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Byio, the First AI-Forward Social Platform Founded by Black Women, Prepares to Make History

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 Social media is being redefined. Byio- short for By Invite Only, is the first-ever SaaS, AI-forward social platform founded and owned by Black women, and it is being built to make history.

Never before has a platform of this scale been created by Black Women who have lived the very experiences they are building against: discrimination, censorship, stolen content, and unfair earnings. Designed for the Black community first and extending to allies and supporters worldwide, Byio is redefining what it means to belong online.

The buzz is already growing. Rumors suggest a global superstar from the Caribbean may be among the very first celebrity invites, with speculation of an exclusive music debut planned for the platform.

The launch message sparked immediate action. Supporters around the world rushed to “lock in” by purchasing physical Byio stickers, visible symbols of solidarity with the platform’s mission. Each sticker is the real-world version of the digital badges that will later exist inside the app. Stickers also unlock perks in Byio’s Discord, including access to an exclusive supporters’ channel, but do not guarantee entry to the platform itself.

True access will begin with the TG10s — the Global Ten Thousand. In its first 24 hours, more than 1,000 people joined Byio’s Discord, the only place where TG10 members will be selected. Whether or not someone locks in with a sticker, they must be in the Discord to be considered. Once chosen, the TG10s will control the next wave of invitations and shape how Byio grows from there.

What Byio Will Offer
When it launches, Byio will:

  • Operate as 100% invite-only, with the community deciding who gets on and who stays on.
  • Be creator-first, offering the highest earning potential of any platform.
  • Launch with full features: live streaming, video sharing, gifting, subscriptions, and e-commerce.
  • Provide never seen, patent-pending features and processes.
  • Leverage AI-forward design for a smarter, safer, and more engaging platform.
  • Arrive with celebrity involvement, starting with a rumored Caribbean superstar.

Call to Action
Global supporters can secure their place in history today:

NUK Partners with Ms. Rachel to Launch New Sippy Cup Collection for Little Learners

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 NUK, the #1 hospital-trusted brand for feeding , is teaming up with beloved early childhood educator and entertainer Ms. Rachel to launch a new line of Sippy Cups crafted to help little ones gain confidence and independence as they transition from bottle to cup. With over 70 years of experience designing the highest quality baby care and feeding products, this partnership continues to reinforce NUK’s commitment to support baby’s natural development. Every step of the way.

“NUK has always focused on creating products that help parents and caregivers navigate important transitions with confidence,” said Tatia Mueller, Director of Brand Marketing, Baby Care at Newell Brands. “Partnering with Ms. Rachel allows us to combine product innovation with trusted developmental expertise to help make the transition to baby’s first cup feel easier and more exciting for both parents and their little ones.”

The new sippy cups are designed to support a natural transition from bottle to cup. Each cup in the collection brings together a classic NUK design with kid-friendly features that highlight Ms. Rachel. Product benefits include:

  • Soft, spill-proof spout gentle on developing gums
  • Easy grip, anti-slip handles that are removeable as baby gains independence
  • 100% spill-proof and leak-proof design for mess-free sipping at home or on the go
  • BPA-free and dishwasher-safe for simple cleaning
  • Available in two sizes: 5oz for ages 6m+ and 10oz for ages 8m+

Known for her gentle, research-based approach to early learning, Ms. Rachel has built a trusted connection with millions of parents and caregivers. NUK’s partnership with Ms. Rachel pairs innovative, expertly designed feeding tools with developmental guidance families can feel confident in, making milestone moments easier, more joyful, and rooted in care.

This collection is currently available at Target and will be available on Amazon later this month. The 10oz Learner Cup will also launch at Walmart in November. As part of the continued collaboration, NUK will introduce new feeding solutions in early 2026, including a Ms. Rachel tableware bundle of plates, bowls, and utensils.

Mike Tyson Announces ‘Return of the Mike’ Live Show Exclusively at Hard Rock Venues

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Hard Rock announced today that Mike Tyson, former heavyweight boxing champion and enduring cultural icon, will bring his new live show Return of the Mike exclusively to four Hard Rock Live venues across the country beginning this November.

Return of the Mike will mark the Boxing Hall of Famer’s highly anticipated return to the stage with an honest, hilarious performance showcasing the legend like you’ve never seen him before. While Tyson’s previous smash hit Undisputed Truth focused on his formative years and rise to boxing glory, Return of the Mike ventures even deeper into his extraordinary life. From battles with addiction and mental health to candid reflections on his celebrated career, Return of the Mike will revisit his wild younger self and share wisdom through the unexpected comedy of life. The penultimate December live performance at Hard Rock’s flagship property in Hollywood, FL will be taped for an upcoming special that will reach millions on a major global streaming platform in 2026.

“After Undisputed Truth, people kept asking when I’d return, and now it’s time — no holding back, no filter,” said Tyson. “Hard Rock knows how to have a good time and bring people together for unforgettable nights, just like what we’re going to create with this tour. We’re going to have some fun, tell some truths, and remind everyone that I’m still swinging hard.”

Fans can catch the limited, exclusive run of Return of the Mike at Hard Rock Live venues:

  • Rockford, IL – Sunday, November 9, 2025, Hard Rock Casino Rockford
  • Cincinnati, OH – Sunday, November 23, 2025, Hard Rock Casino Cincinnati
  • Hollywood, FL – Sunday, December 14, 2025, Seminole Hard Rock Hotel & Casino Hollywood
  • Atlantic City, NJ – Friday, January 23, 2026, Hard Rock Hotel & Casino Atlantic City

For more information and to sign up for pre-sale access and purchase tickets, visit HardRock.com/Tyson. Artist, venue and Unity™ by Hard Rock member presale tickets will be available Tuesday, September 9 at 10 a.m. local time. Social media presale tickets will be available Wednesday, September 10 at 10 a.m. local time. All presales will end Thursday, September 11 at 10 p.m. local time and general sale tickets will be available starting Friday, September 12 at 10 a.m. local time.

“As the proud host of Return of the Mike, this show will add to Hard Rock’s legacy as a curator of one-of-a-kind experiences,” said Keith Sheldon, President of Entertainment and Brand at Hard Rock International and Seminole Gaming. “We’re excited to give Mike Tyson fans exclusive access to one of the greatest athletes in history, in his most honest and entertaining form.”

Tyson is also a star in Hard Rock Bet Sportsbook’s fall campaign, The Hard Rock Bet Party, where he joins other legendary athletes in inviting sports fans to roll with the top-rated app.

The man once known as ‘kid dynamite’ and the ‘baddest man on the planet’ has proven his star power beyond the ring through blockbuster films including The Hangover and The Hangover 2, the acclaimed documentary Champs, and most recently in the dramatic thriller Asphalt City. His 2024 fight with Jake Paul drew 73,000 attendees and reached 65+ million streamers globally. Tyson also hosts the popular podcast Hotboxin’ with Mike Tyson, which has been listened to over 40 million times. Inspired by Tyson’s autobiography written by Larry Sloman and produced by Spike Lee, Undisputed Truth captivated audiences in 2012 and 2013 with Tyson’s personal story starting from his youth, complete with photo and video montages. Undisputed Truth toured nationally after its successful run in Las Vegas and on Broadway.

Return of the Mike is written and directed by Kiki Tyson and produced by Exodus Entertainment.

Doja Cat Joins MAC as Global Ambassador with a Bold VMAs Debut

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M•A•C Cosmetics has announced multiplatinum, Grammy-winning artist Doja Cat as its newest Global Ambassador. Through this long-term partnership, Doja will star in a series of global campaigns for some of M•A•C’s most iconic products – with plenty of delicious surprises along the way.

MAC Cosmetics x Doja Cat; Photographed by: Jacob Webster
MAC Cosmetics x Doja Cat; Photographed by: Jacob Webster

Doja made her official M•A•C debut at the 2025 MTV Video Music Awards, shocking the red carpet when she appeared to take a bite out of a M•A•C Lipstick in her go-to shade Lady Danger – which, in true Doja fashion, turned out to be an edible chocolate replica created by world-renowned pastry chef Amaury Guichon. She then opened the show with the debut performance of “Jealous Type” and later took home the 2025 Best K-Pop VMA for LISA ft. Doja Cat & RAYE’s “Born Again.

The VMA reveal offered a first taste of what’s ahead for the partnership, which Doja describes as a full-circle moment. “I’ve been a M•A•C girl forever, and now I get to take that love to the global stage,” said Doja. “Makeup is my paint, my armor, my way of creating characters – and M•A•C has always stood for that kind of artistry and freedom. We’re going to push it even further and make people see beauty in a whole new way.”

Doja’s M•A•C debut gave just a taste of the bold artistry to come from this match made in makeup heaven. For Nicola Formichetti, M•A•C’s Global Creative Director, the collaboration represents the collision of two creative powerhouses. “Doja has a fearless energy that’s so authentically M•A•C. She uses makeup as a tool for creativity, pushing the boundaries of expression. We’re thrilled to join forces with her to redefine and disrupt the beauty space.”

Aïda Moudachirou-Rebois, M•A•C Cosmetics SVP and Global General Manager, added: “M•A•C has always been a platform for artists, performers, creatives who shape culture. Not only is Doja one of the most exciting voices of her generation, we love her creativity, unique artistry and fearless spirit, which resonate around the globe. We could not think of a more perfect partner to help us write the next chapter of M•A•C’s story. Welcome to the M•A•C family, Doja.”

Illuminati Hotties Bring Confetti Cannons and Tenderpunk Joy to the Tiny Desk

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Illuminati Hotties know how to make an entrance, and their Tiny Desk show was no exception. Sarah Tudzin led the band through playful songs, sharp lyrics, and a blast of confetti. It was a performance as fun as it was fearless.



Paul Cargnello Rages Against Silence on ‘Combat Blues’ – A Battle Cry for the Apathetic Age

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“What happened to the protest singer?” asks Paul Cargnello on the searing opening single of his new album, and it’s not rhetorical. With his 20th album, Combat Blues’, out now on Quartier General, the Montreal-based singer-songwriter and producer is back with a defiant, groove-laced, politically charged collection that refuses to look away. Think The Clash filtered through Curtis Mayfield with a jolt of Gil Scott-Heron. This is protest music for people who aren’t done fighting.

‘Combat Blues’ isn’t here to make you comfortable. It’s here to shake you awake. “This record is about speaking truth when it’s easier to whisper,” explains Cargnello. “We’re watching the world burn through our screens, and we’ve forgotten how to yell. This is me yelling.”

Opening track “Protest Song,” written, composed, and produced by Cargnello, is a funk-punk anthem aimed squarely at the armchair activists and a gut-punch to the music industry’s obsession with apolitical vibes. “Can you imagine a world where you would take it to the streets / instead of hashing it out with a handful of memes?” he sneers, harmonica blazing and drums pounding like a clenched fist on the table. The video, shot in Parc Frédéric-Back in Montreal by longtime collaborator Nik Brovkin, features Cargnello and the Combat Blues band in full revolutionary mode.

Then there’s “Fascists In Our Midst,” a no-holds-barred reggae-rock detonation featuring Tuff Gong’s own Jonathan Emile, who co-wrote the lyrics with Cargnello and delivers a scathing verse in patois that takes aim at white supremacy, political manipulation, and spineless centrism. “Be careful who you break di bread wit,” Emile warns. “When you play politricks just rememba who you are.” Co-written musically by Cargnello, James Challenger, and Frantz Calestin Jr., the track showcases the full sonic power of the band—raw, urgent, and righteous.



Recorded and mixed by Cargnello at Upper China Studios, and mastered by Grammy-winner Adam Ayan (Bruce Springsteen, Lana Del Rey), ‘Combat Blues’ also features: James Challenger on backup vocals and bass, Frantz Calestin Jr. on drums, Jasmine Beile on backup vocals, and Jonathan Emile as featured vocalist. Every note is steeped in resistance. Every lyric is a call to act.

Paul Cargnello has never played by the rules. From his 90s political punk days with The Vendettas to Top 10 francophone hits and his celebrated NDG Arts Week, he’s spent the last two decades defying industry trends and forging community through sound. Whether writing theme songs for the Montreal Fringe Festival, collaborating with KRS-One and Maxi Priest, or penning verses for Dawson’s Creek, Paul’s motto remains the same: Lyrics matter. And so does showing up.



The man is a machine—20 albums deep, with an additional 3 Vendettas albums, 3 Skinny Bros records, 7 EPs, and more than 50 total projects under his belt. As ‘Le Devoir’ put it: “Et bon Dieu que ça groove!”

Shout it loud. Turn it up. Take it to the streets.

NOTÖRIOUS Drop ‘Live It Up’ and Self-Titled EP – A Glam Metal Gut-Punch for the Ages

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If you thought rock was resting, NOTÖRIOUS just kicked down the door. With the release of their new single “Live It Up” and their self-titled EP *NOTÖRIOUS*, Norway’s wildest metal export is throwing a no-holds-barred, beer-soaked party that screams from the rooftops: glam is not dead, and it never left Bergen.

“Tonight’s the night, the city is alive / Gonna take on the world” – from the first line of “Live It Up,” NOTÖRIOUS lights the fuse and never lets up. With pounding drums, razor-sharp riffs, and the kind of anthemic choruses that make you want to tear your shirt off and howl at the moon, this is the band’s boldest and loudest work yet.

“We made this record for the stage, for the sweat, for the chaos,” shares frontman Chris Höudini. “It’s about going all in—no regrets, no looking back. Just crank it and LIVE IT UP.”

Formed in 2018, NOTÖRIOUS is Chris Höudini (vocals), Andy Sweet (bass), Nikki DiCato (guitar), and Freddy Kixx (drums). These four headbangers take their cues from the sleaze and scream of ’80s Sunset Strip heroes—but with a heavy dose of black metal frost and Norwegian defiance. They call their sound True Norwegian Glam Metal. The world calls it addictive.

Following up 2024’s *Marching On*, the new *NOTÖRIOUS* EP is a five-track firestorm recorded at Bergen’s Polyfon Studio. Each track cranks the volume and dials up the drama. “Shout Out For Love” kicks it off with a gritty, lust-drenched explosion. “It’s My Time” charges forward with arena-shaking bravado. “Into the Night” is built for fist-pumping under strobe lights, while “Holding On” reveals the band’s tender underbelly with an emotional slow burn.

But it’s “Live It Up” that seals the deal. With lyrics like “Hearts wide open, chase the thrill / Bend it to our will,” NOTÖRIOUS taps into the spirit of reckless freedom that defines glam at its most glorious.

“This EP is for the road warriors, the dream chasers, the heartbroken romantics and the late-night legends,” says Andy Sweet. “If you’re looking for permission to lose your mind and find your soul—this is it.”

Critics and fans alike are shouting along. The band’s streaming numbers have surged, and fans across Europe are catching the fire live. With big choruses, bigger hair, and the biggest energy around, NOTÖRIOUS aren’t just playing metal. They’re living it.

Nancy Diaz Steps Into the Spotlight With Irresistible Pop Anthem ‘Hey Mami’

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In an era where pop songs too often feel manufactured for the algorithm, Nancy Diaz’s ‘Hey Mami’ asserts itself as something refreshingly human: a playful, flirtatious dance track with a sly undercurrent of longing. “If you think you’re free think twice / Freedom’s more than rolling dice,” she might sing elsewhere, but here she flips the script, leaning into the thrill of attraction while daring her suitor to “put a ring on it.”

Born and raised in Toronto to Chilean and Spanish parents, Diaz grew up steeped in rhythm, melody, and movement. That multicultural foundation informs everything she writes: songs that fuse Latin grooves with pop immediacy and dance-floor punch.

Now based in Kelowna, British Columbia, Diaz has positioned herself at the intersection of tradition and reinvention, channeling her heritage into something both global and local, personal and communal.

‘Hey Mami’ arrives as the culmination of a steady climb. Over the past few years, Diaz has released more than ten singles, built a dedicated online following, and honed her live performances into joyous, high-energy celebrations. The release of ‘Hey Mami’ marks her boldest step yet: a track engineered for both radio rotation and sweaty festival nights, as well as intimate headphone listening.

Recorded at Toronto’s Ignaua Studios, the single benefits from a tightly wound production ethos. Its polished sheen doesn’t obscure its warmth: syncopated percussion and glossy synth lines wrap around Diaz’s vocals, which alternate between coy seduction and direct declaration. The chorus is pure immediacy, the kind of hook that feels inevitable in retrospect, while the verses flirt with restraint, offering flashes of intimacy before spilling over into dance-floor abandon.

For Diaz, the song carries autobiographical resonance. “Since I recently got married, this song also carries a special meaning for me: it reflects my own journey of finding love and the joy of stepping into that commitment,” she explains. That lived experience makes ‘Hey Mami’ more than another summer jam: it’s an anthem of agency, a declaration of desire on her own terms.

At the same time, Diaz refuses to reduce empowerment to slogans. “For me, Hey Mami is more than just a dance track — it’s about celebrating women who know what they want in love and aren’t afraid to say it,” she insists. That balance—between cheeky flirtation and serious assertion—anchors the song, transforming it into something simultaneously fun and formidable.

Industry-wise, ‘Hey Mami’ lands at a moment of opportunity. Streaming platforms are increasingly hungry for global-facing pop that resonates across demographics, and Diaz’s fusion of Latin, pop, and dance fits seamlessly within playlists that thrive on genre cross-pollination. More importantly, she approaches these contexts not as an outsider but as someone writing from within the culture, with roots in both Spanish and Chilean traditions.

Thematically, the single extends a lineage of Latin-inspired pop hits—think Jennifer Lopez’s ‘Let’s Get Loud’ or Rosalía’s ‘Despechá’—but it’s filtered through Diaz’s own hybrid lens. Rather than mimic, she adapts: her melodies are unmistakably pop, but her cadences and rhythmic inflections reveal her cultural DNA. It’s this duality—mainstream polish, personal authenticity—that makes ‘Hey Mami’ resonate.

Culturally, Diaz’s emergence is part of a larger story: the growing visibility of Canadian artists with immigrant heritage reshaping what “Canadian pop” can sound like. In the same way Drake blurred Toronto’s musical borders with Caribbean and African influences, Diaz is folding her Latin lineage into something that refuses categorization, instead leaning into hybridity as a strength.

Ultimately, ‘Hey Mami’ is as much about memory as it is about movement. It recalls the sweaty joy of last calls, the thrill of unexpected encounters, and the deeper desire beneath playful flirtation. It’s a reminder that the best pop songs don’t just soundtrack our nights out—they expand our sense of what’s possible in love, community, and culture. With ‘Hey Mami’, Nancy Diaz stakes her claim as one of Canada’s most compelling new voices in global pop.

Hamilton/Toronto’s TRIBZ Bring Indigenous Soul, R&B, and Blues to International Day of Peace With “Save the World”

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On International Day of Peace, TRIBZ bring their Indigenous roots and genre-spanning soul, R&B, and blues to the forefront. With the release of their official video “Save the World” and a live performance at Hamilton’s Corktown Pub, the band affirms its role as PEAC’s Official ‘Pause for Peace’ International Peace Ambassador for Canada.

TRIBZ is more than a band; it is a coalition of experience, heritage, and conviction. Comprised of Juno Award–winning vocalist Errol Starr Francis, Six Nations Tuscarora guitarist Earl Johnson, Mohawk bassist Donny Hill, and Hamilton drummer Dave Davidson, the group has over four decades each of lived musical history. Their music is a melting pot of R&B, blues, Motown, reggae, rock, and Indigenous tradition, unified under a mission of peace, love, and empowerment.

“Save the World” carries both urgency and uplift. “Save the world… let’s save the world for the children,” the chorus insists, sung over modern reggae with an R&B feel and a reggaeton intro. The song is described by the band as a statement on global crises — war in the Middle East, conflict in Ukraine, and the displacement of Indigenous people worldwide. Yet it is also deeply personal. Francis reflects, “I do have grandkids and I am wondering, what kind of world are they going to be in if we don’t start to turn some of this around?”

The track was born from guitarist Johnson’s initial lyrics, fleshed out collectively by the band. Donny Hill describes it as both message and method: “Maybe we can show other people through music… it’s nice to show that we can come together no matter what our lineage is, and hopefully put on something positive.”

Recorded with community contributions, the single includes a children’s choir and features Candy Barrotti on vocals, Don Baird on keyboards, and Isax InJah on horns. This intergenerational collaboration amplifies the message of legacy and responsibility, embedding hope in the very structure of the song.

As Peace Ambassadors, TRIBZ emphasize that peace is not abstract. “Peace comes from within,” Francis notes. “It starts at home and in the end that vibration can go out into the community, into the culture and eventually into the world.” For the band, the International Day of Peace is not symbolic — it is a chance to practice peace in real time, through performance and community gathering.

The Corktown show, scheduled from 2:00 to 5:30 p.m., will be broadcast internationally as part of PEAC Institute’s 24-hour “Pause for Peace” global concert. Organized in partnership with LIVE Peace, the festival brings together voices across continents, with TRIBZ representing Canada’s Indigenous and R&B lineage.

TRIBZ’s trajectory has always reflected a balance of lived heritage and contemporary urgency. Johnson’s history with King Biscuit Boy and Moxy, Hill’s grounding in Rez Blues and collaborations with Murray Porter, Davidson’s decades on global stages, and Francis’s legacy as the voice behind the Canadian soul hit “Angel” all converge in this new chapter.

For the band, “Save the World” is not just a song but a declaration. “We are for Peace! This is the main thing,” Francis states. It is an anthem for a moment that demands attention, a soundtrack for a day that insists on change.

The music video, produced by Vance World Media, captures TRIBZ in landscapes that mirror the scope of their vision — rooted, expansive, and urgent. With each refrain, the band extends an invitation: to sing, to act, and to remember that peace is collective work.

Damn Coyote Chris Embraces Humour, Mortality, and Melody With “Destination Funeral”

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With his album Departures, his 2025 collection of “comfort-food songs from my Private Reserve,” Damn Coyote Chris turns again to themes of mortality, resilience, and the curious way laughter keeps us afloat. “Destination Funeral,” stands as one of the most personal and playful testaments yet to his lifelong songwriting craft.

Chris Nikiforuk-Rhyason — known to Alberta audiences for more than 35 years as Damn Coyote Chris — has long worked at the crossroads of music, tattoo artistry, and visual creation. As the force behind Them Damn Coyotes through the ‘90s and 2000s, he built a reputation for raw energy and unfiltered storytelling. With his solo work, Chris channels those same instincts inward, merging blues, jazz, and classical guitar techniques into songs that balance humour with unshakable honesty.

“’Destination Funeral’ was a song that had itself written in my mind for years,” Chris reflects. “Struggles with mental health, a self-destructive nature, and a dark slapstick sense of humour always bring it to mind and consistently get a laugh.” What began as a joke to his grandmother — a riff on a canceled wedding and the imagined gathering of friends at his funeral — grew into a narrative about acceptance, community, and humour’s strange partnership with grief.

The song’s lyrics capture that tension directly:

“Folks I’m sending you this message / Hopin’ that it finds you well / Cuz I had a great idea / I know it’s not an easy sell…”

It’s an invitation not to mourn, but to travel together toward the inevitable horizon.

Recorded in Edmonton with longtime collaborator and producer Stew Kirkwood, “Destination Funeral” carries a tropical lilt. Steel drums and commanding guitar work give the track a celebratory air, somewhere between Vince Gill’s precision and Jimmy Buffett’s wry spirit. When Chris laid down his lead solo, Kirkwood spun around in disbelief: “That was YOU!! See, I knew you needed to get some music out.”

Humour anchors the composition, but so does vivid imagery. Chris laughs as he describes picturing a catamaran equipped with a woodchipper: “Let’s go swimmin’ with them sharks man… Chum the waters with me.” This macabre humour sits comfortably next to the tenderness of sharing the final journey with friends.

As with the rest of Departures, Chris leans on what he calls “100% human generated” songs — music without pretense or polish for its own sake, but sharpened through decades of lived experience. The result is a record that uses humour, philosophy, and craft to bridge the distance between sorrow and celebration.

“Destination Funeral” is not a farewell, but a continuation — one more adventure where melody becomes memory, and humour softens what might otherwise be unbearable. In Chris’s hands, the weight of mortality becomes lighter, even joyful.

With his guitar, his voice, and his unique ability to frame the hardest truths in laughter, Damn Coyote Chris reminds listeners that the best songs are not simply written — they are lived, shared, and carried together.