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Folk Pop Artist Melanie Peterson Releases New EP ‘Read It on the Radio – Vol 2’

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Acclaimed Toronto-based folk-pop artist Melanie Peterson will release her eighth EP, ‘Read It On The Radio – Vol 2’, out now, following her month-long residency at the legendary Cameron House in Toronto last month.

Peterson, known for her luminous vocals and emotionally resonant songwriting, reunites with longtime producer Mitch Girio for this second installment of her ‘Read It On The Radio’ series. The project captures the warmth and intimacy of her live performances while showcasing her interpretive depth across a handpicked collection of covers.

The EP opens with a heartfelt rendition of John Fogerty’s “Have You Ever Seen the Rain”, where Peterson’s acoustic phrasing and understated delivery reflect a sense of quiet joy. “I started feeling more and more happy inside while performing the song live,” Peterson said. “It didn’t matter if I was upset or frustrated or whatever. I kept getting happier every time I sang it.”

Another highlight, Melanie Safka’s “Brand New Key”, connects Peterson back to her musical roots. “My parents were folkies and named me after Melanie,” she recalls. “It’s remained a favourite to perform live,” featuring her trio partners Paul Therrien, Jennifer Wakefield, and Peter Collins on backing vocals.

Peterson also takes on The English Beat’s “Save It for Later”, a power-pop anthem that transforms under her melodic folk sensibility. With Peter Collins on harmonies and Mitch Girio’s textured guitars, the arrangement adds emotional clarity to the original’s restless energy.

Her interpretation of “Elliot’s Song” from HBO’s Euphoria offers a quiet, introspective moment. “We had a great time giving it a gentle lift in this version,” Peterson shares. Written by Labrinth, Muzhda Zemar-McKenzie, and Zendaya, the song fits seamlessly into the EP’s reflective tone.

Closing with Nick Lowe’s timeless “(What’s So Funny ’Bout) Peace, Love and Understanding”, Peterson channels optimism through jangly guitars and bright harmonies. “There’s never a time when this message feels out of place,” she notes. “Singing it now feels more relevant than ever.”

The EP marks another creative chapter in Peterson’s evolving artistry. From her early breakout at Canadian Music Week to multiple FACTOR grants and national airplay, she continues to define her own path through song. BBC Radio once described her as “Mary Poppins with a broken heart,” and that blend of tenderness and precision remains evident in every note.

Peterson’s upcoming residency at The Cameron House will celebrate both her original catalogue and the new EP. Each Monday evening, she and her band performed two sets—one of her signature originals and one featuring the new covers—creating a unique listening experience that blends storytelling and musical craft.

Joining her on stage are Peter Collins (bass, backing vocals), Jonathan Billings (guitar, backing vocals), and “Lucky” Pete Lambert (drums, backing vocals). The performances promise the same warmth and connection that have made Peterson a beloved presence on Toronto’s live music circuit.

With ‘Read It On The Radio – Vol 2’, Melanie Peterson invites listeners into an intimate dialogue between artist and song—a collection that bridges eras, influences, and emotions with unfiltered grace and charm.

The Blues Foundation Salutes 2026 Keeping The Blues Alive Honorees

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The Blues Foundation enters its 45th year with immense excitement, saluting the 2026 Keeping The Blues Alive (KBA) honorees during International Blues Challenge week, set for Tuesday, January 13 through Saturday, January 17, 2026. This year’s esteemed KBA recipients, including Cognac Blues Passion, John Anderson, Jeff Davis, Michael Gray, Jazz Alley, Nola Blue, Jim Hartzell, Robert Terrell, and Mark Jacobson, are recognized for their crucial roles in advancing the art and commerce of the blues, chosen annually by a select panel of blues professionals. These achievements will be celebrated at the Keeping the Blues Alive Awards brunch on Friday, January 16, 2026, at the Hyatt Centric in Memphis. The KBA ceremony is a key part of the Blues Foundation’s 40th Annual International Blues Challenge, the world’s largest and most renowned blues music competition, which will see over a thousand musicians from across the globe arrive in Memphis to compete for prizes, bookings, and the honor of winning the challenge, with events, showcases, and master classes happening all along historic Beale Street.

Zkeletonz Launch Debut Album ‘OUT’ With Feisty New Dancefloor Bangers

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Zkeletonz, the fiercely independent band born from London’s DIY scene, is celebrating the launch of their debut album ‘OUT!’ with the release of two feisty new singles, “Shut Up (Don’t Talk About It)” out now and “Marmalade” due on December 12th. Having grown from self-promoted warehouse parties to commanding major stages, the band perfectly showcases their electronic but guitar-based fusion sound, which has already earned them BBC 6 Music and Radio 2 backing. The album features heavyweight contributions from Alex Gopher and Sam Wheat, and channels the spirits of Breakbot, Phoenix, Daft Punk’s ‘Homework’, and classic Ed Banger French Touch, creating a sonic love letter to London club culture.

“Shut Up (Don’t Talk About It)” is an exceptional slice of Zkeletonz music that absolutely oozes new-rave attitude, driven by non-stop rhythms and bubbling bass, escalating into a perfectly crafted electro-pop banger. “Marmalade” turns the heat up even further, featuring sticky warped electronics that dissolve around frontman Gav Venture’s intense falsetto emotions. Their debut album ‘OUT!’ commences a trilogy of releases and focuses on invoking the adventurous and hedonistic spirit of a by-gone but never forgotten time in musical history, pulling influence from big hitters like The Strokes and MGMT, mixed up with obscure electroclash legends.

The band, working completely independently without a manager or label, has appeared across BBC radio networks and shared stages with legends like The Specials and Nile Rodgers, even gaining mentorship from DJ Yoda. Zkeletonz will officially launch their album ‘OUT!’ at The Camden Club on Thursday, December 12, in a special event presented by SleazeBox. The vinyl production has been funded by their dedicated fan community, who raised over £1,000, confirming shipping dates for late January 2026, though very limited hand-made copies will be sold in true DIY style at the launch gig merch stand.

Carpenter Brut Unleashes “Leather Temple” First Look At Final Leather Trilogy Album

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French synthwave icon Carpenter Brut has released the title track and brand new single, “Leather Temple,” which serves as the first taste of his abrasive, dark-textured third and final album in his ongoing ‘Leather’ trilogy, due out in 2026. This cinematic, heavy single is accompanied by an immersive video directed by Dehn Sora, introducing Midwichpolis, the post-apocalyptic heart of the forthcoming album, a brutal empire ruled by Iron Tusk. The song dives into a raw, rhythmic, and restless energy that perfectly captures the anger and uprising in the Midwich Slums, contrasting the heavy metal riffs with the pulsating neon synths beaming from the City of Light, distilling a saturated, unflinching ‘90s electro atmosphere.

Carpenter Brut has established himself as a leading figure on the international synthwave scene by blending electronic music, metal, and 1980s pop culture into a uniquely dark and energetic universe since 2012. Drawing inspiration from horror titans like John Carpenter and Dario Argento as much as from metal giants like Slayer and electronic innovators like Justice, the artist has built a highly stylized world at the crossroads of retro thrillers, futuristic dystopia, and glam metal. This new album follows the hugely acclaimed 2018 debut ‘Leather Teeth’, a celebratory take on ’80s glam rock, and the 2022 follow-up ‘Leather Terror’, a more malevolent slasher-horror affair telling the story of serial killer anti-hero Brett Halford.

The aural and visual spectacle will continue into Carpenter Brut’s live shows, with dates announced across Europe and the USA in March 2026, including a special standalone UK headline appearance at London’s Shepherd’s Bush Empire on March 22nd. The narrative of the new album plunges into the dark dichotomy of Midwichpolis, where the Temple, Iron Tusk’s black tower, looks down on the obscene luxury of the City of Light, hiding corruption from the poverty and fear plaguing the slums below. “Leather Temple” captures this unrelenting tension with distorted layers and sharp beats, forming the soundtrack to the latest, eagerly awaited chapter of this filmic concept.

BEYOND THE BLACK Shares Deeply Emotional Unity Anthem ‘Ravens’ From New Album

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Symphonic metal sensation BEYOND THE BLACK has happily shared the fifth single, “Ravens,” from their eagerly awaited upcoming studio album, ‘Break The Silence’, due for release on January 9, 2026, via Nuclear Blast Records. The deeply emotional song focuses entirely on themes of resilience, loyalty, and unity, symbolizing rising through darkness together, bound by shared spirit and freedom. Singer Jennifer Haben commented that the track is about “finding light in others when everything feels disconnected,” and the message was made real because both the song and the accompanying video feature guest contributions and appearances from the band’s dedicated fans, affectionately called RAVENS.

BEYOND THE BLACK’s sixth full-length album, ‘Break The Silence’, is a concept album rooted in melodic metal with fascinating ethno influences, and it explores crucial themes of communication, inner strength, and the urgent need to reconnect in a divided world. Tracks like “Let There Be Rain,” “(La Vie Est Un) Cinéma,” “Ravens,” and “The Flood” all examine the profound way words, and their complete absence, shape our reality. The result is an emotional, multi-layered experience that powerfully mirrors today’s complex world and openly invites fans to be a meaningful part of this stunning new chapter in the band’s career.

The band views the recording of “Ravens” as a powerful exercise in belonging, with Jennifer Haben specifically thanking their dedicated fanbase, stating, “A very special thank you to you, our RAVENS, for being part of recording this song and bringing it to life with us.” The single underscores one of the album’s core themes: overcoming interpersonal communication barriers to connect people, and the fan inclusion in both the single and the video perfectly embodies the message. This exciting new single ensures that ‘Break The Silence’ will be one of the most compelling and relevant symphonic metal releases of the new year.

‘Break The Silence’ Track List

  • Rising High
  • Break The Silence
  • The Art Of Being Alone (feat. Lord Of The Lost)
  • Let There Be Rain (feat. The Mystery Of The Bulgarian Voices)
  • Ravens
  • The Flood
  • Can You Hear Me (feat. Asami from Lovebites)
  • (La vie est un) Cinéma
  • Hologram
  • Weltschmerz

Xiu Xiu Collects Years Of Unique Covers Into Delightful New Album ‘Xiu Mutha F***in’ Xiu: Vol 1′

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Prolific music provocateurs Xiu Xiu have announced the release of a delightfully wide-ranging collection of covers, previously available only through subscription, titled ‘Xiu Mutha F***in’ Xiu: Vol 1′, due out January 16, 2026, on Polyvinyl. The announcement is accompanied by Xiu Xiu’s cover of “Cherry Bomb” originally by The Runaways, with the B-side being “Some Things Last a Long Time” originally by Daniel Johnston. This collection compiles a heady selection of monthly covers the band began releasing in 2020 via Bandcamp, expanding their bewildering universe by communing with artists spanning decades and genres, from ’50s rock and new wave to Robyn and Throbbing Gristle. Since their 2002 inception, Xiu Xiu has consistently paid homage to artists they revere, previously releasing tribute albums like ‘Nina’ and ‘Xiu Xiu Plays the Music of Twin Peaks’, cementing their reputation for truly considered reimaginings.

The band views these cover songs not as opportunities for improvement but as “a small honorific offering to the muse that created them,” asking instead, “What can we learn from these?” Across twelve tracks, the album captures the unnerving thrill of familiar fragments colliding and reassembling into something strange, reshaping echoes of pop history into sonic rituals and lucid dreams. Their version of The Runaways’ “Cherry Bomb” is a ticking time bomb of acidic distortion and rebellion, while Talking Heads’ “Psycho Killer” is reborn with howling ’60s organs and flute spirals, feeling older than the original track. Frontman Jamie Stewart shares that he cried while recording Daniel Johnston’s “Some Things Last a Long Time,” recognizing the sincerity and wound within that voice.

Xiu Xiu uses this process to explore the music that has moved them, breathing new life into the past through their sustainable practice. Unexpected obstacles and poignant moments defined the recordings; Coil’s “Triple Sun” allowed them to deeply study a band to whom listeners often link them, and contemporary hits like Robyn’s “Dancing On My Own” and GloRilla’s “Lick Or Sum” gain unearth new, darker understandings. This latest collection, spanning twelve tracks, further defines Xiu Xiu’s unique approach to interpretation, providing an intimate, strange, and exhilarating look at the songs that have shaped them while inviting listeners to experience these classics anew.

Sarah Power Steps Into The Light With Debut Cinematic EP ‘In The Shadows’

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Irish composer, pianist, and producer Sarah Power makes her major step into the spotlight on December 5th with the release of her debut EP, ‘In The Shadows’, marking a significant artistic shift after more than a decade shaping soundtracks from behind the scenes. Power has spent years lending her atmospheric blend of felted piano, strings, and subtle electronic textures to internationally recognized projects, including screen credits as Assistant Composer on This Town and Swift Justice, and as Composer on The Delicate Art of Puppetry. Before focusing entirely on composition, Power toured internationally as a pianist and producer with Irish artist Stephanie Rainey, performing at venues like Electric Picnic and America’s Got Talent, experiences which now inform the emotional sensitivity and cinematic awareness at the heart of her writing.

Recorded between Treehouse Studios and her home studio in Dublin, ‘In The Shadows’ is a deeply personal body of work that captures the space “between stillness and movement, intimacy and scale.” The EP’s tactile piano tones meet layered strings and evolving textures, drawing inspiration from artists such as Hania Rani and Ólafur Arnalds. The project represents Power turning inward after years of helping to build other people’s stories, exploring what it means to claim space for herself, a shift she calls “a quiet record, but a real turning point.” The title track, “In The Shadows,” serves as the emotional center of the EP, starting quietly before finding its own voice in a hopeful motif, perfectly reflecting the composer standing in her own light.

Alanis Morissette Announces Exclusive Six-Date UK And Ireland Tour For 2026

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Seven-time GRAMMY Award-winning artist Alanis Morissette has announced a very special run of just six exclusive dates for her return to the UK and Ireland next summer, starting with a massive show at Crystal Palace Park in London on Saturday, July 4, 2026. This highly anticipated show follows her most acclaimed UK shows ever this past summer, which included a sold-out night at the O2 Arena and a career-defining set during her first-ever Glastonbury appearance. She will be joined by the musical powerhouse special guests Skunk Anansie, the electrifying British rock band known for their powerful fusion of punk, funk, and hard rock, fronted by the dynamic Skin. For 30 years, Alanis Morissette has been one of contemporary music’s most influential women, with hits like “Ironic” and “You Oughta Know” remaining essential today. The continued demand for the artist is immense, following her 2021 sold-out world tour celebrating the 25th anniversary of ‘Jagged Little Pill’, which was the number one female-fronted tour of the year.

Skunk Anansie will be joining as special guests, and Wet Leg will be acting as support for the Glasgow gig. Tickets go on sale next Friday (December 12) at 9am. Visit here for tickets and more information.

Tour dates:

24/06 – Cork, IE @ Virgin Media Park
26/06 – Exeter, UK @ TK Maxx Presents Live at Powderham
28/06 – Woodstock, UK @ Blenheim Palace Festival
30/06 – Glasgow, UK @ Bellahouston Park
02/07 – Lytham, UK @ TK Maxx Presents Lytham Festival
04/07 – London, UK @ Crystal Palace Park

HOAXED Announce Dark, Hone-To-Perfection Sophomore Album ‘Death Knocks’

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The Portland trio HOAXED has proudly announced their potent sophomore album ‘Death Knocks’, set for a February 13, 2026, release via Relapse, following three years of honing their twilight-fed dark rock to perfection. The group, featuring Kat Keo, Kim Coffel, and new bassist April Dimmick, marked the occasion by releasing the album’s lead single, “Where the Seas Fall Silent,” which immediately sets the stage for the album’s thematic exploration of the unknown and the edge of death. With Dimmick’s classic heavy metal influence adding real bite, the band drives cyclical riffs and bottom-heavy bass through the filmic, hard-nosed gloom. The polished, big-sounding force, recorded at Falcon Recording Studios and mixed by Arthur Rizk, perfectly captures the larger-than-life scale of their alluring songs, sealed by Keo’s sorcerous vocal hooks.

‘Death Knocks’ Track List

    1. Where the Seas Fall Silent
    1. Kill Switch
    1. Promised to Me
    1. The Fallen
    1. Looking Glass
    1. Dead Ringer
    1. Wretched
    1. The Family
    1. Killing Stone

Bob Dylan Extends Rough And Rowdy Ways Tour With 27 New U.S. Dates

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Bob Dylan has delighted fans worldwide by announcing the first twenty-seven US concert dates for the 2026 edition of his wildly popular Rough and Rowdy Ways tour, beginning this March in the Midwest. The legendary artist, who will turn 85 next May, continues his tireless devotion to the road, following a successful tour across the UK, Ireland, and Europe that recently wrapped up in November. This phenomenal run of shows, which begins on March 21 and continues through May 1 in Texas, brings Dylan’s influential catalog and unique stage presence to a massive number of cities. His commitment to live performance is absolute, and this extension of the Rough and Rowdy Ways tour follows major festival appearances as part of 2025’s Outlaw Music Festival, just furthers his status as one of music’s most essential, enduring forces.

Bob Dylan “Rough and Rowdy Ways” 2026 Tour

  • Mar 21 – Omaha, NB – Orpheum Theater
  • Mar 22 – Sioux Falls, SD – Mary W. Sommervold Hall
  • Mar 24 – Rochester, MN – Mayo Civic Center Arena
  • Mar 25 – Iowa City, IA – Hancher Auditorium
  • Mar 27 – La Crosse, WI – La Crosse Center
  • Mar 28 – Rockford, IL – Coronado Theatre
  • Mar 30 – Waukegan, IL – Genesee Theatre
  • Mar 31 – Muncie, IN – Emens Auditorium
  • Apr 02 – Grand Rapids, MI – DeVos Performance Hall
  • Apr 03 – Saginaw, MI – The Theater
  • Apr 04 – Detroit, MI – Masonic Temple Theatre
  • Apr 06 – Louisville, KY – The Louisville Palace
  • Apr 09 – Columbus, OH – Palace Theatre
  • Apr 10 – Cleveland, OH – KeyBank State Theatre
  • Apr 12 – Dayton, OH – Winsupply Theatre
  • Apr 14 – Knoxville, TN – Knoxville Civic Auditorium
  • Apr 16 – Bowling Green, KY – SkyPAC
  • Apr 17 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium
  • Apr 19 – Asheville, NC – Thomas Wolfe Auditorium
  • Apr 20 – Spartanburg, SC – Spartanburg Memorial Auditorium
  • Apr 23 – Dothan, AL – Dothan Civic Center
  • Apr 25 – Jackson, MS – Thalia Mara Hall
  • Apr 27 – Baton Rouge, LA – Raising Cane’s River Center
  • Apr 28 – Shreveport, LA – Shreveport Municipal Auditorium
  • Apr 29 – Tyler, TX – Cowan Center
  • May 01 – Abilene, TX – Abilene Auditorium

On Sale Information Tickets for the 2026 shows go on sale December 12.