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JUNO Award-Winning Inuk Artist Susan Aglukark Shares Her Story in New Memoir ‘KIHIANI’

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HarperCollins Publishers is proud to release KIHIANI by Susan Aglukark with Andrea Warner, out now. This deeply moving memoir from one of Canada’s most celebrated artists traces Aglukark’s journey of healing and self-discovery, weaving together trauma, resilience, and the redemptive power of art. Within moments of it arriving on Amazon, it quickly became a Top 10 on numerous sections, including Composer & Musician Biographies.

Born in Fort Churchill, Manitoba, and raised in Arviat on the western edges of Hudson Bay, Aglukark grew up in a humble but loving home with six siblings. At age eight, while living in Rankin Inlet, her life was disrupted by a profound event that created a lasting inner schism. Writing poetry at fifteen became a lifeline, and eventually music carried her into a career that would reshape Canadian arts and culture. From her early feature on a CBC Arctic artists compilation to signing with a major label for her third album This Child, Aglukark has consistently transformed personal struggle into anthems of hope.

KIHIANI captures both the disruption and the milestones, the devastation and the healing, that define Aglukark’s life and career. It is her profoundly honest story of navigating pain, reclaiming identity, and finding strength through song. You can get it now at Amazon or Indigo.

Susan Aglukark is a four-time Juno Award–winning Inuk singer-songwriter and the first Inuk artist to ever win a Juno. She is an Officer of the Order of Canada, a recipient of the Governor General’s Performing Arts Award for lifetime artistic achievement, and holds several honorary doctorates. Aglukark’s legacy includes beloved songs like “This Child” and “O Siem,” as well as a lifetime dedicated to bridging cultures through art.

KIHIANI is co-written with Andrea Warner, author, critic, and broadcaster known for her insightful work on music, culture, and identity.

In tandem with the memoir, Aglukark will mark another career milestone this summer with the 30th anniversary vinyl release of her breakthrough album This Child out now. Remastered from the original source tapes and pressed to vinyl for the very first time, the record features the landmark single “O Siem,” which reached #1 on the Canadian adult contemporary and country charts in 1995, making Aglukark the first Inuk performer to have a Top 40 hit. Additional hits “Hina Na Ho (Celebration)” and “Breakin’ Down” further cemented This Child as a cornerstone of Canadian music, with the album ultimately certified triple platinum (300,000 copies sold).

Reflecting on the album’s title track, Aglukark explains:

This Child was my artist statement, my call to personal action. At the time, I was writing from a life of deep alone-ness. Leaving home felt like disconnecting from something critical—the land-based way of connection that is the Inuit way. The song was a message to my future artist and Inuk self: write who you are so you never forget where you come from, who you are, and why you left.”

This Child 30th Anniversary Vinyl Track Listing

Side One

  1. This Child
  2. Shamaya
  3. Suffer In Silence
  4. O Siem
  5. Dreams For You

Side Two

  1. Hina Na Ho (Celebration)
  2. Kathy I
  3. Pond Inlet
  4. Breakin’ Down
  5. Casualties of War

Econoline Crush Announce New Era With “New Gold Magic” Single And Canadian Tour

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For three decades, Econoline Crush has thrived in the space between industrial grit and melodic uplift. With their forthcoming single ‘New Gold Magic’ out September 26 —produced, mixed, and mastered by Kane Churko at The Hideout—the band signals not just survival but reinvention. Frontman Trevor Hurst frames it succinctly: “New Gold Magic is about getting your swagger back.”

The Vancouver-born band’s roots stretch back to 1992, when their debut EP Purge earned them a Juno nomination and set the tone for a career defined by collisions of metal, electronica, and arena-sized hooks. Their 1997 breakthrough The Devil You Know went platinum, buoyed by the serrated synths of ‘Surefire (Never Enough)’ and the soaring melancholy of ‘All That You Are (X3).’ Alongside contemporaries like Gravity Kills and Stabbing Westward, they carved out a uniquely Canadian lane in the global industrial-rock surge.

But where many of their peers fossilized in late-90s nostalgia, Econoline Crush mutated. After early-2000s label setbacks, Hurst briefly stepped away, later reemerging as both musician and psychiatric nurse, working in Indigenous communities across Manitoba. That second vocation inflected his songwriting with lived empathy, tethering rage to resilience. When the band returned with When the Devil Drives in 2023, it sounded less like a comeback than a recalibration: guitars sharpened, electronics sculpted, vocals stripped of artifice but rich with scars.

‘New Gold Magic’ is their next combustion point. Over a chassis of jagged guitars and sleek industrial pulses, Hurst spits defiance: “You’re the doubt I hate in a world of fake / Am I the only thing that is real? I will dedicate all the hurt I take, and give you all the pain I feel.” These lyrics feel less like performance and more like invocation, a reclamation of vitality against both external naysayers and internal fracture.

Musically, the track is all forward momentum. Churko’s production—known for his work with In This Moment and Papa Roach—balances machine-tooled aggression with a radio-ready gleam. The chorus detonates around the mantra “I got that new gold magic,” a line that crystallizes the song’s duality: swagger as survival mechanism, glamor as armor. In the tradition of Econoline Crush’s biggest singles, it’s abrasive and anthemic at once.

If their 1990s work embodied the alienation of post-grunge malaise, ‘New Gold Magic’ addresses the 2020s’ crisis of confidence. Its attack on “worn-out plastic” and embrace of something “lethal and automatic” reads as a critique of disposable culture, a refusal to surrender authenticity in an era of algorithmic sameness. As Hurst explains, “There was a period of time in my life where I found myself surrounded by doubt and a choir full of discouraging voices. New Gold Magic is about feeling triumphant, defiant, and confident when the vision, the dream, the song starts to connect.”

This isn’t merely nostalgia for the days when MuchMusic rotated “You Don’t Know What It’s Like.” It’s a reminder that industrial rock—once dismissed as an anachronism—remains adaptive, capable of reflecting contemporary anxieties with precision. Econoline Crush, far from being museum pieces, continue to interrogate what resilience sounds like when filtered through distortion pedals and samplers.

The band will take ‘New Gold Magic’ on the road this fall, with a Canadian tour kicking off October 4 at Vancouver’s Rickshaw Theatre and winding through cities like Winnipeg, Hamilton, Toronto, and Ottawa before closing in Oshawa on November 23. For Hurst, these stages aren’t just venues—they’re laboratories where songs reveal whether they still spark collective catharsis.

In the end, ‘New Gold Magic’ is both statement and spell: an alchemic transformation of doubt into drive, pain into propulsion. Econoline Crush have always been about extremes—the brutal and the beautiful, the mechanical and the human—and their latest single insists that those tensions are not relics of the ’90s but vital languages for the present.

Econoline Crush — New Gold Magic Tour 2025

  • Oct 4, 2025 — Vancouver, BC · Rickshaw Theatre
  • Oct 25, 2025 — Fort MacMurray, AB · Keyano Theatre
  • Oct 29, 2025 — Moose Jaw, SK · Mae Wilson Theatre
  • Oct 30, 2025 — North Battleford, SK · Dekker Centre
  • Nov 1, 2025 — Medicine Hat, AB · Esplanade Arts & Heritage Centre
  • Nov 5, 2025 — Kamloops, BC · The Blue Grotto
  • Nov 6, 2025 — Vernon, BC · The Vernon Towne Theatre
  • Nov 7, 2025 — Cranbrook, BC · Encore Brewing
  • Nov 17, 2025 — Winnipeg, MB · Park Theatre
  • Nov 18, 2025 — Hamilton, ON · Mills Hardware
  • Nov 19, 2025 — Guelph, ON · Sonic Hall
  • Nov 20, 2025 — Toronto, ON · Lee’s Palace
  • Nov 22, 2025 — Ottawa, ON · Brass Monkey
  • Nov 23, 2025 — Oshawa, ON · Biltmore Theatre

Jacob Moon Brings Rush, Troubadours, and Timeless Classics to Ontario Stages in 2025

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Jacob Moon is a master performer whose concerts fuse technical brilliance with heartfelt storytelling. Known for his soaring vocals, virtuosic guitar work, and innovative live looping, Moon doesn’t just perform songs—he builds worlds on stage. Audiences across Canada and beyond have come to know his shows as nights of unforgettable music, where classic songs are reimagined and timeless stories are retold with passion and authenticity.

Moon’s career has earned the respect of music legends like Rush, Marillion, and Gordon Lightfoot, who have praised his artistry and invited him to share their stages. With 12 albums released and countless tours across Canada, the US, and Europe, he has built a reputation not as an imitator, but as a unique interpretive voice and a creator of powerful concert experiences that resonate long after the final note.

In 2025, Jacob Moon will bring a series of dynamic shows to stages across Ontario, each with its own distinctive theme. These concerts are not simply tributes, but reinventions—crafted with care to give fans and newcomers alike a chance to experience beloved music in new ways.

Jacob Plays PROG! The Songs of RUSH and More!

Nov. 15, 2025 – Old Town Hall, Waterford, ON

Classic Troubadours: The Songs of Sheryl Crow & Stevie Nicks

Oct. 18, 2025 – First Ontario Arts Centre, Milton, ON

Oct. 25, 2025 – Wingham Town Hall Theatre, Wingham, ON

Nov. 8, 2025 – McIntyre Performing Arts Centre, Hamilton, ON

Shake It Up: The Songs of Elvis Costello & The Cars

Sept. 27, 2025 – The Aeolian, London, ON

Oct. 1, 2025 – The Registry Theatre, Kitchener, ON

Classic Troubadours Live: The Songs of James, Joni, Jackson & Carole

Sept. 24, 2025 – Flato Academy Theatre, Lindsay, ON

Oct. 3, 2025 – NewRoads Performing Arts Centre, Newmarket, ON

Oct. 15, 2025 – Meaford Hall Opera House, Meaford, ON

Oct. 17, 2025 – Stocky Centre for the Performing Arts, Parry Sound, ON

Oct. 24, 2025 – Roselawn Theatre, Port Colborne, ON

Nov. 1, 2025 – #ForParis Centre, Paris, ON

Nov. 7, 2025 – Midland Cultural Centre, Midland, ON

Nov. 28, 2025 – First Ontario Performing Arts Centre, St. Catharines, ON

Jacob Moon’s 2025 tour offers more than concerts—it offers journeys through the soundtracks of our lives. Each show is carefully crafted to deliver both nostalgia and discovery, performed with the artistry and soul that have made Moon one of Canada’s most respected performers. For tickets and more information, visit www.jacobmoon.com.

Timmy McKeever Leans Into 1950s-Inspired Country Soul on New Single “Break My Heart Tonight”

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ne of Nashville’s most buzzed-about newcomers Timmy McKeever is showing a raw and unfiltered side of heartbreak with the release of his brand-new song, “Break My Heart Tonight,” available everywhere now. Listen here.

“I wanted this song to feel like one of those late-night conversations where there’s no use sugarcoating anything anymore,” McKeever shares. “It’s about facing heartbreak head-on, without the games, without the drama. Sonically, it’s a little left-of-center for me, leaning into this nostalgic, 1950s-inspired vibe that I haven’t really explored before. I can’t wait for my fans to hear it.”

Written with sharp honesty and delivered through McKeever’s signature soulful vocals, “Break My Heart Tonight” strips away the dramatics of a breakup and instead embraces the painful truth head-on. The track balances tender vulnerability with bold delivery as McKeever pleads for honesty over prolonging the inevitable.

The release of “Break My Heart Tonight” comes on the heels of McKeever’s recent single “Hold You To It” and a run of tour dates with Gabby Barrett, as he prepares to join Ryan Hurd on his tour this fall.

Upcoming Timmy McKeever Tour Dates

October 3 – Ocean City, MD – Country Calling

October 13 – New York, NY (Ryan Hurd Tour Kickoff)* – Gramercy Theatre

October 14 – Washington, DC* – The Hamilton

November 6 – Wyandotte, MI* – District 142

November 7 – Chicago, IL* – Joe’s on Weed Street

November 8 – Grand Rapids, MI* – The Intersection

November 13 – Nashville, TN* – Cannery Hall

*indicates opening for Ryan Hurd

ABOUT TIMMY MCKEEVER

Rapidly emerging as one of country music’s most compelling new voices, Timmy McKeever is stepping confidently into his next chapter with two major announcements: a signing to powerhouse label Big Loud, and the release of new music. His latest single, “Break My Heart Tonight,” is out now, showcasing his raw, emotional storytelling and further cementing his reputation as a rising star. Earlier this summer, he released his label debut single, “Hold You To It” (August 1), marking his official introduction under the Big Loud banner and placing him among the label’s chart-topping roster that includes Morgan Wallen and HARDY. Blending modern country production with grounded, honest songwriting, McKeever began shaping his sound and stage presence in his home state of California, performing at venues like The Maverick and House of Blues Anaheim. Since relocating to Nashville in June 2024, his momentum has skyrocketed, earning him national attention and bigger stages. Since the release of his debut album Devils & Angels on December 6, McKeever has racked up nearly 20 million streams, with over half of that total coming post-album. On social media, he continues to generate serious buzz, consistently reaching more than 5 million monthly impressions and 600,000+ interactions, underscoring his growing grassroots fanbase and national reach. A seasoned performer, McKeever has logged over 400 live shows, including opening slots for Cody Johnson, Ashley Cooke, Gabby Barrett, Lee Greenwood, Dylan Scott, Chris Janson, and Drew Baldridge. His streaming success is matched by over 30 featured placements on DSP-curated playlists, including Spotify’s Next From NashvilleFresh FindsFresh Finds Country, and New Music Friday Country, Amazon’s Breakthrough Country, and Apple Music’s New in Country. Since Devils & Angels, McKeever has continued to deliver fan-favorite releases, including the emotional “I’ve Known Better” (video released March 21), “Tennessee Orange (Breakup Version)” (March 28), a reimagined take on Megan Moroney’s Tennessee Orange, and the high-octane full-length video for “Lightning Speed” (June 23), which captures the chaos and thrill of chasing a dream. With “Break My Heart Tonight” now available and “Hold You To It” ushering in a bold new era under Big Loud, Timmy McKeever’s rise is only just beginning.

Foo Fighters Shake Up San Luis Obispo with Ilan Rubin Debut Before Announcing Santa Ana Show

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The 3.7 earthquake a few miles west of Atascadero wasn’t the only seismic activity to rock San Luis Obispo County last night, as Foo Fighters treated a capacity crowd of FF faithful at the Fremont Theater — many of whom camped out overnight for tickets — to a career-spanning set featuring the thunderous debut of new FF drummer Ilan Rubin.

And they’re doing it again — as announced this morning, Dave Grohl, Nate Mendel, Pat Smear, Chris Shiflett, Rami Jaffee and Ilan Rubin will play their second show of 2025 Monday, September 15 at the Observatory in Santa Ana, CA.

For Santa Ana ticket info, doors, showtime and more, go to https://foofighters.com/news/live-in-santa-ana-monday-sept-15

Peter Santenello’s Viral Video Explores Life in the Twin Saults Across the Border

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The border between Sault Ste. Marie, Michigan and Sault Ste. Marie, Ontario has long shaped how the twin cities see themselves. In a new viral video, travel creator Peter Santenello explores this divide by speaking directly with locals on both sides. From an employee at the Tower of History who hasn’t crossed the bridge in decades to a city commissioner balancing civic duty with shifts at Zorba’s Greek American Restaurant, the Michigan perspective often emphasizes cheaper goods and stricter regulations. Across the river, Rotaryfest provides a backdrop for Ontarians reflecting on downtown vibrancy, steel mill challenges, and the arrival of new immigrant communities.

The film captures stark contrasts: one side boasts cleaner streets and festivals, the other points to environmental oversight and economic struggles. Opinions on governance, law enforcement, and cultural pride vary wildly, but together they paint a vivid picture of two cities bound by history yet shaped by national identity. With more than a million views in under a week, the video proves how everyday voices can illuminate the complexity of life in border towns.

Tiny Chef Fans Rally After Nickelodeon Cancellation with Crowdfunding and Community

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The end of Tiny Chef’s Nickelodeon run sparked a new chapter for the pint-sized vegan cook and his team. When creators Rachel Larsen and Ozlem Akturk shared a short video of Chef being “fired” by a fictional Mickelfodeon, fans immediately responded. The clip, which has topped more than a million views on YouTube, transformed a tough moment into a groundswell of support. Within days, crowdfunding campaigns raised $140,000 and the relaunched “Fwiends Club” subscription drew 10,000 members, proving the character’s charm reaches far beyond a single network.

What makes this moment so important is how clearly it shows the shifting power dynamic in media. By speaking directly to their audience, Larsen and Akturk demonstrated that creators don’t have to rely solely on traditional platforms to survive. Instead, they can build loyalty, attract brand partnerships, and chart their own course. Tiny Chef’s future may look different, but with this level of community behind him, it’s clear his story is far from over.

Panda Bear Brings Experimental Indie Pop to NPR’s Tiny Desk with Full Band Debut

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Panda Bear beams as his layered soundscapes finally get the live treatment. “Ferry Lady” glitters with wistful energy, while “Defense” swells with harmony. By the closing “Song for Ariel,” the set feels rare and radiant.



Jake Worthington Delivers Pure Honky-Tonk Gold on New Country Album ‘When I Write The Song’

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Today Big Loud Texas country traditionalist Jake Worthington releases his sophomore album When I Write The Song, a 14-song jaunt made for barrooms and honky tonks. A follow up to his critically acclaimed debut album, the new record features all-star collaborations with Miranda Lambert, Marty Stuart and Mae Estes

When I Write The Song is just a testament to myself and for the better or worse it’s who I am and what I do and it’s what I love,” Worthington shares. “When I get behind the old pen and paper, it’s not always the good things that come to mind that I find the easiest to say. I revere the songwriter more than I revere anybody else in the music industry and I’m proud to have had a hand at writing these songs on this record.”

Worthington’s new album doubles down on the authentic country sound he is known for that Texas Monthly defines as “gorgeous beer-joint purism.” When I Write The Song was produced by esteemed hitmakers Joey Moi, Jon Randall and Chuck Ainlay – the forces behind some of country music’s most beloved records. The ethos of the album, sonically reminiscent of greats like Jones, Jennings and Strait, can be summed up as, “music undaunted by time” (The Tennesseean).

Unforgettable songs on the album have begun to carve out a space in the cultural ecosystem from viral “It Ain’t The Whiskey” that has racked up over 40 million listens and is nominated for Texas Country Music Association’s Country Single of the Year toditty “My Home’s In Oklahoma” that led Saving Country Music to claim, the “singles have been lights out.” Home to defining songs like Lambert collab “Hello Shitty Day,” “I’m The One (feat. Marty Stuart)” and the immensely witty “Two First Names,” the title track shines as the product of a solo write by Worthington that MusicRow describes as “a honky-tonk ballad that he invests with heart and a beautifully phrased, bent-note vocal.”

Displaying his honky-tonk stylings on stage, Billboard declared that a recent live set of Worthington’s, “conjured up the ghosts of country legends like George Jones and Waylon Jennings with his twangy, authentic traditionalism and big voice.” He will continue to bring pure country anthems to venues across North America, joining Zach Top as direct support on all dates of the Cold Beer & Country Music Tour, followed by supporting slots on Jon Pardi‘s Honkytonk Hollywood Tour. For tour dates, visit jakeworthington.com.

When I Write The Song Tracklist

  1. It Ain’t The Whiskey (Jake Worthington, Will Banister, Jeff Hyde, Roger Springer)
  2. Hello Shitty Day (feat. Miranda Lambert) (Dean Dillon, Jessie Jo Dillon, Jesse Frasure, Miranda Lambert)
  3. Too Much To Think (Jake Worthington, Monty Holmes, Roger Springer)
  4. King Of The World (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
  5. I’m The One (feat. Marty Stuart) (Jake Worthington, Jenna LaMaster, Marty Stuart)
  6. Drownin’ In Whiskey (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
  7. Not Like I Used To (Jake Worthington, Monty Criswell, Derek George)
  8. When I Write The Song (Jake Worthington)*
  9. Two First Names (Jake Worthington, Wyatt McCubbin, Brett Tyler)
  10. I Only Drink When It Rains (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
  11. I Still Believe In Miracles (Jake Worthington, Robert Arthur, Roger Springer)*
  12. I Feel You (feat. Mae Estes) (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)*
  13. My Home’s In Oklahoma (Jake Worthington, Will Banister, Roger Springer)*
  14. Get Gone Too (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)

Produced by Joey Moi and Chuck Ainlay

*Produced by Jon Randall and Chuck Ainlay

Madison McFerrin Performs at NPR’s Tiny Desk with Loop-Driven Soul and Family in Harmony

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Madison McFerrin stacks harmonies live, building worlds out of her voice and pure feeling. “I Don’t” lands with humor and heart as she dishes McFerrin family tea between songs. Every moment is precise, playful, and entirely her own.