Rich Hope delivers ‘Live At The ANZA Club’, a raw and electrifying testament to the power of a band at full throttle, recorded over two sold out nights in Vancouver. The album features Hope and his powerhouse band, including Leon Power and Erik Nielsen of City and Colour, with production handled by Nielsen and Howard Redekopp. Hope explains, “I have always been at my best live, and we wanted to capture what this version of the band is doing.” The set spans his career, culminating in a searing take on The Long Ryders’ “Looking For Lewis And Clark.”
Jessica Wilde Calls For Sisterhood Power With The New Wave Anthem “Phenomenal Woman”
Acclaimed South London artist Jessica Wilde is calling on women everywhere to embrace the healing strength of sisterhood with her new single “Phenomenal Woman,” following a sold out launch at Stormzy’s iconic ‘House Party’ venue. The new wave anthem, produced by Tom Maine, is inspired by nineties girl bands and features hypnotic visuals that honor classics like Tekken. Wilde continues her commitment to authentic self love and has collaborated with heavyweights including Rudimental and Grammy winner Kizzo. Wilde explains, “I see Phenomenal Woman as not just a song but a mantra for all women to remember how phenomenal we are.”
Kehlani Unveils The Evocative New Music Video For Her Latest Single “Out The Window”
Seven time GRAMMY Award nominated Kehlani unveils the official music video for her latest single, “Out The Window,” out today via Atlantic Records. The visual arrives as the exciting next chapter in her artistic evolution, blending striking imagery with the soulful storytelling that defines her as a compelling voice in R&B. This follows a landmark year where her 2025 single “Folded” earned her first solo Billboard number one on the Rhythmic Airplay Chart and received two GRAMMY nominations. “Out The Window” successfully extends this incredible streak, delivering a powerful visual and sonic experience.
Wife Duo BFrank Drops Queer Celebration Single “Brigid” And It Is Beautiful
Irish indie pop wife duo BFrank has released their stunning debut single “Brigid,” an intimate, downtempo synth laced song available on all streaming platforms today, November 26th. The track features revealing vocal harmonies that detail the beautiful and powerful first moments of falling in love. This heartfelt message is captured further in the accompanying video, which features fun, queer Dirty Dancing inspiration. The duo is a strong merger of two highly praised talents: Susie Blue and Audrey Blue.
BFrank says, “‘Brigid’ is a track that we poured a lot of love into. It’s about those years when you first start to fall in love, how intense those feelings are and how much you think you’ll never find anything else like that feeling in the world. It’s an amalgamation of all the women we felt something for and how they forever changed us whether good or bad.” With Susie Blue having been championed by BBC 6 Music and Glastonbury, this new project promises great things for 2026.
Jorge Wilson Finds Freedom And Groove On The Infectious New Single “Gemini”
Stoke on Trent indie pop artist Jorge Wilson writes music with a disarming honesty that truly reflects his roots. With a sound he describes as “modern vintage,” Wilson blends nostalgic textures with forward thinking production, fusing the charm of the past with the edge of today. Drawing inspiration from artists like Mac DeMarco, Steve Lacy, and The 1975, his music is an honest reflection of who he is and who he is becoming. After feeling unable to fully express himself in a previous band, Wilson launched his solo project in late 2023, writing, performing, and producing much of his material guided by the mantra “Listen to nobody.” That shining independence is channeled directly into his new single “Gemini,” an infectious, groove led track that captures the thrill of letting someone see your true self.
Written after an impromptu moment of inspiration, “Gemini” channels Wilson’s love of both 80s icons like Men At Work and Michael Jackson, whose “Beat It” inspired the song’s guitar solo, and contemporary innovators like Tame Impala. The track was recorded with producer Steven Griffiths at Dead Door Studios and explores the idea of duality, that side of someone you only discover once you are close enough to see beneath the surface. Since debuting his solo project, Wilson’s music has earned strong support from BBC Introducing and Amazing Radio USA, alongside features in The Sentinel. With “Gemini,” he continues to cement his place as one of indie pop’s most exciting new voices, creating a sound that feels both timeless and refreshingly his own.
Tracklib Dives Into The Samples That Made The Futurama Theme Song A Classic
Tracklib recently broke down the incredible musical layers sampled in the original 1999 2013 opening theme song for the iconic Matt Groening animated series Futurama. The breakdown reveals that the theme includes samples from foundational tracks like “Amen, Brother” by The Winstons, “Rapper’s Delight” by The Sugarhill Gang, and “Psyché Rock” by Pierre Henry and Michel Colombier.
Bella Rios Channels Her Inner Elf With A Funky Gender Flipped “Baby, It’s Cold Outside”
Kick off the official start to the holiday season by checking out rising singer songwriter Bella Rios channeling her inner ELF in the official video for her playful, gender flipped version of the classic holiday song “Baby, It’s Cold Outside.” She dials up the merry mischief as she romps around Nashville, giving onlookers her best Buddy Hobbs impression and paying homage to the iconic shower scene duet. In Bella Rios’s powerful version of the song, she confidently steps into the role typically sung by a man, breathing new life into the flirtatious original. Produced by GRAMMY winning engineer Geoff Sanoff and recorded at Little Steven’s studio Renegade Nation, Rios is joined by singer songwriter Benjamin Foley to reframe the song through a modern lens that showcases female empowerment. Rios also delivers a fresh perspective on a beloved holiday classic with her rendition of “Have Yourself A Merry Little Christmas,” infusing the track with her own distinct, velvety sound that beautifully embodies the timeless spirit of the holidays.
Currently based in Nashville since her graduation from Princeton this spring, Rios is a vocal powerhouse able to pursue music full time. Her musical journey started with classical piano at age five, leading her to soak up influences from pop rock greats like Queen and contemporary icons like Adele. This mix is imbued in her fearless music, which tackles topics like the euphoria of love and the peaks and valleys of mental health. Tastemaker 1883 Magazine praised her Sophomore EP ‘Right Now’, writing, “Bella Rios is making waves not just with her powerhouse vocals and heartfelt songwriting, but with her refreshing honesty about life, growth, and the emotions that fuel her art.” Last year, her debut EP ‘Sincerely,’ earned love from SPIN Magazine and MTV, who featured lead single “Ever After.” Rios makes music to be shared, offering up unapologetic representation from the female perspective that is equal parts resilient and assertive on songs like “I’m The Man,” proving she’s a refreshing voice for her Gen Z counterparts.
Empara Mi Continues Her Twisted Saga With The Cinematic New Video “Mercy”
Empara Mi is continuing her fascinating anthropic music video series, The Haunting Of Empara Mi, with the release of the video for her track “Mercy,” brilliantly directed by Cal McIntyre, lead creative for The Last Dinner Party. This video serves as a powerful finale within her conceptual album, ‘Monsters & Masochists’, a body of work that presents carefully carved chapters of a much deeper narrative. The visionary artist sees music not just as sound, but as an all encompassing sensory experience. Following on from its counterpart, “Hurt Like Me,” the visuals for “Mercy” take place in a desolate house, following a story centered around a possession. The demonic figure embodying Mother Mercy finds Empara Mi at her weakest and pulls her through a violent evolution, turning her into the monster this world has forged. Empara Mi sings “blood under my fingernails, I climbed your ladder, it led me to hell, I served your wine while you feed, I laid the table, now I want a seat.”
This is more than just a music video, carrying the grainy, voyeuristic unease of a camcorder horror that blurs the lines between performance and found footage, making the viewer feel like an intruder on unholy events. Empara Mi has truly carved her own lane in music, building on the success of her debut album, ‘Suitcase Full of Sins’, which became an underground sensation racking up over 50 million streams and landing tracks like “Blood in the Water” in global Netflix hits. Her cinematic sound has been featured in campaigns for Apple and Pretty Little Thing. Her voice, described by Clash Magazine as carrying a “devastating sense of soul,” has made her a sought after collaborator, including the featured single “Freedom” with Wilkinson and Sub Focus on their number one album ‘Portals’. ‘Monsters & Masochists’ unfolds with orchestral arrangements recorded with the Prague Philharmonic Orchestra, promising an unimpeachable impression on the music world.
Rioghan Releases Emotional New Single “Chapter II Moment” As Their Story Unfolds
Rioghan, known for a powerful and multifaceted brand of modern metal, continues their intriguing story today with the release of the new single “Chapter II: Moment.” This stunning original track unfolds from a piano led ambience and electronic pulse toward a cathartic, emotional eruption. This is the second single from their upcoming EP, following the previously released “Chapter I: Frozen,” which quickly drew attention across metal and alternative audiences both in Finland and abroad. Rioghan Darcy explains the lyrical heart of the song, saying, “Moment continues EP’s storyline at the point where the ice begins to crack. The track describes the moment when the thaw begins – a delicate but decisive movement towards change. It’s the instant you realize that things aren’t as they should be, and change is necessary.” The new track arrives with a visually striking music video once again crafted in collaboration with Aarni Visuals.
This year has proven to be a significant one for the band. Rioghan’s second album ‘Kept’ was released in February, successfully debuting at number six on the physical album chart and earning glowing reviews internationally. In addition to a release tour, the band performed with alternative pioneer SARA at Ääniwalli in Helsinki and rocked their first festival appearance at Nummirock. The exciting momentum carries into the end of the year. Rioghan appeared at the H 18 Halloween event at Science Center Heureka, and this Friday, November 28, the band will take the stage at John Smith Frozen in Jyväskylä. Both of these are special acoustic performances, offering a unique, thrilling, and enchanting chance to experience Rioghan’s sonic world from a new perspective.
BIG SPECIAL Unveils Softer Side With New Single “DRAGGED UP A HILL” And Massive Tour
BIG SPECIAL stands as a powerful testament to resilience and long standing partnership in the progressive punk metal scene. The Birmingham duo continues building momentum today by releasing their latest single, “DRAGGED UP A HILL (and thrown down the other side),” via SO Recordings. This new track spotlights Joe Hickin’s emotionally charged vocals, revealing a softer side from the duo’s signature sound. Hicklin describes the track as “a song written a while ago that we picked back out of our dusty drawer, about the old labouring days and the feeling of getting nowhere in love and work, despite all the graft.” The duo recently wrapped a massive European tour and collaborated with Sleaford Mods on the single “The Good Life,” appearing alongside actress Gwendoline Christie in a captivating video.
Built on a lifelong friendship, BIG SPECIAL grounds their music in honesty, dark humor, and a clear sense of purpose. Their sound reflects the balance of ambition and emotional truth that defines their work. Their rise has been fast, moving from selling out Camden’s Dublin Castle with just one single to filling London’s O2 Forum Kentish Town less than two years later on the strength of their debut album ‘POSTINDUSTRIAL HOMETOWN BLUES’.
Tour Dates:
12/01 – Seattle, WA @ The Neptune Theatre ^
12/03 – San Francisco, CA @ The Fillmore ^
12/04 – Los Angeles, CA @ The Regent ^
12/07 – Chicago, IL @ Cobra Lounge
12/08 – Boston, MA @ The Rockwell
12/09 – New York, NY @ Irving Plaza ^
12/11 – Toronto, ON @ The Concert Hall ^
02/13 – Norwich, UK @ Waterfront
02/14 – Nottingham, UK @ Rescue Rooms
02/15 – Newcastle, UK @ Digital
02/18 – Leeds, UK @ University Stylus
02/19 – Glasgow, UK @ SWG3 Warehouse
02/20 – Manchester, UK @ New Century Hall
02/21 – Birmingham, UK @ O2 Institute
02/24 – Bristol, UK @ Electric Bristol
02/25 – Southampton, UK @ The 1865
02/27 – London, UK @ Roundhouse
03/06 – Dublin, UK @ The Workman’s Club
03/07 – Belfast, UK @ Ulster Sports Club
^ supporting Public Service Broadcasting