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Ava Max Takes Full Creative Control and Announces a Bold New Era With the Single “Kill It Queen”

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Ava Max is making a statement. “Kill It Queen,” her new single out now everywhere, is the first track from a new chapter built around full creative control, a new team, and a sound that pushes her further than anything she’s released before. The big pop hooks are still there, unmistakably hers, but vocally and sonically this is Ava Max operating with a confidence and ambition that goes beyond anything on ‘Don’t Click Play.’

“I’m telling my story my way,” she says. “I’m doing things differently and it feels good. I feel empowered, reinvigorated, and I think you can hear it in this single. ‘Kill It Queen’ is for anyone who wants to feel unstoppable.” That energy comes through in the track, and the sharper avant-garde aesthetic surrounding the release signals that this reinvention runs deeper than a single song.

The foundation she’s building on is already formidable. Over 22 billion streams, multi-platinum plaques, and a string of smash hits including “Kings & Queens,” “My Head & My Heart,” “The Motto” with Tiësto, and “Whatever” with Kygo have established her as one of pop’s most consistent forces. “Kill It Queen” arrives as the version of herself she’s clearly been working toward.

Rise Against Release a “Damage Is Done” Live Video Built Around Fan Art and the Band’s Belief in Collective Experience

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Rise Against have shared a new live performance video for “Damage Is Done,” a standout track from their latest album ‘Ricochet’, and it arrives as part of something larger than a standard music video release. The clip is the second visual produced through The A.R.T. Project (All Rise Together), a fan-driven creative initiative the Chicago-based punk rock band launched to celebrate community, collaboration, and expression around the record.

The concept behind the project is straightforward and genuinely generous. Late last year, Rise Against invited dozens of dedicated fans to create original posters inspired by ‘Ricochet’s lyrics, themes, and emotional urgency, and those pieces became the visual backdrop for the live performance videos. The fans themselves appear alongside the band throughout the footage, making the whole thing a document of the community that has built around this band over more than 25 years.

“Damage Is Done is about how hurt is not something that can be reversed, so we can either grow from it or let it unravel us,” says frontman Tim McIlrath. That kind of direct, emotionally honest framing is exactly what Rise Against have always done, and ‘Ricochet’ continues that tradition with the same urgency and melodic balance the band has maintained across their entire catalog.

The A.R.T. Project reflects a long-held belief at the core of Rise Against, that music is a collective experience, and that the people who show up for it are part of what makes it matter.

Foreigner Headlines Rock Legends Cruise XIV in 2027 With Lou Gramm, While a Massive 2026 Tour Run Is Already Underway

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Foreigner are marking 50 years in a big way. The rock band behind “I Want To Know What Love Is,” “Hot Blooded,” “Cold As Ice,” “Urgent,” and “Juke Box Hero” have announced they will headline Rock Legends Cruise XIV in February 2027, with original lead singer Lou Gramm joining them for a special performance of songs he recorded during the band’s earliest years. It’s a reunion moment built around the 50th anniversary of the March 8, 1977 release of the band’s iconic self-titled debut album.

Rock Legends Cruise XIV sails February 21-25, 2027, departing from Port Miami aboard Independence of the Seas. The five-day floating festival includes two full days at sea packed with live performances, a midweek stop in Costa Maya, and exclusive artist interactions throughout. A full lineup will be announced at a later date.

Before the cruise even arrives, Foreigner have a formidable 2026 schedule already in motion. An orchestral tour commences with a March residency at the Venetian Hotel in Las Vegas and culminates with an appearance alongside the San Diego Symphony. In April, the band tours Florida with Lou Gramm as special guest, presenting Foreigner 4 in its entirety alongside many of their biggest Top 10 hits under the Foreigner 4 Deluxe banner.

June brings a 26-date European tour including sold-out shows across Germany, the UK, Switzerland, and Scandinavia. Then on July 23, Foreigner launches a co-headline amphitheatre tour with Lynyrd Skynyrd across the United States, one of the summer’s most compelling classic rock pairings.

At the heart of Foreigner’s legacy is founder Mick Jones, a Songwriters Hall of Fame inductee whose songwriting and musical leadership have guided the band across five decades. Their debut delivered “Feels Like The First Time,” “Cold As Ice,” and “Long, Long Way From Home.” What followed was an unstoppable run of rock classics, capped by the global number one ballad “I Want To Know What Love Is” from their fifth studio album ‘Agent Provocateur.’

Seventeen’s Vocal Duo DxS Brings the Serenade on Stage Tour to Macau and Taiwan This Summer

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Seventeen’s vocal sub-unit DxS, comprising DK (Lee Seokmin) and Seungkwan (Boo Seungkwan), is in the middle of their first-ever solo tour, and two dates remain for fans who haven’t yet had the chance to catch them live. The Serenade on Stage Tour 2026 still has stops in Macau on June 6 and Kaohsiung, Taiwan on July 25, and both represent a rare opportunity to see the duo in a more intimate, vocal-focused setting than Seventeen’s full group shows.

The tour supports DxS’s debut mini-album ‘Serenade’, a project built around the duo’s vocal harmony and emotional storytelling. Standout tracks include the mid-tempo ballad “Blue,” the harmony-layered “Echoes,” and the upbeat pop-driven “Moonlight,” and the album has drawn praise for the strength of both voices and the consistent theme of yearning and connection throughout.

DK and Seungkwan are two of the most distinctive voices in K-pop, and the sub-unit format gives both room to explore a more focused, vocally driven performance style that differs significantly from Seventeen’s high-energy group concerts. Adding urgency to the remaining dates, DK is expected to enlist for mandatory military service in South Korea later in 2026, making these final shows of the Serenade tour a genuinely meaningful moment for fans to witness the duo together on stage.

Remaining 2026 Tour Dates:

June 6 – The Venetian Arena, Macau

July 25 – Kaohsiung Arena, Kaohsiung, Taiwan

Brantley Gilbert Goes All-In as Equity Partner for Real American Beer Zero, a Full-Flavor Non-Alcoholic Beer

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Brantley Gilbert isn’t lending his name to Real American Beer Zero. He’s an equity partner who helped shape the product from the ground up, and that distinction matters. Fourteen years sober, Gilbert wasn’t interested in a non-alcoholic beer that approached itself as a compromise or a wellness product. He wanted something that showed up the same way he does, full participation, no sacrifice in flavor or experience.

Real American Beer Zero is 29 calories, 3.9 grams of carbs, and less than 0.5% ABV, served in a 16 oz can and available in singles, four-packs, and six-packs. It follows the same brand identity as RAB Light, anchored in the “200% American” and “Hits Different” positioning, and it’s built for the same moments Gilbert’s fans already know, days outdoors, nights with friends, standing in a crowd at a country show.

“This is for people who want to show up, be part of the moment, and enjoy the same experiences with friends and family while staying true to their lifestyle,” Gilbert says. “Real American Beer Zero allows everyone to be included, while keeping the taste and culture people love about beer.” For someone with 7 No. 1 hits and over 8.3 billion career streams, that community connection is the whole point.

The launch is anchored by a national partnership with the USO, with RAB donating $1 per case sold of RAB Zero to the organization in support of active-duty service members and their families. RAB Zero will be available nationwide, on tour with Gilbert, through the brand’s website, and via select retail partners, with TikTok and Amazon channels opening within the coming weeks.

East Tennessee Children’s Hospital Officially Becomes Dolly Parton Children’s Hospital

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Dolly Parton has put her name, her heart, and her legacy behind something deeply personal. East Tennessee Children’s Hospital, a free-standing independent not-for-profit pediatric health system that has served the region for nearly 90 years, is now officially Dolly Parton Children’s Hospital, marking a landmark moment for pediatric care in the region she calls home.

“Being fortunate to have grown up in the mountains of East Tennessee, I learned early on what it means to take care of one another,” Parton says. “Every child deserves world-class care, wrapped in kindness and love. I’m so honored to stand alongside this hospital and do my part to help bring more hope, more comfort and more healing to children and families.” Coming from someone who has spent decades backing that kind of commitment with real action, those words carry genuine weight.

Hospital President and CEO Matt Schaefer is equally clear about what the partnership means. “This is more than a name change. With Dolly’s support, we are strengthening our mission to deliver world-class pediatric care to families, ensuring every child who walks through our doors receives the treatment they deserve.” The hospital is certified by the state of Tennessee as a Comprehensive Regional Pediatric Center, and its mission of exceptional, family-centered care continues into this bold new chapter.

ABBA Voyage: Everything You Need to Know Before You Go Including That Amazing Set List

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If you have tickets to ABBA Voyage, or you’re thinking about getting some, you’re in for something genuinely unlike anything else in live music right now. ABBA Voyage is a virtual concert residency held at the purpose-built ABBA Arena in the Queen Elizabeth Olympic Park in London, featuring digital avatars of the four members, dubbed ABBAtars, depicting the group as they appeared in 1979, using their original vocals accompanied by a 10-piece live instrumental band on stage. The digital versions of ABBA were created with motion capture and performance techniques alongside visual effects company Industrial Light & Magic, in what is the company’s first foray into music, and the project is one of the most expensive live music experiences in history, with a budget of $175 million. Here is everything you need to know before you go.

What Is ABBA Voyage?

ABBA have created the kind of concert they always wanted, performing for their fans at their very best as digital versions of themselves, backed by today’s finest musicians, blending cutting-edge technology, spectacular lighting, and some of the most beloved songs ever written. The live band was selected by James Righton of Klaxons and features Little Boots on keyboards. Most first-time visitors report being genuinely stunned by how real the ABBAtars look, with many saying they forgot they were watching digital avatars within the first few minutes.

Where Is It and How Do You Get There?

The ABBA Arena is located at Queen Elizabeth Olympic Park, London. The nearest public transport stations are Pudding Mill Lane and Stratford, which are some of the best connected in London, with easy transport links to the rest of the city, local regions, and Europe. Taking the DLR is by far the easiest option. Pudding Mill Lane station is a two-minute walk from the arena. Do not drive.

Tickets, Seating, and What to Expect

Seated tickets start at £39.70 and Dance Floor tickets start at £56.20. The best seats are in Blocks C and H for a central, unobstructed view. The Dance Floor is a general admission standing area right in front of the stage, offering the most immersive and energetic concert experience, with easy access to bars. Visitors aged between 16 and 25 can get £35 Dance Floor tickets. The show runs for 100 minutes with no interval, and whether you’re on the dance floor or in the auditorium, you’ll be on your feet dancing within minutes.

Practical Tips Before You Arrive

Arrive early, as doors open 90 minutes before showtime and the pre-show atmosphere is great. Get your drinks before the show starts, as bar queues can be long. Make sure your ticket is saved offline in case of poor signal. Nearby Westfield Stratford City offers a huge range of restaurants and is a 10-minute walk away, so consider eating before the show. Photography and audio or video recording of the concert is strictly prohibited, to keep the contents of the concert a secret for future audiences and limit distraction for those around you. Dress up in 70s-inspired glittery outfits if you’re feeling it. Plenty of people do, and it genuinely adds to the atmosphere.

The 2026 Setlist

The updated 2026 setlist includes over 20 tracks from across the band’s catalog. ABBA added new songs including “Money, Money, Money,” “Super Trouper,” and “Take a Chance on Me” to mark the show’s third anniversary from May 27, 2025, sitting alongside already included hits. The current setlist is:

  1. The Visitors
  2. Hole In Your Soul
  3. SOS
  4. Knowing Me, Knowing You
  5. Chiquitita
  6. Fernando
  7. Super Trouper or Take a Chance on Me
  8. Mamma Mia
  9. Does Your Mother Know
  10. Eagle
  11. Lay All Your Love on Me
  12. Summer Night City
  13. Gimme! Gimme! Gimme! (A Man After Midnight)
  14. Money, Money, Money
  15. The Name of the Game
  16. Waterloo
  17. I Still Have Faith in You
  18. Don’t Shut Me Down
  19. I Do, I Do, I Do, I Do, I Do
  20. Dancing Queen
  21. The Winner Takes It All
  22. Voulez-Vous

As of September 2023, ABBA Voyage had sold more than 1.5 million tickets and generated over $150 million in sales, outperforming many major live shows. The show is currently booked through November 2026. If you have tickets, you’re in for a night you genuinely won’t forget.

What Is a 360 Deal and Should You Sign One? Here’s What Every Artist Needs to Know

What Is a 360 Deal and Should You Sign One? Here’s What Every Artist Needs to Know

TAGS: 360 deal, music industry, record label, artist rights, music business, touring revenue, merchandise, endorsements, music publishing,

The music industry can feel like a maze, and one of the most talked-about terms you’ll encounter as your career grows is the “360 deal.” Whether you’ve heard it from a manager, seen it in a contract, or stumbled across it in a music business article, understanding what it means could be one of the most important things you do for your career. So let’s break it down together, clearly and honestly, so you can make the best decision for you.

A 360 deal, also called a multiple rights deal or all-in deal, is a contract between an artist and a record label in which the label takes a percentage of revenue from all of an artist’s income streams, not just recorded music. That means royalties from touring, merchandise, endorsements, acting, publishing, fan clubs, and more can all become part of the label’s share. The name comes from the full circle of an artist’s career. Labels began pushing these deals in the early 2000s as digital disruption collapsed traditional album sales and they looked for new ways to recoup their investments in artists.

From the label’s perspective, a 360 deal makes sense. They invest heavily in an artist’s development, marketing, promotion, and recording costs, and they argue that if they help build the artist’s entire brand, they deserve a share of everything that brand generates. Labels like Warner Music Group, Sony Music Entertainment, and Universal Music Group have all used variations of this structure. The percentages they take from non-recording revenue can range from 10% to 30% depending on the deal, and the terms vary widely from contract to contract.

From the artist’s perspective, a 360 deal requires careful thought. For emerging artists who need label resources, funding, and industry connections to get started, accepting a 360 deal might open doors that would otherwise stay closed. However, as an artist’s touring and merchandise revenue grows, often significantly larger than their recording income, giving away a portion of that to a label can become a real financial consideration. The key is in the details. Who controls what? For how long? What are the exit terms? These are exactly the questions a music attorney should help you answer before you sign anything.

So should you sign one? There’s no single answer, and that’s actually a good thing because it means the right decision is entirely personal to your situation. If a label is offering meaningful support, resources, and a genuine path to a wider audience, and the terms are fair and clearly defined, a 360 deal can absolutely work in an artist’s favor. If the terms feel one-sided or you already have income streams you’ve built independently, it’s worth negotiating hard or exploring other options. The most important thing is that you never sign anything without trusted legal advice. You’ve worked hard to build your art and your audience. Make sure any deal you sign reflects that value.

85 Facts for Bob Dylan’s 85th Birthday: The Life, Music, and Legacy of a True American Original

Bob Dylan turns 85 today, May 24, 2026, and there is simply no one else like him. Born Robert Allen Zimmerman in Duluth, Minnesota, he became the most consequential singer-songwriter in the history of popular music, a Nobel Prize laureate, an Academy Award winner, a painter, a sculptor, a radio host, a memoirist, and a relentless touring artist whose Never Ending Tour has now stretched across nearly four decades. To mark the occasion, here are 85 facts about the man, the music, and the remarkable life that continues to unfold.

  1. Bob Dylan was born Robert Allen Zimmerman on May 24, 1941, at St. Mary’s Hospital in Duluth, Minnesota.
  1. His Hebrew name is Shabtai Zisel ben Avraham.
  1. His paternal grandparents emigrated from Odessa in the Russian Empire, fleeing the 1905 pogroms against Jews.
  1. He grew up in Hibbing, Minnesota, after his family moved there when he was six.
  1. As a teenager, he heard rock and roll on radio stations broadcasting from Shreveport and Little Rock.
  1. One of his earliest musical obsessions was Hank Williams, whose voice he described as going “through me like an electric rod.”
  1. He also fell hard for Johnnie Ray, saying “He was the first singer whose voice and style I totally fell in love with.”
  1. He formed several bands in high school, including the Golden Chords, performing covers of Little Richard and Elvis Presley.
  1. Their high school talent show performance was so loud the principal cut the microphone.
  1. On January 31, 1959, a 17-year-old Dylan saw Buddy Holly perform in Duluth, just four days before Holly’s fatal plane crash.
  1. In his Nobel Prize lecture, Dylan described Holly as “the archetype. Everything I wasn’t and wanted to be.”
  1. His 1959 high school yearbook listed his ambition as joining “Little Richard.”
  1. He performed twice with Bobby Vee in 1959, playing piano and clapping, under the name Elston Gunnn.
  1. He enrolled at the University of Minnesota in September 1959 but dropped out in May 1960.
  1. He began using the name Bob Dylan during his time in Minneapolis, inspired by poet Dylan Thomas.
  1. In January 1961, he traveled to New York City to visit his idol Woody Guthrie at Greystone Park Psychiatric Hospital in New Jersey.
  1. Of Guthrie, Dylan wrote: “He was the true voice of the American spirit. I said to myself I was going to be Guthrie’s greatest disciple.”
  1. From February 1961, Dylan played clubs around Greenwich Village, picking up material from folk singers including Dave Van Ronk.
  1. In September 1961, New York Times critic Robert Shelton gave him a career-boosting review at Gerde’s Folk City.
  1. Dylan played harmonica on folk singer Carolyn Hester’s third album, bringing him to the attention of producer John Hammond.
  1. Hammond signed Dylan to Columbia Records, launching one of the greatest careers in music history.
  1. His debut album Bob Dylan was released March 19, 1962, and sold only 5,000 copies in its first year.
  1. On August 9, 1962, he legally changed his name to Robert Dylan in St. Louis County Court, Hibbing.
  1. “Blowin’ in the Wind” partly derived its melody from the traditional slave song “No More Auction Block.”
  1. Peter, Paul and Mary took “Blowin’ in the Wind” to number one before Dylan had a hit of his own.
  1. Dylan and Joan Baez sang together at the March on Washington on August 28, 1963.
  1. He walked out of The Ed Sullivan Show in 1963 rather than drop “Talkin’ John Birch Paranoid Blues” as CBS demanded.
  1. Johnny Cash wrote a letter to Broadside magazine in March 1964 defending Dylan, ending with: “Shut up! And let him sing!”
  1. Another Side of Bob Dylan was recorded entirely in a single evening on June 9, 1964.
  1. On July 25, 1965, Dylan headlined the Newport Folk Festival with an electric band, provoking cheers and boos in equal measure.
  1. Murray Lerner, who filmed the performance, said: “I absolutely think that they were booing Dylan going electric.”
  1. “Like a Rolling Stone,” his six-minute 1965 single, was ranked number one on Rolling Stone’s 500 Greatest Songs list in both 2004 and 2011.
  1. Bruce Springsteen recalled first hearing it: “That snare shot sounded like somebody’d kicked open the door to your mind.”
  1. Blonde on Blonde (1966) featured what Dylan called “that thin wild mercury sound.”
  1. At the climax of a 1966 Manchester show, an audience member shouted “Judas!” to which Dylan responded, “I don’t believe you. You’re a liar!” before telling his band to “play it fucking loud.”
  1. On July 29, 1966, Dylan crashed his motorcycle near his home in Woodstock, New York, breaking vertebrae in his neck.
  1. The crash gave him the chance to escape the pressures around him. He did not tour again for almost eight years.
  1. During his Woodstock seclusion, he recorded over 100 songs with The Band, which became The Basement Tapes.
  1. “All Along the Watchtower,” from John Wesley Harding (1967), was famously covered by Jimi Hendrix, whose version Dylan acknowledged as definitive.
  1. Nashville Skyline (1969) featured a duet with Johnny Cash and revealed a mellow-voiced Dylan that surprised everyone.
  1. Variety wrote of his Nashville Skyline voice: “Dylan is definitely doing something that can be called singing.”
  1. He rejected an invitation to appear at Woodstock, choosing instead to headline the Isle of Wight Festival on August 31, 1969.
  1. Greil Marcus famously asked “What is this shit?” upon first hearing Self Portrait in 1970.
  1. Blood on the Tracks (1975) is now widely considered one of his masterpieces, though it received mixed reviews on release.
  1. His song “Hurricane” (1975), about imprisoned boxer Rubin Carter, ran over eight minutes and was performed at every date of his 1975 Rolling Thunder Revue.
  1. The Rolling Thunder Revue featured over 100 performers, including Joan Baez, Joni Mitchell, Roger McGuinn, and Mick Ronson.
  1. He discovered violinist Scarlet Rivera for the Revue by spotting her walking down the street with her violin case on her back.
  1. In November 1976, Dylan appeared at The Band’s farewell concert alongside Eric Clapton, Muddy Waters, Van Morrison, Neil Young, and Joni Mitchell, documented in Martin Scorsese’s The Last Waltz.
  1. His 1978 world tour encompassed 114 shows across Japan, the Far East, Europe, and North America, reaching a total audience of two million.
  1. In the late 1970s, Dylan converted to Evangelical Christianity, attending a three-month discipleship course in California.
  1. His gospel album Slow Train Coming (1979) was produced by veteran R&B producer Jerry Wexler, who told Dylan during recording: “Bob, you’re dealing with a 62-year-old Jewish atheist. Let’s just make an album.”
  1. Dylan won the Grammy Award for Best Male Rock Vocal Performance for “Gotta Serve Somebody.”
  1. John Lennon, shortly before his murder, recorded “Serve Yourself” in response to that song.
  1. Dylan initiated the Never Ending Tour on June 7, 1988, and has performed roughly 100 dates a year ever since.
  1. By April 2019, he and his band had played more than 3,000 shows.
  1. He co-founded the Traveling Wilburys with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty in 1988.
  1. Their debut album Traveling Wilburys Vol. 1 reached number three on the US albums chart.
  1. Despite Orbison’s death in December 1988, the remaining four recorded Traveling Wilburys Vol. 3 in May 1990.
  1. Oh Mercy (1989), produced by Daniel Lanois, was described by Michael Gray as “the nearest thing to a great Bob Dylan album in the 1980s.”
  1. “Make You Feel My Love” from Time Out of Mind (1997) has been covered by Billy Joel, Garth Brooks, Adele, and many others.
  1. Time Out of Mind won Dylan the Grammy Award for Album of the Year, his first.
  1. Before its release, Dylan was hospitalized with life-threatening pericarditis. He left the hospital saying, “I really thought I’d be seeing Elvis soon.”
  1. He performed before Pope John Paul II at the World Eucharistic Conference in Bologna in 1997, before an audience of 200,000.
  1. In 2001, Dylan won an Academy Award for Best Original Song for “Things Have Changed,” written for the film Wonder Boys.
  1. He released “Love and Theft” on September 11, 2001, producing the album under the alias Jack Frost.
  1. His 2004 memoir Chronicles: Volume One reached number two on The New York Times Hardcover Non-Fiction bestseller list.
  1. Martin Scorsese’s documentary No Direction Home premiered in 2005 and earned both a Peabody Award and a Columbia-duPont Award.
  1. Dylan’s Theme Time Radio Hour on XM Satellite Radio began May 3, 2006, running for 100 episodes with themes including “Weather,” “Weddings,” and, fittingly, “Whiskey.”
  1. Modern Times (2006) entered the US charts at number one, his first chart-topper since Desire in 1976.
  1. In October 2007, he appeared in a multi-media campaign for the 2008 Cadillac Escalade.
  1. He appeared with rapper will.i.am in a Pepsi ad during Super Bowl XLIII in 2009.
  1. In 2008, the Pulitzer Prize jury awarded him a special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.”
  1. Rolling Stone ranked Dylan first on its 2015 list of the 100 Greatest Songwriters of All Time.
  1. On October 13, 2016, the Nobel Committee awarded Dylan the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition,” making him the first musician to receive the award.
  1. Nobel Committee member Horace Engdahl described him as “a singer worthy of a place beside the Greek bards, beside Ovid, beside the Romantic visionaries.”
  1. In December 2020, Dylan sold his entire song catalog to Universal Music Publishing Group for an estimated $300 to $400 million.
  1. His album Rough and Rowdy Ways (2020) made him the oldest artist to score a UK number one album of new, original material.
  1. “Murder Most Foul,” his 17-minute song about the Kennedy assassination, became his first number one on any Billboard chart under his own name.
  1. Since 1994, Dylan has published ten books of paintings and drawings.
  1. His sculpture exhibition Mood Swings, featuring seven wrought iron gates, debuted at London’s Halcyon Gallery in 2013.
  1. One of his most prominent US sculpture installations, Portal, is permanently displayed at the entrance of the MGM National Harbor resort in Maryland.
  1. A 2021 recording of “Blowin’ in the Wind” sold at Christie’s in London for nearly $1.8 million.
  1. In November 2022, Dylan apologized for using an autopen to sign books and artwork that had been sold as “hand-signed” since 2019.
  1. The Bootleg Series Vol. 18: Through the Open Window 1956–1963, released October 31, 2025, received a score of 97 on Metacritic, indicating universal acclaim.
  1. He has a 2026 touring run underway, still performing, still moving, still refusing to stand still. At 85, the Never Ending Tour continues. As it should.

Koe Wetzel Hits the Road This Summer on “The Night Champion World Tour” With 40-Plus North American Dates

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Koe Wetzel is heading into the biggest run of his career with “The Night Champion World Tour,” a 40-plus date North American stretch running July through October with Shane Smith & The Saints, Ole 60, Wyatt Flores, Corey Kent, Wade Bowen, Bayker Blankenship, Kolby Cooper, and Logan Jahnke supporting across varying dates. The East Texas native drew more than 250,000 fans on his 2024 Damn Near Normal Tour alone, and this one scales even larger, moving through arenas, amphitheatres, and iconic outdoor venues coast to coast.

The tour’s name comes from a place of hard-won perspective. “It’s kind of crazy that I’m not dead or in jail with everything that’s gone on in my life,” Wetzel says. “Coming into 2026 and this tour, I feel like I’m the best version of myself I’ve ever been. I survived the night side of me. I’m coming out of it a champion.” That’s not a marketing line. It’s the actual story behind the album and the run.

The setlist draws from new tracks “Surrounded” and “Time Goes On,” the triple platinum five-week No. 1 country radio hit “High Road,” and fan favorites including “February 28, 2016.” Tickets are on sale now.

“The Night Champion World Tour” Upcoming Dates:

July 8 – Rogers Place, Edmonton, AB

July 10 – South Okanagan Event Center, Penticton, BC

July 11 – Abbotsford Centre, Abbotsford, BC

July 23 – Ford Idaho Center Amphitheater, Nampa, ID

July 24 – Lake Tahoe Amphitheatre at Caesars Republic, Stateline, NV

July 25 – The Theater at Virgin Hotels Las Vegas, Las Vegas, NV

July 30 – Northern Quest Casino, Airway Heights, WA

July 31 – Hayden Homes Amphitheater, Bend, OR

August 1 – Dune Peninsula, Tacoma, WA

August 6 – Azura Amphitheater, Bonner Springs, KS

August 7 – Ford Center, Evansville, IN

August 8 – Bridgestone Arena, Nashville, TN

August 12 – Pier 17, New York City, NY

August 13 – Santander Arena, Reading, PA

August 14 – BankNH Pavilion, Gilford, NH

August 19 – Leader Bank Pavilion, Boston, MA

August 20 – The Anthem, Washington, DC

August 21 – Petersen Events Center, Pittsburgh, PA

August 26 – Outer Harbor Live at Terminal B, Buffalo, NY

August 27 – Wolstein Center, Cleveland, OH

August 28 – Meadow Brook Amphitheatre, Rochester Hills, MI

September 3 – Moody Center, Austin, TX

September 4 – Raising Cane’s River Center, Baton Rouge, LA

September 5 – Brookshire Grocery Arena, Bossier City, LA

September 10 – Thompson-Boling Arena at Food City Center, Knoxville, TN

September 11 – First Horizon Coliseum, Greensboro, NC

September 12 – Live Oak Bank Pavilion, Wilmington, NC

September 17 – Ameris Bank Amphitheatre, Alpharetta, GA

September 18 – Colonial Life Arena, Columbia, SC

September 19 – Virginia Credit Union LIVE!, Richmond, VA

September 24 – Appalachian Wireless Arena, Pikeville, KY

September 25 – The Orion Amphitheater, Huntsville, AL

September 26 – Brandon Amphitheater, Brandon, MI

September 30 – The Walmart AMP, Rogers, AR

October 1 – Simmons Bank Arena, North Little Rock, AR

October 2 – BOK Center, Tulsa, OK

October 3 – INTRUST Bank Arena, Wichita, KS

October 8 – Salt Shed Fairgrounds, Chicago, IL

October 9 – Fishers Event Center, Fishers, IN

October 10 – Fiserv Forum, Milwaukee, WI

October 28 – Red Rocks Amphitheatre, Morrison, CO

October 30 – Cook’s Garage, Lubbock, TX