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5 Surprising Facts About Bon Iver’s ‘For Emma, Forever Ago’

Eric Alper
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5 Surprising Facts About Bon Iver’s ‘For Emma, Forever Ago’

Singer-songwriter Justin Vernon crafted a hauntingly beautiful blueprint for modern indie folk with the release of his debut masterpiece ‘For Emma, Forever Ago’. Following a string of personal heartbreaks and a debilitating bout of mononucleosis, Vernon retreated to his father’s remote timber-frame hunting cabin in the Wisconsin woods to seek a quiet sanctuary. This period of deep isolation during a harsh winter allowed him to strip away his traditional songwriting methods in favor of wordless melodies and subconscious lyrical patterns. The resulting record is a panoramic journey through lost love and the acceptance of adulthood, anchored by his signature otherworldly falsetto and warm acoustic guitar. Witnessing the transition from his frustrated life in North Carolina to the creative catharsis of the cabin is a profound experience for any folk enthusiast.

The legacy of this album is defined by its organic textures and the mythic story of its creation, which eventually led to a wide release on the independent label Jagjaguwar. Despite being recorded on a simple laptop with basic equipment, the project achieved universal acclaim and earned a platinum certification for its massive commercial impact. Every track contributes to a lush and wintery atmosphere that feels like a shared secret between the artist and the snowy landscape outside. This body of work provides a factual demonstration of how a singular voice can emerge from the silence of nature to touch a global audience. Hearing the labor-intensive choral arrangements and the honest delivery of “Skinny Love” is a total win for anyone seeking music that feels both vivid and timeless.

The Venison For Guitar Repair Trade

To keep his 1964 Sears Silvertone guitar in playing condition during the long winter months, Justin Vernon visited the nearby town to trade venison for repair services. Having hunted two deer to sustain himself throughout his three-month stay, he utilized the meat as currency to maintain his musical equipment. This resourceful exchange emphasizes the raw and primitive nature of the recording process in the isolated Eau Claire County cabin.

A Midnight Encounter With A Wild Bear

During his solitary stay, a wild bear once entered the timber-frame cabin late at night after being enticed by the scent of the stew Vernon was cooking. This dangerous encounter served as a factual reminder of his extreme isolation from society and the risks of living cheaply in the rural Wisconsin wilderness. Vernon described the experience as a moment where he truly faced the loud sounds of his own thoughts and the surrounding environment.

Synergy Through Jargon And Syllables

The songwriting process for the album was entirely unorthodox, as Vernon initially recorded wordless vocal lines and unintelligible jargon to find the “back-door” into his melodies. He would listen back to these vocal takes dozens of times and write down the words he thought he heard within the sounds, allowing his subconscious to dictate the lyrics. This freeing method helped him uncover deep grudges and hidden meanings that he could not access through traditional writing.

The Crashing Laptop Burial Ritual

Before the move to the cabin, an old PowerBook computer containing dozens of Vernon’s unfinished songs crashed and became completely unrecoverable. In a symbolic act of starting over, he buried the dead laptop in the snow, viewing the loss of his old work as a necessary step toward his new creative face. This ritual cleared the path for the nine songs that would eventually form the tracklist of his breakthrough record.

Identifying The Meaning Of Emma

Contrary to the popular myth that the album title refers to a specific former flame, Vernon has stated that “Emma” is not actually a person but rather a place of emotional stagnation. He described the titular name as a sentiment for a pain that one cannot erase and a closing chapter of his own history. While his first love Sara Jensen provided the middle name for the title, the record serves as a broader make-up with his own past and a re-examination of his relationships.

5 Surprising Facts About Adele’s ’25’

Eric Alper
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5 Surprising Facts About Adele’s ’25’

Adele captured the hearts of millions once again with the release of her third studio album ‘25’, a beautifully soul-stirring collection she affectionately termed a “make-up record.” Moving away from the heartbreak that defined her previous work, this album serves as a warm reflection on motherhood, nostalgia, and the bittersweet passage of time. The production introduced sweet electronic textures and 1980s R&B influences, creating a lush wall of sound that perfectly complemented her powerful vocal delivery. This project became a global phenomenon, selling over 17 million copies in its first year alone and earning a Diamond certification. Every note on this record feels like a gentle embrace, inviting listeners to find solace in their own memories and personal growth.

The legacy of ‘25’ is defined by its unprecedented commercial success and its ability to renew a widespread love for physical music formats. Debuting at number one in 32 countries, the album broke historical sales records, including moving a staggering 3.38 million copies in a single week in the United States. Beyond the numbers, the record earned prestigious accolades such as the Grammy Award for Album of the Year and the Brit Award for British Album of the Year. The accompanying world tour broke numerous attendance records, proving that her authentic storytelling resonates deeply across all borders. Witnessing the transition from the “young-fogey” sound of her past to this modernized, panoramic production is a joyful experience for any music lover.

The Six-Month Journey To Hello

The lead single “Hello” was written in Chiswick, London, and took an arduous six months to complete. After writing the first verse with producer Greg Kurstin, Adele took a long hiatus before returning to finish the track. Kurstin admitted he was unsure if she would ever return to complete the song, but the final result became a massive global hit that topped the charts in 30 countries and became the first song to sell a million digital copies in a week.

Scrapped Motherhood Material

During the initial writing sessions, Adele penned an entire album dedicated solely to the theme of being a mother. However, she ultimately decided to scrap the project because she felt the material was too boring and lacked the emotional depth her fans expected. This creative pivot led her back to the drawing board to create a more balanced record that explored a wider spectrum of nostalgia and personal reconciliation.

Inspired By Madonna’s Electronic Foray

A major sonic inspiration for the album’s new direction was Madonna’s 1998 masterpiece ‘Ray of Light’. Adele found deep resonance in how Madonna returned to her creative self after having her first child, specifically citing the track “Frozen” as a significant influence. This led to the incorporation of subtle electronic pulses and “microbeats” that modernized her traditional piano-ballad style.

Re-working A Thirteen Year Old Skeleton

The upbeat “Send My Love (To Your New Lover)” originated from a guitar riff Adele wrote when she was only thirteen years old. She was inspired to revisit the old sketch after hearing Amy Winehouse’s ‘Frank’ and collaborated with pop masterminds Max Martin and Shellback to turn it into a rhythmic “happy you’re gone” anthem. The title was changed from “We Ain’t Kids No More” at the last minute to keep the album feeling fresh.

The Last Minute Addition Of Million Years Ago

The acoustic track “Million Years Ago” was almost left off the record entirely. It was written and recorded so late in the process that it was only added to the final tracklist three days before the album was set to be mixed at Electric Lady Studios in New York. The song features a minimalist arrangement with only a guitar and background hums, pining for the simple normality of her childhood.

5 Surprising Facts About The White Stripes’ ‘White Blood Cells’

Eric Alper
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5 Surprising Facts About The White Stripes’ ‘White Blood Cells’

The White Stripes ignited a worldwide garage rock revival with the frantic and unpolished energy of their third studio album ‘White Blood Cells’. Abandoning their heavy blues roots for a more primitive and paranoid rock and roll sound, the duo hunkered down at Easley-McCain Recording in Tennessee to capture a deliberately tense atmosphere. Produced by Jack White over a mere three days, the record cost only $4,000 and was famously rushed to ensure the performances remained unorganized and electric. This stripped-down approach stripped away guitar solos and slide work in favor of jagged riffs and Meg White’s heavy, stuttering drum beats. Witnessing the visceral intensity and manic vocal quality of these recordings provides a grimy window into the heart of the Detroit music scene.

The album’s legacy is cemented by its platinum status and a collection of songs that explore the darker corners of fame, betrayal, and childhood nostalgia. From the wordless, sludgey metal screams of “Aluminum” to the cinematic lyrical allusions of “The Union Forever”, the project functions as a defiant middle finger to high-fidelity commercial standards. The visual satire of the cover art combined with the breakthrough success of “Fell in Love with a Girl” propelled the band from independent favorites to global icons. Every distorted chord and crashing cymbal on this project serves as a factual reminder that raw passion often outweighs a massive production budget. Hearing the anxious banter and snappy humor buried in these tracks is a total win for anyone seeking authentic and dirty rock music.

The $4,000 Three Day Sprints

‘White Blood Cells’ was recorded, mixed, and mastered in a frantic seventy-two hour window to prevent the songs from sounding too rehearsed or polished. Jack White repeatedly instructed recording engineer Stuart Sikes not to make the album sound too good in order to preserve its garage-born grit. To save money on tape, the band recorded two different songs on the same reel by utilizing separate twelve-track sections.

A Satirical Attack On The Media

The album title and cover art were chosen as a direct commentary on the sudden influx of media attention and industry pressure facing the band. The image of Jack and Meg surrounded by cameras was intended to satirize the music business and the “bacteria” of external interference. Jack expressed frustration with the commercialization of music, questioning why artists had to be suckered into the business side of the craft.

The Citizen Kane Copyright Rumors

The track “The Union Forever” features lyrics composed entirely of lines from Jack White’s favorite film, ‘Citizen Kane’. This tribute to the 1941 classic was so literal that rumors circulated for years that Warner Bros. was preparing a lawsuit for copyright infringement. The song stands as one of the most experimental moments on the record, blending cinematic obsession with heavy guitar riffs.

Recording In Room 206

The single version of the country-tinged track “Hotel Yorba” was recorded on location in room 206 of the actual Hotel Yorba in southwest Detroit. Jack White grew up near the building and was fascinated by a false childhood rumor that The Beatles had once stayed there. The hotel, which later became government-subsidized housing, provided the perfect low-fidelity backdrop for the band’s uncharacteristic foray into folk-rock.

The Wordless LEGO Breakthrough

The massive success of “Fell in Love with a Girl” was bolstered by a revolutionary LEGO-animated music video directed by Michel Gondry. Instead of a traditional chorus, the song features Jack and Meg belting wordless “ah-ah-ah-ah” harmonies over a manic 192 beats per minute tempo. This one-minute and fifty-second burst of energy won three MTV Video Music Awards and helped the band enter the mainstream consciousness.

5 Surprising Facts About Kendrick Lamar’s ‘DAMN.’

Eric Alper
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5 Surprising Facts About Kendrick Lamar’s ‘DAMN.’

Kendrick Lamar solidified his status as a generational visionary with the release of his fourth studio album ‘DAMN.’ which arrived as a powerful exploration of modern identity and spirituality. The project serves as a masterful blend of conscious hip-hop and trap rhythms, featuring an elite production team including Mike Will Made It and Sounwave alongside high-profile guests like Rihanna and U2. This record achieved massive commercial success by moving 603,000 units in its first week and eventually earning a triple platinum certification. Every track contributes to a dense narrative that challenges listeners to confront their own perspectives on pride, humility, and faith.

The legacy of this album reached historic heights when it earned the 2018 Pulitzer Prize for Music, marking the first time a non-classical or jazz artist received the prestigious honor. Beyond its critical accolades and Grammy wins, the record redefined the technical possibilities of the genre through its innovative structure and “Humble” became a massive cultural anthem. This body of work provides a factual demonstration of artistic excellence that resonates through stadium speakers and academic discussions alike. Witnessing the transition from the experimental textures of his previous work to the sharp and abrasive energy of this project is a true highlight for any music enthusiast.

The Reverse Narrative Rhythm

Lana Del Rey’s ‘DAMN.’ features a premeditated structure that allows the entire tracklist to be played in reverse order while maintaining a coherent story. Lamar confirmed in interviews that this dual-listening experience was intentional from the start to provide a different rhythm and tempo for the listener. This unique sequencing choice reinforces the album’s themes of destiny and choice.

Mike Will’s Gucci Mane Beat

The thundering beat for the lead single “Humble” was originally developed by producer Mike Will Made It with the intention of giving it to Gucci Mane. After showing the track to Kendrick Lamar, the rapper recorded his vocals and the team initially planned to release it on Mike Will’s own project. Lamar was eventually convinced to keep the song for his own album, where it became his first number-one hit as a lead artist.

Battling The Beat On DNA

During the recording of “DNA”, Lamar requested a specific production style that he described as “chaos” to match his vocal delivery. After finishing the first verse, he rapped the second half of the song a cappella and challenged Mike Will to build a beat around his rhymes. The resulting production was designed to make it sound as though the rapper is actively battling the beat in real time.

The Parental Advisory Design

The album artwork, designed by Vlad Sepetov, features a loud and abrasive aesthetic that stands in stark contrast to Lamar’s previous political covers. A specific design choice involved placing the Parental Advisory sticker near the center-right of the frame rather than the bottom corner. Sepetov intended for the sticker to be a functional part of the visual energy rather than a last-minute addition to the packaging.

The Original Working Title

Before settling on the final punchy title, the project was originally going to be called ‘What Happens on Earth Stays on Earth’. Lamar ultimately decided the long title did not read correctly and chose ‘DAMN.’ to reflect the loudness of the records like “DNA”. He felt the final word captured the various emotional states of being “damned if I do, damned if I don’t” across the tracklist.

5 Surprising Facts About Björk’s ‘Vespertine’

Eric Alper
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5 Surprising Facts About Björk’s ‘Vespertine’

Following the aggressive and confrontational energy of her previous work, Björk shifted her creative focus toward a hushed, domestic soundscape that redefined the boundaries of electronic music. ‘Vespertine’ arrived as an introverted winter record, drawing deep inspiration from her burgeoning relationship with artist Matthew Barney and a desire for tranquility after a grueling film production. By enlisting experimental producers like Matmos and Opiate, she crafted a delicate “microcosmos” of sound using harps, custom music boxes, and celeste. The resulting album functions as a quiet sanctuary, where every whisper and percussive click feels like a shared secret between the artist and the listener.

The technical precision of the album is matched by its bold visual identity, from the iconic swan dress on the cover to the provocative music videos for “Pagan Poetry” and “Cocoon”. This era saw Björk embracing the laptop as a primary writing tool, allowing for intricate editing and the creation of “microbeats” from everyday household noises like cracking ice. Despite the experimental nature of the arrangements, the record achieved universal acclaim and remains a factual benchmark for avant-garde pop. The 2001 world tour further emphasized this intimacy as she performed in opera houses and small theaters to preserve the pristine acoustics of her new chamber music.

The Invention of Microbeats

To achieve the intricate rhythms on the album, Björk and the duo Matmos magnified tiny, everyday sounds into complex percussion. They utilized the noises of shuffling cards, ice being cracked, and household banalities to create a rhythmic backbone that felt both synthetic and organic. This process was designed to give listeners the sensation of being told a secret through the audio.

Custom Frozen Music Boxes

Björk specifically sought out a music box company to create custom instruments housed in transparent acrylic glass rather than traditional wood. She requested this specific material because she wanted the chime of the music box to sound as hard and sharp as possible, as if the notes were frozen. These unique instruments became a defining sonic characteristic of tracks like “Pagan Poetry”.

The Laptop Sessions

‘Vespertine’ is often retrospectively referred to as Björk’s “laptop album” because she utilized the technology to compose and edit much of the music in a New York City loft. She chose to prioritize instruments like the harp and clavichord because their frequencies would not be compromised when fans downloaded tracks from Napster. This forward-thinking approach allowed her to maintain high-fidelity sound in a digital era.

Banned Visual Artistry

The music videos for the singles “Pagan Poetry” and “Cocoon” became subjects of massive controversy due to their explicit and avant-garde depictions of sexuality. Directed by Nick Knight and Eiko Ishioka respectively, both visuals were famously banned from primetime MTV. These films explored themes of eroticism and vulnerability, featuring high-fashion elements like an Alexander McQueen wedding dress.

The Swan Dress Legacy

The album cover features Björk wearing the famous Marjan Pejoski swan dress, which became one of the most discussed fashion moments in history after the 73rd Academy Awards. Björk chose the swan as the visual symbol for the record because she felt the white winter bird perfectly embodied the romantic and chilly atmosphere of the music. The artwork was a collaboration with M/M (Paris) and photographers Inez and Vinoodh.

5 Surprising Facts About Lana Del Rey’s ‘Born to Die’

Eric Alper
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5 Surprising Facts About Lana Del Rey’s ‘Born to Die’

Lana Del Rey’s 2012 major label debut ‘Born to Die’ stands as a pivotal moment in contemporary music while solidifying her as a definitive voice with a cinematic sound. This album blended baroque pop and trip hop to captivate a global audience by contrasting with the prevalent electronic dance music of the era. Its themes of love and Americana infused with dramatic strings created a unique sonic landscape that quickly gained both fervent fans and intense critical discussion. The record’s enduring popularity remains undeniable as it was the world’s fifth best-selling album of 2012 and maintains a remarkable presence on the global charts.

More than a decade after its release, ‘Born to Die’ continues to resonate and recently achieved a massive milestone by becoming the longest charting album by a female artist in Billboard 200 history with 618 weeks as of December 2025. Despite an initially mixed critical reception that noted its melodramatic tendencies, the distinctive sound and compelling persona fostered a massive cult following. Publications like The Guardian and NME have retrospectively recognized its significance as a modern classic that profoundly influenced the alternative pop landscape. This specific collection of songs provides a powerful sonic journey through nostalgia and identity that feels just as relevant today.

A Chart-Topping Phenomenon

‘Born to Die’ quickly became a global success by debuting at number one in the UK, France, and various other European countries. In its first day, it sold 50,000 copies in the UK and became the fastest-selling album of 2012 by moving over 116,000 copies in its initial week. It also reached number two on the US Billboard 200 during a highly competitive chart cycle.

The Alcoholism Inspiration

Much of the lyrical content on ‘Born to Die’ draws from the wilderness years Lana Del Rey spent living in New York City. She revealed that alcohol was the first love of her life and that many of the songs reflect her experiences with sobriety and addiction. These personal hurdles provided the emotional foundation for the moody and introspective themes found throughout the tracklist.

From Lizzy Grant To Lana Del Rey

Before this era began, the artist recorded a debut studio album under her birth name for 5 Point Records. That record was digitally released in 2010 but was quickly pulled from circulation after she settled on her current stage name and secured new management. Her manager successfully bought out the contract to allow for a fresh start under the name that would eventually become a household staple.

The Self-Directed Breakthrough

The lead single “Video Games” served as a breakthrough hit despite the artist initially having no intentions of releasing it as a formal single. Del Rey directed and edited the accompanying music video herself by combining webcam footage with various archive clips. This viral success on YouTube led to her signing with Interscope Records and changed the trajectory of her career overnight.

A Controversial Cover Shoot

The striking cover photograph for ‘Born to Die’ was taken in Carpenders Park, Watford, by Nicole Nodland. The cover, featuring Del Rey with an “ominous” background and her “detached and still-flawless persona,” was praised by Complex magazine, which ranked it among “The 50 Best Pop Album Covers of the Past Five Years.”

Charles James & The Rise Explore Greed Through “About a Cow” From ‘Crossing the Bar’

Eric Alper
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Charles James & The Rise Explore Greed Through “About a Cow” From ‘Crossing the Bar’

Award-winning folk ensemble Charles James & The Rise unveil their latest single “About a Cow” as a featured highlight from the cinematic debut album ‘Crossing the Bar’ which arrived this past autumn. This track functions as a dark pastoral fable about consumption and sacrifice featuring guest instrumentation from legendary Waterboys fiddler Steve Wickham and cellist Laura McFadden. Following their success at the Disappear Here Film Festival and a notable tour supporting Gavin James, the group continues to expand their widescreen sound with emotive vocals and spectral piano melodies. The intricate layering of strings against the abstract lyrics creates a hauntingly beautiful sonic landscape that honors the traditions of lyrical introspection.

Rise Of The Northstar Unleash Crushing New Single “Falcon” From ‘CHAPTER 04: RED FALCON SUPER BATTLE! NEO PARIS WAR!!’

Eric Alper
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Rise Of The Northstar Unleash Crushing New Single “Falcon” From ‘CHAPTER 04: RED FALCON SUPER BATTLE! NEO PARIS WAR!!’

French powerhouse Rise of the Northstar officially signals the arrival of their latest creative era with the high-intensity music video for “Falcon” following the successful run of previous singles “A.I.R. Max”, “NEO PARIS”, and “BACK 2 BASICS”. This anthemic track serves as the final preview of their fourth studio record ‘CHAPTER 04: RED FALCON SUPER BATTLE! NEO PARIS WAR!!’ which debuted late last year to a massive global reception. The song combines atmospheric melodies with the signature headbanging grooves and modern rap-metal elements that define the band’s unique sonic identity.

Vocalist Vitia describes the composition as a central pillar for the artistic direction of this entire project, featuring melodic contributions from Eva-B that provide a sense of hope and resilience. Hearing the heavy rhythmic shifts paired with such a personal lyrical message is a powerful experience for any heavy music enthusiast. This release stands as a factual testament to the group’s ability to evolve their sound while maintaining the aggressive energy of their Neo Paris roots.

Finn Wolfhard Delivers Immersive “Everytown there’s a darling” Performance For ‘Live from Vevo Studios’

Eric Alper
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Finn Wolfhard Delivers Immersive “Everytown there’s a darling” Performance For ‘Live from Vevo Studios’

Vevo officially unveils a striking new visual performance featuring Finn Wolfhard as he delivers a soulful rendition of “Everytown there’s a darling” from his debut solo effort ‘Happy Birthday’. This session marks a significant milestone in the artist’s career as he transitions from his collaborative work with Calpurnia and The Aubreys into a more singular creative path. The ‘Live from Vevo Studios’ series provides a specialized platform where established performers utilize custom lighting and high-fidelity audio to expand their visual catalog for a global audience. Released through AWAL, this performance highlights the raw and reflective songwriting found throughout his nine-song studio record. Witnessing the transition from the actor’s public persona to this focused musical identity is a compelling experience for long-time supporters.

Sticky Fingers Return For Massive North American Trek During The “Sticky Fingers 2026 Tour”

Eric Alper
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Sticky Fingers Return For Massive North American Trek During The “Sticky Fingers 2026 Tour”

The Australian sensations Sticky Fingers officially end their long absence from North American stages with an expansive spring trek across the United States and Canada. This highly anticipated run features the versatile Canadian singer-songwriter Ruby Waters as the primary support for twenty-five dates. Fans now have their first opportunity to hear live versions of songs from two recent full-length albums which have never been performed on this continent. The group brings a polished blend of psych-rock and reggae to major rooms including the Brooklyn Paramount and the Hollywood Palladium. This Live Nation production represents the first time the band has toured this region since 2019.

The setlist bridges the gap between early career favorites and the evolved textures found on their newest studio recordings. Audiences can expect a seamless flow of indie soul and hazy rock grooves throughout the night. The itinerary includes iconic stops at Stubb’s Waller Creek Amphitheater in Austin and the Fillmore Auditorium in Denver. Ruby Waters joins the lineup to provide a compelling opening set that prepares the crowd for the headliners’ rhythmic energy. Hearing the intricate guitar work and soulful vocal harmonies in person offers a significant upgrade from digital playback.

The atmosphere in these historic venues will be electric as the group revisits fans they have not seen in seven years. Precise instrumentation and a relaxed stage presence define the character of this 2026 touring cycle. Every performance focuses on the authentic delivery of the genre-bending sound that built their massive international following. This undertaking ensures that listeners from Seattle to Miami Beach can participate in the reunion. The sheer variety of musical influences on display creates a vibrant and constantly shifting sonic landscape.

TOUR DATES:
Sat Feb 28 | Honolulu, HI | Republik
Tue Mar 03 | San Diego, CA | SOMA
Wed Mar 04 | Phoenix, AZ | The Van Buren
Fri Mar 06 | Dallas, TX | House of Blues
Sat Mar 07 | Austin, TX | Stubb’s Waller Creek Amphitheater
Sun Mar 08 | New Orleans, LA | The Fillmore New Orleans
Tue Mar 10 | St. Petersburg, FL | Jannus Live
Wed Mar 11 | Miami Beach, FL | Fillmore Miami Beach at Jackie Gleason Theatre
Fri Mar 13 | Atlanta, GA | Buckhead Theatre
Sat Mar 14 | Charlotte, NC | The Fillmore Charlotte
Mon Mar 16 | Silver Spring, MD | The Fillmore Silver Spring
Tue Mar 17 | Philadelphia, PA | The Fillmore Philadelphia
Thu Mar 19 | Boston, MA | Citizens House of Blues
Fri Mar 20 | Brooklyn, NY | Brooklyn Paramount
Sun Mar 22 | Montreal, QC | MTELUS
Wed Mar 25 | Toronto, ON | HISTORY
Fri Mar 27 | Chicago, IL | Riviera Theatre
Sun Mar 29 | Denver, CO | Fillmore Auditorium
Tue Mar 31 | Salt Lake City, UT | The Union Event Center
Thu Apr 02 | Seattle, WA | Paramount Theatre
Fri Apr 03 | Vancouver, BC | PNE Forum
Sat Apr 04 | Portland, OR | Crystal Ballroom
Mon Apr 06 | San Francisco, CA | The Masonic
Wed Apr 08 | Anaheim, CA | House of Blues
Thu Apr 09 | Los Angeles, CA | Hollywood Palladium

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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