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Tony-Nominated Smash ‘Titaníque’ Sets Sail On A 2027 National Tour

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The Céline Dion-fueled comedy juggernaut is hitting the road. The Tony-nominated musical ‘Titaníque’ has announced a national tour set to begin in 2027, expanding the breakout hit across North America.

Producers confirmed the touring production will visit multiple major cities, with initial stops in Los Angeles, San Diego, Charlotte, Oklahoma City, and Washington, D.C. More dates and cities are expected in the months ahead.

The news arrives mid-momentum. ‘Titaníque’ continues its Broadway engagement at the St. James Theatre while also running in London’s West End, and it landed four nominations at the 2026 Tony Awards, including Best Musical. Co-creator and star Marla Mindelle earned a nod for Leading Actress in a Musical. It’s exactly the kind of word-of-mouth hit built to thrive on tour.

The show’s premise is its own best pitch. ‘Titaníque’ reimagines the 1997 blockbuster ‘Titanic’ through a comedic lens, threading the songs of Céline Dion throughout. It officially opened on Broadway April 12 after beginning previews March 26.

The creative team brings the concept to life with real pedigree. The book is written by Mindelle, Constantine Rousouli, and Tye Blue. Rousouli currently stars on Broadway as Jack, while Blue directs. Nicholas James Connell handles music supervision, orchestrations, and arrangements. Tour casting has not been revealed yet, with the process overseen by Rachel Hoffman of The Telsey Office.

The road to Broadway was a long climb. ‘Titaníque’ started as a one-night concert presentation in Los Angeles in 2017, moved to New York’s Green Room 42 in 2018, then grew into a fully staged Off-Broadway production in 2022. Originally planned as a limited engagement, it became a breakout success and transferred to the Daryl Roth Theatre for a three-year run that wrapped last year. Since then it has staged productions in Australia, Canada, London’s West End, Chicago, and Paris.

2027 National Tour (initial stops):

Los Angeles, CA

San Diego, CA

Charlotte, NC

Oklahoma City, OK

Washington, D.C.

Joey Fatone And Paulo Szot Return To Broadway’s ‘& Juliet’ For A Summer Run

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Two familiar faces are heading back to the Stephen Sondheim Theatre. Broadway’s ‘& Juliet’ has confirmed the return of Joey Fatone and Paulo Szot this summer, with the pair sharing the role of Lance across alternating blocks of performances.

Fatone takes the stage first on July 1, with Szot beginning July 21. From there the two trade off through the summer and into early fall. Fatone performs July 2 to 12, August 4 to 15, and September 1 to 13, while Szot covers July 21 to 26, July 28 to August 2, and August 18 to 30. Understudies fill the role on the dates in between.

Both actors framed the return warmly. Fatone said coming back feels like coming home and that he’s excited to have fun with the cast again, while Szot called Lance one of the most enjoyable roles he’s originated on Broadway, comparing the return to revisiting an old friend.

The rotation follows the departure of Tony winner James Monroe Iglehart, who played his final performance June 4. Nicholas Edwards covered the role June 9 to 17, with Reese Britts taking over from June 18 through July 1.

The wider cast stays loaded. Current company members include Gianna Harris as Juliet, Alison Luff as Anne, Drew Gehling as Shakespeare, Jeannette Bayardelle as Angelique, Michael Iván Carrier as May, Liam Pearce as Romeo, and Nathan Levy as François. Emmy and Golden Globe nominee Chrissy Metz joins as Angelique beginning June 18.

The show itself remains one of Broadway’s brightest tickets. Nominated for nine Tony Awards including Best Musical, ‘& Juliet’ reimagines Shakespeare’s “Romeo and Juliet” by asking what happens if Juliet chooses to live. David West Read wrote the book, and the score is built from Max Martin pop hits including “Since U Been Gone,” “Roar,” “I Want It That Way,” and “Confident.” Directed by Luke Sheppard with choreography by Jennifer Weber and musical supervision by Bill Sherman, the production celebrates its 1,500th Broadway performance on June 23.

Indie Favorites Phantogram And Toro y Moi Top Sierra Nevada’s Inaugural Hazy Hideaway Festival

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Sierra Nevada is pairing craft beer with a stacked indie bill. The brewery has announced its first-ever music and arts festival, The Hazy Hideaway, landing at its Mills River, North Carolina brewery on August 21 and 22. Produced and curated by Sierra Nevada, the two-day event spotlights artists from the indie and alternative scenes alongside local performers.

Phantogram headline opening night on Friday, August 21. The electro-pop duo bring exactly the kind of atmospheric punch a debut festival wants up top, and the Friday bill rounds out with Poolside, Mon Rovîa, Magic City Hippies, King Garbage, Boat Command, Krave Amiko, and The Silver Doors.

Toro y Moi tops the bill Saturday, August 22, a perfect fit for a festival built on good vibes and warm-weather grooves. The second day also features Jonah Kagan, Helado Tropical, Bay Ledges, The Get Right Band, Pink Beds, Coconut Cake, Hannah Kaminer, Random Animals, and Yesterday’s Clothes.

The festival goes well beyond the stages. Attendees get a vendor marketplace stocked with North Carolina artisan goods, live mural painting demonstrations, and a vinyl listening lounge serving handcrafted coffee. Vinyl DJ sets from Mr. Soul Motion and Marley Carroll fill the gaps between performances, while Sierra Nevada’s Taproom rolls out a special festival menu alongside local food trucks across the weekend.

Hazy Hideaway Festival 2026 Lineup:

Friday, August 21: Phantogram, Poolside, Mon Rovîa, Magic City Hippies, King Garbage, Boat Command, Krave Amiko, The Silver Doors

Saturday, August 22: Toro y Moi, Jonah Kagan, Helado Tropical, Bay Ledges, The Get Right Band, Pink Beds, Coconut Cake, Hannah Kaminer, Random Animals, Yesterday’s Clothes

DJ Sets: Mr. Soul Motion, Marley Carroll

Hardcore Heavyweights Quicksand And Bane Join Forces For A Co-Headlining Summer Run

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Two pillars of hardcore are sharing a stage all summer. Quicksand and Bane have revealed a co-headlining North American tour, a run that brings two of the genre’s most respected names together across the continent. Soul Blind provides support throughout.

The trek kicks off August 3 in Norfolk, Virginia at The Annex, following Quicksand’s solo round of overseas dates this June. From there it winds through Austin, Portland, Salt Lake City, Chicago, Toronto, and Philadelphia, hitting rooms like The Bellwether in Los Angeles, Washington, D.C.’s 9:30 Club, El Club in Detroit, and Colorado Springs’ Black Sheep along the way. Boston closes things out September 3 at Royale. Tickets are available now through Quicksand and Bane’s official websites.

Quicksand hit the road behind a new record. ‘Bring on the Psychics’ arrives July 17 via Equal Vision Records, their first album in five years, and these shows give fans an early chance to hear it live. The band sound primed for it, and a co-headline bill this stacked is built for long-running fans and newcomers alike.

Bane bring their own recent chapter. Last year they released ‘Boston 6:58 PM’, a compilation drawn from their 2009 Cities EPs, keeping their catalogue in motion ahead of this run.

Quicksand + Bane 2026 North American Tour Dates:

August 3 – Norfolk, VA @ The Annex

August 4 – Durham, NC @ Motorco Music Hall

August 5 – Atlanta, GA @ The Masquerade – Hell Stage

August 7 – Dallas, TX @ AM/FM Backyard

August 8 – Houston, TX @ White Oak Music Hall

August 9 – Austin, TX @ Mohawk Austin

August 11 – Mesa, AZ @ The Nile Theater

August 12 – Solana Beach, CA @ Belly Up

August 13 – Los Angeles, CA @ The Bellwether

August 14 – Fresno Crossing, CA @ Strummer’s

August 15 – San Francisco, CA @ The Castro Theatre

August 16 – Roseville, CA @ Goldfield Trading Post Roseville

August 18 – Portland, OR @ Wonder Ballroom

August 19 – Seattle, WA @ The Showbox

August 21 – Salt Lake City, UT @ The Depot

August 22 – Colorado Springs, CO @ Black Sheep

August 23 – Englewood, CO @ Gothic Theatre

August 25 – Saint Paul, MN @ Amsterdam Bar and Hall

August 26 – Chicago, IL @ Bottom Lounge

August 27 – Grand Rapids, MI @ The Pyramid Scheme

August 28 – Detroit, MI @ El Club

August 29 – Toronto, ON @ East End United

August 31 – Washington, DC @ 9:30 Club

September 1 – Philadelphia, PA @ Underground Arts

September 2 – Brooklyn, NY @ The Brooklyn Monarch

September 3 – Boston, MA @ Royale

Paris Jackson Launches Her First Headline Run With The “Zombies Tour”

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Paris Jackson is stepping out front for the first time. The alt-rocker has announced the Zombies Tour, her first-ever headlining run, bringing her raw, emotionally charged live show to intimate venues across North America this summer. The dates fall alongside a run supporting The Pretty Reckless on select shows, a milestone stretch in her fast-evolving musical journey. Fresh off a standout set at BottleRock Napa Valley this spring, she hits the road with a deep bench of fan favorites and a new chapter on the horizon. Presales start Wednesday, June 10, ahead of the general on-sale Friday, June 12 at 10 am local time.

The run follows her latest single “Teenage Drama,” out now on all streaming platforms. The track catches Jackson at her most fearless and self-assured, pairing sharp-edged alternative rock production with unfiltered lyricism about growing pains, self-discovery, and the lingering echoes of youth. It’s another window into her forthcoming project and the sonic world she’s been building for years.

She first introduced that celestial yet edgy sound on her 2020 debut album ‘Wilted’. Made with Andy Hull and Robert McDowell of Manchester Orchestra, the record hit number 1 on the iTunes US Alternative Albums Chart on release. From there she dropped the ‘Lost’ EP alongside singles like “Lighthouse” and “Bandaid,” played headline shows across North America, and toured with Queens of the Stone Age, Incubus, Manchester Orchestra, Silversun Pickups, and The Revivalists. Her new project widens that palette while keeping the authenticity that’s become her signature.

Paris Jackson Tour Dates:

July 10 – Raleigh, NC @ The Ritz

July 13 – Detroit, MI @ The Fillmore

July 17 – Chicago, IL @ Riviera Theatre

July 20 – Omaha, NE @ Reverb Lounge

July 21 – Kansas City, MO @ The Midland Theatre

July 23 – Austin, TX @ ACL Live at The Moody Theatre

July 24 – Houston, TX @ Bad Astronaut

July 25 – Dallas, TX @ House of Blues

July 31 – Los Angeles, CA @ The Wiltern

August 1 – San Diego, CA @ Soda Bar

August 2 – Phoenix, AZ @ The Van Buren

August 4 – Sacramento, CA @ Harlow’s – The Starlet Room

August 5 – San Francisco, CA @ Cafe Du Nord

August 7 – Portland, OR @ McMenamins Crystal Ballroom

August 9 – Boise, ID @ Shrine Social Club – Basement

August 11 – Calgary, AB @ Grey Eagle Event Centre

August 13 – Vancouver, BC @ Biltmore Cabaret

August 15 – Seattle, WA @ Moore Theatre

August 28 – Birmingham, AL @ Avondale Brewing Company

August 29 – New Orleans, LA @ House of Blues

September 1 – Atlanta, GA @ The Earl

September 3 – Nashville, TN @ Ryman Auditorium

September 6 – Pryor, OK @ Rocklahoma Festival

September 9 – Indianapolis, IN @ Old National Centre – Egyptian Room

September 10 – Cleveland, OH @ House of Blues

September 11 – Toronto, ON @ Hard Luck Bar

September 13 – Ottawa, ON @ HISTORY Ottawa

September 24 – Boston, MA @ Citizens House of Blues

September 25 – New York, NY @ Night Club 101

September 26 – Silver Spring, MD @ The Fillmore Silver Spring

September 28 – Hampton Beach, NH @ Hampton Beach Casino Ballroom

Punk Veterans I Am The Avalanche Roar Back With “I’m Not Dead” Off ‘The Horror Show’

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I Am The Avalanche are back with their teeth bared. The band have premiered a lyric video for “I’m Not Dead (I Just Blinked And Never Saw The Light Again),” the latest single from their new album ‘THE HORROR SHOW’. They call it a sh*t-scorcher of a tune, and they mean it.

The song took a winding road to get here. Frontman Vinnie Caruana developed it during the pandemic with Chris Todd, drummer of Common Sage, for a different project that never came together. Caruana eventually brought it into Avalanche world, and the result is one of the record’s most life-affirming moments.

‘THE HORROR SHOW’ is the band’s fifth full-length, their first in six years, and their Equal Vision Records debut. Twenty-two years into their career, they’re making the most powerful music of their lives. It’s also their most expansive and textural record, a collection forged in grief, courage, and a refusal to stand still.

The album’s emotional center is unmistakable. Caruana wrote roughly 75 percent of the lyrics after his best friend died suddenly and unexpectedly, and he describes that kind of loss as something that changes you on a cellular level. Out of the devastation came a new perspective. He found courage he didn’t know he had, and he calls that his friend’s last gift to him.

The record confronts grief without being swallowed by it. Across 11 tracks, the band move through friendship, mortality, love, and resilience with the same urgency that’s driven them since the start, now drawn from a deeper well. Caruana describes total creative freedom, no rules or constraints, the band pushing into new musical territory together.

That range is everywhere. It shows up on the driving title track, the raw defiance of “LAUGHING AND BLEEDING,” the fragility of “5:55,” the radiance of “I’M NOT DEAD…,” the punishing “TRUE LEGENDS NEVER DIE,” and the shimmery glow of “ALIVE ON 14th STREET.” The band sound fully locked in, playing with the visceral understanding that life can change in an instant.

Caruana hopes the album can be a companion for anyone carrying loss, with a simple message at its core: you are stronger than you think, and you are not alone. Now the band take it to the stage, joining support tours before heading out on their own, a run Caruana frames as another step in his own healing.

Summer Tour Dates (more to be added):

June 11 – Asbury Park, NJ – House of Independents (w/ Brandon Reilly)

June 12 – Philadelphia, PA – Underground Arts (w/ Brandon Reilly)

June 13 – Hamden, CT – Space Ballroom (w/ Brandon Reilly)

June 14 – Richmond, VA – The National (supporting Thrice)

June 16 – Baltimore, MD – Ottobar (w/ Brandon Reilly)

June 17 – Albany, NY – Empire Underground (w/ Brandon Reilly)

June 18 – Hampton Beach, NH – Hampton Beach Casino Ballroom (supporting Yellowcard)

June 19 – Boston, MA – The Sinclair (w/ Brandon Reilly, Crime In Stereo)

June 20 – Brooklyn, NY – Music Hall of Williamsburg (w/ Brandon Reilly, Crime In Stereo)

July 8 – Belfast, UK – Voodoo (w/ Cold Years)

July 9 – Dublin, IE – The Grand Social (w/ Cold Years)

July 10 – Withington, UK – 2000 Trees Festival

July 12 – London, UK – New Cross Inn (w/ Cold Years)

July 13 – Manchester, UK – The Deaf Institute (w/ Cold Years)

July 14 – Leeds, UK – The Key Club (w/ Cold Years)

July 16 – Glasgow, UK – Audio (w/ Cold Years)

August 1 – Chicago, IL – House of Blues (Official Lollapalooza Aftershow feat. The Story So Far)

September 19 – Mesa, AZ – Within These Walls 2026 at the Nile Theater

Nashville Star Sam Palladio Turns Heartbreak Into A Dancefloor On “Glitter”

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Sam Palladio wants you to dance through the loneliness. The actor and indie-pop artist has released his new single “Glitter,” out everywhere via 3686 Records, his latest offering since signing with the newly launched independent label earlier this year.

The track pairs atmospheric indie-pop production with dreamlike storytelling, capturing the ache of longing and missed connection through cinematic lyrics and hooky melodies. Written by Palladio and Aron Rosing, it sets heartbreak against the shimmer of nightlife and fading romance, leaning into the poetic vulnerability that defines his work. It’s the rare sad song built to fill a dancefloor.

Palladio is candid about its origins. He calls it a classic unrequited-love sad-boy pop song that still feels like an undeniable dance tune, written as he found his feet in the modern dating world. “Glitter” was among the first songs he wrote stepping into a new chapter of being single again, a stretch marked by new romantic encounters and by personal loss. That contrast, imagining someone dancing the night away across the world while he processed grief back in his childhood bedroom, anchors the song’s emotional core and shows how far his writing has come two years on from his first solo release.

His path here is a distinctive one. Best known as Gunnar Scott on ABC’s Nashville, Palladio became a fan favorite across the show’s six-season run, which drew more than five million weekly viewers. The role pulled him deep into Americana, folk, and country, collaborating with some of those genres’ most celebrated musicians and songwriters.

He’s kept building a lane as both actor and recording artist ever since. His debut album blended his Cornish roots with his Nashville years, crafted alongside Danish producer Søren Hansen (New Politics) and multi-Grammy-winning producer Dave Sardy (Oasis, Snow Patrol, LCD Soundsystem, The Who). Earlier releases like “Something On My Mind” and “Tennessee,” the latter featuring Foo Fighters guitarist Chris Shiflett, drew strong reviews and underlined his cross-genre appeal. His acting credits run wide too, spanning Netflix’s The Princess Switch trilogy, AMC’s Humans, Showtime’s Episodes, the Bob Marley biopic One Love, and the thriller series The Couple Next Door.

Now he’s bringing it to the stage. Fresh off a run of UK performances, Palladio debuts “Glitter” live at The Minack Theatre before returning to Nashville on June 26 and 27 for two shows at the iconic Ryman Auditorium as part of Nashville: The Encore Tour.

Live Dates:

The Minack Theatre – Cornwall, UK

June 26 – Ryman Auditorium – Nashville, TN (Nashville: The Encore Tour)

June 27 – Ryman Auditorium – Nashville, TN (Nashville: The Encore Tour)

R&B Rising Star Saint Harison Takes ‘Ghosted’ On The Road Across North America

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Saint Harison is having a breakout moment, and now he’s taking it on the road. The rising R&B artist has announced his North American headline tour, following the release of his ‘ghosted’ EP and a sold-out show at the Masonic Lodge at Hollywood Forever Cemetery in Los Angeles.

The run opens September 9 in Minneapolis and carries his acclaimed live show across the continent, with stops in Chicago, Detroit, Toronto, Boston, New York, Washington, D.C., Philadelphia, Atlanta, Houston, Dallas, and Denver before wrapping September 29 at the iconic Roxy Theatre in Los Angeles. Artist presale starts Tuesday, June 10 at 10 am local time, with general on-sale Friday, June 12 at 10 am local time.

The timing couldn’t be sharper. This week the ‘ghosted’ standout single “bad” hit No. 1 at U.S. R&B Radio, the first chart-topper of Saint’s fast-rising career. The eight-track project widens the world he’s built over the past several years, weaving R&B, soul, indie, doo-wop, and pop together with the vulnerability and restraint that have become his signatures.

The EP plays like a journey through one emotional arc. Saint moves through longing, confusion, self-awareness, and acceptance with real intimacy, from the devastating piano balladry of “white to a wedding” to the sweeping doo-wop textures of “daffodil.” It’s some of his most lyrically open work, and it stamps him as one of the most compelling new voices in contemporary soul and R&B.

He’s clear-eyed about what went into it. Saint says he started writing the project right after “lost a friend” came out, calling it the most honest he’s ever been in his music. He talks about pouring the late nights, the tears, the overthinking, the healing, and the growth into these songs, describing each track as a piece of a chapter he had to live through before he could write it.

North American Tour Dates:

September 9 – 7th Street Entry – Minneapolis, MN

September 11 – Lincoln Hall – Chicago, IL

September 12 – The Shelter – Detroit, MI

September 13 – The Great Hall – Toronto, ON

September 15 – Cafe 939 at Berklee – Boston, MA

September 16 – The Bowery Ballroom – New York, NY

September 18 – Songbyrd DC – Washington, DC

September 19 – Lounge at World Stage – Philadelphia, PA

September 22 – Vinyl – Atlanta, GA

September 24 – Bronze Peacock – Houston, TX

September 25 – Cambridge Room – Dallas, TX

September 27 – Globe Hall – Denver, CO

September 29 – Roxy Theatre – Los Angeles, CA

Video: John Mayer Commands Webster Hall In Newly Remastered 2006 Set

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John Mayer was hitting his stride in September 2006, deep into the tour behind ‘Continuum’ and stepping fully into the mature blues-rock that followed his pop breakthrough on ‘Room for Squares’. The 90-minute set on September 13, captured professionally and now remastered in 4K UHD for a 2025 release, caught him at the climax of that run inside Webster Hall, New York’s legendary 1,500-capacity room that opened in 1886. His Fender Stratocaster solos locked in with funky riffs from a band that included Pino Palladino on bass and Steve Jordan on drums, moving through “Waiting on the World to Change,” “Gravity,” “Slow Dancing in a Burning Room,” and “Vultures” before a sold-out crowd, proof of his standing as one of the leading modern blues guitarists.

Indie-Pop Provocateur Roe Kapara Turns Misery Into A Sun-Soaked Bop On “Crying On Vacation”

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Roe Kapara has figured out how to make doom sound like a beach party. The indie-pop artist returns with summer single “Crying On Vacation,” a candid confession of gloom set to a buzzing, feel-good beat. His sardonic melodrama plays against a surf rock aura, euphonious horns, and sly tongue-in-cheek one-liners, with his vocal range front and center as he belts the chorus. Listen here.

Kapara is refreshingly blunt about where the song came from. He describes feeling like a fat, middle-aged, divorced dad and chasing a sound to match, reaching for the indie rock he obsessed over as a kid with an ABBA twist layered on top. That mix of self-deprecation and big melody is exactly what makes the track land.

The single extends a strong recent run. It follows his post-Valentine’s confessional “My Love,” an indie-pop and Van Morrison hybrid that built on last year’s fan favorites “Feel Sexy” and “Good Times.” Each one works as a self-assured vignette of the left-field pulse shaping Kapara’s writing, and together they hint at the heart of his long-awaited debut album.

The momentum has been building for a while. That fearlessness started surfacing on his 2024 EP ‘Big Cigars & Satin Shorts’ (Epitaph), which FLOOD praised for balancing deeply confessional songwriting with a sense of humor Kapara refuses to suppress. With over half a million monthly listeners, it tracks that Ones To Watch calls him irresistible.