Home Blog Page 311

Melissa Carper Joins JD McPherson’s “Socks: A Rock & Roll Christmas” Tour This Holiday Season

0

Austin-based singer-songcrafter/upright bassist Melissa Carper will join JD McPherson’s upcoming “Socks: A Rock & Roll Christmas” Tour, a run of 14 dates that kicks off in Louisville, Kentucky, on December 4.

“It’s a dream come true to be opening for my friend JD McPherson on his annual Christmas tour,” Carper says. “JD encouraged me a couple of years ago to record a Christmas album; he told me how fun it is to write Christmas songs, and I’ve taken that advice to heart! This tour is going to be a blast and, I’m sure, the best holiday season I have had in years.”

Rolling Stone Country has praised Carper’s writing and style, saying she sounds like a “voice from a bygone era.” Dubbed “Hillbillie Holiday” by friend and frequent collaborator Chris Scruggs, Carper has an instinctive sense for storytelling, both observant and intuitive.

As with the message of her latest LP, 2024’s Borned In Ya (Mae Music/Thirty Tigers), these traits have been sharpened by life experiences and the many turns of her career. Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she lay beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper’s father gifted her a collection of Jimmie Rodgers’ recordings, she began to find her voice and calling as a songwriter.

As a student at the University of Nebraska-Lincoln, she spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters; you’ll hear all of these influences in the music she has made over the years as a member of numerous touring acts and as an internationally recognized solo performer.

Carper’s Daddy’s Country Gold (2021) and Ramblin’ Soul (2022) both received strong critical praise for their seamless blend of vintage styles and her warm, distinctive vocals. Borned In Ya built on that journey and cemented Carper’s reputation as one of today’s most compelling and authentic voices in roots music.

SOCKS: A ROCK & ROLL CHRISTMAS TOUR DATES

12/4 – Louisville, KY – Headliners
12/5 – Nashville, TN – Basement East
12/6 – Asheville, NC – Grey Eagle
12/7 – Atlanta, GA – The Earl
12/9 – Carrboro, NC – Cat’s Cradle
12/10 – Baltimore MD – Ottobar
12/11 – Wilmington, DE – Arden Gild Hall
12/12 – New York, NY – Bowery Ballroom
12/13 – Rochester, NY – Temple Theatre
12/14 – Toronto, ON – Lee’s Palace
12/16 – Pittsburgh, PA – Thunderbird Music Hall
12/17 – Cleveland, OH – Beachland Ballroom
12/19 – Madison, WI – Majestic Theatre
12/20 – Minneapolis, MN – First Avenue

O.A.R. Announce 20th Anniversary Edition of ‘Stories of a Stranger’ with Rare Bonus Tracks

0

Craft Recordings and O.A.R. are proud to celebrate the 20th anniversary of Stories of a Stranger, the band’s landmark fifth studio album, with a special expanded edition. Available December 5, Stories of a Stranger (20th Anniversary Edition) revisits a pivotal era in the multi-platinum band’s career, pairing the original 2005 album with rare bonus material: a long-out-of-print EP—featuring performances of “Heard the World,” “Lay Down,” and “About Mr. Brown,” plus the studio outtake “Sometimes,” from the original Stories of a Stranger sessions.

The reissue arrives in both 2-LP and digital formats, with the vinyl housed in a deluxe gatefold jacket. Alongside the standard vinyl edition, an exclusive “Cloud Swirl” color pressing will be available via the band’s official store. To coincide with today’s announcement, O.A.R. have shared “Sometimes (Stories of a Stranger Sessions)” as an advance single, offering fans the first glimpse of the expanded material. Stream/download the track and pre-order the full collection now.

With O.A.R.’s 30th anniversary on the horizon, Stories of a Stranger (20th Anniversary Edition) ushers in a new chapter of celebration for the multi-platinum-selling five-piece: Marc Roberge (lead vocals, guitar), Richard On (lead guitar, backing vocals), Chris Culos (drums), Benj Gershman (bass), and Jerry DePizzo (saxophone, guitar, backing vocals). As the band prepares for an action-packed 2026 marking three decades together (more details coming very soon), they reflect on Stories of a Stranger as a pivotal moment in their journey—a career that has included multiple Platinum and Gold certifications, two sold-out nights at Madison Square Garden, more than a dozen packed shows at Red Rocks Amphitheatre, and one of the most passionate fan communities in modern rock.

Stories of a Stranger marked a new chapter for our band,” says DePizzo. “To revisit it 20 years later, and to share songs like ‘Sometimes’ as part of this expanded edition, feels like opening a time capsule with our fans. This deluxe edition isn’t just about looking back—it’s about celebrating how far we’ve all come together.”

Formed in 1996, O.A.R. (short for Of A Revolution) got their start in Rockville, Maryland, and built a grassroots fanbase while attending The Ohio State University, thanks in no small part to their exhilarating live show. After making their debut with 1997’s The Wanderer, the band continued to cultivate their colorful and wildly catchy sound—a one-of-a-kind collision of bright and bold guitar work, heart-pounding rhythms, high-energy horns, and sing-along-ready vocals.

Released on October 4, 2005, by Everfine Records and Lava Records, Stories of a Stranger emerged as a monumental triumph for the band, with AllMusic declaring that the album “presents everything that defines O.A.R.” Along with debuting at No. 40 on the Billboard 200, the 12-song LP delivered hit singles like “Heard the World,” “Lay Down,” and the Gold-certified “Love and Memories.” Penned with multi-GRAMMY®-winning songwriter Glen Ballard, the soul-baring “Love and Memories” reached No. 98 on the Billboard Pop 100, No. 30 on the Modern Rock Tracks chart, and No. 18 on the Adult Top 40.

Recorded during the Stories of a Stranger sessions, “Sometimes” makes for a glorious addition to the album. With its feel-good message of open-heartedness and hope, the life-affirming anthem provides an instant mood boost by way of its bouncing rhythms, driving guitar riffs, and sublime sax solo. Featured on Side D of Stories of a Stranger (20th Anniversary Edition), “Sometimes” appears alongside O.A.R.’s euphoria-inducing live renditions of “Heard the World,” “Lay Down,” and longtime fan favorite “About Mr. Brown”—all recorded on July 22, 2005, at the PNC Bank Arts Center in New Jersey.

Since the arrival of Stories of a Stranger, O.A.R. have cemented their legacy with an ever-adventurous catalog now comprised of ten studio LPs and six live albums (most recently, 2024’s Live From Boston). Known for their extensive summer touring and extraordinarily close connection with their fans, the band looks toward their 30th anniversary festivities with equal parts gratitude, awe, and elated anticipation.

“It’s hard to believe we’ve been making music together for three decades,” says DePizzo. “When we first started playing in a basement, none of us could have imagined the journey that would follow. In 2026, we get to celebrate 30 years of O.A.R. the best way we know how—out on the road with a massive summer tour, sharing new music, honoring the songs that brought us here, and capturing it all on film. It’s not just a milestone for the band, it’s a celebration of the community that’s been with us every step of the way.”

One Hundred Moons Share Haunting New Single “Ear to Ear” Ahead of ‘Black Avalanche’

0

Toronto’s One Hundred Moons has released their most recent single, “Ear to Ear,” serving as the latest glimpse into their forthcoming album, Black Avalanche. It’s a song that drifts along like a whisper in a dark, dimly lit corridor. Vocals thread through layers of murky guitars, and minor chords twist in both unsettling and undeniably attractive ways. Listening to it is akin to being guided through a haunted labyrinth without knowing the way out, discovering something surprising at each new turn.

In a densely layered soundscape, flourishes of dissonance contribute to bringing a sharp melodic edge that, in turn, makes it impossible to resist the pull. One Hundred Moons specializes in making atmospheres that are so palpable they seem to have a certain weight. By the time it’s done, the song has left tiny pieces of itself behind in your brainstem, a spectral resonance that makes you want to go back again and again for another listen.

This release comes in the middle of the band’s fall tour, where the songs from Black Avalanche will find new life on stage. The trek started September 19th at Maxwell’s in Waterloo, and continues through Oshawa, Niagara, Toronto, Hamilton, and Windsor. Each show promises to transform the album’s hypnotic textures into an immersive live experience.

“Ear to Ear” offers another window into what the upcoming album, Black Avalanche, promises to offer. For anyone drawn to music that challenges as much as it captivates, this track, as well as the album it hints at, promises a journey worth taking.

Dayseeker Release Haunting New Single “Bloodlust” Ahead of ‘Creature In The Black Night’

0

Fresh off an epic performance in front of tens of thousands of rabid fans at Louder Than Life in Louisville, Kentucky this past weekend, Southern California’s DAYSEEKER  Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — have released the visualizer for “Bloodlust.”

“‘Bloodlust’ is one of the more eerie and chaotic tracks on the record. It’s about people in your life who want to metaphorically drain the blood from you — those you can’t trust and don’t belong in your life,’ says Rodriguez.

The track is the band’s newest single from the upcoming album Creature In The Black Nightout October 24 via Spinefarm.

 Produced by Daniel Braunstein (Spiritbox, Silent Planet) and mixed by Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), the album is Dayseeker’s most immersive and intentional record to date — eerie, cinematic, and threaded with a dark (and sexy) emotional current.

While not a concept album in the traditional sense, Creature in the Black Night exhibits thematic cohesion, from its shadowy visual identity, Grim Reaper iconography, and ominous atmosphere, to how its songs unfold like chapters. “There’s a horror-inspired vibe that took hold early on,” Rodriguez explains. “It wasn’t planned. But once it started showing up in the songs, we leaned into it.” 

Fans expecting a sorrowful descent into depression might be surprised — Creature In The Black Night has sharper edges, heavier riffs, and a newfound sense of clarity. “There was this idea that we’d get more and more commercial over time,” Rodriguez says. “But I think the opposite happened — we’re riffing more, I’m screaming more. And it feels good. It feels honest.”

Dayseeker hasn’t just evolved. They’ve ascended. 

CREATURE IN THE BLACK NIGHT TRACK LISTING:

“Pale Moonlight“

“Creature In The Black Night“

“Crawl Back To My Coffin”

“Shapeshift“

“Soulburn”

“Bloodlust”

“Cemetery Blues”

“Nocturnal Remedy”

“The Living Dead”

“Meet The Reaper”

“Forgotten Ghost”

Dayseeker will spend the rest of 2025 on tour. They are serving as support for both Ice Nine Kills and In This Moment through the fall. All dates are below.

DAYSEEKER ON TOUR:
SUPPORTING IN THIS MOMENT:
9/27 — El Paso, TX — Speaking Rock Entertainment Center 
10/1 — Los Angeles, CA — Hollywood Palladium
10/2 — Las Vegas, NV — The Pearl Concert Theater
10/3 — Paso Robles, CA — Vina Robles Amphitheater
10/4 — Sacramento, CA — Discovery Park
10/8 — Spokane, WA — The Podium 
10/10 — Idaho Falls, ID — Mountain Center America 
10/11 — Casper, WY — Casper Events Center
10/12 — Colorado Springs, CO — Ford Amphitheater 
10/14 — Kansas City, MO – The Midland Theatre
10/19 – Columbus, OH – KEMBA Live!
10/21 – Atlanta, GA – Coca Cola Roxy
10/23 — Greensboro, NC – Greensboro Special Events Center
10/24 — Bethlehem, PA – Wind Creek Events Center

Ankor Unleash Powerful New Single “MADARA” with a Dark Vision of Dreams and Freedom

0

ANKOR are an alternative metal band based in Catalonia, Spain, fast becoming one of the rising stars in the European contemporary metal scene.

Today, they have shared the video for new single “MADARA.”

“Imagine living in your perfect world for eternity…but knowing the real world outside is dying,” the band offers about the deeper meaning of the song. “An endless dream, no war, no pain, but no freedom or voice. Would you be a part of Madara’s dream?”

What choice would YOU make?

The multicultural quintet, consisting of vocalist Jessie Williams (Bristol, UK), drummer Eleni Nota (Athens, Greece), guitarists David RomeuFito Martinez, and bassist Julio López (Catalonia, Spain), have grown steadily since their origins in Els Pallaresos, a village near Barcelona, back in 2003.

From these humble beginnings, Ankor have built a worldwide fanbase and a reputation for being an absolute powerhouse live, through headlining tours of mainland Europe and Asia. But it was with the December 2022 release of breakthrough single “Prisoner” that a new era begun.

With over three million streams and counting, “Prisoner” has triggered a sonic and aesthetic (r)evolution for Ankor, their musical and visual worlds ascending to new creative heights ever since; The conceptually bound singles “Oblivion,” “Darkbeat,””Stereo,” and “Venom”that have followed have seen lyrical narratives, sonic aesthetics, and self-directed and edited music videos flow together to reshape Ankor in a playful, energetic, and refreshing new form: a fusion of Asian pop-culture, contemporary metalcore, and a dash of Spanish heritage.

The band previously shared the single (and first for UNFD) “Embers.” 

Japanese Rockers lynch. Reignite Their Indie Flames with Re-Recorded Classics and New EP ‘BRINGER’

0

Japanese rock band lynch. continue their 20th Anniversary Project by re-recording a second batch of fan favourites from their indie days. A new song called ‘BRINGER’ has also been recorded, which the band says is “quintessentially lynch.” in a new video message recorded by the members especially for their fans outside of Japan.

In total, today sees 27 lynch. tracks released digitally. Their third and fourth indie albums THE AVOIDED SUN and SHADOWS have been completely re-recorded and sounding fresher than ever, which EP BRINGER collates deep cuts from the band’s discography, along with their new song from which the EP receives its name. 

12 Influential Early Videos Before MTV

When MTV debuted on August 1, 1981, it felt like the beginning of music video culture. But long before the satellite dish beamed Video Killed the Radio Star into living rooms, musicians and directors had already been experimenting with visuals that pushed songs into new artistic territory. These early clips, concert films, and TV promos shaped the way artists used video as a language of their own — making MTV possible in the first place.

Here are 12 influential videos that lit the path.

The Beatles – Paperback Writer (1966)

Directed by Michael Lindsay-Hogg, this promo clip was shot outdoors at Chiswick House. The Beatles are relaxed yet enigmatic, with the visuals giving the sense of a band evolving beyond pop idols into something larger.

The Doors – Break On Through (To the Other Side) (1967)

A kaleidoscopic studio-set clip showcasing Jim Morrison’s hypnotic performance style. The swirling visuals captured psychedelia in motion and gave rock fans a preview of how atmosphere could be engineered through film.

David Bowie – Space Oddity (1969)

Released alongside his breakthrough single, this short film paired Ziggy Stardust’s proto-visionary imagery with the song’s sci-fi narrative. Bowie was already positioning music video as performance art.

Queen – Bohemian Rhapsody (1975)

A defining pre-MTV video. Dramatic lighting, layered imagery, and bold editing built an atmosphere equal to the operatic song itself. Without this clip, the music video boom might have looked very different.

ABBA – Knowing Me, Knowing You (1977)

ABBA leaned on visual storytelling as much as their immaculate harmonies. The wintry landscape, camera zooms, and dramatic staging turn the breakup song into pure cinema.

Devo – Jocko Homo (1977)

Self-produced, raw, and unsettling. Devo’s basement-filmed video turned satire into spectacle, blurring the lines between art school project and cultural prophecy.

Blondie – Denis (1978)

Debbie Harry fronts the band with a mixture of glamour and irony, fusing punk’s sneer with pop’s shine. Blondie showed how a clip could play with identity as much as melody.

Kate Bush – Wuthering Heights (1978)

In flowing red and white dresses, Bush performs otherworldly choreography in two distinct versions. Both highlight her theatrical sensibility and foreshadow how music video could become high art.

Talking Heads – Psycho Killer (1978, live for BBC’s Old Grey Whistle Test)

The stark staging and Byrne’s twitchy performance demonstrated how a live video could still feel surreal, foreshadowing the conceptual performances that would dominate ’80s art rock.

The Buggles – Video Killed the Radio Star (1979)

Though remembered as MTV’s first broadcast, the video existed earlier, setting the stage with futuristic imagery and meta-commentary about the medium itself.

Elvis Costello – Oliver’s Army (1979)

A straightforward performance clip elevated by sharp edits and Costello’s energy. Proof that minimal visuals could still amplify a song’s urgency.

Michael Jackson – Don’t Stop ’Til You Get Enough (1979)

Jackson, backed by glowing special effects, showed how a single performer could dominate a frame with charisma and rhythm. It pointed directly toward the spectacle-driven future of the genre.

Before MTV, these visuals were often scattered across regional TV, European broadcasts, or late-night shows. They weren’t always easy to find, but they proved that artists saw video not just as promotion, but as a creative canvas. From Bowie’s cosmic theater to Queen’s operatic shadows, the DNA of the modern music video was already written.

By the time MTV launched, the language was in place — artists were ready, cameras were rolling, and the world was primed for a revolution that had already been a decade in the making.

How to Stand Out at Festivals as an Emerging Artist

Festivals are wonderlands where fans gather to discover new sounds and celebrate community. For emerging artists, stepping onto that stage is a powerful way to create lifelong fans and win over the industry. Here are five ways to sparkle in the crowd.

1. Light Up the Stage with Visuals

Outfits, backdrops, or creative lighting add another layer to your performance. When the music pairs with strong visuals, the crowd gets a full show they’ll always remember.

2. Create a Bond with the Crowd

Call out the festival name, invite people to clap, sing, or dance with you. Every cheer becomes louder when the audience feels like they’re part of the moment.

3. Offer a Festival-Only Surprise

Unveil a brand-new track, play a special cover, or bring out a guest. Exclusive moments give fans a story to tell long after the festival ends.

4. Be Present Beyond the Stage

Mingle with fans, snap photos, or share small tokens like stickers or pins. These connections spread your energy through the entire festival.

5. Shine Through Your Unique Sound

Play with confidence in your voice, lyrics, and style. Authentic music is magnetic, and the more you lean into your individuality, the stronger your impact.

Festivals are built on energy, discovery, and connection. When emerging artists embrace those values, every set becomes a celebration — and every fan walks away with a new favorite.

Dubai Lamborghini Rental: Tips for First-Time Drivers

0

By Mitch Rice

If you’ve ever dreamed of driving a supercar in one of the world’s most luxurious cities, then Dubai Lamborghini Rental services are your gateway to that experience. Companies like Wall Street Luxury Car Rental make it simple to book iconic models such as the Huracán, Aventador, or Urus. But if this is your first time behind the wheel of a Lamborghini, there are a few important things to know before you hit the road in Dubai.

1. Pick the Right Model for Your Confidence

Not all Lamborghinis drive the same way. The Huracán EVO is smooth and relatively beginner-friendly, while the Aventador S delivers raw power that might feel overwhelming for first-timers. If you want both luxury and practicality, the Lamborghini Urus SUV is a great choice. With Wall Street Luxury Car Rental, you can compare models and select the one that best fits your comfort level.

2. Know the Rental Requirements

Before booking, check if you meet the basic requirements:

  • Valid international or UAE driving license

  • Minimum age (usually 21–23 depending on model)

  • Security deposit (credit card hold)

Understanding these rules upfront ensures a smooth rental experience with no surprises.

3. Learn the Car’s Features

A Lamborghini is very different from a standard car. Take time to understand:

  • Paddle shifters for gear control

  • Drive modes like Strada, Sport, or Corsa

  • Advanced safety and navigation features

Rental agents at Wall Street Luxury Car Rental usually give a quick demo, which is super helpful for first-timers.

4. Follow Dubai’s Driving Rules

Dubai’s roads are perfect for supercars, but the traffic laws are strict. Radar cameras monitor speed everywhere, and fines can be heavy. The good news is that the highways are smooth and wide, so you can still enjoy the power of your Lamborghini while staying within limits.

5. Use GPS for Navigation

Dubai is a large, fast-moving city, and missing an exit is common for newcomers. Use GPS to keep things stress-free. Many Lamborghini rentals, especially through Wall Street Luxury Car Rental, come with built-in navigation to help you focus more on driving and less on directions.

6. Book Early for Better Options

During peak seasons, luxury cars get booked quickly. If you want a specific model, book your dubai lamborghini rental in advance at Wall Street Luxury Car Rental to secure the best deals and avoid last-minute disappointment.

7. Consider Chauffeur Services for Events

Not comfortable driving a supercar in a busy city? No problem. Many rental companies, including Wall Street Luxury Car Rental, offer professional chauffeur services. It’s a perfect option for weddings, corporate events, or photoshoots where you just want to enjoy the luxury without worrying about the roads.

8. Know What’s Included in the Package

Always check what comes with your booking. At Wall Street Luxury Car Rental, most packages include:

  • Comprehensive insurance

  • Free delivery and pickup

  • 24/7 customer support

  • Flexible daily and weekly rental options

These inclusions make the experience much smoother and save you from hidden costs.

9. Capture the Moment

Driving a Lamborghini in Dubai is not just about speed—it’s also about the memories. Be sure to stop at iconic spots like Burj Khalifa, Atlantis The Palm, or Dubai Marina to take photos. These snapshots will remind you of your luxury adventure long after the trip ends.

10. Drive Smart, Not Aggressive

Finally, remember that a Lamborghini is designed to deliver thrill, not stress. Don’t try to race or show off; instead, enjoy the smooth handling, comfort, and sound of the engine. First-time drivers often say the real joy comes from simply cruising through Dubai in a car that turns heads everywhere.

Conclusion

A dubai lamborghini rental is one of the best ways to elevate your Dubai trip. From choosing the right model to understanding local rules, a little preparation makes the experience smooth and safe. By booking through trusted providers like Wall Street Luxury Car Rental, you’ll enjoy world-class service, flexible options, and a chance to live out the Lamborghini dream in one of the most glamorous cities on earth.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

The Best Songs About Money

0

By Mitch Rice

Music has always reflected its time. Money has long inspired musicians, becoming the central theme of countless songs about wealth and desire, success and failure, and even the complexities of human relationships. Gambling, in particular, represents the most dramatic intersection with money, and card games and gambling halls have been recurring motifs in blues and country music.

Today, with the mainstreaming of online poker and sports betting, gambling is no longer the exclusive domain of a particular class but has become an everyday choice. Amid the rise of online gaming and poker culture, Bitcoin-based poker sites have emerged, and Carol Zafiriadi’s list of best Bitcoin poker sites has attracted significant attention among players, illustrating this shift.

As cryptocurrencies emerge as a new form of payment, music that deals with money and gambling is also at a turning point. In the future, we may see lyrics that intertwine the tension of a single card or roll of the dice with the digital economy and cryptocurrencies. This is yet another example of how music continuously reflects social realities and societal change.

The Old Ways of Singing About Money

Money is one of the most widespread music themes in history. As people in ancient folk songs often sang of a wish to have grain or gold, contemporary popular music has shifted the focus to cash, coins, and the social tensions they create. The lyrics of blues and jazz in the 20th century saw more than their share of references to card games and disappointments on the gambling floor, which were rather metaphors of poverty and inequality.

Rock music, in its turn, faced the struggles with money face-to-face. Pink Floyd’s iconic track Money, released in 1973, remains one of the most recognized critiques of capitalism. Issued as a single in the United States, it climbed to number 13 on the Billboard Hot 100 chart, achieving commercial success alongside its cultural impact. The clinking of cash registers and metallic rhythms in its opening sequence give greed and consumption a mechanical, cold texture. Rather than simply proclaiming that “money is good” or “money is necessary” the song persistently asks how economic systems shape human relationships. Here, music functions not merely as art but as a sociological record.

In this way, money has long served as a lens through which music reveals the desires and anxieties of its time. Listeners encounter portraits of their own era in these songs, while artists expand their personal experiences with money into broader social reflections.

The Meaning of Money in Hip-Hop and Pop

In the 21st century, the meaning of money has taken on increasingly layered forms. Hip-hop and pop, in particular, reinterpret economic success as symbols of independence and self-worth. Emerging from marginalized communities, hip-hop linked wealth to social recognition and respect. Thus, money is not only about flaunting luxury goods but also about reclaiming voice and power.

No longer just a reference to inequality or consumerism, money has become a device that redefines identity and status. Whereas gambling in country music symbolized uncertainty, in hip-hop and pop, money highlights the pride of those who seize agency, showing how cultural perspectives have shifted.

Hip-hop lyrics now portray money as both proof of success and a marker of mobility. For groups once relegated to the margins, economic achievement is more than a reward—it is a tool for reclaiming identity. Cardi B’s Money exemplifies this. Its glittering images conceal a drive for autonomy through financial independence. Streamed around 639 million times on Spotify, it demonstrates broad resonance. Crucially, a female artist celebrating money subverts the wealth displays that once dominated male-centered hip-hop.

In pop, money takes on different meanings. Lyrics often link it to love, independence, or dreams, serving as an everyday metaphor for a global audience. Pop presents money less as a local experience than as a universal symbol of freedom and success. Just as gambling once conveyed uncertainty in country music, hip-hop and pop now use money to emphasize identities forged through triumph over instability, reflecting evolving cultural views.

Cryptocurrency and New Musical Imagination

The symbolism of money has reached another turning point with the rise of cryptocurrency. Digital assets such as Bitcoin and Ethereum are no longer just investment vehicles—they are reshaping the way people think about economics itself. The gambling industry, particularly online poker and sports betting, has quickly embraced crypto, creating new cultural forms. Using Bitcoin instead of chips or cash in a casino signifies that the very concept of money has shifted from a physical substance to a purely digital sign.

This change holds significant implications for music. Where once coins or stacks of cash symbolized wealth, future lyrics may feature blockchain and crypto wallets as new cultural icons. The thrill of betting with Bitcoin or the tension of winning and losing in online poker could become narrative devices in songs.

Seen in this light, money in music will no longer be confined to bills and coins. Cryptocurrency, with its associations of anonymity and decentralization, offers an alternative imagination of economic life. Since music has always reflected the spirit of its era, it may not be long before artists sing of “Bitcoin instead of chips, blockchain instead of banks.” Such expressions would not only capture a new economic paradigm but also raise questions and critiques about its meaning.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.