Sometimes theater is supposed to be serious. Sometimes it’s supposed to make you cry. But when a cult classic like Death Becomes Her becomes a musical, it’s supposed to make you laugh until you realize just how fun and weird art can really be.
The Who Announce Final Show of ‘The Song Is Over’ Farewell Tour with Special Hollywood Bowl Appearance
The Who has announced the grand finale of their bittersweet The Song Is Over farewell tour of the U.S. and Canada. The last show will take place at Acrisure Arena in Greater Palm Springs on Wednesday, October 1st. Additionally, The Offspring is set to join The Who in Los Angeles next Friday, September 19th, at the iconic Hollywood Bowl.
Presales for the Palm Springs show start on Tuesday, September 16th, ahead of the general sale on Wednesday, September 17th.
The group’s North American run kicked off on August 16th in Sunrise, Florida. We attended night two in Newark, New Jersey, which saw Roger Daltrey deliver over 20 songs with “strength and forcefulness.”
The Who continued to thrill US fans throughout the 1970s before undertaking their first “farewell” tour in 1982, which featured two shows at the legendary Shea Stadium in New York. When the band returned to the road in the late 1990s and early 2000s, perhaps one of their greatest performances was at The Concert For New York City at Madison Square Garden shortly after the terror attack of 9/11; their three-song set in front of emergency workers and first responders was met with a primal roar from the audience. When Pete Townshend and Roger Daltrey were given the Kennedy Center Honors in December 2008 for their contributions to American culture, a tribute performance of “Baba O’Riley” was delivered with a full choir of New York firefighters in gratitude for The Who’s performance at the show.
Inducted into the Rock n’ Roll Hall Of Fame in 1990, the band has placed 27 top 40 singles in the United States and the United Kingdom and earned 17 Top Ten albums, including the 1969 groundbreaking rock opera Tommy, 1971’s pummeling Live At Leeds, 1973’s Quadrophenia, and 1978’s Who Are You. The Who debuted in 1964 with a trio of anthems “I Can’t Explain,” “The Kids Are Alright,” and “My Generation.” Since then, they have delivered hits such as “Baba O’Riley,” “Won’t Get Fooled Again,” “Pinball Wizard,” “Who Are You,” and “You Better You Bet.”
Twice’s Chaeyoung Steps Into the Spotlight with Debut Solo Album ‘Lil Fantasy, Vol. 1’
Global sensation Chaeyoung of Twice has officially released her debut solo album, Lil Fantasy, Vol. 1, via JYP Entertainment/Imperial/Republic Records. The project is now available on all digital and streaming platforms.
Chaeyoung becomes the fourth member of the iconic girl group to release a solo project, following the critical and commercial success of Jihyo’s Zone, Tzuyu’s abouTzu, and Nayeon’s two solo releases: Im Nayeon in 2022 and the recently released NA. Her debut solo project features Chaeyoung’s writing on every track, offering a deeply personal look into her inner world. The project highlights the many facets of her personality beyond her role in Twice, marking a bold step into her identity as a solo artist.
As the first installment in her Lil Fantasy series, the release signifies the beginning of Chaeyoung’s artistic journey – one that reflects not only her growth as a performer, but also her evolving voice as a songwriter and creative force. The highly anticipated focus track, “Avocado,” sets the tone for the album with its playful melody and vibrant energy. Accompanied by a captivating music video, the track draws audiences into Chaeyoung’s whimsical world, highlighting her artistry and unique creative vision.
The album showcases a diverse range of sounds, from the R&B-infused “Ribbons,” featuring Y2K92, to emotionally raw tracks like “BF” and “그림자 놀이 (Shadow Puppet),” offering listeners an intimate glimpse into the complexities of Chaeyoung’s life. Closing out the album is the fan-favorite “My Guitar,” the very first song Chaeyoung ever wrote. Originally performed during her solo set on Twice’s Ready To Be Tour, the track serves as a heartfelt and fitting conclusion to the project.
Over the last few years, Over has continued to make her mark on the global music scene as a member of Twice, one of K-pop’s most influential and chart-topping groups. Most recently, Twice made history as the first K-pop girl group to headline the iconic Lollapalooza festival in Chicago. Their groundbreaking performance captivated tens of thousands and solidified their place on the world stage.
Track Listing:
Avocado featuring Gliiico
Band-Aid
Shoot (Firecracker)
Girl
Ribbons featuring Sumin, Jbin of Y2K92
Downpour featuring Gliiico
BF
그림자 놀이 (Shadow Puppet)
내 기타 (My Guitar)
Lonely Doll Waltz (CD Only)
Jason Aldean Drops New Single “How Far Does A Goodbye Go” and Expands Full Throttle Tour
Reigning ACM Artist of the Decade Jason Aldean today announced an extension of the Full Throttle Tour, adding nine markets to the U.S. leg of his current international tour run with support from Nate Smith, Lanie Gardner, and Dee Jay Silver. Produced by Live Nation, the tour will visit nine additional US markets starting in 2026 at Simmons Bank Arena in North Little Rock, AR on January 15th. 2026 also sees Aldean returning to Australia, marking his first return to Australia since headlining in 2016, as well as his first headlining run in New Zealand. Tickets for the newly added U.S. dates go on sale September 19th at 10am local time here.
The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, an invitation to the Jason Aldean VIP Lounge, a limited edition tour poster, a Jason Aldean VIP gift item and more. For more information, visit vipnation.com.
The tour announcement coincides with the launch of new music from Aldean, who today released “How Far Does A Goodbye Go,” the first new single off his upcoming new project. Written by long-time collaborators Kurt Allison, John Edwards, Tully Kennedy and John Morgan, “How Far Does A Goodbye Go” is the follow-up single to the Georgia native’s historic 30th career #1 single at country radio. “How Far Does A Goodbye Go” is available now here.
Earlier this month, Aldean sat down with Armchair Expert to tease the release of new music from his upcoming project, including today’s official release of “How Far Does A Goodbye Go,” and chat through his early beginnings in the industry, career highs and lows, and his current tour.
With 30 No. 1 hits, 20 billion streams, and more than 20 million albums sold, Aldean has solidified his place as one of the most influential artists of his generation. In addition to marking his 30th career No. 1, the reigning ACM Artist of the Decade has also earned multiple top honors, including three ACM Entertainer of the Year wins. Currently on the US leg of his Full Throttle Tour, Aldean recently partnered with 13-year-old Houston native DJ Daniel to raise more than $200,000 for Heroes For Children during his local Houston, TX tour stop. For a full list of domestic and international Full Throttle Tour dates and to purchase tickets, visit www.jasonaldean.com.
Newly announced Full Throttle tour dates. Tickets on sale September 19th 10am local time:
1/15/2026 – North Little Rock, AR – Simmons Bank Arena
1/16/2026 – Tupelo, MS – Cadence Bank Arena
1/17/2026 – Biloxi, MS – Mississippi Coast Coliseum
1/22/2026 – Peoria, IL – Peoria Civic Center Arena
1/23/2026 – Columbus, OH – Nationwide Arena
1/24/2026 – Charleston, WV – Charleston Coliseum
1/29/2026 – University Park, PA – Bryce Jordan Center
1/30/2026 – Allentown, PA – PPL Center
1/31/2026 – Atlantic City, NJ – Hard Rock Live at Etess Arena
Darren Kiely Reimagines The Killers’ Classic “When You Were Young” with Folk-Rock Grit
Free Flight Records artist Darren Kiely today releases a cover of “When You Were Young,” originally released by The Killers. Kiely, who grew up a fan of The Killers, sought to pay homage to the original while putting his own unique spin on the track with his signature gritty, emotional vocals.
“The Killers captured something timeless in this song – youth, longing, the raw edge of hope,” Kiely shared. “For me, it’s about honoring the energy and nostalgia of the original while reimagining it through the lens of where I come from.”
Kiely is currently touring throughout the US for his “Your Love, Your Lightning Tour.” For tickets, visit darrenkiely.com. The US tour comes on the heels of Kiely’s worldwide tour this summer, including festivals and headlining shows across the globe.
Hailing from a quaint town in Co. Cork, Ireland, Darren Kiely’s fresh, folk-infused sound originates from his inherited love of traditional Irish music, intertwined with modern influences such as The Lumineers, Mumford & Sons, and Noah Kahan. At just five years old, Darren learned the tin whistle, and at eight years old he picked up the fiddle, eventually teaching himself to play guitar as well. Darren began singing in 2019, quickly garnering attention for his raw and fervent vocals and emotive delivery. After winning numerous honors at a national level in Irish traditional music, Darren found his way to NYC in 2022 to continue developing his own music and sound, and soon after headed to the songwriting hub of Nashville. Signing to Free Flight Records, Kiely’s unique presentation of folk-inspired melodies and production, along with lush storytelling, which echoes the backdrop of the Irish countryside where he was raised, are the forefront of his debut EP, Lost. The seven-track project explores the triumphant war of overcoming self-doubt, struggling to find himself, questioning emotions and seeking answers, while his follow up EP, From The Dark, Kiely takes his craft to new heights as he explores the harsh realities that come with growing up and moving on. Lost features the track “Mom & Dad,” which debuted in the Top 40 on the Irish Singles Chart and Top 5 on the Irish Homegrown chart, as well as fan-favorite “Sunrise” which reached No. 1 on the chart.
Jeff Larson and Gerry Beckley Bring Golden Harmonies to New Album ‘Jeff Larson with Gerry Beckley’
Singer, songwriter, and mainstay of the Bay Area music scene Jeff Larson and longtime collaborator Gerry Beckley—known mostly as half of the Grammy Award-winning multi-platinum-selling rock group America with co-founder Dewey Bunnell—have joined forces to create the album JEFF LARSON WITH GERRY BECKLEY. Due October 24 on the Nashville-based Melody Place label, it’s a fresh modern-sounding recording with roots in the golden California sound and highlighted by two voices which often soar in tight harmony.
This is especially illustrated by release of the first single “C’mon Home,” out today (September 12) and coinciding with Beckley’s birthday. The Beckley-Larson composition possesses distinctive twin lead vocals, glistening harmonies, ringing guitars, and lyrics that movingly offer a guiding hand to someone who’s lost their way: “Where you gonna run to now boy/When you’re all alone?/Riding like a lonesome cowboy/You were born to roam/…Why don’t you come on home.” Listen to the song HERE and pre-order/pre-save it HERE.
“‘C’mon Home’ was the last song to be added to this project,” says Larson. “I think we knew we had a strong set of songs but maybe lacked one more to fill it out. Gerry sent me a track he was working on that I could tell already had a vibe and a hook with the slide part he did. He had the initial verse lines and chorus idea, so he asked if I would fill the lyric in and sing it. To me this is classic Gerry Beckley production with hooks all over. It seems to have almost written and sung itself.”
The eleven compositions on JEFF LARSON WITH GERRY BECKLEY extend the longtime collaboration that began in 1998 when Larson recorded a song by America co-founder Beckley. Not long after, Gerry returned the favor and sang on one of Jeff’s songs. A friendship was born. 2008 saw the release of Heart of the Valley. Inspired by 1970’s Nilsson Sings Newman, on which Harry Nilsson paid tribute to his contemporary Randy Newman with Randy on piano, Heart of the Valley found Larson movingly interpreting the Beckley songbook with Gerry contributing voice and accompaniment. The gorgeously atmospheric title song of Heart of the Valley might have referred to the California freeway known as the 405 (which indeed runs through the heart of the San Fernando Valley) but its appeal and universality extended far beyond the Golden State.
JEFF LARSON WITH GERRY BECKLEY continues their collective story in song. Produced and engineered by Beckley and Larson, it’s a melodic and eclectic set of songs by two friends, singers, and songwriters. Their vocal blend is a sweet and near-familial one as the singer-songwriters reflect on love, loss, and connection—and the poignant connection they’ve made here is one that’s both deeply rooted and vividly in flight. For these two artists, the song’s the thing.
“This project started by going through some of the songs Gerry and I had tracked between 2024–2025,” offers Larson. “We have been writing and recording at a steady pace since 2020–on average a song a week. Over time, some songs had their own personality where they didn’t fit either of our solo endeavors. These were also the songs that were more 50/50 collaborations. I was simply gathering a playlist of those songs, along with a handful of others that fit the idea of a more collaborative project. I sent the playlist to Gerry, and he came back immediately with, ‘There’s an album here.’”
From the opening strains of “Baby Goodbye,” Jeff Larson with Gerry Beckley proves transporting. The song’s farewell may be an emphatic one, but the importance of connection, and lightening one’s load, courses through the album. “One Last Time” conjures the image of standing on a precipice in life, while the pulsating “Looking at the Rain” poses the question, “Where do we go from here?” The lyric “only love survives” might offer a hint as to the answer. The ravishing “Sleight of Hand” finds its narrator at the crossroads, for sure, but with an undercurrent of hope.
If “Sleight of Hand” lopes at a wistful gait recalling Burt Bacharach’s best, the ruminative “Oh Diane”—a Beckley solo tune—basks in a beautiful melancholy redolent of both Bacharach and one of Beckley’s musical heroes and close friends, Brian Wilson. (It’s no surprise that Bacharach and Wilson were mutual admirers and onetime collaborators.) “C’mon Home” glides along on a California breeze with a tinge of “Sister Golden Hair” as Beckley’s still-reassuring slide guitar lines provide cool comfort.
At a time when joy is in short supply, Jeff Larson with Gerry Beckley offers it in abundance, as on the Larson original “Oh Wow!” Lyrically inspired by the innocence and wonder of a child, it doubles as an expression of the sheer adrenaline rush of love in full bloom. A loose, NRBQ-flavored rock-and-roll vibe infuses the track. An unexpected cover of David “Shel” Shapiro, Mogol, and Michael Julien’s “Live for Today” underscores the timelessness and relevance of a great song. “Live for Today” was first recorded in Italian in 1966 by British singer-guitarist Shapiro’s expatriate band, The Rokes, and popularized in the U.S. the next year by L.A.’s Grass Roots. It found particular resonance with young American soldiers fighting overseas in the Vietnam War who identified with its sentiments to “take the most from living, have pleasure while we can.” As reimagined by Larson and Beckley, the urgent admonition to “Live for Today” could have been written yesterday.
Gerry Beckley knows the life of a touring musician well. In 2024, he stepped away from the road after over 50 years on stages around the world with America. The jagged rhythms of “Waiting Game (Jet-Lagged Zombie)” complement its evocative and memorable imagery. “Again” is an arresting and introspective portrait of a traveling man: “It takes a sky to wonder why/If not now, then when?” The album culminates with the Beckley-penned “Amnesia.” With mournful piano and stately strings, it’s raw and devastating (“Why is it that all of the things we recall are the ones we truly regret?”) yet filled with hard-won wisdom and, above all, humanity. With an emphasis on matters of the heart, JEFF LARSON WITH GERRY BECKLEY revisits the era in which songcraft was paramount.
Track Listing — JEFF LARSON WITH GERRY BECKLEY
- Baby Goodbye (Gerry Beckley, Jeff Larson)
- One Last Time (Gerry Beckley, Jeff Larson)
- Looking at the Rain (Gerry Beckley, Jeff Larson)
- Oh Diane (Gerry Beckley)
- C’mon Home (Gerry Beckley, Jeff Larson)
- Let’s Live for Today (David Shapiro, Ivan Mogul, Michael Julien)
- Sleight of Hand (Gerry Beckley, Jeff Larson)
- Waiting Game (Jet-Lagged Zombie) (Gerry Beckley, Jeff Larson)
- Oh Wow! (Jeff Larson)
- Again (Gerry Beckley, Jeff Larson)
Prog Rock Legend Jon Anderson Launches Limited Edition Signed Turntable
With continued growth by consumers of the vinyl record market, former YES frontman Jon Anderson has teamed up with online retailer StuckOnDecoupage to create a limited edition, branded, signed turntable for purchase on their online store.
YES was one of the pioneers of the album rock format, and their classic albums such as Fragile and Close To The Edge continue to be strong vinyl sellers to this day.
Jon Anderson has continued that tradition with his current band, The Band Geeks, who released their debut album TRUE in 2024 on double vinyl and their live album Perpetual Change in 2025 on triple vinyl. The case of the turntable features artwork from the Perpetual Change live album.
The turntable is available today at https://www.stuckondecoupage.com.
Rock Icons Evanescence To Livestream Louder Than Life Festival Set Free Worldwide
On Sunday, September 21, Veeps will livestream GRAMMY Award-winning rock band Evanescence’s full set from the Louder Than Life Festival, completely free for fans worldwide and can be watched here. The broadcast offers fans the chance to be part of the festival crowd and experience the band’s powerful live set in real time.
The performance comes during a landmark year for Evanescence: they returned to the charts with Afterlife (from Netflix’s Devil May Cry) and “Fight Like A Girl (Feat. K.Flay)” (from Lionsgate’s John Wick spinoff Ballerina), as well as Amy debuting new collaborations like “End of You” with Spiritbox’s Courtney LaPlante and Poppy, and “Hand That Feeds” with Halsey (from Lionsgate’s John Wick spinoff Ballerina). The band recently announced a handful of Australian headline dates, set to run alongside their stint as special guests on Metallica’s M72 tour.
With new music coming soon, the Louder Than Life livestream marks an opportunity for Evanescence fans everywhere to connect with the band at a moment of creative resurgence.
Jazz Visionary Aaron Parks Expands His Sound With “By All Means”
On Nov. 7, pianist Aaron Parks will release his latest musical offering, By All Means, his 3rd Blue Note album which expands his acclaimed trio with bassist Ben Street, and drummer Billy Hart into a quartet with the addition of tenor saxophonist Ben Solomon to explore a new color palette. The luminous set of new Parks original compositions includes poignant dedications to his wife and son, as well as the sly lead single “Parks Lope,” which is out today.
Over the past two decades, Parks has earned a reputation for pushing jazz’s aesthetic boundaries, applying his jazz training to music that boldly defies genre lines. On an album like his 2024 Blue Note return, Little Big III, the pianist led his band Little Big through electric music that blended jazz’s cutting edge with Radiohead, blues, electronica, krautrock and more.
Sometimes, in the midst of so much brilliant synthesis, it might seem easy to forget that Parks is still first and foremost a working jazz musician — a performer who adores a durable tune, a deeply swinging rhythm section and a great horn foil, and who feels most at peace in a dimly lit basement nightclub. By All Means is a gorgeous reminder of his lifelong devotion to swinging music, as well as an homage to a group he feels honored to share the bandstand with. It features one of today’s most soulfully connected rhythm sections (Hart and Street) along with a newcomer (Solomon).
Still, for all their wonderful evocations of 20th-century jazz, the seven original compositions that make up By All Means are unmistakably the work of Aaron Parks. “I don’t conceive of this as being so utterly distinct from past projects,” he says. “It’s another book of songs that felt like they were calling for their own context, for a certain group of musicians to bring them to life.”
“This is a record that loves the jazz tradition, the tradition of Black American Music,” he adds. “It’s not about nostalgia or preservation. It’s about being alive within that lineage, that continuum. That’s what the title points to — it’s a big yes, a way of saying ‘absolutely, let’s join that party.’”
Although the album — co-produced by Parks and Street — came together quickly following a fiery run at the Village Vanguard, its roots reach back decades. Parks, Street and Hart first came together on record for 2017’s Find the Way, which subsumed their chemistry into the well-defined aesthetic of the ECM label. When a new opportunity emerged with Blue Note, Parks decided to reorient the lineup so that this great piano trio could become a great rhythm section and enjoy the art of supporting a soloist. Or, as Parks says with a laugh, “I just wanted to comp. And I knew the special way that Billy played with horn players.”
Parks’ new album is a kind of heartfelt thank-you note: to his influences, his family, his bandmates — and to jazz itself. “More than anything it’s about the joys of playing together, improvising with one another over a song form,” Parks says. “This record is simply about loving the music.”