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Claude Lemieux, Four-Time Stanley Cup Champion, Dies at 60

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Claude Lemieux, one of the most decorated and fiercely competitive players in NHL history, has died at the age of 60. The four-time Stanley Cup champion passed away on May 28, 2026, in Lake Park, Florida.

Few players in the history of professional hockey left a mark quite like Lemieux. Born in Buckingham, Quebec on July 16, 1965, he was drafted by the Montreal Canadiens in the second round of the 1983 NHL Entry Draft and went on to play 21 seasons across six NHL franchises, accumulating 379 goals and 786 career points. He played in 1,215 regular season games and 234 playoff games, the fourth most in NHL history.

It was in the playoffs where Lemieux truly became legend. His 80 career playoff goals rank ninth all-time, and on three separate occasions he scored more goals in the postseason than he had during the regular season. He was the kind of player who got bigger when the stakes got highest, and the hardware reflected it: Stanley Cup championships in 1986 with Montreal, 1995 and 2000 with New Jersey, and 1996 with Colorado. He remains one of only eleven players in NHL history to win the Cup with at least three different teams, and one of the most celebrated playoff performers the sport has ever seen.

In 1995, he won the Conn Smythe Trophy as playoff MVP after leading New Jersey past Detroit in the Stanley Cup Final, posting 13 goals in the postseason. It was the peak of a career defined by intensity, fearlessness, and an almost supernatural ability to elevate his game when everything was on the line.

He was also, it must be said, one of the most controversial players of his era. He was feared, despised, and respected in roughly equal measure, often by the same people. The 1996 hit on Detroit’s Kris Draper during the Western Conference Finals sparked one of the fiercest rivalries in modern hockey history, a flames-and-hatred battle between the Avalanche and Red Wings that defined much of the late 1990s. Bleacher Report named him one of the most hated players of all time as recently as 2018. He wore it like a badge.

After retiring from the NHL, Lemieux remained deeply connected to the game. He became president of the ECHL’s Phoenix RoadRunners, made a remarkable comeback attempt with the San Jose Sharks at age 43, and later built a career as a sports agent, representing clients including Timo Meier, Moritz Seider, Rickard Rakell, and Hampus Lindholm.

His final public appearance came on May 25, 2026, when he served as a torch-bearer for the Montreal Canadiens during Game 3 of the Eastern Conference Finals, a fitting last image for a man whose entire career was defined by fire.

He is survived by his four children, including his son Brendan, himself a former NHL player. Claude and Brendan Lemieux remain the only father-son duo in NHL history both disciplined by the league for biting.

The hockey world has lost one of its most complicated, gifted, and unforgettable figures. Whatever you thought of the way he played — and opinions were never mild — nobody who watched Claude Lemieux in a playoff series ever forgot what they saw.

59 of the Funniest Things Noel Gallagher Has Ever Said

Noel Gallagher turns 59 today, and while the songs will always be the main event, a very close second is the man’s mouth. Nobody in rock and roll gives an interview quite like Noel. He is quotable in the way a force of nature is quotable — you never quite know what’s coming, but you know it’s going to be memorable. Here are 59 of his finest moments.

On his brother Liam: “He’s rude, arrogant, intimidating and lazy. He’s the angriest man you’ll ever meet. He’s like a man with a fork in a world of soup.”

On Liam again: “I read these interviews with him and I don’t know who the guy is who’s in these interviews, he seems really cool. Because the guy I’ve been in a band with for the last 18 years is a f***ing knobhead.”

On Liam trying to be John Lennon: “He was talking in a Scouse accent for three days. He told me I should refer to him as John and I was like, ‘I just prefer c***, man.'”

On sitting next to Liam on a long flight: “Being sat beside Liam on a 15-hour flight. It happened just the once, going to Japan or somewhere. It’s just horrible.”

On interviews: “Interviews are an occupational hazard. You’re sat in a room with some guy from Stockholm who you’ve never met and he’s asking you about your mum. It’s preposterous. Because the honest answer to that is: ‘What’s it got to do with you?’ But the smart answer is always: ‘I liked her until she gave birth to Liam.'”

On his recipe for success: “All I ever wanted to do was make a record. Here’s what you do: you pick up your guitar, you rip a few people’s tunes off, you swap them round a bit, get your brother in the band, punch his head in every now and again, and it sells. I’m a lucky b******.”

On Phil Collins: “Just because you sell lots of records it doesn’t mean to say you’re any good. Look at Phil Collins.”

On Phil Collins again: “People hate fing cs like Phil Collins, and if they don’t, they f***ing should.”

On why he voted Labour: “Phil Collins is threatening to come back and live here if the Conservatives win, and let’s face it, none of us want that.”

On Jack White: “Jack White has just done a song for Coca-Cola. End of. He ceases to be in the club. And he looks like Zorro on doughnuts.”

On the drawbacks of fame: “I bought a really nice jacket in Japan, and in this massive swirl of people, someone with a pen scribbled on my jacket. It’s ruined. So that’s the downside of fame. But otherwise it’s great.”

On wasting money: “I had built for me a customised 1967 Mark II Jaguar convertible at a cost of ÂŁ110,000, and I haven’t got a driving licence. It’s useless to me.”

On Liam getting a Rolex while he got a Rolls-Royce: “Which is brilliant, cos I can’t drive and Liam can’t tell the time.”

On meeting Paul McCartney: “I went to Paul McCartney’s daughter Stella’s party and who should open the door but the man himself. There were all these questions I wanted to ask him but I settled on, ‘Do you watch Brookside?'”

On being a roadie for the Inspiral Carpets: “I look back on those days as some of the best of my life. No photographs, no interviews. Just get up in the morning, make sure the gear works, do the gig and then party.”

On meeting Tony Blair: “I don’t have a crystal ball. I didn’t see he was going to turn into a ****. I was 30, off me head, and everyone telling me we were the greatest band since who knows. Then the prime minister invites you round for a glass of wine. It all becomes part of the high.”

On ambition: “Phil Collins has got to be chased out of the charts. It’s the only way to do it, man, to get in there among them and stamp the f***ers out.”

On wearing sunglasses indoors: “Well it’s in the manual isn’t it. It actually says in the rock star book ‘Thou shalt wear shades at all times, preferably indoors.'”

On social media: “I’m not a tweeter. Stuff like, ‘Oh I’m going for a shower,’ great. ‘I slept in again, bugger.’ Life’s too short for that kind of thing.”

On space travel: “If I ever get to go to the moon, I’ll probably just stand on the moon and go ‘hmmm, yeah
 fair enough
 gotta go home now.'”

On his peak fame: “Look. I was a superhero in the ’90s. I said so at the time. McCartney, Weller, Townshend, Richards — my first album is better than all their first albums. Even they’d admit that.”

On Oasis in 1997: “We’re not arrogant. We just believe we’re the best band in the world.”

On losing his privacy: “This guy came up to me and said, ‘Man, I’d hate to be you right now, no privacy at all.’ I was thinking, I have a Rolls Royce, a million dollars in the bank, a mansion and my own jet. What are you? I’d hate to be you, broke as hell living on the dole.”

On NME journalists: “If you see an NME journalist at any of the gigs — and let’s face it, they’re pretty easy to spot, they don’t stray far from hospitality, wear God-awful clothes, got dreadful hair and that kind of ‘mug me’ look about them — give ’em a clip round the earhole from me.”

On his own lyrics: “When I’m halfway through ‘Don’t Look Back in Anger’ I say to myself, ‘I still don’t know what these words mean.'”

On ‘Champagne Supernova’: “Slowly walking down the hall faster than a cannonball — what does that mean? I don’t know what it means. I don’t care what it means. It must mean something, though, because I play it to a sea of people every night and they seem to understand it.”

On ‘Be Here Now’ and cocaine: “I still tell people that the ‘Be Here Now’ album is the best advertisement against taking cocaine.”

On the death of guitar music: “They’ve been saying it for 30 years, ever since The Beatles split up, that rock and roll’s dead. When there’s a boom there’s always a bit of a lull afterwards. I suppose avant-garde punk rock will come back for a while, and it will all be sh** again, and then guitar music will come back.”

On touring America: “Got thrown out of a taxi this morning. At least I think I did. Hard to tell over here. There was shouting and pointing and then the international hand signal for ‘Get the f*** out of my cab, you western dog.'”

On the press: “Well, they’re just waiting for us to make some monumental f***-up, and they hope to be around when it happens. We’ve got to get one step ahead of those fellows.”

On ageing: “I don’t stay up for two or three days on end, talking sh** about aliens, but I’m becoming more of a belligerent old man. When you get to a certain age you find that other people’s opinions don’t really matter anymore.”

On fame and whinging: “Nothing bothers me more than when groups like Pearl Jam and Nirvana whine and moan and complain about life and being famous. Let me tell you, being famous is great! If you hate your job so much, why don’t you go work at a car wash or McDonald’s?”

On drug legalisation: “I really think that the legalisation of drugs over 25 years probably would be a great thing because it would take the romance and the rebel element out of it for kids. But that 25-year period would be utter chaos and disaster and scandal after drug-addled scandal.”

On his guitar ability: “I’m unfortunate enough that two of my best mates are Johnny Marr and Paul Weller. Those two are virtuosos. So if you’re asking me how I compare to those two — I’m average at f***ing best.”

On songwriting: “I’m not saying, ‘I’m the greatest songwriter in the world. Listen to me.’ Usually, I’m saying, ‘These are the greatest songwriters in the world. And I’m gonna put them all in this song.'”

On stealing riffs: “If I’m writing a song and I say to myself, ‘Oh hey, it sounds like the Kinks,’ then I’m going to turn it into a Kinks track.” And on accusations of plagiarism: “No, I don’t feel guilty. But you feel pissed off because you didn’t do it first.”

On the meaning of life: “Some people worry about the destination. They worry about where they’re going. I enjoy the trip. Wherever you’re going is where you’ll end up. Don’t worry about that. Enjoy the scenery on the way.”

On slamming other pop stars: “People think I’m controversial for the answers I give to silly questions in interviews. But if somebody asks me what I think about Robbie Williams or Madonna, I’m not thinking about insulting those people. I say what I genuinely feel is in my heart. My conscience is clean. I’m true to myself — f*** everybody else.”

On his funeral: “I’m not really bothered, because I won’t be there. I don’t give a s***.”

On what would have happened if he hadn’t made it: “Doing a nine to five, hating yourself forever.”

On Kylie Minogue: “Kylie Minogue is just a demonic little idiot as far as I’m concerned.”

On regrets: “One of the worst things that ever happened to me was when I said that thing about Blur. My mam rang me up when she saw it and she was really angry and she said, ‘I didn’t bring you up to talk like that.'”

On the Oasis-Blur rivalry: “The whole thing was conceived by NME and members of Blur’s entourage as a ploy to raise their respective profiles, and I’ve had no respect for either party ever since.”

On culture and coffee shops: “Since the rise of the coffee shop, culture has disappeared, don’t you think?”

On being unable to tour with Liam: “I can’t envisage the morning I wake up and think I’d like to spend two years on the road, arguing all around the world with Liam.”

On Twitter: “More people retweet than buy records. It’s a sad state.”

On his best mate’s guitar playing: “I can barely play like Peter Green, let alone Jeff Beck.”

On his role in Oasis: “I get a lot of stick for it, but I’m the best drummer in the group.”

On leaving Oasis: “It’s with some sadness and great relief to tell you that I quit Oasis tonight.”

On Bonehead leaving Oasis: “It’s hardly Paul McCartney leaving the Beatles, is it?”

On being James Blunt’s neighbour in Ibiza: He sold his Ibiza home reportedly because he could not “stand living there in the knowledge that Blunt is nearby making terrible music.”

On wealth: “In 2001 I was worth an estimated ÂŁ25 million. In 2009, The Sunday Times estimated mine and Liam’s combined fortune at ÂŁ52 million. So either I made a lot of money in eight years or Liam made absolutely none.”

On getting older: “It’s not fun being on a bus for six weeks in America. It’s fine when you’re young, but I’m almost 50.”

On his own songs: “If you’d written ‘Live Forever’, you’d be walking to a different tune the next day too.”

On Manchester: “You want to sell 5,000 limited-edition red vinyl seven-inches, that’s fine. Make music for a closet full of people in Bradford somewhere. But it doesn’t mean anything to anyone.”

On politics: “David Cameron — bell-end. Ed Miliband — communist. The rest of them don’t really count.”

On the Oasis reunion: Asked if there would be a reunion in 2012: “It would be mega for the millions and for everybody else it would be brilliant, but I wouldn’t be very happy about it.”

He came around. Happy 59th, Noel. Never change.

59 Facts About Noel Gallagher for His 59th Birthday

Happy birthday to the Chief. Noel Gallagher turns 59 today, and if there is one thing the man has never been short of, it’s material. Here are 59 facts about one of the greatest songwriters Britain has ever produced.

  1. Noel Thomas David Gallagher was born on May 29, 1967 in the Longsight area of Manchester, to Irish Catholic parents.
  2. He considers himself Irish, once telling the Irish Independent, “We’re really snotty Irish upstarts.”
  3. He has described himself as “the weirdo in the family” — Liam’s words, actually, but Noel has embraced them.
  4. Both he and his brother Paul were beaten regularly by their alcoholic father. In the documentary ‘Supersonic’, Noel quipped that his dad “beat the talent into him.”
  5. Both he and Paul developed stammers as a result of the abuse, which took four years of weekly speech therapy to resolve.
  6. He was expelled from school at 15 for allegedly throwing a flour bomb at a teacher. He has always maintained he didn’t do it.
  7. He received six months’ probation at 14 for robbing a corner shop.
  8. It was during that probation period, with little else to do, that his mother gave him a guitar. He taught himself to play.
  9. The moment that changed everything: watching the Smiths perform “This Charming Man” on Top of the Pops in 1983. He decided that day he wanted to be Johnny Marr.
  10. He also appeared and scored for Manchester Gaelic football team CLG OisĂ­n at Croke Park in Dublin in 1983. Multi-talented.
  11. He worked in construction as a teenager alongside his father, and the arguments were so bad they were still working at nine o’clock every night.
  12. He wrote at least three songs from ‘Definitely Maybe’ — including “Live Forever” — while working in a gas company storehouse. He called it “The Hit Hut” and claimed the walls were painted gold.
  13. He wrote “Live Forever” as a direct rebuttal to the pessimism of grunge. “I was trying to write something that was the opposite of all that,” he said.
  14. He became a roadie and technician for Inspiral Carpets at 21 after failing an audition to be their singer.
  15. He struck up a friendship with monitor engineer Mark Coyle on the Inspiral Carpets crew and spent soundchecks dissecting Beatles songs.
  16. When he heard his younger brother Liam had joined a band called the Rain, he went to see them and was unimpressed. He agreed to join on one condition: total creative control and sole songwriting duties.
  17. According to legend, his pitch to the band was: “Let me write your songs and I’ll take you to superstardom, or else you’ll rot here in Manchester.”
  18. In May 1993, Oasis crashed a gig at King Tut’s in Glasgow — they weren’t on the bill — and ended up impressing Creation Records founder Alan McGee enough to get signed.
  19. McGee took their demo to Sony America and Oasis were offered a six-album deal. Noel has said he only had six songs written at the time and got through the meeting by “bullshitting.”
  20. He wrote Oasis’ first single “Supersonic” in the time it takes to play the song.
  21. ‘Definitely Maybe’ became the fastest-selling debut album in British history at the time, entering the charts at number one.
  22. He briefly quit Oasis in 1994 during their first American tour and flew to San Francisco without telling anyone in the band or management.
  23. He wrote “Talk Tonight” as a thank-you to the girl in San Francisco who, in his own words, “talked him from off the ledge.”
  24. He was tracked down by Creation’s Tim Abbot, and a trip to Las Vegas together convinced him to return to the band. Of course it was Las Vegas.
  25. He originally wanted to sing “Wonderwall” himself but Liam insisted. As compensation, Noel took lead vocals on “Don’t Look Back in Anger.”
  26. In 1995, he played guitar alongside Johnny Depp, Kate Moss, Paul McCartney, and Paul Weller on a charity supergroup called Smokin’ Mojo Filters.
  27. Beatles producer George Martin called him “the finest songwriter of his generation.”
  28. In August 1996, Oasis played two nights at Knebworth to over 250,000 fans.
  29. ‘Be Here Now’ sold 813,000 copies in its first seven days, making it the fastest-selling album in UK history at the time. Noel’s response: “Just because you sell lots of records, it doesn’t mean to say you’re any good. Look at Phil Collins.”
  30. He stopped using drugs on June 5, 1998, after about a year of drug-induced panic attacks and depression. Of the period from 1993 to 1998, he has said: “I can hardly remember a thing.”
  31. He once ended up in a hospital in Detroit for an overdose, and the doctors couldn’t understand what was wrong with him because of his accent.
  32. He named his house in Belsize Park “Supernova Heights” after “Champagne Supernova” and named his two cats “Benson” and “Hedges” after his favourite cigarettes.
  33. He bought several cars and a swimming pool during the peak of Oasis fame despite the fact he can neither drive nor swim.
  34. He was banned from visiting China in 1997 after performing at the Tibetan Freedom Concert. The ban appears to be permanent.
  35. In 1997, he attended a party at 10 Downing Street hosted by Tony Blair, and has never entirely lived it down.
  36. When Bonehead quit Oasis in 1999, Noel responded: “It’s hardly Paul McCartney leaving the Beatles, is it?”
  37. The feud with Blur and Damon Albarn dominated the mid-90s. Noel has since said he believes the whole thing was manufactured by NME, and the two are now genuine friends.
  38. Jay-Z opened his 2008 Glastonbury headline set — which Noel had publicly questioned — with a cover of “Wonderwall.” Noel’s position on hip-hop at Glastonbury has softened considerably since.
  39. His feud with Phil Collins is one of the great one-sided rivalries in British music. He once said he voted Labour partly because “Phil Collins is threatening to come back and live here.”
  40. Collins responded by appearing on Room 101 and nominating the Gallagher brothers to be banished, calling them “rude and not as talented as they think they are.” Phil Collins, fighting back.
  41. When Ewan McGregor found out he had been cast as Obi-Wan Kenobi, his next-door neighbour Noel challenged him to a lightsaber fight in the garden the following morning after a party.
  42. A Gibson Les Paul given to Noel by Johnny Marr was used to write “Cigarettes & Alcohol” and “Slide Away.” Before Marr owned it, it belonged to Pete Townshend.
  43. Johnny Depp gave him a 1960s Fender Telecaster as a birthday present.
  44. His main stage guitar since 2001 has been a Gibson ES-355 Vintage Model.
  45. He is naturally left-handed but plays guitar right-handed. It’s the only thing he does with his non-dominant hand.
  46. Paul Weller described his guitar playing as “rudimentary” but added that his chord sequences and rhythm playing are distinctive and recognisable. Noel has agreed with the assessment.
  47. He has said he doesn’t always understand his own lyrics. About “Champagne Supernova”: “Slowly walking down the hall faster than a cannonball — what does that mean? I don’t know. I don’t care.”
  48. He is dyslexic, which slows down his songwriting, and he cannot read or write music notation.
  49. On 28 August 2009, he quit Oasis after a fight with Liam backstage in Paris, posting a statement at midnight: “It’s with some sadness and great relief to tell you that I quit Oasis tonight.”
  50. He went on to form Noel Gallagher’s High Flying Birds, built a home studio in Hampshire, and has released four solo number one albums.
  51. He became the first artist in UK chart history to reach number one with ten consecutive studio albums.
  52. He has twelve UK number one albums in total — eight with Oasis and four with the High Flying Birds.
  53. He co-wrote “Birth of an Accidental Hipster” with Paul Weller for the Monkees in 2016.
  54. He co-wrote three tracks with the Black Keys for their 2024 album ‘Ohio Players’, also playing guitar and adding backing vocals.
  55. In 2025, he reunited with Liam for the Oasis comeback tour, confirming there is no animosity between them anymore.
  56. He has been inducted into the Rock and Roll Hall of Fame as part of the Class of 2026.
  57. He is a lifelong Manchester City supporter who “cried like a baby” when they won the 2011-12 Premier League title.
  58. He has said he considers himself equally British and Irish, supports the Irish national football team, and in one memorable quote said he does not consider himself “to be English at all.”
  59. He has nine UK number one singles, twelve UK number one albums, seven Brit Awards, two Ivor Novello Awards, and one of the most quotable mouths in rock and roll history. Not bad for a kid from Burnage who taught himself guitar on probation.

Happy birthday, Noel. Here’s to the next 59.

Lewis Capaldi Honours Caregivers With Moving “Stay Love” Video And Free Concert

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Lewis Capaldi is shining a light on the people who give everything quietly. The pop superstar has shared the official music video for “Stay Love,” a special addition to the recent deluxe edition of his ‘Survive’ EP. The deeply touching visual follows a day in the life of a young man providing around-the-clock care for his aging father.

The video lands with news of a one-of-a-kind event. On July 28th, Capaldi will throw a free concert for primary caregivers and a guest each at London’s O2 Forum Kentish Town. The show partners with UK charity Carers Trust, which works to transform the lives of unpaid carers, and disability awareness charity ABLE2UK, which creates exclusive experiences for disabled people.

In a first of its kind, the venue will be made fully accessible to meet the needs of the night’s guests and give them priority. UK census data points to roughly 5.8 million informal carers across the country who support relatives, friends or neighbours facing illness, disability or age-related decline. They do the work for love, not for pay.

Directed by Sam Nutt and Jack Lightfoot, the “Stay Love” video gives fresh meaning to Capaldi’s piano-led plea for companionship. It opens in a quiet suburban home as the young man steadies himself for the day, then wakes his father, helps him dress and reads him the news. Between laundry, groceries and bills, he glimpses the life he’s put on hold, and when his father returns, the two share moments of warmth before it all begins again.

Produced by The Monsters & Strangerz and Michael Pollack, “Stay Love” catches Capaldi at his most vulnerable, pairing his rich voice with a stripped arrangement that lets every lyric breathe. The track leans into the quiet intensity that’s become a hallmark of his work, and it stands among the most affecting songs he’s ever recorded.

The song deepens the emotional arc Capaldi traces across ‘Survive.’ The original November release gathered four fan favourites, the autobiographical “Survive,” the soul-searching “Something In The Heavens,” post-breakup standout “Almost,” and the devastating “The Day That I Die.” Upon release, Billboard declared Capaldi very much back, surviving and thriving.

He’s been doing plenty of both on the road. Capaldi recently wrapped his most ambitious North American headline tour yet, with stops at the Hollywood Bowl, back-to-back nights at Colorado’s Red Rocks Amphitheatre and his Madison Square Garden debut. Ahead of that MSG show, he gave a free pop-up performance from a flower shop inside Penn Station, debuting “Stay Love” to a crowd that swelled past 5,000.

The ‘Survive’ EP has already reshaped his career. Its comeback title track became his sixth UK number 1 single, placing him alongside BeyoncĂ©, Britney Spears, Drake, Lady Gaga and Queen, and ahead of David Bowie, Katy Perry and The Police. He also performed “Survive” on BBC Radio 1’s Live Lounge and on The Graham Norton Show alongside Taylor Swift, plus US turns on The Tonight Show Starring Jimmy Fallon and Good Morning America.

Next month, Capaldi takes on his biggest ever UK and Irish headline run, with more shows added due to phenomenal demand. The 12 outdoor dates include two nights at London’s 65,000-capacity BST Hyde Park on July 11th and 12th, with the singer fast approaching one million tickets sold globally this year alone.

UK & Irish Outdoor Summer Dates:

Fri June 19th – Isle Of Wight Festival, Seaclose Park, Newport

Sun June 21st – TRNSMT, Glasgow Green

Tue June 23rd – Dublin, Marlay Park

Wed June 24th – Dublin, Marlay Park (SOLD OUT)

Fri June 26th – Limerick, Thomond Park (SOLD OUT)

Sat June 27th – Exeter, TK Maxx Presents Live at Powderham (SOLD OUT)

Sun June 28th – Exeter, TK Maxx Presents Live at Powderham (SOLD OUT)

Tue June 30th – Cardiff, Blackweir Fields (SOLD OUT)

Wed July 1st – Cardiff, Blackweir Fields

Sat July 4th – Leeds, American Express presents Roundhay Festival

Wed July 8th – Newcastle, Exhibition Park, In The Park presents
 (SOLD OUT)

Sat July 11th – London, American Express presents BST Hyde Park (SOLD OUT)

Sun July 12th – London, American Express presents BST Hyde Park

Sun July 26th – Latitude Festival, Henham Park, Suffolk

Sat August 15th – Liverpool, Sefton Park, In The Park Liverpool presents


Thu August 20th – Belfast, Belfast Vital (SOLD OUT)

Sat August 22nd – Manchester, Wythenshawe Park (SOLD OUT)

Role Model Unveils Third Album ‘Chuck Timely & The Hourglass’ And Single “High Hopes 3000”

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Role Model is opening a mysterious new world. The pop favorite, born Tucker Pillsbury, has announced his third studio album, ‘Chuck Timely & The Hourglass,’ arriving August 7th via Interscope. He’s paired the news with word of a first single, “High Hopes 3000,” due June 3rd.

The rollout has been anything but ordinary. Last week, select fans started receiving old-fashioned acquaintance cards in the mail from a mysterious figure named Chuck Timely. Each card carried a phone number leading to a pre-recorded voicemail from Chuck himself, and an Instagram account soon surfaced featuring images of him reimagined across different eras.

The account sparked a wave of fan theories about who Chuck really is. Role Model leaned into the mystery, using the page to tease the forthcoming single and pull fans deeper into the Chuck Timely universe. To mark the single’s release, Pillsbury appears on Apple Music New Music Daily in conversation with Zane Lowe at 9am PT on June 3rd.

The new single marks his first music since the deluxe edition ‘Kansas Anymore (The Longest Goodbye),’ which added four tracks to his July 2024 album ‘Kansas Anymore.’ That sophomore record, home to the viral smash “Sally, When The Wine Runs Out,” drew rave reviews and now sits close to 320 million streams.

The momentum has been remarkable to watch, and few young pop voices feel this fully formed. He brought “Sally, When The Wine Runs Out” to Saturday Night Live with surprise guest Charli XCX, followed by a performance of “Some Protector,” then headed out on his sold-out No Place Like Tour around the globe. He also joined Gracie Abrams as a special guest on her The Secret of Us Deluxe Tour last summer.

His debut album ‘Rx’ arrived in 2022 as a confessional, genre-blurring pop record. ‘Kansas Anymore’ followed with 13 folk-tinged, lyrically driven tracks crafted alongside Noah Conrad, Ian Fitchuk, Scott Harris and Jonah Shy. The No Place Like Tour went on to sell over 90,000 tickets worldwide.

Pillsbury is branching out beyond music too. He makes his acting debut in ‘Good Sex,’ the upcoming Netflix film from Lena Dunham, starring opposite Natalie Portman and Mark Ruffalo.

Role Model Festival Dates:

June 4-6, 2026 – Primavera Sound, Barcelona, Spain

June 7, 2026 – We Love Green, Paris, France

June 11-14, 2026 – Bonnaroo, Manchester, TN

August 28, 2026 – Leeds Festival, Leeds, UK

August 29, 2026 – Electric Picnic, Dublin, Ireland

August 30, 2026 – Reading Festival, Reading, UK

R&B Innovator Ravyn Lenae Maps Out Third Album ‘Blue Island’ With New Single “Handle”

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Ravyn Lenae has her next chapter ready. The R&B innovator has announced her third studio album, ‘Blue Island,’ arriving August 7th via Atlantic Records, and she’s shared the new single “Handle” to mark the news. The record is executive-produced by GRAMMY-winning producer and Bird’s Eye collaborator Dahi.

“Handle” joins previously released songs “Reputation” featuring Dominic Fike and “Bobby” to sketch the picture of a musician evolving in real time. The track finds the Chicago native pushing past expected genres with a seductive new energy, hopscotching through her mind’s inner workings on love.

The single arrives with a striking music video that marks the first time Ravyn has woven choreography into her artistry. With live shows in mind, she teamed with New York-based movement director Akira Uchida to show how a song can stay personal while reaching the back row. It’s a bold, fully realized leap that confirms her standing as one of her generation’s sharpest talents.

‘Blue Island’ captures a threshold Ravyn has occupied over the past year. Her hit “Love Me Not” reached No. 5 on the Billboard Hot 100, No. 10 on the Billboard Global 200 and No. 2 on the UK Singles Chart, and the wider world finally caught up. That success brought joy alongside anxiety, loneliness and heartbreak, plus ill-informed questions about her Blackness and her place in certain music spaces.

She answered by leaning on her influences. Looking to Santigold, Janet Jackson and Tracy Chapman, whose catalogs pushed back against limits placed on Black women artists, she uses ‘Blue Island’ to explore the full scope of her identity, from flirty energy and lingering teenage angst to the quiet, off-beat moments of transformation.

The sound widens to match. The record expands her classic style while drawing in her listening diet, from Blondie, The Sundays and The Cranberries to Martin Rev and the dramatic chorus structures of Bollywood soundtracks. “‘Blue Island’ is a point of arrival, and feeling set in my ways and in who I am,” she says, adding that it’s fun to challenge what R&B and pop are supposed to sound like and just do her own thing.

2025 proved a breakthrough year. Ravyn performed on Jimmy Kimmel Live! and Good Morning America, made her Coachella and Lollapalooza debuts, and played a sold-out two-night residency at the Blue Note Jazz Club that Billboard called a dexterous display of musicality and wisdom. She also landed a Coach partnership, headlined her own North American and UK/EU tour, and joined select arena dates with Sabrina Carpenter and Reneé Rapp.

The road stays busy. She plays Barcelona’s Primavera Sound on June 4th and New York’s Governors Ball on June 6th, with a run of European festival dates to follow through late August.

Ravyn Lenae Upcoming Live Dates:

6/4 – Barcelona, ES @ Primavera Sound

6/6 – New York, NY @ Governors Ball

8/13 – Copenhagen, DK @ Syd for Solen

8/14 – Gothenburg, SE @ Way Out West

8/15 – Oslo, NO @ Oya Festival

8/20 – St. Poelten, AT @ Frequency Festival

8/22 – Biddinghuizen, NL @ Lowlands Festival

8/23 – Hasselt, BE @ Pukkelpop Festival

8/25 – Lausanne, CH @ Headline

8/26 – Paris, FR @ Rock en Seine

8/28 – London, UK @ All Points East

8/29 – Lisbon, PT @ Kalorma

8/30 – County Laois, IE @ Electric Picnic

Australian Gothic Metallers Victoria K Open A Darker Chapter With New Single “Oh So Weary”

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Victoria K are stepping into darker territory. The Australian gothic and modern metal act have unveiled “Oh So Weary,” the first single from their upcoming third album, ‘The Pleasure of Sorrow.’ The record moves toward a more intimate sound, blending gothic atmospheres, modern heaviness, haunting melodies and emotionally driven songwriting around themes of grief, mortality, vulnerability and rebirth. Listen here.

“Oh So Weary” gives the first taste of that direction. The track balances fragility, tension and crushing dynamics, with layered arrangements and sharp modern production from producer Lee Bradshaw, mixed and mastered by Lance Prenc. Electronic textures and sound design push the contemporary edge further, shaping something that feels massive and deeply personal at once.

The song reflects on mortality and on the human body as a temporary shell for the soul. Recurring references to home and house stand in for physical existence itself, questioning what remains once that form disappears. The result is one of the most affecting pieces in the band’s catalog.

Victoria K have built a distinctive identity in the modern gothic and alternative metal landscape through dynamic songwriting and cinematic storytelling. The group first caught ears with the 2019 single “Lacuna,” distributed in Australia and New Zealand by Warner Music Group, ahead of their debut album ‘Essentia.’ An early support slot with Swiss folk metal act Eluveitie at Melbourne’s Croxton Bandroom set the stage for that release.

Their sophomore album ‘Kore’ followed in 2023, with vocalist Victoria Knight drawing on her Greek heritage to reinterpret the story of Persephone, complete with lyrics and chants in Ancient Greek. In 2024, the band paid tribute to a more surprising influence, turning Madonna’s 1998 ballad “Frozen” into a heavy rendition that ran from crushing riffs to softer moments.

The band’s lineup features Victoria Knight on vocals, Charlie Curnow on extreme vocals, Ethan Colussi on bass and James Davies on drums. Recent support slots include shows with Blind Guardian and Katatonia, both at Melbourne venues in February 2024.

Further details on ‘The Pleasure of Sorrow,’ including the album release date, will surface in the coming months.

Rock Festival Riot Fest Lands Alanis Morissette, Morrissey And Tool As 2026 Headliners

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Riot Fest has rolled out the lineup for its 2026 edition. The longtime Chicago punk and rock festival returns to its home base at Douglass Park September 18-20, with tickets on sale now. The headlining slots go to Alanis Morissette, Morrissey and Tool.

The top of the bill runs deep. Patti Smith & Her Band, Santigold, and Elvis Costello & the Imposters all top the lineup alongside the headliners, giving the weekend a span that reaches across punk, rock and beyond.

The undercard delivers a wild mix. This year’s event features Algernon Cadwallader, Angine de Poitrine, Chat Pile, This Is Lorelei, the Pixies and Jejune, plus the Sex Pistols and Public Image Ltd (hopefully booked on different days). Even Insane Clown Posse make the cut, rounding out a roster of more than 100 artists across multiple stages.

Last year marked the festival’s 20th anniversary, celebrated with a stacked run of returning headliners including Blink-182, Green Day and Weezer. The 2026 edition keeps that momentum rolling with another sprawling, genre-hopping bill.

The festival packs more than music into the grounds. General Admission covers all three days with access to 90+ artists, food and retail vendors, carnival rides, a free on-site arcade and complimentary water stations. VIP, Deluxe, Deluxe+ and Backstage tiers layer on perks from air-conditioned restrooms and open bars to side-stage access and golf cart transportation.

For fans who’d rather skip online fees, 3-Day GA tickets are available in person, cash only, at Bucket O’ Blood Records and Reckless Records locations around Chicago. Payment plans and group rates for parties of 10 or more are also available.

Dream Pop Legends Cocteau Twins Get A Football Shirt Inspired By ‘Heaven Or Las Vegas’

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Cocteau Twins are getting the football kit treatment. The dream pop legends have teamed with Full Kit on a Scotland-inspired football shirt, part of the new 4AD x Full Kit Complicated Opposition collection. Pre-orders run through June 8th via the 4AD webstore and Bandcamp.

The design pulls straight from the band’s landmark 1990 album, ‘Heaven or Las Vegas.’ It reinterprets the record’s dreamlike palette and atmosphere through the lens of Scottish national team iconography, merging classic football detailing with the visual world Paul West and v23 created for the album artwork.

The shirt carries real meaning for the band. It nods to their origins in Grangemouth and celebrates Scotland’s first trip to the World Cup in 28 years. The 130gsm jersey is made from 100% polyester, with shirts custom made and shipping six to eight weeks after the pre-order window closes.

The campaign gives back too. As part of the collection, 4AD will make a donation to War Child, the organization supporting children affected by war through education, protection and advocacy.

The shirt comes in sizes Small through XXL and carries a release date of June 26th, 2026. Photography for the campaign comes from Adam Powell, co-directed by Robbie Laing, with model Bruce Ebersole.

Prime Video Unveils Star-Studded Obsessed Fest Lineup With Lili Reinhart, Lana Condor And More

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Prime Video is turning fandom into a real-world celebration. The streamer has revealed the first wave of talent for the inaugural Obsessed Fest, an immersive, all-day fan experience bringing audiences face-to-face with the stars, creators and authors behind its most buzzworthy YA titles. The event lands June 27th at nya Studios in Los Angeles, and tickets are on sale now.

The first-look guest list runs deep. Lili Reinhart and Tom Bateman represent The Love Hypothesis, while Benito Skinner, Wally Baram and Mary Beth Barone arrive from Overcompensating. Gavin Casalegno, Lana Condor and Tommi Rose bring The Devil’s Mouth, and Lexi Minetree appears from Elle.

The casts keep coming. Off Campus sends Belmont Cameli, Stephen Kalyn, Jalen Thomas Brooks, Antonio Cipriano, Ella Bright, Mika Abdalla, Josh Heuston and creator Louisa Levy. Every Year After brings Matt Cornett, Michael Bradway, author Carley Fortune and showrunner Amy B. Harris.

Authors share the spotlight throughout. Asha Banks and author Mercedes Ron represent Your Fault: London, Ester ExpĂłsito comes from Drawn Together, and Damian Hardung arrives from Maxton Hall. Maia Reficco, Fernando Lindez and author Anna Todd represent The Last Sunrise, with author Casey McQuiston on hand for Red, White & Royal Wedding.

The programming spreads across multiple zones. A Main Stage anchors the day with a Welcome Assembly and live, talent-led sessions featuring exclusive footage and interactive fan moments. The Book Club lounge offers author signings, live conversations, workshops and curated shelves, and fans are encouraged to bring their own book.

The hands-on experiences go further. Content Creation studios let fans step into recreated scenes from key titles for personalized photo and video moments. A dedicated screening room hosts curated binges, alongside exclusive merch drops and food experiences inspired by on-screen moments.

Amazon Music serves as the official audio sponsor with a dedicated listening lounge. Fans can discover music from every Obsessed Fest show, settle in for a day-long DJ set, and explore headphone stations stocked with music, podcasts and audiobooks.

The festival headlines Obsession Is In Session, Prime Video’s expansive new initiative celebrating young adult storytelling and fandom culture. The day also marks the first live activation of Prime Book Club, a global initiative from Prime Video and Amazon MGM Studios built around book-to-screen storytelling. Tickets are $25 and available at obsessed-fest.com.