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Village Voice Put In Request To Speak With Jonathan Richman. He Did Something More Personal Thank You Can Imagine.

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The Village Voice put in an interview request to talk with Jonathan Richman — Modern Lovers founder and frontman and overall pop-rock purveyor as they wanted to know more about his time in New York, how it inspired him then, and how he feels about the city today.

Before long, the weekly newspaper got word that their interview request had been forwarded to the singer by priority mail, Richman’s connection to the outside world runs through the United States Postal Service. He does not do phone interviews; he does not own a computer.

In his handwritten response sent via snail mail, Richman riffed on his short stint living in New York with the kind of romanticism and eye for detail that make his music so treasurable.

Dear Ryan,

Sorry I can’t do phone interviews but here’s something: I moved to New York when I was 18 to be near the Velvet Underground and that whole Andy Warhol art scene. I thought I would do art with them but what really happened was I spent the 10 or so months I lived there, more or less alone, walking around after work (work was as a foot messenger for Esquire Magazine and before that on Wall Street).

The grand, monstrous scale of the place sticks with me. The Battery on a cold Saturday afternoon in the winter by those ancient ferry buildings with the huge ferry buildings of New Jersey and Staten Island off in the distance and the monstrous fifty-story financial buildings all closed up looming over you. Chinatown nearby on this ten-degree afternoon with the fish and salt smells cutting through the cold air.

Or a winter Saturday morning in that Ukrainian neighborhood at E. 5th and 1st Ave., with the silent old men in those little shops that sell ikons and sell honey and stuff too — with the cold, silent street outside with the rat piss smell cutting even through the six-degree air.

Yah! Bethesda Fountain in the Spring! Chestnuts as work lets out at 5 PM in the late fall! It all still lingers in me! And, as have so many other strong atmospheres, it has affected my ear for sound and music just as it has affected my eye for color.

Jonathan

Here’s a full shot of Jonathan’s letter:

We Tried to Chat With Pop-Rock God Jonathan Richman, But He Sent Us a Letter Instead (2)

Via Village Voice

Musicians 4 times more likely than the general population to suffer hearing damage

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Musicians are four times more likely than the general population to suffer hearing damage, but few are doing anything to lower the risk, according to Help Musicians UK.

Though rather than blasting airhorns into the ears of unsuspecting non-musicians to help redress the balance, the Help Musicians UK organisation is instead opting to educate music types on the importance of looking after their ears. This follows research the organisation carried out, which found that 41% of musicians experience hearing problems during their career, with the vast majority blaming their profession.

Despite the increased risk, 68% of musicians surveyed hadn’t had a hearing test within the previous three years. And while 89% believed that they should be using hearing protection, only 66% ever actually had, and then only 8% every time they played.

Check out this site for more information on how you can protect your hearing, and still be able to rock out onstage.

Via Complete Music Update

Economic impact of UK music up 5% in 2014, says UK Music

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Cross-sector trade group UK Music has published the latest edition of ‘Measuring Music’, which sets out to assess the economic impact of the wider music business in the UK.

And according to the research, the ‘gross value added’ by the music industry in 2014 was nearly £4.1 billion, up from £3.8 billion in 2013, an increase in no small part aided by the success of British artists internationally. ‘Measuring Music’ reckons that 117,000 full time jobs are now provided by the music industry, the majority of which are people involved in the writing, creating, recording and performing of music.

The music creator community – so musicians, composers and songwriters – contributed £1.9 billion to the economy last year. The music rights sector was worth just over a billion (£615 million for recordings, £410 million for publishing), while the live sector saw the biggest growth from 2013, up to £924 million. Studios and music production contributed £116 million, while music representatives contributed £89 million.

Via Complete Music Update

Facebook now has 1 billion daily users and 8 billion daily video views

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Facebook announced its latest quarterly financial results yesterday, and they reveal yet more growth for the social network across a range of metrics – many of which are of direct interest to the music industry.

Financially, Facebook had a very strong quarter: it posted revenues of $4.5bn and a net profit of $896m, both seeing healthy year-on-year rises.

In terms of user numbers, Facebook now has 1.55bn monthly active users (MAUs) and 1.01bn daily active users (DAUs) – the latter is a significant milestone for the company.

Mobile continues to be Facebook’s driving force: it averaged 894m mobile daily active users in September, while 78% of its $4.3bn advertising revenues last quarter came from mobile ads. 47% of Facebook users *only* access the social network from mobile devices.

Via MusicAlly

Billy Bragg speaks eloquently on the importance of music in a community

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Billy Bragg has released a book of annotated lyrics, A Lover Sings, published by Faber & Faber. Released on Nov. 4, The Guardian published an excerpt from the book, including this passage: “Music can draw us out of isolation and connect us with a community where we feel our troubles and concerns are recognised and shared. If music has any real power, it lies in this moment – when we experience the solidarity of song, the cathartic realisation that you’re not the only person who shares the sentiments that are being so forcefully expressed.”

Via The Current

Music photographer Daniel Corrigan is being celebrated in new episode of “Unsung” Pitchfork documentary series

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Pitchfork.tv’s latest documentary series is called “Unsung”. The series focuses on those individuals who made significant contributions to music but don’t necessarily get the recognition they deserve. This next installment focuses on Dan Corrigan, known for his photography with bands such as Hüsker Dü, Soul Asylum, The Replacements and many more.

Jerry Lee Lewis Asks The Most Important Question You’ll Ever Hear About Heaven And Hell

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“I said, ‘Elvis, I’m going to ask you one thing before we part company here. If you die, do you think you’d go to heaven or hell?’ And he got real red in the face, and then he got real white in the face, and he said, ‘Jerry Lee, don’t you ever say that to me agin.’ I said, ‘Well, I won’t even say it to you again.’ Hahahaha!…He was very frightened.”

…I was always worried whether I was going to heaven or hell. I still am. I worry about it before I go to bed; it’s a very serious situation. I mean you worry, when you breathe your last breath, where are you going to go?” – Jerry Lee Lewis, in The Guardian (irony)

Science Says These Are The 20 Best Songs To Wake You Up

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In order to create the perfect “wake up” playlist, Spotify enlisted the help of music psychologist and Cambridge PhD candidate, David M. Greenberg, because nobody wants to wake up to a beeping noise or alarm clocks anymore. Greenberg and Spotify’s data team focused on three main elements these songs needed to have:

  • Music that builds: A song that is too vigorous from the start won’t help you get out of bed — it’s too much too soon. Songs that start more gently (even just for a few seconds) and then build, help you wake up more gradually.
  • Positivity: Once alert, you need to become motivated for the day to come; positive lyrics can get you out of a grumpy state and shift towards a feel-good attitude.
  • Strong beat: It’s not just the lyrics, it’s also the sonic elements of the music. Songs that emphasize beats 2 and 4 of each measure — usually with the bass and drums — with a BPM of approximately 100-130 will get you moving and further the feel good mood.

Here are the songs:

  1. Coldplay – Viva La Vida
  2. St. Lucia – Elevate
  3. Macklemore & Ryan Lewis – Downtown
  4. Bill Withers – Lovely Day
  5. Avicii – Wake Me Up
  6. Pentatonix – Can’t Sleep Love
  7. Demi Lovato – Confident
  8. Arcade Fire – Wake Up
  9. Hailee Steinfeld – Love Myself
  10. Sam Smith – Money On My Mind
  11. Esperanza Spalding – I Can’t Help It
  12. John Newman – Come and Get It
  13. Felix Jaehn – Ain’t Nobody (Loves Me Better)
  14. Mark Ronson – Feel Right
  15. Clean Bandit – Rather Be
  16. Katrina & The Waves – Walking on Sunshine
  17. Imagine Dragons – On Top of the World
  18. MisterWives – Reflections
  19. Carly Rae Jepsen – Warm Blood
  20. iLoveMemphis – Hit The Quan

I’m going to try this tomorrow morning. I’ll let you know how it goes.

H/T Business Insider

The 16 new books in the 33 1/3 series are going to blow your mind

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As a rule, the 33 1/3 book series inspired by music and classic albums are a lovely, glorious experience in my world. Some volumes are valued more highly than the album themselves, and no, I’m not naming names, lest I get quoted in another series. The start of reading any of the books are always followed by a response – going back to the album discussed and giving it a second, third and hundredth listen, in some cases. One day, believe me, these books will be revered and deemed iconic as the albums being written about, if that hasn’t started already.

Without further adieu, the next 16 books in the 33 1/3 series will be:

Jawbreaker’s 24 Hour Revenge Therapy by Ronen Givony

24 Hour Revenge

 

The Pharcyde’s Bizarre Ride II the Pharcyde by Andrew BarkerBizarre Ride

 

Tori Amos’ Boys for Pele by Amy Gentry

Boys for Pele

Young Marble Giants’ Colossal Youth by Michael Blair and Joe BuccieroColossal Youth

Björk’s Homogenic by Emily Mackay

Homogenic

Fugazi’s In on the Kill Taker by Joe Gross

In on the Kill

Modern Lovers’ The Modern Lovers by Sean L. Maloney

Modern Lovers

Merle Haggard’s Okie from Muskogee by Rachel Rubin

Okie Muskogee

Siouxsie and the Banshees’ Peepshow by Samantha Bennett

Peepshow

Ol’ Dirty Bastard’s Return to the 36 Chambers: The Dirty Version by Jarett Kobek

36 Chambers

Wendy Carlos’ Switched-On Bach by Roshanak Kheshti

Switched on Bach

Japan’s Tin Drum by Agata Pyzik

Tin Drum

Lou Reed’s Transformer by Ezra Furman

Transformer

Angelo Badalamenti’s Twin Peaks OST by Clare Nina Norelli

Twin Peaks

Camp Lo’s Uptown Saturday Night by Patrick Rivers & Will Fulton

Uptown Saturday

Bob Mould’s Workbook by Walter Biggins and Daniel Couch

workbook

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Quebec’s Andre Menard and Alain Simard Announced As 2016 Inductees To Canadian Music Industry Hall Of Fame

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Canadian Music Week is pleased to honour industry veterans André Menard and Alain Simard with their induction into the Canadian Music Industry Hall of Fame. Menard and Simard will be honoured on Thursday, May 5, 2016 at the Canadian Music & Broadcast Industry Awards Gala at the Sheraton Centre in Toronto.
“The immense impact that André and Alain have had on our countries musical landscape is immeasurable. We are thrilled to honour them both into the Canadian Music Industry Hall of Fame this Spring.” says Neill Dixon, President of Canadian Music Week

“It’s incredible to have been part of our music scene for all these years. In our daily work, drawing inspiration from artists creativity and people’s enthusiasm towards what you are producing in your job is a rare fate. Plain amazing to be recognized by your peers for this,” says André Menard and Alain Simard.

André Ménard numbers among the most influential figures in the Quebec artistic community, having greatly contributed to the cultural life of Montreal. Working in the domain of live show and concert production since 1975, he has had a 30-year association with Alain Simard as co-founder and vice-president of L’Équipe Spectra. He is also the cofounder and artistic director of the Festival International de Jazz de Montréal.

André has held seats on a number of boards including ADISQ from 1980 to 1993 (including two years as president); Chambre de Commerce du Montréal Métropolitain from 1992 to 1994; Jazz Alliance International (JAI), a non-profit organization based in New York, a subsidiary of the International Association for Jazz Education (IAJE) 2005-2008; Rendez-vous du cinéma québécois from 2001-2009 and La La La Human Steps Dance Company since 1995

He has also been a member of the Conseil d’administration du partenariat du Quartier des spectacles since its inception in 2003. Ménard was also responsible for the original idea behind the “Quartier des theatres”, an idea first taken up and illustrated during a speech by Alain Simard at the Board of Trade in the late ’90s.

Over the years, a number of awards have been bestowed upon André including; Recipient of the first Hall of Fame Award, presented by National Jazz Awards Canada (2004); Winner of the Reconnaissance award presented by RIDEAU (2003); Winner of the prix Events producer of the year presented by the Jazz Journalist Association (2002); Personality of the Week, La Presse (2001); Chevalier des Arts et lettres of the French Republic (1993) and Personality of the Week, La Presse (1988)

Alain Simard completed his classical studies at Collège St Ignace in Montreal, where in 1969 he began to launch live shows at a student café, La Clef, which hosted the era’s first “underground” groups. In the early ’70s, together with Productions Kosmos, he brought to Montreal stages such artists as Pink Floyd, Genesis and B.B. King, among others. He later became the personal manager of Paul Piché, Offenbach, Claude Dubois and Michel Rivard, launched the TV production company Spectel-Video with Momentum Vidéofilm and helped create ADISQ with Guy Latraverse.

Founder of the Montreal International Jazz Festival, the FrancoFolies de Montréal, the Montreal High Lights Festival, La Grande Mascarade, and more recently, the Montreal International Film Festival, Alain Simard has been the president and CEO of L’Équipe Spectra – a recognized leader in Quebec’s cultural industry – since its inception in 1977. In the last 35 years, Mr. Simard’s exceptional contribution to the cultural and entertainment industry has boosted Montreal’s international visibility. Thanks to his love of music, Mr. Simard has made Montreal a destination of choice for millions of festival goers around the world.

Over the years, Mr. Simard has received numerous prizes, including the Félix Hommage at the ADISQ Gala; the Prix Hommage from the Société des Fêtes et Festivals du Québec; the special prize Mérites du français dans le Commerce 2000, awarded by the Office québécois de la langue française; and the Grand Prix Ulysse trophy from Tourisme Montréal. He also holds the title of Chevalier des Arts et des Lettres, bestowed on him by the Republic of France, as well as of Chevalier de l’Ordre de la Pléiade. In 2003, La Presse called him “the most influential personality in the Quebec cultural sector” and, in 2004, he was named Grand entrepreneur de l’année 2004 by Groupe Perform.

Alain has served on numerous boards, including ADISQ, the Institut québécois du Cinéma, ARTV, Tourisme Montréal and the Fondation du Maire de Montréal pour la Jeunesse. He currently sits on the boards of the Montreal International Film Festival, the Montreal High Lights Festival, the FrancoFolies de Montréal, the Montreal International Jazz Festival, and all the boards of Équipe Spectra’s subsidiaries and/or affiliated companies: Amerimage-Spectra, Sogestalt Television, Bleu Blanc Rouge Productions, Zingaro Films, Libretto Productions and Spectra Animation.