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Daniel Caesar Performs “Who Knows” From ‘Son Of Spergy’ on The Tonight Show

Eric Alper
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Daniel Caesar Performs “Who Knows” From ‘Son Of Spergy’ on The Tonight Show

Daniel Caesar delivered a moving late-night performance of “Who Knows” on The Tonight Show Starring Jimmy Fallon, spotlighting a standout moment from his new album ‘Son Of Spergy,’ out now via Republic Records. The appearance follows the album’s debut at No. 4 on the Billboard 200 and No. 1 on the Billboard R&B Albums chart, marking Caesar’s highest-charting release to date and his first Top 10 album. The performance leaned into the record’s emotional core, pairing restraint and vulnerability in a way that has become central to this era of his work.

Serving as the follow-up to ‘NEVER ENOUGH,’ ‘Son Of Spergy’ centers on reconciliation, particularly within Caesar’s relationship with his father. “I have a lot of respect for my dad, and I hold him in high regard. The album is about me realizing that I am exactly like him,” Caesar shares. “In that sense, it’s about having patience, respect, and admiration for myself.” Recorded largely in Jamaica, the album features contributions from Sampha, Bon Iver, Blood Orange, Yebba, and Caesar’s father Norwill Simmonds, weaving introspection with lush, melodic ambition.

In the lead-up to the album, Caesar staged a series of pop-up performances across North America, favoring intimacy over spectacle and reinforcing the personal nature of the project. He has continued expanding that creative circle through collaborations with artists like Tyler, The Creator, Rex Orange County, and Justin Bieber, positioning ‘Son Of Spergy’ as both a deeply inward-looking album and a defining moment in his broader artistic evolution.

Jake Owen Releases ‘Dreams To Dream,’ Featuring Reflective New Track “Wouldn’t Be Gone”

Eric Alper
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Jake Owen Releases ‘Dreams To Dream,’ Featuring Reflective New Track “Wouldn’t Be Gone”

Jake Owen has released his new studio album ‘Dreams To Dream,’ a deeply personal project that marks his first independently released full-length. Co-produced with Shooter Jennings and recorded in Los Angeles at Sunset Sound, the album finds Owen leaning into honesty, maturity, and risk-taking after a career that includes ten number one hits. “I’ve just become a guy that wants to sing songs for people that have also matured with me in my life,” Owen says. “Sometimes you need to get outside what’s comfortable… and take a risk. I’m always going to chase the passions that keep me moving forward.”

At the emotional center of the record is “Wouldn’t Be Gone,” a reflective track in which Owen imagines an alternate life away from the road. “It really feels cathartic to be honest about a lot of stuff in my life,” he shares, later adding of the song, “It would keep me goin’, but I wouldn’t be gone,” picturing a simpler life spent closer to home and family. ‘Dreams To Dream’ expands on that vulnerability across songs shaped by heartbreak, defiance, and self-reflection, while still honoring Owen’s country roots. The album also features guest appearances from Jamey Johnson and Savannah Conley, and includes a reimagined cover of Waylon Jennings’ “Them Old Love Songs.” Mixed by Trina Shoemaker and mastered by Pete Lyman, the record stands as Owen’s most unguarded statement to date.

Andy Bell Shares “The Chance Won’t Come Again,” a New Duet With Keane’s Tim Rice-Oxley

Eric Alper
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Andy Bell Shares “The Chance Won’t Come Again,” a New Duet With Keane’s Tim Rice-Oxley

Andy Bell has shared “The Chance Won’t Come Again,” a new collaboration with Tim Rice-Oxley that finds the two artists duetting for the first time. A bittersweet, dancefloor-ready pop song, the track balances romance and regret with a celebratory sheen. Rice-Oxley says, “It has been such an honour to work with one of my musical heroes on this song… The song is a real tears-on-the-dancefloor banger, full of romance and the pathos of missed opportunities. We had such a great time making it and we hope you love it.”

The release follows Bell’s recently completed first-ever solo North American tour, which featured a full live band including Grammy-winning producer and DJ Dave Audé, along with Jerry Fuentes, Sarah Tomek, and Chelsea King-Blank. It also arrives alongside Bell’s four-disc box set ‘The Crown Jewels,’ an expanded edition of his acclaimed solo album ‘Ten Crowns,’ which is out now via Crown Recordings. Limited to 4,000 copies worldwide, the set includes a 50-page booklet with new liner notes and previously unseen photography by Sean Black, offering a deeper look into Bell’s solo era.

Pop-Punk Mainstays State Champs Strip It Back on “(For The) Hell Of It”

Eric Alper
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Pop-Punk Mainstays State Champs Strip It Back on “(For The) Hell Of It”

State Champs have released a new single and music video, “(For The) Hell Of It,” a reimagined, stripped-down take on “Hell Of It” from their self-titled album ‘State Champs,’ out now via Pure Noise Records. The band describe the track as a chance to revisit a favorite from the record, sharing, “We bring you ‘(For the) Hell Of It.’ A reimagined, stripped-down version of one of our favorites from the self-titled album, which was very fun to revisit and experiment with in the studio.” The release highlights a softer, more reflective side of the song while keeping the emotional core intact.

The self-titled album marked a turning point for the Albany-raised band, showing clear growth while staying rooted in the pop-punk sound that defined their rise. Praised by outlets like Rolling Stone, AltPress, Rock Sound, and New Noise Magazine, the record blended Warped Tour-era nostalgia with a modern edge, helping cement State Champs as one of the scene’s leading voices. The release of “(For The) Hell Of It” arrives as the band balance intimate headlining shows with larger tours, following an arena run earlier this year alongside Yellowcard and A Day to Remember, and as they look ahead to celebrating the legacy of ‘Around The World And Back,’ one of the most influential pop-punk albums of the 2010s.

KISS Look Back on 50 Years of “Rock and Roll All Nite” in New Vevo Footnotes Episode

Eric Alper
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KISS Look Back on 50 Years of “Rock and Roll All Nite” in New Vevo Footnotes Episode

KISS cofounders Paul Stanley and Gene Simmons are marking the 50th anniversary of “Rock and Roll All Nite” with a new behind-the-scenes episode for Vevo Footnotes. The episode traces the song’s creation and long life as the band’s defining anthem, with Stanley recalling how the idea came from Casablanca Records president Neil Bogart. “Casablanca President Neil Bogart brought up the idea of us writing an ‘anthem song,’” Stanley explains. “After explaining the concept of a rallying song that would represent our connection to our fans, I went back to our hotel on Sunset Blvd. and came up with the chords, melody, and lyrics of the hook, which was ‘I wanna rock & roll all night and party every day.’”

Simmons expands on the collaborative nature of the track, noting, “It was very much a collaborative effort, with Paul writing the chorus and me writing the verses that were pulled from a song I had previously written called ‘Drive Me Wild,’ which was actually a song about a car.” He adds that friends, road crew, and fellow musicians were brought in to clap and sing, giving the recording its communal feel. The episode also captures the electricity of New York’s early rock and glam scenes, the chemistry that has powered KISS for decades, and rare footage from the 1987 film KISS eXposed. “It’s kind of a quintessential KISS song in our discography,” Stanley says. “This song is such a big piece of our story. And it connects with people on all different levels across generations and generations of fans.”

Small-Town Country Swagger Meets Saturday-Night Chaos on Bailey Marie’s “Honky Tonk Hallelujah”

Eric Alper
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Small-Town Country Swagger Meets Saturday-Night Chaos on Bailey Marie’s “Honky Tonk Hallelujah”

A moment that could have ended quietly instead became fuel for a party-ready anthem as Bailey Marie releases her new single and music video “Honky Tonk Hallelujah,” now out on all streaming platforms. The song draws directly from a real-life incident tied to the legendary Coyote Joe’s, flipping potential disappointment into humor, grit, and celebration. “When I got kicked out of school for singing at Coyote Joe’s, I could’ve written a sad song about it – but that’s not who I am,” Bailey says. “I wanted to turn it into something fun that people could sing and dance to. ‘Honky Tonk Hallelujah’ is my way of laughing through it all, celebrating the music, and reminding myself – and everyone else – to find joy even when things don’t go as planned.”

The track drops listeners straight into a small-town bar scene where faith, freedom, and loud music collide, carried by Bailey’s confident vocal and sharp, witty storytelling. The accompanying video leans fully into that energy, featuring social media personality Ginger Billy, whose humor and Southern charm add to the song’s playful spirit. Together, the song and video feel less like a statement and more like an open invitation, capturing the messy joy of late nights, loud choruses, and finding grace exactly where you’re told you shouldn’t.

Cut Copy Bring Dreamy Electronic Pop Stateside With ‘Moments’ and New “Belong To You” Video

Eric Alper
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Cut Copy Bring Dreamy Electronic Pop Stateside With ‘Moments’ and New “Belong To You” Video

Cut Copy have returned to the U.S. in support of their new album ‘Moments,’ which is out now via Cutters Records / The Orchard. The band’s first full-length in five years, the album marks a confident new chapter, pairing emotional openness with the shimmering electronic pop sound they’ve refined over two decades. ‘Moments’ features some of the most detailed and revealing work of Cut Copy’s career, including fan favorites “Still See Love,” “Solid,” and “When This Is Over.”

Alongside the tour, Cut Copy have also shared a new music video for “Belong To You,” a standout collaboration with indie-folk songwriter Kate Bollinger, featuring pedal steel guitar from Evil Graham Lee of The Triffids. Directed by Otium LaLiberte, the video stars Dan Whitford and Bollinger and leans into themes of observation and self-surveillance. “I’ve always liked the concept of surveilling yourself, that there are parts of ourselves that are somehow inaccessible to the immediate conscious mind,” LaLiberte says. Reflecting on the collaboration, band member Ben Browning adds, “Somehow we thought this atmosphere could pair well with the glowing midnight feel of Belong to You… I love how their gentle performances guide us through a complex maze of duality and sinister surveillance.”

Chase Rice Brings Grit and Storytelling Home on ‘Circa 1943 – Live From Missoula’

Eric Alper
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Chase Rice Brings Grit and Storytelling Home on ‘Circa 1943 – Live From Missoula’

Chase Rice returns to the emotional core of one of his most personal songs with ‘Circa 1943 – Live From Missoula, Montana,’ a raw live recording captured in Big Sky Country. Recorded onstage, the performance places the song back in the landscape that inspired it, amplifying the rugged spirit at the heart of “Circa 1943,” a cinematic story of star-crossed lovers from Rice’s eighth studio album, ‘ELDORA,’ which is out now. Introducing the song from the stage, Rice calls it “Hands down my favorite song I’ve ever written in my entire life,” before delivering the narrative in weathered vocals and smoky Americana tones. “This song is Montana,” he adds, as the live setting gives the track a rough-edged, bar-band urgency.

Co-written with Wyatt McCubbin and Oscar Charles, “Circa 1943” was inspired by a visit to Superior, Montana, and real stories passed down through Rice’s family. The song sits at the heart of ‘ELDORA,’ a 12-track album written in a Colorado cabin and shaped by a solitary creative vision. Born in the afterglow of a career-defining performance at Red Rocks Amphitheatre, the record strips things back to their essentials, leaning into instinct, restraint, and the untamed authenticity of the American West. Recently, Rice also teamed up with Jack Daniel’s and the McLaren Formula 1 Team for a special performance ahead of the Austin Grand Prix, continuing a chapter defined by independence and hard-earned clarity.

Lord Vinheteiro Performs Queen’s “Bohemian Rhapsody” On Rubber Chickens…Wait…What?

Eric Alper
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Lord Vinheteiro Performs Queen’s “Bohemian Rhapsody” On Rubber Chickens…Wait…What?

What starts as a visual joke quickly turns into a surprisingly thoughtful performance from Lord Vinheteiro, who swaps piano keys for an array of rubber chickens tuned to different pitches to perform Queen’s “Bohemian Rhapsody”. Lined up and organized with intention, each chicken is assigned a role based on melody, harmony, and mood, allowing familiar songs to emerge in full form. As always, Vinheteiro delivers the performance without breaking eye contact with the camera, letting the contrast between serious execution and ridiculous tools carry the humor.


Bill Nye Took on Morrissey With a Perfectly Deadpan ’90s Science Parody

Eric Alper
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Bill Nye Took on Morrissey With a Perfectly Deadpan ’90s Science Parody

The closing credits of the 1994 “Momentum” episode of Bill Nye the Science Guy delivered one of the show’s smartest musical jokes: a parody of Morrissey’s song “The More You Ignore Me, the Closer I Get.” Retitled “The Faster You Push Me,” the spoof reframed the original’s romantic misery as a lesson in physics, performed by a fictional artist named “Momentisy.” Sung in an unmistakable Morrissey-style croon, the parody leaned into melodrama while explaining momentum with straight-faced precision. It’s a perfect example of how Bill Nye’s end-credit songs blended sharp humor with real science, turning alternative rock angst into an unexpectedly memorable learning tool.


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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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