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Classical Pianist Jan Lisiecki Returns to Mozart With Piano Concertos Nos. 9 and 22

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 Celebrated pianist Jan Lisiecki returns to the concertos of Wolfgang Amadeus Mozart, a decade after recording Nos. 20 and 21 for his DG debut album (“beautiful Mozart playing, direct, unmannered and fresh” – The New York Times). Set for release as the music world marks the 270th anniversary of Mozart’s birth, Lisiecki’s latest recording presents a contrasting but complementary pair of works in E flat major, Concertos Nos. 9 and 22. Joining the pianist are conductor Manfred Honeck and the players of the Bamberger Symphoniker. “Recording these two works was a dream of mine,” says Lisiecki, “and I’m very glad to have been able to do so with a dream team, too.”

The album, whose booklet includes notes by the pianist himself, will be issued digitally and on CD on 17 April 2026. A limited-edition version of the CD, complete with signed art card, will be available exclusively from the DG Shop. The central Andante from Concerto No. 22 will be released for streaming on 23 January to coincide with Mozart’s birthday four days later.

Ever since he first worked with Maestro Honeck in Chicago in 2019, Jan Lisiecki had been keen to record with him. “I immediately felt that he had such an affinity and respect for Mozart’s music and was able to communicate it with the orchestra – the phrasing, the elegance, the beauty,” he recalls. “So to work with him on a recording of Mozart is an absolute joy and privilege.”

Lisiecki’s praise extends to the musicians of the Bamberger Symphoniker. “They’re dedicated, passionate and also respectful of tradition,” he says. “It’s inspiring to find musicians who have vigour and freshness, but also follow the indications of the composer and the urgings of the conductor – and of the soloist too!”

That collaborative spirit shines through these deft and insightful readings of two works Lisiecki calls “singular masterpieces” – even among Mozart’s many superlative works in the genre. “I think,” he adds, “Mozart had an innate connection with E flat major and was able to write such beautiful works in this key. Sometimes composers feel at home in certain places and certain keys, and one senses that here.”

Written in 1777, Piano Concerto No. 9 is notable for the way in which it instantly sets up a closely entwined dialogue between soloist and orchestra that continues throughout the work. Another fascinating aspect of the score is that the composer’s original cadenzas have survived, allowing Lisiecki and his team “to fully embrace and respect Mozart’s intentions”. He particularly prizes that of the second movement: “it’s absolutely spectacular, and to have this grand, quite dense cadenza in the second movement of a piece is revolutionary”.

Mozart composed Concerto No. 22 in Vienna in 1785, at around the same time as he was writing Le nozze di Figaro. Here too, there is close interplay between the solo and orchestral writing, while a striking role is given to the clarinets, making their first appearance in one of Mozart’s piano concertos. As Lisiecki observes, the composer “ensured that these instruments were utilized to their full potential, employing technically demanding and musically intricate passages throughout the work”.

In a recent review, Bachtrack writes about Jan Lisiecki’s performance of No. 22 with the Seattle Symphony and Peter Oundjian: “In the first movement, [he] played with the care, delicacy and religiosity one hopes for in Mozart: exacting, yet emotional. His technical fluency made his performance seem effortless, but not easy. The melancholy Andante came off as boldly expressive but not overdramatic. The final Allegro sparkled with wit and incisiveness. Lisiecki’s cadenzas throughout went beyond technical expertise to an almost heavenly level.”

Supertramp Celebrate 50 Years With Half-Speed Remasters Of ‘Even In The Quietest Moments…’, ‘Breakfast In America’, and ‘…Famous Last Words…’

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 Following the reissues of ‘Crime Of The Century’ and ‘Crisis? What Crisis?’, Supertramp continues the 50th anniversary celebrations in their half-speed remaster reissue series with Even In The Quietest Moments…, Breakfast In America and …Famous Last Words….

As per the first two releases in the series, all three records have been remastered at half-speed by Miles Showell at Abbey Road Studios. They are available to pre-order now from HERE and will be released on March 20, 2026. ‘Crime Of The Century’ and ‘Crisis? What Crisis?’ are available now from here.

Even in the Quietest Moments… was originally released in April 1977 and is the band’s fifth album. It was an instant hit, charting at number 16 in the Billboard Album Charts, and the album’s opening track, ‘Give A Little Bit,’ also broke into the Billboard Hot 100. To this day, the track has been streamed over almost 800 million times. Just a year after its original release, the album was ranked 63rd in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs.

Their sixth album, ‘Breakfast In America,’ is their biggest commercial success. Released in March 1979, it has sold over 22 million worldwide, generated 2 billion global streams and spent 88 consecutive weeks in the Billboard 200. It spawned hit singles – ‘The Logical Song,’ ‘Goodbye Stranger,’ and ‘Take The Long Way Home,’ all of which broke into the Billboard Hot 100, with ‘The Logical Song’ becoming their most prolific streamed track (over 900 million to date) spending 17 weeks on the chart. The album’s title track also achieved international success, breaking into the UK top 10 and songs like ‘Oh Darling’ have become beloved fan favourites. The album has gone on to receive a whole host of accolades, including two Grammy Awards and an Ivor Novello Award (for ‘The Logical Song’). It was ranked 207th in The Guinness All Time Top 1000 Albums, 69th in Classic Rock Magazine’s Greatest British Rock Album of All Time, 43rd in Triple M’s 100 Greatest Albums of All Time as voted by Australian listeners, and 294th in Colin Larkin’s renowned book ‘All Time 1000 Albums’.

…Famous Last Words… was released in October 1982 and is the final album to feature the band’s ‘classic line-up’ of Hodgson, Davies, Helliwell, Thomson, and Siebenberg. The album was a commercial success, reaching number 5 in the U.S. Billboard Album Charts and number six in the UK. Roger Hodgson left the band in 1983 after which the group continued as a quartet.

This Supertramp half-speed remaster reissue series gives this catalogue a greater depth of sound that allows reappraisal of some of the most enduring songs of all time. Their albums are some of the most ground breaking in British rock history.

TRACKLISTS:

Even In The Quietest Moments
Side A
1. Give A Little Bit
2. Lover Boy
3. Even In The Quietest Moments
4. Downstream

Side B
1. Babaji
2. From Now On
3. Fool’s Overture


Breakfast In America
Side A
1. Gone Hollywood
2. The Logical Song
3. Goodbye Stranger
4. Breakfast In America
5. Oh Darling

Side B
1. Take The Long Way Home
2. Lord Is It Mine
3. Just Another Nervous Wreck
4. Casual Conversations
5. Child Of Vision

…Famous Last Words…
Side A
1. Crazy
2. Put On Your Old Brown Shoes
3. It’s Raining Again
4. Bonnie
5. Know Who You Are

Side B
1. My Kind Of Lady
2. C’est Le Bon
3. Waiting So Long
4. Don’t Leave Me Now

Erykah Badu Celebrates 25 Years of ‘Mama’s Gun’ With Limited Edition Vinyl

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 Five-time GRAMMY® Award-winning neo-soul trailblazer Erykah Badu commemorates the 25th anniversary of her influential sophomore album, Mama’s Gun, with the release of new limited-edition Vinyl options out now. The 2LP UMe Ecomm variant is pressed on Gold Black Ice Vinyl and features a newly redesigned gatefold jacket, alternate cover, and special lithograph. Order HERE.

Finally, the Vinylphyle edition of Mama’s Gun features this album’s first ever hi-res remaster since its original CD release, sourced from the original production tapes. The 2LP, which features new liner notes personally penned by Badu, was cut by Joe Nino-Hernes at Sterling Sound Nashville and pressed at RTI on 180g Black Vinyl. The Vinylphyle edition dropped yesterday and is available HERE

The indisputable influence of Mama’s Gun looms over every corner of the culture. It first arrived in stores on November 21, 2000. It peaked at #11 on the Billboard 200, scoring her strongest first-week sales ever and moving north of 191K copies. Within the span of only four weeks, it reached the threshold for a Platinum certification from the RIAA. Not to mention, this landmark body of work garnered three GRAMMY® Award nominations, including “Best Female R&B Vocal Performance” and “Best R&B Song” for “Bag Lady” and “Best R&B Song” for “Didn’t Cha Know?”

Indicative of the record’s impact, it has claimed spots on numerous marquee lists such as Rolling Stone’s “The 500 Greatest Albums of All Time, Pitchfork’s “The 200 Best Albums of the Last 25 Years, and NPR’s “The 150 Greatest Albums Made By Women, among many others. Resonating from one generation to the next, it has also impressively tallied over 1 billion streams. Retrospectively, Pitchfork rated it a rare “9.4, marveling at how, “She made a record that wore its awareness of the larger traumas and challenges that complicate human intimacy on its sleeves.

Badu also partnered with Spotify in their latest Anniversaries video series, where she reflects on the past 25 years and performs select tracks from Mama’s Gun. Watch HERE

Badu’s unparalleled alchemy of soul, R&B, jazz, rock, reggae, and poetry underscores these 14 tracks, enshrining Mama’s Gun as a game-changer whose influence continues to grow.

Check out the full tracklisting below.

Badu closed out 2025 canvasing North America on the “Mama’s Gun 25 World Tour,” performing the LP in its entirety.

TRACKLISTING:
1. Penitentiary Philosophy
2. Didn’t Cha Know
3. My Life
4. … & On
5. Cleva
6. Hey Sugah – Interlude
7. Booty
8. Kiss Me On My Neck
9. A.D. 2000
10. Orange Moon
11. In Love With You
12. Bag Lady
13. Time’s A Wastin
14. Green Eyes

Iconic Film Soundtrack ‘Pretty in Pink’ Turns 40 With Limited Edition Vinyl Reissue

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 UMe celebrates the 40th anniversary of Pretty in Pink, the beloved 1986 film from Writer/Executive Producer John Hughes with a limited-edition reissue of its iconic soundtrack, available March 13. As essential as the film itself, the music captures the story’s emotional truth—freezing moments in time with the vivid clarity of memories that linger for decades. Film soundtracks hold a rare power to shape identity, influencing who we are, where we belong, and the social experiences that define youth. Few filmmakers understood the coming-of-age experience quite like John Hughes, and Pretty in Pink stands as one of his most enduring cultural touchstones.

Anchored by era-defining songs including The Psychedelic Furs’ Top 5 title track “Pretty in Pink,” OMD’s iconic “If You Leave,” The Smiths’ “Please, Please, Please Let Me Get What I Want,” and Echo & The Bunnymen’s sweeping anthem “Bring on the Dancing Horses,” and INXS fan-favorite deep-cut, “Do Wot You Do,” the Pretty in Pink soundtrack became a defining voice of its time—shaping mood, identity, and belonging in ways few films ever achieve. More than four decades after its theatrical release, Pretty in Pink continues to resonate across generations, its music and themes echoing with each new audience navigating the universal challenges of growing up.

The 40th Anniversary edition will be released as a limited-edition ‘Pretty in Baby Pink’ 1LP, housed in a gatefold sleeve featuring film photography, and will include two bonus tracks previously unavailable on the soundtrack: Otis Redding’s “Try a Little Tenderness” and Talk Back’s “Rudy.” A standard-weight black 1LP featuring the original tracklist will also be available. Preorder the 40th Anniversary editions of Pretty in Pink HERE.

The 40th Anniversary edition is released with the kind cooperation of Hughes Music and Paramount Pictures.

1LP Pretty in Baby Pink’ Color Tracklist:

SIDE A
1. “If You Leave” – Orchestral Manoeuvres in the Dark (OMD) – 4:24
2. “Left of Center” – Suzanne Vega (feat. Joe Jackson) – 3:32
3. “Get to Know Ya” – Jesse Johnson – 3:33
4. “Do Wot You Do” – INXS – 3:17
5. “Pretty in Pink” – The Psychedelic Furs – 4:40
6. “Try A Little Tenderness” – Otis Redding – 3:49


SIDE B
1. “Shell-Shock” – New Order – 6:04
2. “Round, Round” – Belouis Some – 4:06
3. “Wouldn’t It Be Good” – Danny Hutton Hitters – 3:43
4. “Bring on the Dancing Horses” – Echo & The Bunnymen – 3:58
5. “Please Please Please Let Me Get What I Want” – The Smiths – 1:50
6. “Rudy” – Talk Back – 4:17

1LP Black Tracklist:

SIDE A
1. “If You Leave” – Orchestral Manoeuvres in the Dark (OMD) – 4:24
2. “Left of Center” – Suzanne Vega (feat. Joe Jackson) – 3:32
3. “Get to Know Ya” – Jesse Johnson – 3:33
4. “Do Wot You Do” – INXS – 3:17
5. “Pretty in Pink” – The Psychedelic Furs – 4:40

SIDE B
1. “Shell-Shock” – New Order – 6:04
2. “Round, Round” – Belouis Some – 4:06
3. “Wouldn’t It Be Good” – Danny Hutton Hitters – 3:43
4. “Bring on the Dancing Horses” – Echo & The Bunnymen – 3:58
5. “Please Please Please Let Me Get What I Want” – The Smiths – 1:50

Teen sensations Molly Ringwald (Sixteen Candles, The Breakfast Club) and Andrew McCarthy (St. Elmo’s Fire) drew rave reviews for their starring performances in this hit love story, directed by Howard Deutch, and executive-produced and written by John Hughes (Ferris Bueller’s Day OffPlanes, Trains, and Automobiles). Andie is a high school girl from the other side of town. Blane’s the wealthy heartthrob who asks her to prom. But as fast as their romance builds, it’s threatened by the painful reality of peer pressure. From its bittersweet story to its hip New Wave soundtrack, the film features great supporting performances from Harry Dean Stanton, Jon Cryer, Annie Potts, and James Spader. Available now on Digital in remastered 4K Ultra HD from Paramount Pictures and returning to theatres over Valentine’s day, February 13 – 16 from Paramount Pictures and Fathom Entertainment.

Modern Country Icon Eric Church Kicks Off 2026 With New Live Release and Tour Momentum

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 With his latest critically acclaimed project, Evangeline vs. The Machine, up for the Best Contemporary Country Album nod at next weekend’s GRAMMY Awards, 11-time nominee Eric Church is already entering 2026 at full throttle. Last night, Jan. 22, the Chief launched the new year with an intimate underplay at Washington, D.C.’s The Anthem, kicking off leg 2 of his Free the Machine Tour and setting the stage for a spring run from the man celebrated by Pollstar for “his high-energy, Springsteen-esque marathon performances.”
 
The Free the Machine Tour returns following a landmark 2025 run that reaffirmed Church’s reputation for pushing the boundaries of the live concert experience. The 2026 dates carry that same spirit forward, pairing large-scale ambition with moments of raw immediacy.
 
That energy is captured on today’s release of “Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025).” The reimagined version of Church’s 2x Platinum, chart-topping hit appears on the forthcoming Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) arriving Feb. 13 via MCA. The 19-track live album serves as a companion to the IMAX exclusive theatrical release of Evangeline vs. The Machine Comes Alive on Feb. 11 and 14.
 
Church hosted a special screening event for members of his passionate Church Choir in Nashville earlier this week, previewing the limited theatrical release that showcases Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life through a unique perspective that can only be achieved in IMAX. A full list of locations for the February showings is available via IMAX.com/EricChurch, with tickets on sale now.
 
With a new live release out today, the Free the Machine Tour back on the road and both an IMAX film and live album on deck, Church’s 2026 is already defined by momentum that continues to challenge expectations and reaffirm his place at the forefront of modern country music.
 

Evangeline vs. The Machine Comes Alive Track List
*denotes songs out now
1. Hands Of Time (Live At The Pinnacle, Nashville, TN / May 24, 2025)
2. Bleed On Paper (Live At The Pinnacle, Nashville, TN / May 24, 2025)*
3. Johnny (Live At The Pinnacle, Nashville, TN / May 24, 2025)
4. Storm In Their Blood (Live At The Pinnacle, Nashville, TN / May 24, 2025)
5. Darkest Hour (Live At The Pinnacle, Nashville, TN / May 24, 2025)
6. Evangeline (Live At The Pinnacle, Nashville, TN / May 24, 2025)
7. Rocket’s White Lincoln (Live At The Pinnacle, Nashville, TN / May 24, 2025)
8. Clap Hands (Live At The Pinnacle, Nashville, TN / May 24, 2025)
9. Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)*
10. Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025)*
11. Homeboy (Live At The Pinnacle, Nashville, TN / May 24, 2025)
12. Sinners Like Me (Live At The Pinnacle, Nashville, TN / May 24, 2025)
13. Creepin’ (Live At The Pinnacle, Nashville, TN / May 24, 2025)
14. Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)*
15. Smoke A Little Smoke (Live At The Pinnacle, Nashville, TN / May 24, 2025)
16. The Outsiders (Live At The Pinnacle, Nashville, TN / May 24, 2025)
17. Hell Of A View (Live At The Pinnacle, Nashville, TN / May 24, 2025)*
18. Mistress Named Music (Live At The Pinnacle, Nashville, TN / May 24, 2025)
19. Springsteen (Live At The Pinnacle, Nashville, TN / May 24, 2025)

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Jan. 23 || Washington, D.C. || The Anthem || Caylee Hammack
Feb. 5 || Omaha, Neb. || CHI Health Center || Ella Langley
Feb. 6 || Sioux Falls, S.D. || Denny Sanford PREMIER Center || Ella Langley
Feb. 7 || St. Paul, Minn. || Grand Casino Arena || Ella Langley
Feb. 12 || Toronto, Ont. || Scotiabank Arena || Ella Langley
Feb. 13 || Buffalo, N.Y. || KeyBank Center || Ella Langley
Feb. 14 || Albany, N.Y. || MVP Arena || Ella Langley
Feb. 19 || North Little Rock, Ark. || Simmons Bank Arena || 49 Winchester
Feb. 20 || Kansas City, Mo. || T-Mobile Center || 49 Winchester
Feb. 21 || St. Louis, Mo. || Enterprise Center || 49 Winchester
Feb. 26 || Tulsa, Okla. || BOK Center || Stephen Wilson Jr.
Feb. 27 || Fort Worth, Texas || Dickies Arena || Stephen Wilson Jr.
Feb. 28 || Austin, Texas || Moody Center || Stephen Wilson Jr.
Mar. 5 || Knoxville, Tenn. || Thompson-Boling Arena at Food City Center || 49 Winchester
Mar. 6 || Greensboro, N.C. || First Horizon Coliseum || 49 Winchester
Mar. 7 || North Charleston, S.C. || North Charleston Coliseum || 49 Winchester
Mar. 19 || Birmingham, Ala. || Legacy Arena at the BJCC || 49 Winchester
Mar. 20 || Atlanta, Ga. || State Farm Arena || 49 Winchester
Mar. 27 || Hollywood, Fla. || Hard Rock Live || Kashus Culpepper
Apr. 3 || Greenville, S.C. || Bon Secours Wellness Arena || Ashley McBryde
Apr. 4 || Charlotte, N.C. || Spectrum Center || Ashley McBryde
Apr. 10 || Jacksonville, Fla. || VyStar Veterans Memorial Arena || Ashley McBryde
Apr. 11 || Tampa, Fla. || Benchmark International Arena || Ashley McBryde

Combining stockings with different shoes for a harmonious and modern look

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By Mitch Rice

Stockings are one of those pieces that can either elevate an outfit or quietly ruin it if paired with the wrong shoes. Many people notice this only when they’re already heading out the door: the dress looks fine, the color is right, yet something still feels off. That’s why it helps to know how to combine stockings with different types of footwear to keep the whole look balanced, modern, and naturally cohesive.

Understanding the silhouette

It’s best to start not with the stockings, but with how the shoes shift your proportions. Classic pumps visually lengthen the leg, while chunky boots shorten it slightly. Thin women’s stockings always emphasize the leg line, so avoiding harsh contrasts is key. In Mariemur collections, this idea is easy to spot: the focus is always on a clean silhouette and a smooth transition between fabric and footwear. It’s a useful reference point when figuring out how balance works.

Things to keep in mind:

  • dark stockings visually “reduce” the leg, which helps when shoes are heavier or bulkier;
  • sheer or light stockings require cleaner lines – pumps, ballet flats, and delicate sandals create the best transition.

Once this logic sinks in, choosing the right shoes stops feeling like guesswork.

Pumps, ballet flats and understated classics

The simplest pairing is stockings with pumps, but even here, subtlety matters. For example, matte stockings in the 40–80 den range paired with a pointed toe add structure to the outfit, especially if your clothing is more formal: a tailored dress, a straight blazer, a pencil skirt. For very thin stockings, it’s better to avoid overly glossy shoes – patent leather pumps can make the look louder than intended.

In everyday outfits, ballet flats work just as well. Here it helps to:

  • choose stockings without noticeable shine;
  • make sure the toe shape is elongated rather than rounded; otherwise, the silhouette shortens.

Such combinations look calm and versatile.

Boots, loafers and more urban styles

This is where stockings stop being an accessory and become part of the outfit. Chunky boots pair best with slightly denser stockings – they make the whole look more grounded. Playing with contrast can work too: a light dress + dense stockings + rugged boots create a lively, urban vibe.

Loafers are a different story. They pair best with:

  • thin, understated stockings;
  • minimalistic shoe designs with little or no decoration.

This combination almost always looks more refined. It’s a small detail, but a consistently effective one.

Sandals and open-toe shoes

This pairing is no longer considered a fashion faux pas. The key is choosing stockings with an ultra-thin or invisible toe area. With delicate strappy sandals, neutral sheer stockings that don’t add shine work best. For a more modern look, matte black or graphite options are a strong alternative. Mariemur highlights the main principle here: the cleaner the lines, the better the effect.

With these principles in mind, stockings turn into a thoughtful detail that supports the entire silhouette and settles into the outfit naturally.

A Deep Dive Into User Testimonials, Contract Details, and the Actual ROI Reported by Current DFY Vending Partners in the Last 6–12 Months

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By Mitch Rice

The passive income landscape has shifted dramatically in recent years, leading many to investigate the latest DFY Vending reviews to see if automated retail lives up to the hype. For the aspiring entrepreneur or the full-time professional seeking a side hustle that does not demand forty hours a week, the “Done-For-You” (DFY) model presents an intriguing proposition. Instead of scouting locations, hauling heavy machinery, and negotiating with property managers, investors are opting for a turnkey solution where the heavy lifting is handled by a specialized team. But does the reality on the ground match the marketing materials? To find out, we have conducted an objective analysis of the performance, legal protections, and financial outcomes reported by partners over the last six to twelve months.

The Evolution of the DFY Model

Vending has long been a staple of the American economy, but the traditional “route driver” model is notorious for its physical demands. You had to own a truck, have a warehouse for inventory, and be prepared to fix a jammed coin slot at three in the morning. The DFY Vending approach flips this script. By leveraging institutional relationships and bulk purchasing power, the company aims to place high-end, credit-card-ready machines in premium locations before the partner even takes over.

For the target audience of this article, time is the most valuable currency. The appeal of this model is not just the money; it is the decoupling of income from labor. In the last year, the influx of new partners has provided a wealth of data regarding how quickly these machines go from “contract signed” to “revenue generating.”

Breaking Down the Contract Details

One of the biggest hurdles for someone researching “scam” versus “legit” is the fine print. Objective reviewers know that a business is only as solid as its legal framework. In our review of the standard DFY Vending agreements from the past year, several key pillars stand out:

  1. Location Guarantees: The contract typically specifies that the company is responsible for finding a “high-traffic” location. This is crucial because, in vending, location is everything. Partners are not left to wander the streets asking local businesses for space; the contract mandates that the DFY team secures these placements.
  2. Equipment Ownership: Unlike some “business opportunities” that are essentially leases, the partners in this model actually own the physical assets. This provides a layer of security; even in a worst-case scenario, you own a piece of hardware with a defined resale value.
  3. Maintenance and Support: The last twelve months have seen an emphasis on remote monitoring. The contracts now frequently highlight the use of telemetry software, allowing partners to see their inventory levels and sales figures from a smartphone app. This reduces the need for “check-up” visits, keeping the time commitment to the promised minimum.

Real-World User Testimonials

Image from Pexels

When looking at feedback from the last six to twelve months, a clear pattern emerges. The most successful partners are those who view this as a long-term asset rather than a “get rich quick” scheme.

One partner, a project manager from Ohio, noted that her primary concern was the “hidden work.” She reported that after the initial setup phase, her actual time commitment dropped to about three hours a week, mostly spent on reviewing sales data and coordinating with the local restocking service. This aligns with the “side hustle” appeal for those who cannot quit their day jobs but want to build a secondary income stream.

Another testimonial from a retired couple in Florida emphasized the “hands-off” nature of the placement. They highlighted that the DFY team handled a mid-year relocation when the initial office building saw a decrease in foot traffic due to a company move. This flexibility is a recurring theme in positive reviews; the ability of the company to pivot when a location underperforms is a hallmark of a legitimate operation.

Analyzing the ROI: The Last 6 to 12 Months

ROI is the metric that matters most to any investor. Based on data reported by partners who started their journeys in late 2023 and early 2024, the Return on Investment typically falls into three phases.

The Setup Phase (Months 1 to 3): This is the period of capital outflow and machine placement. ROI is technically negative here, as the machines are being shipped and calibrated. Partners who understand this timeline tend to be much more satisfied than those expecting immediate cash flow on day one.

The Stabilization Phase (Months 4 to 8): This is where the “real” numbers start to show. On average, partners have reported that their machines begin to hit a “rhythm.” In high-traffic areas like gym lobbies, logistics hubs, or medical centers, the machines often see a steady climb in daily transactions as the local population becomes accustomed to the convenience.

The Growth and Recoup Phase (Months 9 and Beyond): In the latter half of the first year, many partners report that they have dialed in their product mix. By analyzing the telemetry data, they can swap out slow-moving snacks for high-margin items. Reported profit margins in this period often hover between 15 percent and 30 percent after accounting for product costs and location fees.

It is important to note that “ROI” in vending also includes the tax benefits of equipment depreciation. Many partners have used Section 179 of the tax code to deduct the full purchase price of the equipment in the first year, significantly boosting their effective return by lowering their overall tax liability.

Legit vs. Scam: How to Spot the Difference

In any industry involving “Done-For-You” services, skepticism is healthy. The “scam” label is often thrown around by people who encountered companies that promised “guaranteed” millions with zero risk.

Objective indicators of legitimacy found in the DFY Vending model include:

  • Transparent Pricing: There are no “hidden” fees revealed halfway through the process.
  • Physical Assets: You are buying real machinery, not a “digital certificate” or a vague “spot in a queue.”
  • Realistic Projections: The company does not promise you will be a millionaire in a month. Instead, they focus on the steady, incremental growth of a vending route.

Current partners emphasize that the “legit” factor comes from the support system. If a card reader breaks or a machine is vandalized, the presence of a dedicated support team to facilitate repairs is what separates a professional operation from a fly-by-night scheme.

The Side Hustle Reality

For the aspiring entrepreneur, the question is: “Can I do this while working 9 to 5?” The data from the last twelve months says yes. Because the DFY model handles the logistics, the partner’s role shifts from “laborer” to “manager.”

You are managing an automated retail portfolio. You are checking apps to see which snacks are selling. You are looking at the ROI of a specific location and deciding if it is time to add a second machine. This intellectual work is far more sustainable for a busy professional than the physical work of traditional vending.

Conclusion

The last six to twelve months have proven that the vending industry is undergoing a professionalization phase. The DFY Vending model has opened doors for people who previously lacked the time or technical knowledge to start a route from scratch.

While no business is without risk, the combination of physical asset ownership, contractual location guarantees, and the latest remote monitoring technology makes this a compelling option for those seeking a legitimate side hustle. By focusing on the data, the contracts, and the honest feedback of current partners, it becomes clear that for the right individual, a vending portfolio is a powerful tool for building long-term wealth without the burden of a second full-time job.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Country Hitmaker Parker McCollum Releases Fan Favorite “Big Ole Fancy House”

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Award-winning Country music star, Parker McCollum, has released the much-anticipated fan-favorite track, “Big Ole Fancy House,” out now. The song, which has been in McCollum’s live set list for years, is now finally coming straight to the fans. Written by McCollum, Lori McKenna, Liz Rose and Hillary Lindsey, and centered around the theme that material things in life mean nothing without someone to share it all with, the song is a powerful reminder that the most valuable thing a person can have is someone to love them.

“Y’all been asking for this one for a while so I’m glad it’s finally getting to you. Took a couple of times of cutting it before it felt good enough to release, and I think I got it the way it should be heard. Appreciate all the love everyone has shown this song. Means a lot,” says Parker McCollum.

“Big Ole Fancy House” will be one of four new tracks featured on the Deluxe Edition of McCollum’s critically acclaimed album, PARKER MCCOLLUM, which was released last year (via MCA). The album is a reflection of his authentic artistry and shows an evolution of poignant storytelling against a musical backdrop that anchors to a traditional, yet still contemporary, sound. PARKER MCCOLLUM Deluxe Edition will be available on March 20th.

Singer/songwriter and multi-instrumentalist Parker McCollum has reached the ranks of a bona fide Country music superstar by connecting with fans and critics alike through his relatable and authentic sound. His most recent album, Never Enough (released on May 12, 2023 via MCA Nashville), is a statement collection of music that cemented his status as one of Country’s strongest new voices. His massive Burn It Down Tour throughout 2024 saw McCollum performing at some of the most iconic venues around the nation and appearing at Country music’s top music festivals. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” Music Row listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and has sold out major concert venues around the U.S. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold. In 2025, McCollum played his third consecutive sold out show at Houston’s signature event. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards and scored two back-to-back CMA Awards nominations (2022 & 2023) for New Artist of the Year. He was nominated for a CMA Award for “Song of the Year” (2024) for his explosive Platinum hit “Burn It Down” – marking his third straight nomination. McCollum scored his second ACM Award for “Visual Media of the Year” for his music video for “Burn It Down.” The hit single marks his fourth consecutive #1 – following his other chart toppers “Pretty Heart,” “To Be Loved By You,” and “Handle On You.” McCollum released his self-titled fifth studio album, PARKER MCCOLLUM, in 2025 is an artistic achievement for this legacy making Country superstar that shows him at his best. PARKER MCCOLLUM is available now.

Global Pop Visionary MIKA Releases New Album ‘Hyperlove’

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Multi-platinum, BRIT Award-winning, and GRAMMY-nominated global pop visionary MIKA releases his highly anticipated new album Hyperlove today via Republic Records. Marking his first English-language studio album since 2019, Hyperlove introduces a bold new chapter, one rooted in raw emotion, and the fearless joy that has defined MIKA’s career. Released alongside the album is “Excuses For Love,” a euphoric, bass-driven single that captures the heart of Hyperlove’s message: radical emotional honesty in a world that encourages restraint. Listen here.

Across Hyperlove, MIKA returns to the piano as the emotional core of his songwriting, pairing his classically trained voice with richly textured, vintage production. Built entirely from analogue and retro sources, the album explores the tension between human vulnerability and modern technology, while reaffirming music’s power to connect, uplift, and transcend. The album reunites MIKA with Nick Littlemore, the creative force behind Empire of the Sun and PNAU, and producer of MIKA’s acclaimed The Origin of Love. Adding another distinctive layer, legendary filmmaker and cultural icon John Waters appears as a guest narrator across the album, delivering sharp, and witty interludes.

To celebrate the release, MIKA will bring his dazzling, kaleidoscopic live show back to North America next spring. The Spinning Out Tour launches April 29, 2026 in Boston and will travel through major cities including New York, Chicago, Los Angeles, San Francisco, Dallas, Austin, and more.

For nearly two decades, MIKA has remained one of pop music’s most distinctive voices. Born Michael Holbrook Penniman Jr., he burst onto the international stage with the 2007 smash “Grace Kelly” and the multi-platinum debut Life in Cartoon Motion, which sold over 8 million albums, generated more than 2.8 billion streams, and topped charts in 12 countries. His acclaimed catalogue includes The Boy Who Knew Too Much, The Origin of Love, No Place in Heaven, and My Name Is Michael Holbrook, alongside collaborations with Pharrell Williams, Ariana Grande, Gregg Wells, and more.

Beyond music, MIKA is an internationally celebrated television personality. He has served as a judge on X Factor Italy, a coach on The Voice France, and the host of the Rose d’Or–winning Italian series Stasera Casa Mika. In the UK, he continues to mentor emerging talent on The Piano, now entering its fourth season, and in 2025 he expands his global television presence as a coach on La Voz Spain. In 2020, following the Beirut explosion, MIKA produced the global benefit event I Love Beirut, raising over €1 million for relief efforts and reaching audiences in 106 countries.

With Hyperlove, MIKA delivers an album fueled by curiosity, craftsmanship, and an unwavering belief in the power of love without excuses.

SPINNING OUT TOUR — NORTH AMERICA 2026:
April 29 — Boston, MA — Citizens House of Blues
May 1 — Silver Spring, MD — The Fillmore Silver Spring
May 2 — New York, NY — The Rooftop at Pier 17
May 4 — Laval, QC — Place Bell
May 5 — Philadelphia, PA — The Fillmore
May 7 — Chicago, IL — Riviera Theatre
May 9 — Dallas, TX — Factory in Deep Ellum
May 10 — Austin, TX — ACL Live at The Moody Theater
May 13 — Los Angeles, CA — Orpheum Theatre
May 14 — San Francisco, CA — The Castro (SOLD OUT)

R&B Visionary Ari Lennox Enters a Confident New Era With Album ‘Vacancy’

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Interscope Records announces the release of Vacancy, the brand new album from GRAMMY-nominated R&B artist Ari Lennox. Marking her third full-length release since 2022. Vacancy signals a sophisticated new chapter defined by creative autonomy, confidence, and growth. Listen to Vacancy HERE.

Recorded over the course of three years in Atlanta, Los Angeles, and Miami, Vacancy reflects a deeply intentional process shaped by patience, self-reflection, artistic freedom, and collaboration. Ari wrapped the album’s final sessions in summer 2025 alongside the project’s executive producer, Elite, bringing the record into focus with clarity and conviction. She co-wrote every track on the album, showcasing sharp lyricism in addition to her celebrated vocal performances.

The album opens with the Elite-produced “Mobbin’ in DC,” a soulful nod to Ari’s hometown roots. Early singles — “Under the Moon,” the title track “Vacancy”— reunited the singer with GRAMMY-winning producers Jermaine Dupri and Bryan-Michael Cox, the duo behind her Billboard-charting, RIAA platinum-certified single “Pressure.” Their renewed collaboration brings a timeless sensibility to the project, allowing Ari’s emotive delivery and vocal nuance to take center stage once again.

The album’s focus track, “High Key,” produced by J White Did It, demonstrates the playful vocal energy found all over the project. The latest single, “Twin Flame,” produced by Tommy “TBHits” Brown and Leather Jacket, is a tender yet intoxicating lovers’ ode that captures the thrill of emotional intimacy. The track has quickly gained momentum at radio and among fans, and Ari showcased its emotional depth with a performance on The Jennifer Hudson Show earlier this week.

Other standout tracks include “Soft Girl Era (Dupri/Cox), the retro-leaning “24 Seconds” (Trickey Stewart/Dream Sarah), the playful “Horoscope,” and the anthemic “Hocus Pocus.” The album features one guest appearance: Jamaican music icon Buju Banton on “Company,” produced by SupaDups and Stephen “Di Genius” McGregor. The track blends R&B and dancehall with effortless chemistry, resulting in a fusion that feels both timeless and contemporary.

In addition to her television performance, Ari Lennox has continued to elevate her live presence with standout appearances, including Robert Glasper’s Blue Note residency in Los Angeles and a featured set at the 80th EBONY Power 100 Gala. Vacancy is available now on all streaming platforms.

Vacancy Tracklist:
1. Mobbin In DC
2. Vacancy
3. Pretzel
4. Under The Moon
5. High Key
6. Twin Flame
7. Soft Girl Era
8. Deep Strokes
9. 24 Seconds
10. Cool Down
11. Horoscope
12. Wake Up
13. Company (Feat. Buju Banton)
14. Dreaming
15. Hocus Pocus