2026 – Berkeley, CA – Zellerbach Hall*

March 22, 2026 – Fairfax, VA – George Mason University Center for the Arts*

March 26, 2026 – Rochester, NY – Kodak Center*

March 27, 2026 – Brookville, NY – Tilles Center Concert Hall*

March 28, 2026 – Princeton, NJ – McCarter Theatre Center*

April 16, 2026 – Boston, MA – Orpheum Theatre

April 18, 2026 – Boone, NC – Schaefer Center for the Performing Arts

April 21, 2026 – Ann Arbor, MI – Hill Auditorium

April 28, 2026 – Athens, GA – Hodgson Concert Hall

May 1, 2026 – Houston, TX – Jones Hall for the Performing Arts

May 2, 2026 – Austin, TX – Bass Concert Hall

May 5, 2026 – Philadelphia, PA – Miller Theater

May 8, 2026 – New York, NY – Carnegie Hall

* Performance with Silkroad Ensemble

‘Bambi Meets Godzilla’ (1969): The Two-Minute Cult Classic That Stomped Into Animation History

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Marv Newland’s Bambi Meets Godzilla remains one of animation’s greatest minimalist jokes. Created in 1969 as a student project, the black-and-white short opens with peaceful credits over grazing Bambi—until Godzilla’s foot abruptly crushes him, punctuated by The Beatles’ final chord from “A Day in the Life.” Hailed as a cult classic, the short toured U.S. theaters in the ’70s, appeared on VHS alongside Godzilla 1985, and was later preserved by the Academy Film Archive, cementing its legend as a two-minute triumph of absurd genius.

Elijah Woods Shares Emotional New Single “I Miss You” Ahead of Debut Album

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Ahead of his debut LP Can We Talk?, pop singer, songwriter, and producer elijah woods shares one final preview with his new single, “I Miss You,” available everywhere today. Following standout releases like “Slicked Back Hair,” “Ghost on the Radio,” and “Could You Love Me?,” the track offers another glimpse into the world of Can We Talk?, arriving October 14.

After teasing the song across Instagram and TikTok last month, elijah quickly stirred a wave of anticipation, with fans flooding the comments and urging for its release. “‘I Miss You’ is about holding on to hope when love feels uncertain—that late-night belief that if we just keep trying, we can find our way back,” he shares. “It’s emotional, but ultimately about faith in connection.”



Alongside the single, elijah announces two headline shows: December 2 at Baby’s All Right in New York City and December 9 at The Echo in Los Angeles. Artist presale begins Wednesday, October 8 at 10:00 AM local time, with general on-sale starting Friday, October 10 at 10:00 AM local time.

Originally from Ottawa and now based in Los Angeles, elijah has become known for vivid storytelling, crisp production, and irresistible hooks that balance raw emotion with magnetic pop energy. He’s amassed over 1 billion streams to date and built a global following through sold-out headline tours across Canada and Asia, performances at major international festivals, and a coveted opening slot for Niall Horan. Most remarkably, he has achieved it all as an independent artist.

With four JUNO Award nominations, multiple platinum and gold certifications, and five EPs released in just the past three years, elijah’s rise has been nothing short of extraordinary. He’s graced the cover of Esquire Singapore and been spotlighted in VMAN SEA, 1883 Magazine, and Vogue Hong Kong. Now, with his debut LP Can We Talk?, elijah is cementing himself as one of pop music’s defining voices of today.

Upcoming Tour Dates:
December 2 – Brooklyn, NY @ Baby’s All Right
December 9 – Los Angeles, CA @ The Echo

Artist pre-sale: October 8 at 10 AM local time
General on-sale:
 October 10 at 10 AM local time
Find tickets for all dates here.

Video: MTV’s Liquid Television (1991) Ignited a New Era of Animation

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MTV’s Liquid Television debuted in 1991 as a late-night laboratory for wild, unfiltered animation. Running until 1995, the show stitched together shorts, experiments, and emerging creators whose work didn’t fit anywhere else. It became the launchpad for cult icons like Beavis and Butt-Head and Æon Flux, setting the stage for the future of adult animation and avant-garde pop culture.

Run Wrake’s ‘ANYWAY’ (1990) Resurfaces in Uncut HD Glory

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A cult classic from the golden age of experimental animation, Run Wrake’s ANYWAY (1990) has been restored and resurfaced in full HD. Originally featured in fragmented form on MTV’s Liquid Television, the uncut version reveals Wrake’s dark humor, collage animation, and avant-garde storytelling in their complete, hypnotic form — a vivid glimpse into his boundary-pushing artistry.

Hear the 1984 Demo of Madonna’s “Like a Virgin,” Sung by Co-Writer Tom Kelly

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Long before Madonna turned “Like a Virgin” into a global sensation, co-writer Tom Kelly recorded the original 1984 demo himself — singing the soon-to-be-classic in a silky falsetto. The early version captures the song’s skeleton: bright synths, sharp hooks, and Kelly’s playful delivery. It’s a rare behind-the-scenes moment that shows how one of pop’s most defining hits first came to life.

Postmodern Jukebox Turn REO Speedwagon’s “Take It On the Run” Into a ‘60s Soul Gem

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Postmodern Jukebox have done it again—this time transforming REO Speedwagon’s power ballad “Take It On the Run” into a soulful 1960s girl-group anthem. With Olivia Jones’ stirring lead vocals and dazzling harmonies from Amber Woodhouse and Kyndle Wylde, the track pulses with vintage rhythm and heartache. It’s a timeless reinvention that turns classic rock heartbreak into Motown-era magic.



‘Roger Rabbit 2’ Prequels Resurface: Lost Scripts and Animation Tests Found

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Long-lost plans for Roger Rabbit 2 have finally come to light, decades after the sequel was scrapped. Two versions — The Toon Platoon and Who Discovered Roger Rabbit? — were unearthed by Lost Media Wiki users, complete with scripts and rare animation tests. Originally involving Nazis, Broadway dreams, and Alan Menken songs, the projects showcase a fascinating alternate history for Hollywood’s most mischievous toon, blending live action, early CGI, and classic animation in ways far ahead of their time.

Levi’s ‘JeanScreen Magazine Brought Denim to the Digital Age In 1988

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Before e-commerce was even a concept, Levi’s experimented with interactive retail through JeanScreen Magazine – Revised 3A, a 1988 laserdisc manufactured by Pioneer USA. Side 1 ran on touchscreen kiosks in Levi’s stores, letting customers browse jeans and watch ads, while Side 2, titled Behind the Seams, trained employees on denim history and sales. Equal parts fashion archive and tech time capsule, it’s a fascinating artifact from Levi’s early digital frontier.

Ghostly International Marks 25 Years With Limited-Edition 500-Page Book

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Ghostly International has celebrated over 25 years as both a record label and art company, culminating in a unique marriage of sound and image.

Ghostly’s music — like all its artistic pursuits — straddles stylistic divisions, carving out space where sounds and ideas can cavort without inhibition or categorization.

This ethos comes to life in the first book dedicated to all aspects of Ghostly, created with independent publishers Hat & Beard Press.

A limited-edition, 500-page hardcover book – Ghostly International — We’ll Never Stop Living This Way: A Ghostly International Catalogue – the immense volume delves into the label’s archives and history, featuring exclusive essays by critics Michaelangelo Matos and Philip Sherburne, as well as unseen photos, original interviews, and oral histories with both musical and visual artists from across the roster.

Pre-orders are open now with books shipping in November. Also available at select retailers. You can get it here.