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The Best Songs About Money

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By Mitch Rice

Music has always reflected its time. Money has long inspired musicians, becoming the central theme of countless songs about wealth and desire, success and failure, and even the complexities of human relationships. Gambling, in particular, represents the most dramatic intersection with money, and card games and gambling halls have been recurring motifs in blues and country music.

Today, with the mainstreaming of online poker and sports betting, gambling is no longer the exclusive domain of a particular class but has become an everyday choice. Amid the rise of online gaming and poker culture, Bitcoin-based poker sites have emerged, and Carol Zafiriadi’s list of best Bitcoin poker sites has attracted significant attention among players, illustrating this shift.

As cryptocurrencies emerge as a new form of payment, music that deals with money and gambling is also at a turning point. In the future, we may see lyrics that intertwine the tension of a single card or roll of the dice with the digital economy and cryptocurrencies. This is yet another example of how music continuously reflects social realities and societal change.

The Old Ways of Singing About Money

Money is one of the most widespread music themes in history. As people in ancient folk songs often sang of a wish to have grain or gold, contemporary popular music has shifted the focus to cash, coins, and the social tensions they create. The lyrics of blues and jazz in the 20th century saw more than their share of references to card games and disappointments on the gambling floor, which were rather metaphors of poverty and inequality.

Rock music, in its turn, faced the struggles with money face-to-face. Pink Floyd’s iconic track Money, released in 1973, remains one of the most recognized critiques of capitalism. Issued as a single in the United States, it climbed to number 13 on the Billboard Hot 100 chart, achieving commercial success alongside its cultural impact. The clinking of cash registers and metallic rhythms in its opening sequence give greed and consumption a mechanical, cold texture. Rather than simply proclaiming that “money is good” or “money is necessary” the song persistently asks how economic systems shape human relationships. Here, music functions not merely as art but as a sociological record.

In this way, money has long served as a lens through which music reveals the desires and anxieties of its time. Listeners encounter portraits of their own era in these songs, while artists expand their personal experiences with money into broader social reflections.

The Meaning of Money in Hip-Hop and Pop

In the 21st century, the meaning of money has taken on increasingly layered forms. Hip-hop and pop, in particular, reinterpret economic success as symbols of independence and self-worth. Emerging from marginalized communities, hip-hop linked wealth to social recognition and respect. Thus, money is not only about flaunting luxury goods but also about reclaiming voice and power.

No longer just a reference to inequality or consumerism, money has become a device that redefines identity and status. Whereas gambling in country music symbolized uncertainty, in hip-hop and pop, money highlights the pride of those who seize agency, showing how cultural perspectives have shifted.

Hip-hop lyrics now portray money as both proof of success and a marker of mobility. For groups once relegated to the margins, economic achievement is more than a reward—it is a tool for reclaiming identity. Cardi B’s Money exemplifies this. Its glittering images conceal a drive for autonomy through financial independence. Streamed around 639 million times on Spotify, it demonstrates broad resonance. Crucially, a female artist celebrating money subverts the wealth displays that once dominated male-centered hip-hop.

In pop, money takes on different meanings. Lyrics often link it to love, independence, or dreams, serving as an everyday metaphor for a global audience. Pop presents money less as a local experience than as a universal symbol of freedom and success. Just as gambling once conveyed uncertainty in country music, hip-hop and pop now use money to emphasize identities forged through triumph over instability, reflecting evolving cultural views.

Cryptocurrency and New Musical Imagination

The symbolism of money has reached another turning point with the rise of cryptocurrency. Digital assets such as Bitcoin and Ethereum are no longer just investment vehicles—they are reshaping the way people think about economics itself. The gambling industry, particularly online poker and sports betting, has quickly embraced crypto, creating new cultural forms. Using Bitcoin instead of chips or cash in a casino signifies that the very concept of money has shifted from a physical substance to a purely digital sign.

This change holds significant implications for music. Where once coins or stacks of cash symbolized wealth, future lyrics may feature blockchain and crypto wallets as new cultural icons. The thrill of betting with Bitcoin or the tension of winning and losing in online poker could become narrative devices in songs.

Seen in this light, money in music will no longer be confined to bills and coins. Cryptocurrency, with its associations of anonymity and decentralization, offers an alternative imagination of economic life. Since music has always reflected the spirit of its era, it may not be long before artists sing of “Bitcoin instead of chips, blockchain instead of banks.” Such expressions would not only capture a new economic paradigm but also raise questions and critiques about its meaning.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

How To Create a Tech Rider and Stage Plot

When you’re preparing for live shows, having a clear tech rider and stage plot isn’t just helpful—it’s essential. These documents tell venues and sound engineers exactly what you need to put on the best performance possible. Here are five key points to keep in mind when creating yours:

1. Start With the Basics

Include the band name, contact info, date, and version of the rider. This ensures everyone knows who it’s for and has a way to reach you if questions come up. Think of it as your show’s calling card.

2. List Gear Requirements Clearly

Outline what gear you’ll bring (instruments, amps, pedals) and what you’ll need provided (microphones, DI boxes, monitors, drum kit pieces). Be specific—saying “2 vocal mics with stands” is better than just “vocal mics.”

3. Build a Stage Plot Diagram

Create a simple visual map of where each band member stands, what gear they use, and where monitors should go. It doesn’t have to be fancy—a clear sketch or digital diagram is perfect. Keep it easy to read at a glance.

4. Note Power and Special Needs

List how many power outlets you’ll need, where they should be placed, and any unique requests (e.g., keyboard stand, drum riser, playback system). If your set involves backing tracks or extra AV, make it crystal clear.

5. Keep It Professional and Updated

Present your rider in a polished PDF and review it regularly. Bands evolve—new members, new instruments, new tech. An outdated rider can cause confusion and delays, so keep it fresh for every tour leg.

A clear rider and stage plot save sound engineers time, help avoid miscommunication, and ensure your performance runs smoothly. The more precise you are, the more energy you can put into the music itself.

Rhino’s ‘Rocktober’ 2025 Unleashes 23 Limited Vinyl Reissues from Dream Theater, Ministry, New York Dolls, The Stooges, Warren Zevon and More

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Rhino’s Rocktober returns with 23 exclusive, limited-edition vinyl releases. Kicking off on October 3, new titles will be released each Friday. Rocktober 2025 features releases by iconic Warner Music artists such as Dream TheaterMinistryNew York DollsThe StoogesWarren Zevon, and many more. 

All releases will be available exclusively at select brick-and-mortar retail stores while supplies last.

Available October 3

Rush – Clockwork Angels

2-LP on Black vinyl

Available on October 17

Lenny Kravitz – Black & White America

2-LP on Black vinyl

Morphine – Good (Remastered Edition)

1-LP on Forest Green Vinyl

New York Dolls – ‘Cause I Sez So

1-LP on Red vinyl

Spain – The Blue Moods of Spain

2-LP on Blue vinyl

The Distillers – Coral Fang 

1-LP on Red with Black Splatter vinyl

Type O Negative – The Least Worst of… 

2-LP on Black vinyl

Yes – Big Generator

1-LP on Orange vinyl

Available on October 24

Dream Theater – Octavarium

2-LP on Clear vinyl 

Dream Theater – Six Degrees of Inner Turbulence 

2-LP on Clear vinyl 

Dream Theater – Systematic Chaos

2-LP on Clear vinyl 

Dream Theater – Train of Thought

1-LP on Clear vinyl 

Ministry – The Mind is a Terrible Thing to Taste (Expanded Edition) 

2-LP on 180-gram Black vinyl

Ministry – Psalm 69 (Expanded Edition)

2-LP on 180-gram Black vinyl

Mr. Bungle – California

2-LP on Translucent Ruby vinyl 

Mr. Bungle – Disco Volante 

2-LP on Translucent Light Blue vinyl 

Mr. Bungle – Mr. Bungle

2-LP on Translucent Orange Crush vinyl 

Stone Temple Pilots – Stone Temple Pilots

1-LP on Red vinyl

Warren Zevon – Learning to Flinch (Live) 

1-LP on Black vinyl

Warren Zevon – Mutineer 

2-LP on Black vinyl 

Warren Zevon – Mr. Bad Example

1-LP on Black vinyl

Available on October 31

Faces – Early Steps

1-LP on Black vinyl

2CD

The Stooges – Alternate Funhouse

1-LP on Opaque White with Black vinyl

The Darkness Mark 20 Years of Glam Rock Mayhem with ‘One Way Ticket to Hell…and Back’ Anniversary Box Set

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The Darkness celebrate the 20th anniversary of their gold selling second album ‘One Way Ticket to Hell…and Back’ with a 4CD set of the original album, b-sides, remixes, singles and never before released live at NEC, Birmingham which has been newly mixed by Dan Hawkins. The original album will also be available on hell fire coloured vinyl and single CD formats.

All formats are available to pre-order now from here.

Originally released in November 2005 and came off the back of the bands muti-platinum selling debut ‘Permission To Land’ (2003) that had catapulted the band to stratigraphic levels, simultaneously forcing rock back into the mainstream consciousness.

Having toured relentlessly since the release of their debut, ‘One Way Ticket to Hell…and Back’ was one of the most anticipated albums of 2005. Written by Justin and Dan Hawkins, it was produced by Roy Thomas Baker (Queen, The Rolling Stones, David Bowie) and it was well received – Alternative Press rating it 5/5, Q magazine and The Guardian both gave it 4/5, with the former including it in its Albums Of The Year list. Upon release the album went on to chart well through Europe and beyond and has been certified gold in the UK alone. 

Dan Hawkins, “It’s wonderful to let the light shine once again on this album – the jewels in the crown of this release are undoubtedly the live performance from a sold out show at the Birmingham NEC and the original demos that we thought were lost forever! Between those and a revamped and refreshed original album (including vinyl) this is a must have for TD fans everywhere. It’s also great to remember Roy Thomas Baker (RIP) whom we are eternally grateful to have met and worked with in this completely fraught and gloriously bonkers album project! “

Shortly after the release of the album the band had a hiatus concentrating on other musical projects and themselves. In the short period of the bands public life (2003 to 2006, they formed in 2000) they were like nothing else in music, wearing their influence on their sleeve whilst giving it their own stamp! A generation of music fans wouldn’t have heard anything like it – they gave rock music the wake up call it needed! The enduring love for their music shone through when they reunited five years later in 2011 and continue to write and play music together to this day. 

Tracklisting:

LP

Side One

One Way Ticket

Knockers

Is It Just Me?

Dinner Lady Arms

Seemed Like A Good Idea At The Time

Side Two

Hazel Eyes

Bald

Girlfriend

English Country Garden

Blind Man

4CD – Tracklisting Here

Marillion Celebrate Milestones with Picture Disc Reissues of Prog Classics ‘Misplaced Childhood’ and ‘Afraid of Sunlight’

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Marillion will release limited edition picture disc versions of two iconic albums, Misplaced Childhood and Afraid of Sunlight. Misplaced Childhood (1LP) celebrating its 40th anniversary and Afraid of Sunlight (2LP gatefold) celebrating its 30th anniversary.

Released in 1985, Misplaced Childhood includes the hit single ‘Kayleigh’, hit #1 in the UK and stayed in the charts for 41 weeks. As the band’s first concept album, Misplaced Childhood explores themes of lost love, sudden success, acceptance and the fading innocence of youth.

Released in 1995, Afraid of Sunlight earned a 5-star review from Q-Magazine, was named one of its Recordings of the Year and ranked in Prog Magazine’s 100 Greatest Prog Albums of All Time. Its lyrical focus delves into the darker sides of fame and celebrity, making it one of the band’s most introspective and enduring works.

These collectable picture discs are a must-have for fans and vinyl lovers alike. Out on 12th September, pre-order now here.

Tracklisting:

Misplaced Childhood

Side A

1. Pseudo Silk Kimono (2017 Remaster)

2. Kayleigh (2017 Remaster)

3. Lavender (2017 Remaster)

4. Bitter Suite: Brief Encounter / Lost Weekend / Blue Angel / Misplaced Rendezvous / Windswept Thumb (2017 Remaster)

5. Heart of Lothian (2017 Remaster)

Side B

1. Waterhole (Expresso Bongo) (2017 Remaster)

2. Lords of the Backstage (2017 Remaster)

3. Blind Curve: Vocal Under a Bloodlight / Passing Strangers / Mylo / Perimeter Walk / Threshold (2017 Remaster)

4. Childhood’s End? (2017 Remaster)

5. White Feather (2017 Remaster)

Afraid of Sunlight

LP1

Side A

1. Gazpacho (2019 Michael Hunter Remix)

2. Cannibal Surf Babe (2019 Michael Hunter Remix)

3. Beautiful (2019 Michael Hunter Remix)

Side B

1. Beautiful (2019 Michael Hunter Remix)

2. Afraid of Sunrise (2019 Michael Hunter Remix)

LP2

Side A

1. Out of This World (2019 Michael Hunter Remix)

2. Afraid of Sunlight (2019 Michael Hunter Remix)

Side B

1. Beyond You (2019 Michael Hunter Remix)

2. King (2019 Michael Hunter Remix)

Rhino Celebrates 40 Years of New Wave Classic with ‘Heartbeat City (Deluxe Edition)’ by The Cars

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Rhino celebrates the 40th anniversary of The Cars’ best-selling album on October 31 with Heartbeat City (Deluxe Edition).

The 4CD/1LP set includes the original quadruple-platinum album on both CD and LP. The remainder revisits the making of the album with unreleased studio recordings and early mixes, plus a complete 1984 concert from the band’s Heartbeat City tour. It’s accompanied by a color booklet filled with photos, new track-by-track notes by keyboardist Greg Hawkes, and an essay from drummer David Robinson, who designed all of the band’s album covers, including the sleeve for Heartbeat City. Pre-order here.

Heartbeat City (Deluxe Edition) highlights the album sessions with a demo for the Top 10 hit “Drive,” along with unreleased recordings of tracks like “Stranger Eyes” and “Jacki” (later renamed “Heartbeat City”). The set also includes multiple versions of “Shooting For You,” an outtake from the 1980s Panorama that was revived during the making of Heartbeat City.

The set also features a complete concert recorded at The Summit in Houston on September 11, 1984. Originally released on VHS and Laserdisc as The Cars – Live 1984-1985, the performance appears on CD for the first time here, expanded to include previously unreleased versions of “Candy-O” and “My Best Friend’s Girl.” The band opened the show with “Hello Again” and packed 17 songs into a 70-minute set that featured half the new album, including “You Might Think” and “Magic,” alongside earlier hits like “Good Times Roll” and “Let’s Go.” 

In the liners, Hawkes recalls Ric Ocasek’s demo for “Drive” started out like a “spooky bossa nova with him sounding a little like Elvis.” By the time the band arrived in London to record, the song had evolved with Benjamin Orr taking over lead vocals. To conjure the track’s ethereal sound, Hawkes says the group spent days layering backing vocals while producer Robert John “Mutt” Lange urged, “Breathier, man, breathier!”

Robinson contributes his own essay, recalling a London gallery visit during the sessions where he discovered Art-O-Matic Loop di Loop, a painting by artist Peter Phillips that became the album’s cover. “I felt that the painting was a bold, bright, pop art counterpart to the sound of our new album. It even had a Vargas pin-up and a muscle car. Art-O-Matic Loop di Loop was just like something Ric would have made up.” 

Released in March 1984, Heartbeat City was an instant hit, charting worldwide and peaking at #3 in the U.S., where it’s certified 4x platinum. The Cars’ biggest success, the album generated six singles over nearly two years, including “Magic,” “Hello Again,” and “Why Can’t I Have You.” The group secured its place in the MTV era when “You Might Think” won the network’s first Video of the Year award.

HEARTBEAT CITY (DELUXE EDITION)

Track Listing

Disc One: Original Album

  1. “Hello Again”
  2. “Looking For Love”
  3. “Magic”
  4. “Drive”
  5. “Stranger Eyes”
  6. “You Might Think”
  7. “It’s Not The Night”
  8. “Why Can’t I Have You”
  9. “I Refuse”
  10. “Heartbeat City”

Disc Two 

B-Sides & Remixes

  1. “Breakaway”
  2. “Hello Again” (Remix Version)
  3. “Hello Again”

Early Versions & Demo Recordings

  1. “Drive” (Demo) 
  2. Stranger Eyes (Early Version) *
  3. “It’s Not The Night” (Early Version) * 
  4. “One More Time” (Early Version Of “Why Can’t I Have You”) 
  5. “Baby I Refuse” (Early Version Of “I Refuse”) 
  6. “Jacki” (Early Version Of “Heartbeat City”)

Alternate Versions

  1. “Shooting For You” (First Version) * 
  2. “Shooting For You” (Re-Recorded Version) * 
  3. “Shooting For You” (Re-Recorded Version – Alternate Mix)

Disc Three: Bonus Tracks – Early Mixes

  1. “Hello Again” (Early Mix) *
  2. “Looking For Love” (Early Mix) *
  3. “Magic” (Early Mix) *
  4. “Drive” (Early Mix) *
  5. “Stranger Eyes” (Early Mix) *
  6. “You Might Think” (Early Mix) *
  7. “It’s Not The Night” (Early Mix) *
  8. “I Refuse” (Early Mix) *
  9. “Heartbeat City” (Early Mix) *
  10. “Breakaway” (Early Mix) *
  11. “Shooting For You” (First Version – Early Mix) *
  12. “Shooting For You” (Re-Recorded Version – Early Mix) *

Disc Four: Heartbeat City – Live (The Summit, Houston, TX – September 11, 1984)

  1. “Hello Again”+
  2. “It’s Not The Night”+
  3. “Touch And Go”+
  4. “Candy-O” * 
  5. “Good Times Roll”+
  6. “Jimmy Jimmy”+
  7. “Moving In Stereo”+ 
  8. “Just What I Need”+ 
  9. “A Dream Away”+ 
  10. “Cruiser”+ 
  11. “Drive”+ 
  12. “You Might Think”+
  13. “My Best Friend’s Girl” *
  14. “Magic”+ 
  15. “Let’s Go”+ 
  16. “Heartbeat City”+
  17. “You’re All I’ve Got Tonight”+

LP

Side One

  1. “Hello Again”
  2. “Looking For Love”
  3. “Magic”
  4. “Drive”
  5. “Stranger Eyes”

Side Two

  1. “You Might Think”
  2. “It’s Not The Night”
  3. “Why Can’t I Have You”
  4. “I Refuse”
  5. “Heartbeat City”

* Previously Unreleased 

+ Previously Unavailable on CD

Oasis Live ‘25 Fan Store Returns to Regent Street with Exclusive Vinyl and adidas Originals Collab

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The Oasis Live ’25 fan store is re-launching from a new Central London location 44-46 Regent Street, W1B 5RA. Open from 10am BST on Friday 26th September and closes at 4pm BST Sunday 28th September. Stocking official Oasis Live ‘25 merchandise, exclusive vinyl, adidas Originals x Oasis collaborations and more. Walk-ins are welcome, but pre-book your slot to avoid disappointment. You can book your slot here.

5 Seconds of Summer Ignite Pop-Rock Comeback with New Single “Not OK” from Upcoming Album ‘Everyone’s A Star!’

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5 Seconds of Summer returns with their first new single in three years, “Not Okay,” marking the group’s first release since 2022, and debut under their newly minted deal with Republic Records.

The quartet of frontman Luke Hemmings, guitarist Michael Clifford, bassist Calum Hood, and drummer Ashton Irwin has boldly elevated their sound to another stratosphere with “Not OK.” Nodding to everyone from The Prodigy to N.E.R.D., the track’s bright, hyper-charged beat could just as easily ignite the dance floor of an underground rave as it could shake festival grounds anywhere in the world. Across the song, anxious cymbals accent a buoyant bassline, and a hummable guitar solo rings out as Luke carries an emotionally complicated and undeniably catchy chorus, “Hey, I’m not okay! I like the darker side of me, that part of me comes out to play when I’m with you, bite the apple, baby.” It has all the makings of a live staple from the group as well.

“It has the older 5 Seconds of Summer energy, but it’s different—which is the whole M.O. of this chapter. Lyrically, it’s about letting out the darker side of yourself and embracing it. The song is also a nod to the band itself. We pull those sides out of each other,” Hemmings shares.

The song heralds the arrival of the band’s sixth full-length album, Everyone’s A Star!, available on November 14th. The guys carefully assembled the record throughout 2024 and 2025, working in Los Angeles and Nashville with super pop producer Jason Evigan.

5 Seconds of Summer dropped their most recent album, 5SOS5, in 2022. It notably bowed at No. 2 on the Billboard 200 and spawned the Billboard Hot 100 hit “Complete Mess.”

1. Everyone’s A Star!
2. Not OK
3. Telephone Busy
4. Boyband
5. No. 1 Obsession
6. I’m Scared I’ll Never Sleep
7. istillfeelthesame
8. Ghost
9. Sick of Myself
10. Evolve
11. The Rocks
12. Jawbreaker

Luke Bryan, Dierks Bentley, and Riley Green to Headline Country Beach Fest ‘Crash My Playa’ 2026 in Cancún

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Luke Bryan has revealed the full artist lineup for the 2026 edition of Crash My Playa, his annual, four-night concert vacation from January 15-18, 2026, at the luxurious Moon Palace Cancún.

Headliners for the festival’s 11th installment include Luke Bryan, Dierks Bentley, and Riley Green, who will bring fans unforgettable, beachfront performances. Fans can also look forward to Parker McCollum taking the stage as part of Sunday night’s special Luke Bryan & Friends set, with the return of Dustin Lynch’s legendary pool party.

The star-studded lineup also features Tucker Wetmore, Kameron Marlowe, Chase Matthew, and Priscilla Block as direct support, plus opening performances from George Birge, Josh Ross, Lauren Watkins, and The Castellows, promising wall-to-wall music all weekend long.

“Crash My Playa is my favorite way to kick off the new year, and this lineup is going to make 2026 one of our best yet,” Bryan says. “Dierks, Riley, Parker, and of course Dustin, who has been there for me every single year to host his infamous pool party, are going to give the fans a show they won’t forget. We can’t wait.”

Travel packages are available now. Guests can expect world-class performances and exclusive daily activities, premium all-inclusive accommodations, and unique alumni perks that make this event one of the most sought-after destination experiences in country music.

Moon Palace Cancún offers guests a blend of luxury and adventure, featuring upscale accommodations, gourmet dining options, 24-hour room service, and a wealth of activities steps from Crash My Playa’s cutting-edge custom concert venue. Guests can relax at the AWE-Spa, play a round at the 27-hole Jack Nicklaus Signature Golf Course, or simply enjoy the private, pristine beach where the concerts take place.

Two Bridge Launches Future Friends, a National Mental Wellness & Music Initiative, with Two Live Alex Warren Events

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Two Bridge today announced the launch of Future Friends, a new national initiative merging live music, mental wellness programming, and community action on college campuses. Created by Harris and Sabrina Schwartzberg, founders of Two Bridge, and Corey McGuire, who previously founded Winston House, a music brand focused on community and intimate music experiences, Future Friends builds on a shared mission to foster connection and conversation through culture.

Future Friends will debut with a series of music-based college campus events, kicking off with Alex Warren on select campuses. The events will bring together powerful mental wellness resources with emerging and established artists, featuring live performances, student-led activations, and guided conversations designed to foster community and inspire meaningful dialogue about mental wellness. 

Alex Warren’s current “Cheaper Than Therapy Tour,” is being celebrated for its emotional honesty and deep connection with young audiences, perfectly reflects the program’s mission to spark authentic conversations about mental wellness on campus.

“Future Friends is about creating human connection through music,” said Harris Schwartzberg, Co-Founder of Two Bridge. “By pairing meaningful and authentic live music experiences with tools like Psychological First Aid training and curated wellness resources, we’re showing people they’re not alone. And that community can be a powerful part of healing.”

Two Bridge is not new to the world of healthcare and wellness. After 30 years of leadership in healthcare services, the company was founded to leverage music and dialogue to foster connections around mental wellness. Two Bridge collaborations have included Logic, Noah Kahan, Glenn Close, Chelsea Clinton, Chelsea Cutler, Dr. Jim Yong Kim, Benj Pasek, Justin Paul, Aaron Lazar, and other celebrated artists and advocates.

Two Bridge has recently completed the first two episodes of Common Denominator, a new series that combines art, music, and authentic dialogue about mental wellness. Hosted by CBS News’ Maurice DuBois and co-starring artist Peter Tunney, the first two guests were Broadway star Gavin Creel and recording artist Noah Kahan.

“At the heart of this is a simple truth: we all know and love someone impacted by mental health issues. Future Friends began as a shared mission between a father and daughter to provide tools to young people to ensure others never have to go through what our family has,” said Sabrina Schwartzberg, Co-Founder of Future Friends.

The inaugural Future Friends events are scheduled for October and November 2025, with additiional events in 2026.