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Arrows Of Athena Channel Distance And Devotion On New Single “Abandoned Love”

Eric Alper
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Arrows Of Athena Channel Distance And Devotion On New Single “Abandoned Love”

Boston-based cinematic electronic rock duo Arrows of Athena return with their new single “Abandoned Love,” out now via their own Belhaven Records. Written and recorded during sessions at Monza Studio, the track centers on emotional closeness maintained across physical distance, inspired by vocalist and lyricist Jac-Lyn Gibson reflecting on her marriage while working apart from her husband. The song captures that sense of presence felt even when someone is far away.

“Abandoned Love” is a high-intensity blend of electronic alt-rock, driven by pulsing synths, heavy guitars, and a glossy, kinetic core. The song marks the duo’s first release since their 2024 debut album ‘The Ghost Archives’ and continues the collaboration between Gibson and multi-instrumentalist and producer Scott Lerner. “The concept of our busy lives and coming home to one another at the end of the day just spilled out of me,” Gibson shares. “I think it’s a great testament to how love, although sometimes abandoned, can conquer all.”

Serving as a thematic and sonic bridge, “Abandoned Love” also acts as the first glimpse of Arrows of Athena’s forthcoming sophomore album ‘Daydreaming’, due in early 2026. The track builds on the foundation set by debut single “Reckless Heart,” expanding the project’s palette of ’90s-inspired electronic rock, dance beats, and melodic urgency. “It felt like a great follow up musically,” Gibson explains, describing the song as a continuation of a story centered on commitment, change, and connection.

Arrows of Athena emerged during the pandemic after Gibson and Lerner, longtime collaborators dating back to their time in Boston rock band Pure Fiction, reconnected creatively. Since then, the duo have carved out a distinctive sound that balances pop hooks, abrasive textures, and introspective lyricism. With ‘Daydreaming’ in progress and the possibility of live performances on the horizon, “Abandoned Love” marks a clear step forward into the next phase of the project.

Other Brother Darryl Revisit A Defining Song With ‘(Re)Watch The Trees’

Eric Alper
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Other Brother Darryl Revisit A Defining Song With ‘(Re)Watch The Trees’

Boston alt-country and Americana collective Other Brother Darryl have released ‘(Re)Watch The Trees’, a new suite revisiting one of the most defining songs from their acclaimed debut album ‘Roll Shine Roll’. Out now, the release expands on the original single “Watch The Trees” with two additional versions and a new live video, offering a deeper look at a song that has come to represent the band’s identity. The project arrives following a strong year that includes two 2025 Boston Music Awards nominations.

‘(Re)Watch The Trees’ includes three components: “Watch The Trees – Live Acoustic From Q Division,” recorded and filmed at the renowned Cambridge studio; an accompanying performance video; and “Watch The Trees – Demo Version,” which captures the song in its earliest form. “‘Watch The Trees’ has become a story of the before and after,” says guitarist and vocalist Nate Leavitt. “Now it’s become the song that most people identify us with.” Co-writer Dan Nicklin adds that the song’s strength lies in its specificity without explanation, allowing listeners to bring their own meaning to it.

The live version was produced by the band alongside Terrence Reeves, recorded and mixed at Q Division, and filmed with the full eight-piece lineup intact. The demo version, recorded at Nicklin’s Henley Row Studios, reveals how fully formed the song was from its earliest writing session. Both versions underscore the emotional weight the song carries, particularly through the continued presence of late bandmate Dave Mirabella, whose contributions remain central to the group’s spirit and sound.

Released earlier this year, ‘Roll Shine Roll’ marked a creative milestone for Other Brother Darryl, delivering singles including “Drive,” “Until I Do,” and “Gypsy Girl,” and crystallizing a harmony-rich Americana sound shaped by long friendships and shared history. With ‘(Re)Watch The Trees’, the band pause to reflect before moving forward, offering a focused, intimate look at a song that continues to grow alongside them as they begin work on their next chapter.

Paul Stone & The Basement Collective Rekindle Analogue Warmth On “Embers”

Eric Alper
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Paul Stone & The Basement Collective Rekindle Analogue Warmth On “Embers”

Yorkshire-based Paul Stone & The Basement Collective return this autumn with their new single “Embers,” a modern analogue jazz recording centered on connection, presence, and shared human experience. Led by vocalist, songwriter, and producer Paul Stone, the track was recorded live in the band’s self-built basement studio, anchored by a vintage Neve console and the natural interplay of musicians performing together in one room.

“Embers” leans into warmth and restraint, allowing performance and feel to guide the arrangement. The recording approach reflects the group’s commitment to authenticity, capturing subtle dynamics and chemistry rather than relying on studio polish. The track has already received support from Robbie Vincent on Jazz FM’s Music Garden, where it was highlighted for its soulful production and underlying message.

2025 has marked a significant return for Stone following time away from the spotlight to focus on family. Since then, the project has earned airplay from Jazz FM, BBC Introducing, BBC Radio Leeds, CBC Canada, Radio 2 Hong Kong, and KCSM in the US, alongside organic editorial support on Spotify’s UK Jazz playlist. With further original releases planned and festival appearances on the horizon in 2026, Paul Stone & The Basement Collective continue shaping a distinct voice within the UK jazz landscape through analogue craft and considered songwriting.

PROJECTOR Capture Raw Analogue Power With “Hope Springs Eternal” Tilehouse Session

Eric Alper
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PROJECTOR Capture Raw Analogue Power With “Hope Springs Eternal” Tilehouse Session

Brighton trio PROJECTOR have unveiled a Tilehouse Session live video for their latest single “Hope Springs Eternal,” out now via digital platforms. The performance was recorded entirely live to analogue tape at Tilehouse Studios, captured by engineer Luke Oldfield on a 16-track Studer A800 machine, preserving the immediacy and weight of the band’s sound.

“I’ve been a fan of the studio and Luke’s work since I first heard The Wytches, so it was a real treat to record at Tilehouse,” says bassist and vocalist Lucy Sheehan. Mixed digitally by Luie Stylianou, with video filmed and edited by Ryan Crossland and Francesca Rossi, the session highlights the band playing fully live, surrounded by vintage gear and natural light in a secluded countryside setting.

A distortion-heavy grunge track that surges toward a melodic close, “Hope Springs Eternal” is taken from PROJECTOR’s second album ‘Contempt’, out now via Alcopop! Records. The record was produced by Ben Hampson and mastered by Katie Tavini, following the band’s 2024 debut ‘NOW WHEN WE TALK IT’S VIOLENCE’. The Tilehouse Session captures the raw physicality of the new material while reinforcing PROJECTOR’s momentum following recent tours and upcoming EU dates.

Mt. Joy Announce 2026 North American Return With ‘Hope We Have Fun’ Tour

Eric Alper
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Mt. Joy Announce 2026 North American Return With ‘Hope We Have Fun’ Tour

Following the breakout success of their 2025 album ‘Hope We Have Fun’, Philadelphia-based band Mt. Joy have announced a new North American tour for 2026. The announcement follows a landmark run that saw the band sell nearly 200,000 tickets across the US, including sold-out shows at Madison Square Garden, Red Rocks Amphitheatre, TD Garden, and multiple hometown nights at The Mann Center in Philadelphia, alongside a headlining appearance at Newport Folk Festival.

‘Hope We Have Fun’ marked a major creative and commercial moment for the band, debuting in the Top 10 on Spotify’s US Album Chart and placing multiple tracks in AAA radio’s Top 10. Highlights include “Highway Queen” featuring Maren Morris and “She Wants to Go Dancing,” reinforcing Mt. Joy’s blend of emotional storytelling and large-scale live energy. The 2026 tour kicks off this spring following the band’s first Australia and New Zealand run, with additional dates to be announced.

The newly revealed spring leg, titled “Hope We Have Fun Tour: Part II,” focuses on cities not included in the 2025 run and introduces several new venues, including the band’s first appearance at the St. Augustine Amphitheatre and a stop at Dallas’ newly opened Longhorn Backyard Amphitheater. As with previous tours, Mt. Joy continue their charitable commitment, donating $1 from every ticket sold to charity. “Music gives us a platform, but the real work is what we can do with it,” shares frontman Matt Quinn.

Mt. Joy 2026 Hope We Have Fun Tour: Part II Dates:
Apr 9 – Hollywood, FL @ Hard Rock Live Hollywood
Apr 11 – St. Augustine, FL @ St. Augustine Amphitheatre
Apr 14 – Birmingham, AL @ Coca-Cola Amp
Apr 16 – Wilmington, NC @ Live Oak Bank Pavilion
Apr 17 – Charlotte, NC @ PNC Music Pavilion
Apr 18 – Atlanta, GA @ Synovus Bank Amphitheater at Chastain Park
Apr 21 – Kansas City, MO @ Starlight Theatre
Apr 23 – New Orleans, LA @ Champions Square
Apr 24 – Dallas, TX @ Longhorn Backyard Amphitheater
Apr 25 – Austin, TX @ Moody Center
June 6–7 – Railbird Music Festival – Lexington, KY

Lee Brice Brings ‘The Sunriser’ Tour Back To Canada In 2026

Eric Alper
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Lee Brice Brings ‘The Sunriser’ Tour Back To Canada In 2026

Platinum-selling country artist Lee Brice has announced Canadian dates for his 2026 Sunriser Tour, bringing his live show back across the country next spring. Known for his direct songwriting and conversational stage presence, Brice blends chart-topping hits with personal storytelling that connects deeply with audiences. Joining him on the tour are platinum-selling Canadian artist Brett Kissel and rising singer-songwriter Grace Tyler.

“Man, Canada, y’all have been ridin’ shotgun with me since back before I even had a hit,” Brice shares. “That fire you lit in my soul has only burned brighter over the years.” His recent run of releases includes the reflective single “Cry,” followed by “Said No Country Boy Ever,” featuring Jamey Johnson, Randy Houser, Jerrod Niemann, Dallas Davidson, and Rob Hatch as The Traler Park, celebrating everyday country traditions and shared roots.

The Sunriser Tour follows a period of renewed creative output for Brice, with more new music on the way. The 2026 Canadian run brings his latest material to the stage alongside fan favorites, continuing a long-standing connection with audiences across the country.

Lee Brice 2026 Sunriser Tour Dates:
Apr 10 – Abbotsford, BC @ Abbotsford Centre
Apr 11 – Kelowna, BC @ Prospera Place
Apr 13 – Grande Prairie, AB @ Bonnetts Energy Centre
Apr 14 – Edmonton, AB @ Rogers Place
Apr 16 – Calgary, AB @ Grey Eagle Event Centre
Apr 17 – Calgary, AB @ Grey Eagle Event Centre
Apr 18 – Medicine Hat, AB @ Co-Op Place
Apr 24 – Oshawa, ON @ Tribute Communities Centre
Apr 25 – Kitchener, ON @ Kitchener Memorial Auditorium

Itzy Charge Forward With New Mini Album ‘Tunnel Vision’

Eric Alper
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Itzy Charge Forward With New Mini Album ‘Tunnel Vision’

K-pop superstars Itzy return with their highly anticipated new mini album ‘Tunnel Vision’, released via JYP Entertainment, Imperial, and Republic Records. Featuring six new tracks, the release frames a sensory-driven journey centered on renewal and intensity, pushing past calm introspection in favor of bold movement and emotional release. The project marks a clear step into broader sonic territory for the group.

Led by a hip-hop-focused title track, ‘Tunnel Vision’ arrives alongside a visually striking music video that highlights the group’s precision choreography and high-impact performance style. Sonically, the mini album moves from the industrial edge of “Focus” through hyper-pop cuts like “Nocturne” and “8-Bit Heart,” the UK Garage–inspired “Flicker,” and the electronic pulse of “DYT,” which explores embracing love without hesitation. The record stands as the group’s most stylistically varied release to date.

‘Tunnel Vision’ follows recent mini albums ‘Girls Will Be Girls’ and ‘Gold’, the latter reuniting all five members and featuring tracks including “Imaginary Friend” and “Vay” with Changbin of Stray Kids. The group has also announced their 3rd World Tour, launching in Seoul with three nights at Jamsil Indoor Stadium on February 13, 14, and 15, continuing the global momentum built during their Born to Be tour across 28 countries.

Warren Zeiders Announces Global 2026 World Tour Spanning US, Australia, And Europe

Eric Alper
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Warren Zeiders Announces Global 2026 World Tour Spanning US, Australia, And Europe

Warner Records artist Warren Zeiders has announced the Warren Zeiders World Tour 2026, marking his first global headline tour across the United States, Australia, and Europe. The tour begins March 26 in Virginia Beach, Virginia. The announcement follows a landmark year of touring and releases that has expanded Zeiders’ international reach.

The tour arrives as Zeiders wraps his sold-out Relapse, Lies & Betrayal Tour, concluding November 22 with a hometown arena show at Hershey’s Giant Center. Earlier this year, he completed his first European headlining run, selling out dates across Norway, Switzerland, and the UK. Since releasing his 21-track album ‘Relapse, Lies & Betrayal’, Zeiders has also shared faith-driven releases including “How Great Thou Art” and the original song “Only Bible,” co-written with Ryan Hurd, Daniel Ross, and Joe Clemmons.

Zeiders continues to build momentum following the recent No. 1 success of “Love in Letting Go” featuring Lanie Gardner on SiriusXM The Highway’s Hot 30 Countdown. His recent run also includes a No. 1 country radio single, a CMT Award for Breakthrough Male Video of the Year, and seven placements on Billboard’s 2024 year-end charts. The 2026 World Tour extends that momentum to new territories while reinforcing his growing global presence.

Warren Zeiders World Tour 2026 Dates:
Mar 26 – Virginia Beach, VA @ The Dome
Mar 27 – Bensalem, PA @ Parx Casino – Parx Xcite Center
Mar 28 – Verona, NY @ Turning Stone Resort & Casino
Apr 2 – Birmingham, AL @ Avondale Brewing Company
Apr 3 – Brandon, MS @ Brandon Amphitheater
Apr 4 – Durant, OK @ Choctaw Casino & Resort Durant
Apr 9 – Lexington, KY @ Manchester Music Hall Outdoors
Apr 10 – Cherokee, NC @ Harrah’s Cherokee Casino Resort
Apr 11 – Anderson, NC @ Wendell’s Dippin Branch
Apr 15 – Salt Lake City, UT @ Maverik Center
Apr 16 – Denver, CO @ Fillmore Auditorium
Apr 17 – Albuquerque, NM @ Rio Rancho Events Center
Apr 18 – Phoenix, AZ @ Arizona Financial Theatre
Apr 22 – Modesto, CA @ The Fruit Yard
Apr 24 – Reno, NV @ Grand Sierra Resort and Casino
Apr 26 – Indio, CA @ Stagecoach
May 13 – Perth, AU @ Metro City
May 16 – Melbourne, AU @ Festival Hall
May 17 – Sydney, AU @ Hordern Pavilion
May 19 – Brisbane, AU @ The Fortitude Music Hall
May 22 – Rockhampton, AU @ Great Western Hotel
Aug 28 – Essex, VT @ Champlain Valley Exposition
Oct 11 – Glasgow, UK @ O2 Academy Glasgow
Oct 14 – Manchester, UK @ Manchester Academy
Oct 15 – Bristol, UK @ Bristol Academy
Oct 16 – Birmingham, UK @ O2 Academy Birmingham
Oct 18 – London, UK @ Roundhouse
Oct 21 – Utrecht, NL @ TivoliVredenburg
Oct 23 – Zurich, CH @ X-TRA
Oct 24 – Munich, DE @ Tonhalle
Oct 25 – Cologne, DE @ E-Werk
Oct 27 – Frankfurt, DE @ Batschkapp
Oct 28 – Berlin, DE @ Huxleys Neue Welt
Oct 29 – Hamburg, DE @ Georg Elser Halle
Oct 31 – Stockholm, SE @ Fållan
Nov 2 – Oslo, NO @ Sentrum Scene

Benee Announces 2026 North American ‘Particles’ Tour Following New Album

Eric Alper
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Benee Announces 2026 North American ‘Particles’ Tour Following New Album

Following the release of her sophomore album ‘Ur an Angel I’m Just Particles’, multi-platinum alt-pop artist Benee has announced a 2026 North American headline run titled the “Particles Tour.” The tour launches February 27 at Goldfield Trading Post and runs through April 3, concluding at The Fonda Theatre. Along the way, Benee will perform at venues including The Fillmore, Hollywood Theatre, Metro, The Concert Hall, Paradise Rock Club, and Irving Plaza.

Presales begin Tuesday, November 11, ahead of the general on-sale Friday, November 14 at 10 am local time. ‘Ur an Angel I’m Just Particles’ was written and recorded over the past three years and captures Benee’s process of translating everyday confusion and emotional overload into alternative pop. The album includes her recent single “Princess,” a collaboration with PinkPantheress, and continues her blend of playful production with candid lyricism.

The album rollout follows a steady run of singles including “Cinnamon,” “Underwater,” “Off The Rails,” “Animal,” and “Sad Boiii.” Benee also recently contributed the song “What” to the second season soundtrack of Netflix’s Nobody Wants This, and spent the summer touring Europe and the UK supporting Tate McRae. With the Particles Tour, Benee brings the new record to the stage across the US and Canada, extending the album’s world into a full-scale live setting.

Benee 2026 Particles Tour Dates:

Feb 27 – Sacramento, CA @ Goldfield Trading Post
Feb 28 – San Francisco, CA @ The Fillmore
Mar 2 – Portland, OR @ Wonder Ballroom
Mar 3 – Seattle, WA @ The Crocodile
Mar 4 – Vancouver, BC @ Hollywood Theatre
Mar 6 – Salt Lake City, UT @ The Grand At The Complex
Mar 7 – Denver, CO @ Gothic Theatre
Mar 9 – Minneapolis, MN @ Varsity Theater
Mar 10 – Chicago, IL @ Metro
Mar 12 – Toronto, ON @ The Concert Hall
Mar 13 – Buffalo, NY @ Electric City
Mar 14 – Boston, MA @ Paradise Rock Club
Mar 16 – Philadelphia, PA @ Brooklyn Bowl Philadelphia
Mar 19 – New York, NY @ Irving Plaza
Mar 20 – Washington, DC @ 9:30 Club
Mar 21 – Carrboro, NC @ Cat’s Cradle
Mar 23 – Nashville, TN @ The Basement East
Mar 24 – Atlanta, GA @ Terminal West
Mar 26 – Dallas, TX @ The Echo Lounge & Music Hall
Mar 27 – Austin, TX @ Scoot Inn
Mar 30 – Phoenix, AZ @ Crescent Ballroom
Mar 31 – San Diego, CA @ House Of Blues San Diego
Apr 3 – Los Angeles, CA @ The Fonda Theatre

Dre Dupuis Turns Laundry Room Late Nights Into A Self-Titled Debut

Eric Alper
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0
Dre Dupuis Turns Laundry Room Late Nights Into A Self-Titled Debut

St. Catharines, Ontario–based singer-songwriter Dre Dupuis makes his full-length debut with the self-titled album ‘Dre Dupuis’, recorded entirely in his laundry room on a vintage Tascam Portastudio. Written and tracked during late-night sessions, the record leans into lo-fi immediacy while staying grounded in direct, personal songwriting. The album channels a DIY spirit associated with Guided By Voices, pairing raw textures with melodic warmth.

“I wanted to make a record on my own at home,” Dupuis shares. “I finally decided to save up some cash, quit my job at the time, and go all in.” With no overarching concept, the songs emerged naturally from isolation and routine. “They were all written and recorded at night,” he adds. “Just the ramblings of a guy and his Portastudio in his laundry room.” Sonically, the album pulls from the sharp punch of The Strokes, the introspection of Andy Shauf, and the harmony-driven richness of The Beach Boys.

The focus track “Daylight” opens the album and stands as one of its earliest compositions. Built from sampled drums, self-recorded percussion, and live one-pass mixing, the song reflects Dupuis’ stripped-back process and commitment to simplicity. “I drank coffee late at night and didn’t sleep until I had a finished song,” he recalls. ‘Dre Dupuis’ documents a return to joy through persistence and solitude, capturing the clarity that can emerge from working alone in the smallest of rooms.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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