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‘KPop Demon Hunters’ Soundtrack Hits #1 on Billboard 200, Reigns as Year’s Biggest Soundtrack

Eric Alper
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‘KPop Demon Hunters’ Soundtrack Hits #1 on Billboard 200, Reigns as Year’s Biggest Soundtrack

Global pop culture phenomenon, KPop Demon Hunters (Soundtrack from the Netflix Film) secures the top spot at No. 1 on the Billboard 200 chart, in addition to No. 1 Streaming Album, and a 12th consecutive week as the No. 1 Soundtrack. The soundtrack continues to be the biggest-selling soundtrack of the year with over three billion global streams, and the first to reach No. 1 on the Billboard 200 in three-and-a-half years. “Golden” continues to dominate the charts, topping the Billboard Hot 100 at No. 1 for a fifth consecutive week. Since its release on Netflix on June 20th, KPop Demon Hunters has skyrocketed to become the most popular Netflix film of all time.

The soundtrack features original songs written by Danny Chung, Ido, Vince, Kush, Ejae, Jenna Andrews, Stephen Kirk, Lindgren, Mark Sonnenblick, Daniel Rojas, and produced by Teddy Park, 24, Ido, Dominsuk, Jenna Andrews, Stephen Kirk, Lindgren, and Ian Eisendrath. Original songs are performed by Ejae, Audrey Nuna, Rei Ami, Andrew Choi, Danny Chung, Kevin Woo, samUIL Lee, Neckwav, and Lea Salonga. The soundtrack also includes the original song “Takedown” featuring Jeongyeon, Jihyo, and Chaeyoung from K-pop powerhouse girl group Twice.

Last week, Visva/Republic Records released a deluxe edition featuring 35 songs. The set contains unreleased tracks “Prologue (Hunter’s Mantra)” and “Jinu’s Lament,” and sing-along, instrumental, and a cappella versions of the film’s hit songs.

KPop Demon Hunters, a Netflix film from Sony Pictures Animation, follows K-pop superstars Rumi, Mira and Zoey – when they aren’t selling out stadiums, they use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. KPop Demon Hunters stars Arden Cho, Ahn Hyo-seop, May Hong and Ji-young Yoo, and is available now on Netflix.

Demi Lovato Announces Ninth Album ‘It’s Not That Deep,’ Out October 24

Eric Alper
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Demi Lovato Announces Ninth Album ‘It’s Not That Deep,’ Out October 24

Global superstar Demi Lovato has announced her forthcoming ninth studio album, It’s Not That Deep, arriving October 24th via DLG Recordings/Island Records. Executive produced by Zhone (Kylie Minogue, Troye Sivan, Kesha), the 11-track album revisits the dance-pop sound laced throughout Demi’s previous hit records and brings a celebratory energy that’s about taking full control while letting inhibitions go. The album’s release is preceded by its sleek and sexy electro-pop lead single “Fast,” as well as the fierce and infectious anthemic pop banger “Here All Night,” released last week.

The title evokes a personal mantra for Lovato, as she returns to the carefree charm that once defined her earlier eras and finds the joy in life’s pleasures.

“This music is a perfect reflection of where I’m at today,” Lovato says. “I had such an incredible time making this album with Zhone, and it was such a freeing experience to let loose and have fun with it. With my past eras, I often wrote cathartic music about heavy topics that I needed to process. When I got back in the studio this time around, those songs just weren’t resonating anymore because I’m not in that place in life. I’m happy, I’m in love, and I just want to enjoy life and have fun. I realized it’s not that deep anymore, and that became the ethos for this album. It’s Not That Deep is meant for late nights and dancefloors, and I can’t wait for you all to dance with me.”

The album’s most recent single, “Here All Night,” solidifies the album as the dance-pop era of the year, pairing Lovato’s powerhouse vocals with pulsing production to create a euphoric anthem for nights that never end. To accompany the release, the former Disney starlet reunited with acclaimed director Hannah Lux Davis (“Cool for the Summer,” “Sorry Not Sorry”) to create a visually stunning video, which sees Demi pent up in her apartment as she finds the freedom to let loose.

The Nova Exhibition Is Coming To Berlin

Eric Alper
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The Nova Exhibition Is Coming To Berlin

The Nova Exhibition makes its European debut on October 7th, at Berlin’s historic Tempelhof Airport. In a city that bears profound historical and cultural significance, the exhibition serves as both a remembrance of the tragedy at the Nova Music Festival and invites reflection on the responsibility in shaping a more humane and compassionate future.

The exhibition offers a profound space for remembrance and reflection, honoring the victims of October 7th while bringing together communities, leaders, and visitors from all walks of life. Join us in bearing witness to this moving tribute and standing in solidarity with a global call to remember.

The Nova Exhibition is an in-depth remembrance of the brutal massacre at The Nova Music Festival on October 7th, 2023. The installation sets out to recreate a festival dedicated to peace and love that was savagely cut short by a terrorist attack on that fateful day. The attack at The Nova Music Festival was the largest massacre in music history. 

This exhibition will bring the story of Nova, voices of those who survived, and memories of those who were lost at the Festival on October 7th, honoring a community forever changed and reminding us of the urgent need for unity and compassion in the world today.

For more information on the Nova Exhibition go to novaexhibition.com

Gov’t Mule Announce 2025 New Year’s Run at Proctors and Beacon Theatres, Plus Island Exodus 16 in Jamaica

Eric Alper
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Gov’t Mule Announce 2025 New Year’s Run at Proctors and Beacon Theatres, Plus Island Exodus 16 in Jamaica

Acclaimed Grammy-nominated band Gov’t Mule has announced the details for their annual New Year’s Run, the quartet’s venerable commitment of bringing together the Mule community to ring in the new year since 2002. This year’s three-night stand begins Sunday, December 28th at Proctors Theatre in Schenectady, New York, and then returns to the famed Beacon Theatre in New York City, the longstanding home of Mule’s New Year’s shows, for back-to-back nights Tuesday, December 30th and Wednesday, December 31st.

Presale tickets start on Wednesday, September 17th, ahead of the general sale on Friday, September 19th at 10 am local time. VIP packages include reserved seating, access to soundcheck, a limited edition signed poster, and more. The Ultimate Guitar Player Package will also be available for the December 28th and 30th shows, featuring one Warren Haynes Signature Les Paul Standard 60s Cherry Gibson Guitar (played and autographed by Warren), two premium reserved tickets, VIP priority entry, private post-show meet & greet, and photo with Warren, and more.

Celebrating the 30th anniversary of their self-titled debut album this year, Gov’t Mule is currently on their Back In The Saddle Tour, the band’s first big tour run since February 2024. The first leg of the 29-date outing wrapped this weekend in Massachusetts and included five co-headlining shows with longtime friends Tedeschi Trucks Band. The second leg of the headlining tour will launch on October 10th in Bowling Green, Kentucky, before Gov’t Mule stops in Macon, Georgia, on October 11th for the final co-headlining show with Tedeschi Trucks Band. From there, the Back In The Saddle Tour will continue throughout the East Coast and Midwest, stopping in such cities as Charleston, Fort Lauderdale, Raleigh, Virginia Beach, Charlottesville, Reading, and New Haven. Gov’t Mule will conclude the tour with Mule-O-Ween 2025, their annual Halloween tribute-themed shows. This year’s two-night celebration will be on October 31st in Washington, DC, and November 1st in Philadelphia.

Following the New Year’s Run, Gov’t Mule heads back to Jamaica for Island Exodus 16, their annual “concert-cation” experience, from January 15-18, 2026. Island Exodus moves to a new location this year, the Hideaway at Royalton Blue Waters Montego Bay in Trelawny, Jamaica, offering an elevated experience for all attendees and musicians at the all-inclusive resort. Hosted by Gov’t Mule, who will perform three 2-set shows, and Warren Haynes, who will perform a special afternoon solo set, Island Exodus 16 will also feature special guest John Scofield sitting in with Mule throughout the event and performances from moe. and Daniel Donato’s Cosmic Country, each doing two shows throughout the event.

Sabaton Unleash 31-Date North American Tour for 2026 as Anticipation Explodes for New Album ‘Legends’

Eric Alper
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Sabaton Unleash 31-Date North American Tour for 2026 as Anticipation Explodes for New Album ‘Legends’

Global power metal giants Sabaton have announced a massive 31-date North American tour set for early 2026. The announcement follows the band’s extensive 2025 international run and coincides with rising anticipation for Legends, their upcoming album due October 17th via Better Noise Music.

Kicking off February 9th in Fort Lauderdale, FL, the tour will hit venues across the U.S. and Canada, including major stops in Los Angeles, Chicago, and Boston, before wrapping April 20th in Vancouver, BC. Known for their explosive stage presence and signature blend of history and heavy metal, Sabaton will deliver an epic live experience for fans of all ages.

Presales are underway, ahead of the general sale on Friday, September 19th at 10 am local time.

The tour comes on the heels of the release of their latest single, “Crossing The Rubicon,” a high-powered collaboration featuring Jonny Hawkins and Mark Vollelunga of Nothing More. The track is currently hitting rock radio, while the original version will appear on Legends, marking Sabaton’s debut release with Better Noise Music.

Sabaton 2026 North American Tour Dates:

Feb 9 – Fort Lauderdale, FL @ War Memorial Auditorium
Feb 10 – Tampa, FL @ Yuengling Center
Feb 13 – Houston, TX @ 713 Music Hall
Feb 14 – Dallas, TX @ South Side Ballroom
Feb 15 – San Antonio, TX @ Boeing Center at Tech Port
Feb 18 – Phoenix, AZ @ Arizona Financial Theatre
Feb 20 – Los Angeles, CA @ The Kia Forum
Feb 21 – Wheatland, CA @ Hard Rock Live
Feb 24 – Salt Lake City, UT @ The Union Event Center
Feb 26 – Loveland, CO @ Blue Arena
Feb 27 – Omaha, NE @ Steelhouse Omaha
Feb 28 – St. Louis, MO @ The Factory
Mar 2 – Des Moines, IA @ Vibrant Music Hall
Mar 3 – Minneapolis, MN @ The Armory
Mar 4 – Chicago, IL @ The Salt Shed
Mar 7 – Cincinnati, OH @ The Andrew J Brady Music Center
Mar 8 – Detroit, MI @ The Fillmore Detroit
Mar 10 – Pittsburgh, PA @ UPMC Events Center
Mar 11 – Philadelphia, PA @ The Met Philadelphia presented by Highmark
Mar 12 – Boston, MA @ MGM Music Hall at Fenway
Mar 14 – Virginia Beach, VA @ The Dome^
Mar 15 – Washington, DC @ The Theater at MGM National Harbor
Mar 17 – Greensboro, NC @ Greensboro Special Events Center
Mar 18 – Atlanta, GA @ Coca-Cola Roxy
Apr 6 – Halifax, NS @ Scotiabank Centre
Apr 9 – Laval, QC @ Place Bell
Apr 11 – Toronto, ON @ Great Canadian Toronto
Apr 14 – Winnipeg, MB @ Burton Cummings Theatre
Apr 17 – Edmonton, AB @ Edmonton Convention Centre
Apr 18 – Calgary, AB @ Grey Eagle Event Centre
Apr 20 – Vancouver, BC @ PNE Forum

Lewis Capaldi Shatters Records, Sells 200,000 Tickets, and Announces His Biggest UK & Ireland Shows Yet

Eric Alper
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0
Lewis Capaldi Shatters Records, Sells 200,000 Tickets, and Announces His Biggest UK & Ireland Shows Yet

After unprecedented demand that saw the biggest ever rush for tickets across both pre-sale and general sale, Lewis Capaldi is blazing through a triumphant 200,000-ticket sold out 17-date UK arena tour – and he shows no sign of slowing down as he announces his biggest ever UK and Irish headlining shows for next summer.

Kicking off at Dublin’s Marlay Park on June 24, 2026, Lewis will take on eight huge outdoor headlining shows, including London’s 65,000 capacity American Express presents BST Hyde Park on Saturday, July 11th.

Pre-sales start on Thursday, September 18th at 9 am local time, ahead of the general sale on Friday, September 19th.

The announcement comes during Lewis’s current sold-out 17-date UK arena tour, his first return to touring in two years, and has been sending fans into overdrive, debuting new songs as well as racing through a hit-laden set – serving as a powerful reminder of the connection he commands. The response to the tour has been electric.

Capaldi made a powerful return, topping the charts with his comeback single “Survive.” The track not only became his sixth No. 1 hit, but it also became the fastest-selling single of 2025 and had the biggest opening week sales of his career, surpassing Sabrina Carpenter and Lady Gaga.

With this success, he joins an elite group of artists with six UK No. 1 singles, including Beyoncé, Britney Spears, Drake, Lady Gaga, and Queen, and surpasses the records of notable artists like David Bowie and Katy Perry.

A headliner-sized Pyramid Stage crowd embraced the emotion of Lewis’s return – one of the cultural moments of the year – for a powerful, hit-laden half-hour Glastonbury set. “I just wanted to come and finish what I couldn’t finish last time,” said Lewis. That he emphatically did, with his soaring vocals leading the crowd through classics, as well as a first live showing for ‘Survive’, and a unifying performance of ‘Someone You Loved’.

Before his comeback, Capaldi played a run of Scottish warm-up shows in May that saw him return to the stage as a guest of mental health charity CALM, in celebration of Mental Health Awareness Week. With no pressure and no level of expectation, the shows allowed Capaldi the space to gauge his comfort and emotional response before returning to the spotlight – a move which ended up proving nothing short of a triumph.

Capaldi’s lastest release, the hit-stacked record Broken By Desire To Be Heavenly Sent, scored him his second UK No. 1 album, creating another three heartbreaking UK No. 1 singles with “Pointless,” “Wish You The Best,” and the platinum-certified “Forget Me,” working with hitmakers including Max Martin (Taylor Swift, The Weeknd), Malay (Lorde, Frank Ocean), and longtime collaborator Phil Plested (James Bay, Bastille).

Lewis Capaldi 2026 Outdoor Summer Dates:

June 24 – Dublin @ Marlay Park
June 26 – Limerick @ Thomond Park
June 28 – Exeter @ TX Maxx Presents Live at Powderham
June 30 – Cardiff @ Blackweir Fields
July 4 – Leeds @ American Express Presents Roundhay Festival
July 11 – London @ American Express Presents BST Hyde Park
Aug 20 – Belfast @ Vital
Aug 22 – Manchester @ Wythenshawe Park

Why Crypto Casino Platforms Work Better Without User Accounts

Eric Alper
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0

By Mitch Rice

Digital platforms often inherit legacy structures even when they no longer serve the underlying system. The traditional online casino model – built around user registration, KYC validation, and promotional account incentives – creates a layered barrier between intention and action. When the infrastructure changes, the logic must adapt.

A crypto casino built natively for decentralized assets removes those redundant layers. Instead of email verifications, players connect wallets. Instead of form fields, the deposit transaction becomes the onboarding step. This doesn’t only save time; it also repositions trust. Platforms no longer ask for identity – they validate intent through action. A user sends crypto, plays, and if successful, withdraws, all without exposing any personal detail.

Wallets Replace Identity

The power of anonymity in decentralized systems is often misunderstood. It isn’t secrecy for secrecy’s sake – it’s a structural guarantee. In a crypto-first casino, the wallet isn’t just a payment tool; it’s a complete access layer. It holds funds, manages history, and replaces usernames entirely.

Without the need for names, addresses, or documents, interactions shift from identity management to process execution. The wallet becomes the center of logic: if it holds tokens, it plays; if it wins, it receives. This creates an entirely different relationship between player and platform. Trust is measured in uptime, transaction confirmation, and payout consistency – not in branding, loyalty programs, or customer support promises.

Simplified Systems Resist Exploits

Account-based systems often carry the risk of exploit through bonus abuse, identity manipulation, or data mining. When there is no account – only a wallet – the vectors for abuse narrow sharply. Promotions based on account history disappear. KYC circumvention is irrelevant. Duplicate identity concerns no longer exist.

This design reduces surface area for both internal failure and external attack. The absence of traditional user data removes the burden of securing it. There’s no password recovery system to hack, no email list to leak, and no stored verification documents to protect. What remains is a lean protocol: funds in, results out, records logged transparently, and minimal operational noise.

Fast Entry Means Higher Retention

Gambling platforms typically battle churn during the onboarding phase. Time-to-first-play is a metric with deep implications: the longer the delay, the higher the chance of abandonment. Crypto-native casinos solve this structurally. If a user arrives with tokens in a supported wallet, nothing blocks the start of play. No confirmation emails. No promo fields. No captcha puzzles.

This instant access has behavioral effects. Sessions become more spontaneous. Less planning is needed. Micro-deposits and quick gameplay loops create a rhythm that’s hard to replicate in traditional ecosystems. The absence of a login box isn’t just convenience – it’s part of a deeper retention strategy rooted in seamlessness.

Payout Logic Without Delay

Where traditional systems verify identity before allowing withdrawals, crypto platforms execute exits via smart contracts or programmed logic. The result is a payout structure that removes human involvement and compresses processing times to minutes – or seconds. No forms to fill. No documentation required. If balance conditions are met, funds move.

This model is sustainable only because it rejects the assumptions of account-based systems. Risk management is not offloaded to support staff – it’s embedded into the code. Withdrawal caps, fee structures, and transaction logic are predetermined. Once a player meets the criteria, the action triggers. That’s not convenience; it’s engineering built to be trusted.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

The Best Types of Slot Games

Eric Alper
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0

By Mitch Rice

Slot games have been a fan-favourite in the world of online and offline casinos for decades. Their simple gameplay, eye-catching visuals, and the thrill of potential big wins make them irresistible. Over the years, this popular pastime has evolved significantly, offering a diverse range of themes, features, and mechanics. Below, we’ll explore some of the best types of slot games, with a special spotlight on the ever-popular Big Bass Bonanza.

1. Classic Slots: Nostalgia at Its Best

For players who appreciate simplicity and a touch of nostalgia, classic slots are the perfect choice. Often inspired by the traditional fruit machines found in physical casinos, these games feature three reels and symbols like cherries, BAR icons, and lucky sevens. While their design is straightforward, classic slots still pack a punch with their charm and accessibility. They’re ideal for beginners or those who prefer a more traditional slot experience.

2. Video Slots: A World of Creativity

Video slots are where innovation and entertainment collide. These games are typically five-reel slots with stunning graphics, intricate storylines, and a plethora of bonus features. Themes can range from ancient civilizations to Hollywood blockbusters, ensuring there’s something for everyone. They also often include interactive elements, such as mini-games, expanding wilds, or cascading reels, which elevate the gaming experience.

3. Progressive Jackpot Slots: Life-Changing Wins

For those chasing the dream of hitting a massive payday, progressive jackpot slots are the ultimate choice. These games are linked across multiple casinos, meaning a portion of each player’s wager contributes to a growing jackpot. The thrill of knowing that you could potentially win millions with a single spin makes these slots incredibly enticing. Popular examples include Mega Moolah and Hall of Gods.

4. Megaways Slots: Endless Winning Possibilities

The advent of Megaways slots has revolutionized the slot gaming world. This unique mechanic, developed by Big Time Gaming, offers thousands of ways to win by varying the number of symbols on each reel with every spin. With up to 117,649 potential paylines, these games offer excitement and unpredictability. Bonanza and Extra Chilli are among the standout titles in this category.

5. Big Bass Bonanza: Fishing for Wins

Among the most beloved slot games in recent times is Big Bass Bonanza. This game takes players on a fishing adventure, combining a unique theme with rewarding features. Developed by Pragmatic Play, Big Bass Bonanza boasts five reels and ten paylines, making it easy to dive into.

The game’s Free Spins feature is particularly enticing, offering players the chance to reel in big wins with the help of the fisherman wild symbol. With its vibrant graphics and engaging gameplay, it’s no wonder that Big Bass Bonanza has garnered such a loyal following. Want to give Big Bass Bonanza a try then visit Virgin Games.

6. Branded Slots: Your Favorite Franchises Come to Life

Branded slots bring beloved movies, TV shows, and celebrities to the casino world. These games allow players to immerse themselves in familiar universes while spinning the reels. Examples include slots based on Game of Thrones, Jurassic Park, and even famous musicians like Jimi Hendrix.

7. 3D Slots: Immersive Experiences

For players who crave cutting-edge visuals and immersive gameplay, 3D slots are an excellent option. These games use advanced graphics and animations to create a captivating experience. Titles like Gonzo’s Quest and Robin Hood: Shifting Riches demonstrate how 3D technology can elevate slot gaming.

Conclusion: Something for Everyone

The world of slot games is vast and varied, offering options for every kind of player. Whether you’re drawn to the nostalgia of classic slots, the immersive storytelling of video slots, or the adrenaline rush of progressive jackpots, there’s a game out there waiting for you.

Among these, Big Bass Bonanza stands out as a must-try, thanks to its engaging theme and rewarding features. As you explore the world of slot games, remember to play responsibly and enjoy the adventure.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Jane Siberry, The Organ Albums Receive 2025 Slaight Family Polaris Heritage Prize Designation

Eric Alper
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Jane Siberry, The Organ Albums Receive 2025 Slaight Family Polaris Heritage Prize Designation

The two new Heritage Prize winners were announced at 9 PM at the 2025 Polaris Concert & Award Ceremony, which took place at Toronto’s Massey Hall on September 16.

The Polaris Heritage Prize is a hall-of-fame critics prize and public support campaign celebrating classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize album prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations. Each year, one album is selected by a public vote and one by the Polaris Heritage Prize jury.

Grab That Gun, this year’s Heritage Prize public vote winner, was released in 2004 and was Vancouver-based band The Organ’s only full-length album. Featuring a dramatic indie rock sound, the album topped the charts at Canadian campus radio stations for two months that year and included the singles “Brother” and “Memorize the City.”  

Jane Siberry’s 1985 album The Speckless Sky received its Heritage designation via jury vote. Siberry’s third album included the singles “One More Colour” and  “Map of the World (Part II).” Notably, “One More Colour” has been covered by the likes of The Rheostatics as well as Sarah Polley, who recorded a version of it for the film The Sweet Hereafter.

The Organ’s Katie Sketch provided the following statement:

“Winning the Polaris for Grab The Gun is a wonderful surprise. This record would not exist without the talents of Paul Forgues and the late Todd Simko, who poured countless hours into every song on a shoestring budget. Paul recorded most of the tracks in the back of an unfinished office space, and Todd mixed the album in his garage studio. We are deeply grateful to everyone who continues to listen, and to those who stood with us in a time when queerness was ridiculed and shamed. We also acknowledge that the landscape remains hostile towards trans people and we urge Canadians to protect our most vulnerable. ank you! Thank you! Thank you!”

Jane Siberry provided the following statement about The Speckless Sky:

“Forty years later, I still feel like a baby musician, still inching towards my prime. The songs on my new recording, Thicket, are about struggling to become more conscious, that darn ego, dogs, Atlantis, dogs and joy. So, nothing has changed really. I am grateful to be a musician, sweating a privilege to be a musician and possibly of service. Thank you to everyone, whoever you are, whatever you are doing. May whatever lights you up be your compass. Helping each other remember our original beauty, innocence and joy. Joy to musicians world-wide.”

There were 12 albums nominated for Heritage Prize consideration this year:

Choclair – Ice Cold

The Constantines – The Constantines

Franck Dervieux – Dimension M

Do Make Say Think – Goodbye Enemy Airship, The Landlord Is Dead

Doughboys – Crush

Dubmatique – La Force De Comprendre

Mort Garson – Mother Earth’s Plantasia

The Organ – Grab That Gun

Propagandhi – Today’s Empires, Tomorrow’s Ashes

Rascalz – Cash Crop

Jane Siberry – The Speckless Sky

Strawberry – Brokeheart Audio

Heritage Prize balloting was officially opened on August 5 and closed on August 21. Music fans were able to vote once per day to support their favourite albums. This was the first time Heritage Prize winners have ever been revealed during the annual Polaris concert event. In previous years, the Heritage Prize winners were announced in mid-October. This adjustment was one of many Polaris undertook this year as part of its 20th anniversary celebrations that also included the launch of the SOCAN Polaris Song Prize, the Polaris Festival and the Polaris Submission Portal.

This year’s Heritage Prize jury included Michael Elves, Phyllis Grant, Peter Hemminger, Lise Hosein, Omar Husain, Nancy Lanthier, Antoine-Samuel Mauffette Alavo, Mack Meyer, Rosheeka Parahoo, Blayne Smith and Dylan Hudecki. Forty-three albums have received Heritage Prize designation since its introduction in 2015. Past winning albums include Eric’s Trip Love Tara, Feist Let It Die, Harmonium L’Heptade, Faith Nolan Africville, and Neil Young After The Gold Rush.

Mariah Carey Announces ‘Christmastime in Las Vegas’ Holiday Residency at Dolby Live

Eric Alper
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0
Mariah Carey Announces ‘Christmastime in Las Vegas’ Holiday Residency at Dolby Live

Mariah Carey is decking the halls of Las Vegas with her glittering holiday spectacular, Mariah Carey’s Christmastime in Las Vegas, at Dolby Live at Park MGM.

The festive run of ten magical performances will occur from November 28th through December 13th, transforming the Strip into a winter wonderland filled with holiday hits, sparkle, and Carey’s legendary vocals. The shows follow her critically acclaimed residency, Mariah Carey: The Celebration of Mimi Live in Las Vegas at Dolby Live in 2024 and 2025.

Presales start on Wednesday, September 17th, ahead of the general sale on Saturday, September 20th, at 10 am PT.

Carey and Live Nation Las Vegas will donate $1 of every ticket purchased to The Fresh Air Fund’s Camp Mariah. Camp Mariah is the summer component of the year-round Career Awareness Program. Children, ages 11-15, attend Camp Mariah for three weeks each summer. Campers explore their interests in classes like film, photography, fashion, culinary arts, debate and international relations. A careers class helps campers create resumes and cover letters and conduct mock interviews. Campers also play team sports, swim every day and explore the outdoors in environmental science class. Camp Mariah is named in honor of Board member Mariah Carey for her generous support.

Dolby Atmos is an immersive audio experience transforming how music is created and enjoyed. At Dolby Live at Park MGM, Dolby Atmos brings live performances to the next level by taking listeners inside the music to reveal details with unparalleled clarity and depth. Whether it’s hearing the layers of instruments move all around, catching the subtle breath a singer takes between lyrics, or being enveloped in a wave of melodies, nothing compares to hearing music live in Dolby Atmos.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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