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Boston Glam-Rock Nonet Smitt E. Smitty and The Fezztones Honor a Legend With “Big Ass American Car”

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Smitt E. Smitty and The Fezztones have a story to tell with “Big Ass American Car,” and it’s a good one. The nine-piece Boston glam and art-rock brigade have released their cover of the late Patrick “Trick” Wallace’s beloved track, out now on FezzKoKo Records across all major streaming platforms. It’s the band’s first new music since their Radio Indie Alliance chart-topping number one hit “#1 Most Likely,” and the inaugural release on Smitty’s newly launched indie label.

The song’s origins go back to 2013, when Smitty first caught Wallace performing it live at the Rosebud Diner in Somerville during the International Pop Overthrow festival. He fell hard for it that night, walked up to Wallace after the set, and told him point blank that he was going to cover it someday. Wallace, who passed away in January 2023 at the age of 69, knew The Fezztones had interest in the song and endorsed the idea before his death. That blessing meant everything to Smitty. “He was one of a kind,” Smitty says. “I never met anyone as talented, loving and generous as Trick.”

The recording, engineered and co-produced by Alec Rodriguez at New Alliance East in Somerville, is muscular and gritty, built on a Motor City groove laid down by drummer Johnny Sestito and bassist Andrew Padua, with guitars, violin, and a full stack of backing vocals filling out the Fezztones’ signature wall of sound. Smitty puts it plainly: “Once Johnny and Andrew laid down that hardcore Motor City groove, everything just fell into place. Like buttah.” The track leaps out of the speakers with the kind of high-octane confidence that’s earned the band serious praise from outlets across the rock underground.

Beyond the tribute, the song carries real cultural weight. As Smitty explains, it’s about more than cars: “The opening line says it all. ‘I love my country. It’s the country of more. It’s just down the block, I can easily walk, but I drive to the store.’ Welcome to ‘Merica.” A music video, directed and produced by Smitty himself, is on the way. The Fezztones also have a busy summer of shows ahead, including dates in Boston, New York City, and Detroit.

2026 Tour Dates:

July 11, The Midway Cafe, Jamaica Plain, MA

July 24, Parkside Lounge, New York, NY

August 29, Small’s, Hamtramck, MI (Detroit All-Star Garage Rock Punk Revue V)

DJ Cummerbund Smashes Queen, Chumbawamba, Sade, and Madonna Into One Gloriously Unhinged Mashup

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DJ Cummerbund is back doing what he does best. The award-winning mashup artist has layered Queen’s “Fat Bottomed Girls” with Chumbawamba’s “Tubthumping,” Sade’s “No Ordinary Love,” Madonna’s “Holiday,” and more into a seamless, multi-layered track that somehow makes complete sense from start to finish. It’s an absurdly fun listen, and the execution is airtight.

New Jersey Ska-Punk Rockers Joker’s Republic Put Their Stamp on Green Day’s “When I Come Around”

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Joker’s Republic just dropped their cover of Green Day’s “When I Come Around,” and they came ready. The Essex County, New Jersey ska-punk trio recorded the track with producer Pete Steinkopf of The Bouncing Souls, and it’s out now on Punkerton Records across all digital platforms. It’s the first of five Steinkopf-produced ska-punk covers the band plans to release throughout the year.

Singer and guitarist Austen Gray didn’t mince words about the choice: “I don’t think Joker’s Republic covering a Green Day song is a surprise to anyone. As much as ‘When I Come Around’ is a slam dunk of a cover, we don’t pick songs just because they’re easy to pull off. We knew we had something to add to the song, and we knew that the moment those opening chords come in almost everyone would have certain expectations that we’d blow away in the next eight bars.” That’s a bold promise, and the track delivers on it.

The cover arrives on the heels of the band’s third full-length album, ‘The Hand You’ve Been Dealt’, released in 2025 on Punkerton Records. That record was produced by Roger Lima of Less Than Jake and mixed and mastered by Grammy-nominated engineer Eric Taft. Joker’s Republic has been building serious momentum in the ska-punk world, earning spots at Supernova International Ska Festival, FEST 23, and Wake and Bake with Less Than Jake, plus opening slots for Save Ferris and Goldfinger.

Operating as a power trio by design, Joker’s Republic keep their sound tight and their crossover appeal wide. With Steinkopf in their corner for this new run of singles and a full touring schedule through 2026 and 2027, the band’s showing no signs of slowing down. “When I Come Around” is a strong opening move.

GosT Mastermind James Lollar Dead at 46, Leaving a Blazing Mark on Dark Synthwave

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James Cody Lollar, the multi-instrumentalist, producer, and sole creative force behind dark synthwave project GosT, died on April 1, 2026. He was 46. His management team at Bad Behaviour confirmed the news the following day. No cause of death has been made public.

Lollar founded GosT in 2013, having previously fronted Longview, Texas sludge duo Vaste Burai. From the beginning, the project carved its own territory, pulling from extreme metal, horror film soundtracks, EBM, and industrial music to build something genuinely singular. Six full-length albums followed, each one pushing the project’s sound further. His most recent record, ‘Prophecy’, arrived via Metal Blade in March 2024 to critical acclaim. GosT last toured in late 2025, supporting Paris-based synthwave artist Perturbator across the UK.

Lollar’s approach to sound was as distinctive as his vision. “It’s a fun challenge to try to make metal with digital noises,” he said in 2024. “I love processing on a computer and electronic equipment, and trying to make it sound raw. Everything in there is clean, and you’re using plug-in distortion and things like that. It’s just a whole different realm than using pedals and amps.” That tension between clean electronics and raw aggression defined the GosT sound, and it earned him a devoted following across the metal and synthwave worlds.

Fellow Texans Frozen Soul were among the first to pay tribute. Lollar contributed synth work to nearly every track on their 2023 album ‘Glacial Domination’, and the band’s statement made clear how much that collaboration meant: “We were not just friends of GosT but also fans. He did something for almost every song on the album and we were blown away by what he came up with. It definitely wouldn’t be the same record without him.” Alongside Perturbator, Dan Terminus, and Carpenter Brut, Lollar helped define a generation of dark electronic music. His mark on the genre is permanent.

Soul and Funk Pioneer Norman Feels Finally Gets His Streaming Debut Decades Later

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Norman Feels is finally getting his due. Three tracks from the R&B, funk, and soul artist’s original catalog are now available on streaming platforms for the first time, released via a joint venture between KMG Distribution and The Royalty Network. “Everything is Going Our Way,” “You Can’t Stop My Love,” and “Today” are out now, and they represent something genuinely significant: the full works behind fragments that helped shape hip-hop for decades. Listen here.

Feels’ recordings never disappeared. They lived on through samples used by Freddie Gibbs, Nas, DMX, Ghostface Killah, and many more. Producers and crate diggers prized his catalog for its warmth, musicality, and emotional depth. Originally released in limited pressings, his music built a cult following without ever reaching the wide audience it deserved. That changes now.

The release is the result of a partnership between KMG Distribution and The Royalty Network, with the full support of Feels’ family. His sister Gerri put it plainly: “Norman’s music was always meant to be shared with the world, a hope our entire family held during Norman’s time, and that our family now carries forward in his memory.” KMG CEO Frank Liwall and VP of Distribution Ross Robey have both committed to stewarding the catalog with care, with additional tracks rolling out through 2027.

These three tracks are rich, emotive, and immediately arresting, proof that Feels’ influence on hip-hop wasn’t accidental. His compositions carry the kind of soul that producers have been chasing for generations. Now listeners can finally hear where it all came from.

LA Punk Rockers Drama Dolls Unleash Rage-Fueled New Single “Robot”

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Drama Dolls just turned frustration into fuel. The LA-based alternative-punk trio has released “Robot,” the first single from their upcoming second album, and it hits exactly as hard as it needs to. Built around hypnotic chanting and a crescendo of cathartic screaming, the track taps into something a lot of people are carrying right now. The song’s out now across streaming platforms.

Formed by Egg, Scrambles, and Mama-T, Drama Dolls run the full spectrum of old-school SoCal punk, from blistering fury to danceable ska and new wave grooves. Their catalog already includes the ferocious “I Hate Your Face,” the brat-punk anthem “Horchata,” and the party-ready “We Like to Party.” Three women rocking with reckless abandon and zero apologies, their fuck-it energy’s a feature, not a side effect.

“Robot” takes aim at the drone-like grind of daily life, using the character of Dave from Kubrick’s ‘2001: A Space Odyssey’ as its target. The band puts it plainly: “This is a song about not giving up when you’re getting sucked in by the everyday grind.” The track moves from lethargic submission to full-throttle liberation, and the payoff lands hard. It’s a tension-releasing jam that earns every decibel.

The Dolls are also attached to the theme for the upcoming Malcolm in the Middle reboot, expanding their reach well beyond the punk underground. A video for “Robot” drops April 22, and if the song’s any indication, it’ll be worth the wait.

King Princess Makes Her Stage Debut in Aimee Mann’s ‘Girl, Interrupted’ Musical

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King Princess is taking the stage. Mikaela Straus has been cast as Lisa in the world premiere of ‘Girl, Interrupted’, the Off-Broadway musical adaptation of Susanna Kaysen’s 1993 memoir. The show features a book by Pulitzer Prize-winning playwright Martyna Majok and original music by two-time Grammy winner Aimee Mann, drawn largely from her 2022 album ‘Queens of the Summer Hotel’, which she developed alongside the production. Direction comes from Tony Award nominee Jo Bonney, with choreography by Tony Award winner Sonya Tayeh.

The role of Lisa is the same one that earned Angelina Jolie a Best Supporting Actress Oscar in James Mangold’s 1999 film. Straus makes her full theatrical debut here. She is no stranger to the screen: she held a recurring role in the second season of Hulu’s ‘Nine Perfect Strangers’ and appeared in the 2025 Oscar-nominated film ‘Song Sung Blue’ alongside Hugh Jackman. She is also set to appear in Will Gluck’s upcoming romantic comedy ‘One Night Only’ with Julia Fox, Este Haim, and Maya Hawke.

Juliana Canfield, known for her work in ‘Stereophonic’ and ‘Succession’, plays Susanna. The full cast includes Emily Skinner as Dr. Wick, Ta’Rea Campbell as Valerie, Gabi Campo as Tori, Mano Felciano as Man/Musician, Mia Pak as Grace, Katherine Reis as Daisy, Sally Shaw as Polly, and Lauren Jeanne Thomas as Judy/Musician. The creative team is rounded out by scenic design from dots, costumes by Sarah Laux, lighting by Heather Gilbert, sound design and composition by Dan Moses Schreier, and music supervision by Todd Almond. Mann’s music grounds the production with emotional pull and melodic precision, a natural fit for Kaysen’s story of resilience and identity.

The production runs at The Public Theater’s Martinson Hall in New York City, produced by special arrangement with Barbara Broccoli, Angelica Zollo, Patrick Milling-Smith, Brian Carmody, and Level Forward. Previews begin May 13, with opening night June 4. The National Alliance on Mental Illness of New York City (NAMI-NYC) is partnering with The Public in support of the run, including post-show talkbacks in June. Tickets are on sale now at publictheater.org.

Performance Dates:

May 13, The Public Theater, New York, NY (Previews begin)

June 4, The Public Theater, New York, NY (Opening Night)

June 21, The Public Theater, New York, NY (Closing Night)

Jack White Hits Saturday Night Live With Two Ferocious New Songs

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Jack White just dropped two new songs, and they hit hard. “G.O.D. and the Broken Ribs” and “Derecho Demonico” are streaming now, the guitarist’s first new music since his 2024 album ‘No Name’. Both tracks were self-produced, recorded with his core band: drummer Patrick Keeler, bassist Dominic Davis, and keys player Bobby Emmett. Limited-edition Tri-Color and Black 7-inch vinyl goes on sale tomorrow at thirdmanrecords.com and at Third Man shops in Nashville, Detroit, and London. Black 7″ vinyl arrives at independent record stores worldwide the following week.

The timing is no accident. White performs on Saturday Night Live this weekend for his sixth appearance as musical guest, one of the most decorated runs in the show’s history. His SNL story starts back in 2002 with the White Stripes and has continued through solo appearances in 2012, 2018, 2020, and 2023. He also appeared at both the SNL 40th and 50th anniversary celebrations. That 2020 slot came last minute after Morgan Wallen was pulled for COVID protocol violations. White showed up and delivered.

Hosting this weekend is Jack Black, who joins White for a pairing that already has history. In 2019, White produced the Tenacious D single “Don’t Blow it, Kage,” released on Third Man Records. The two jokingly called the project “Jack Gray.” Black’s hosting gig marks his fifth time leading the show, earning him a spot in SNL’s Five-Timers Club. Both tracks are raw, driven, and unmistakably White, proof that his creative engine has not slowed down.

After SNL, White heads out for a summer run with dates spread largely across Europe and wrapping up September 20 at the Borderland Festival in East Aurora, New York. The two new songs land with real force, another sharp move from one of rock’s most restless figures.

2026 Tour Dates:

May 30, Sigulda, Latvia

September 20, Borderland Festival, East Aurora, New York

My SiriusXM Show This Week: Melissa Auf der Maur, Fuel, LØLØ, and Craig Martin from Classic Albums Live

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My SiriusXM show: Interviews with Melissa Auf der Maur, to talk life after Hole and The Smashing Pumpkins, plus her new book. I’m also catching up with Fuel and rising alt-pop voice LØLØ, and Craig Martin stops by to talk bringing iconic records to life on stage with Classic Albums Live. Sat 8am + 2pm + 7pm, Sun 12pm, Wed 2pm (all ET), Channel 167 + on the app anytime!