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Charley Crockett Covers “Bad Company” with Haunting Americana Twist for Tribute Album

Eric Alper
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Charley Crockett Covers “Bad Company” with Haunting Americana Twist for Tribute Album

One of today’s most authentic and fast-rising voices in Americana and country music, Charley Crockett has released his rendition of the classic, “Bad Company.” The song is the latest from the forthcoming tribute album, Can’t Get Enough: A Tribute to Bad Company, to be released October 24th via Primary Wave Music.

Outlaw country troubadour Charley Crockett brings grit, soul, and swagger to his cover of “Bad Company.” Known for his genre-blending style that fuses vintage country, blues, and Americana, Crockett delivers a haunting and heartfelt interpretation that feels both timeless and unmistakably his own. With a voice steeped in storytelling and defiance, Charley’s version taps into the song’s renegade spirit, reimagining it through the lens of the American West and his own life experiences: playing his pawn-shop guitar on the streets of New Orleans, hitchhiking, and riding freight trains north until he found himself busking on the streets of New York in 2009.

“What a song. Never imagined I’d be asked to cut a Bad Company tune, especially this one,” says Crockett. “I grew up cranking the volume anytime it was on a classic rock station in Texas. Still do. It’s an untouchable and timeless song. I only hope I can do it some justice.”

“Bad Company” was produced by Grammy-winning Shooter Jennings (Brandi Carlile, Tanya Tucker) and Crockett at Sunset Sound Studios in Los Angeles. Legendary bassist, Darryl Jones – known for powering The Rolling Stones, Miles Davis, and Sting – brings his iconic groove to the track.

The all-star tribute album features legendary and contemporary artists from rock, country, and Americana, genres deeply influenced by Bad Company, including Hardy, The Pretty Reckless, Joe Elliott and Phil Collen from Def Leppard, Slash featuring Myles Kennedy and The Conspirators, Charley Crockett, Halestorm, and more, offering fresh takes on the band’s iconic songs. Bad Company was founded by Mick Ralphs and Paul Rodgers in 1973.

The album kicked off with The Struts’ rendition of “Rock ’n’ Roll Fantasy,” followed by Blackberry Smoke releasing their version of “Run with the Pack” last month with Rodgers, and this week’s Dirty Honey cover of “Rock Steady.”

Paul Rodgers and Simon Kirke will join host Steve Harkins on TalkShopLive’s Rock & Roll channel on Thursday, October 9th at 7 pm ET to talk about their 50th anniversary and upcoming Rock & Roll Hall of Fame induction as well as the exciting new tribute album.

Lettuce Preview Upcoming Album ‘Cook’ with Funky, Hip-Hop Infused New Single “Breathe”

Eric Alper
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Lettuce Preview Upcoming Album ‘Cook’ with Funky, Hip-Hop Infused New Single “Breathe”

 The legendary funk sextet Lettuce have been teasing the forthcoming release of their latest full-length offering, Cook, due December 3, 2025 via the band’s own Lettuce Records. With the lead single “Gold Tooth,” and most recently their cover of the Keni Burke classic “Rising to the Top,” the band’s signature blend of all-organic, additive free funk is on full display.

Today, they’re thrilled to share the latest sneak peek at the album with new song “Breathe,” a blissed-out track tinged with a retro hip-hop vibe to match.Eric “Benny” Bloom, speaking on the origins of “Breathe,” says “This is my favorite song on the record.

“I can just see myself strutting down the streets of NYC on a brisk October night, thinking of all the possibilities my future holds if I just listen to myself and breathe.”

The band’s Adam Deitch says the band “Needed a chill, hip hop flavored joint. This is what came out of me.” For his part, Erick “Jesus” Coomes says “Life is a gorgeous gift that when looked at from a childlike perspective of wonder can constantly amaze and astound us. Breathe it in. Let your loving energy go out to all – it will always return to you.”

Mimi Webb Shares Intimate Video for “I Met A Boy” from Sophomore Album ‘Confessions’

Eric Alper
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Mimi Webb Shares Intimate Video for “I Met A Boy” from Sophomore Album ‘Confessions’

British pop sensation Mimi Webb unveils the official music video for “I Met A Boy,” the radiant single from her sophomore album Confessions (Epic Records), out now. Directed by Avesta Keshtmand, the visual captures Mimi at her most intimate and playful, balancing carefree joy with moments of self-reflection. Shot across cozy apartments, bustling city streets, and sunlit cafes, the video unfolds like a peek into Mimi’s personal camera roll – equal parts spontaneous and cinematic.

Speaking about “I Met A Boy,” Mimi reveals, “‘I Met a Boy’ is probably one of the more unique songs on the album. I had so much fun trying out a more R&B sound, which hasn’t really influenced my music until now, and I’m definitely excited to explore it further in my future work. We’ve all flirted with someone, only to find out they’re already in a relationship, so I hope this song feels relatable to many.”

Released last week, Confessions marks Mimi Webb’s boldest and most personal body of work to date. Written and recorded between Los Angeles and London, the album is an honest exploration of heartbreak, empowerment, and self-discovery, while delivering the soaring pop songs that first put her on the map.

With songs like the biting empowerment anthem “Narcissist,” the playful “Love Language,” and the emotional centerpiece “You Don’t Look At Me The Same,” the record cements Mimi as one of pop’s most compelling voices. “I Met A Boy” serves as one of its most luminous highlights, showcasing her candid lyricism and a new R&B-influenced edge.

“I am so proud of this album. Confessions has helped me grow both as a person and as an artist,” Mimi explains. “The themes I was able to explore through these songs taught me so much about myself and gave me real confidence. I’m also incredibly proud of the creative side of this record – every video, every photoshoot holds so much of me. This project, as a whole, is the most authentically ‘me’ thing I’ve ever done.”

SiriusXM to Deliver Live Hole-by-Hole Coverage of the 45th Ryder Cup from Bethpage Black

Eric Alper
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SiriusXM to Deliver Live Hole-by-Hole Coverage of the 45th Ryder Cup from Bethpage Black

SiriusXM will offer subscribers across North America comprehensive live hole-by-hole coverage of one of golf’s most exciting and anticipated events – the 45th Ryder Cup – as a team of the best golfers from the United States faces off against their counterparts from Europe in what promises to be an electric atmosphere at the storied Bethpage Black in New York September 26-28.

SiriusXM’s Ryder Cup Radio (channel 92) will air 28 hours of live on-course play-by-play – co-produced with Westwood One Sports – that will give fans access to the event in its entirety, from the first tee shot on Friday through the final hole on Sunday. The play-by-play will begin on Friday and Saturday, September 26 and 27, at 7 am ET, and on Sunday, September 28, at noon ET, and continue through the final hole of each day’s play. SiriusXM’s Ryder Cup programming will be available to subscribers in their car and on the SiriusXM app.

Brian Katrek, Taylor Zarzour and Drew Stoltz will host each day’s coverage alongside analysts Colt Knost and Michael Breed. Raymond Burns, Emilia Doran, John Maginnes, Carl Paulson and Dennis Paulson will be the on-course reporters and will deliver live shot calls and updates on matches happening around the course. Gary Williams and David Marr III will recap each day’s play on a two-hour Ryder Cup postgame show.

“The Ryder Cup by itself is one of the most exciting and electric competitions in sports. Add in the fan fervor and intensity that comes with competing at a venue like Bethpage Black and the anticipation for this year’s event is unprecedented in golf,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “With a full lineup of live shows originating from Bethpage throughout the week, we’ll capture all the excitement of the leadup to the event. Then once play starts our broadcast team will deliver the one-of-a-kind atmosphere of Ryder Cup golf with live play-by-play of every hole from start to finish. Listeners will feel like they are walking inside the ropes at Bethpage.”

In addition to live stroke-by-stroke coverage Friday through Sunday, SiriusXM will have live original programming airing from Bethpage Tuesday, Wednesday and Thursday of Ryder Cup Week.

  • Radio Hall of Famer Christopher “Mad Dog” Russo, headliner of the Mad Dog Sports Radio channel and a New York radio icon for two decades before he went to SiriusXM, will broadcast his show on location at Bethpage on Tuesday and Wednesday. Fans in attendance at the People’s Pavilion fan area on Wednesday can see Russo hosting “Mad Dog Unleashed” from 3-6 pm ET.
  • Several SiriusXM PGA TOUR Radio personalities will be on site to broadcast their live shows on Tuesday, Wednesday and Thursday. These will include “The Starter with Taylor Zarzour,” “A New Breed of Golf with Michael Breed and Greg DuCharme,” “Gravy and the Sleeze with Colt Knost and Drew Stoltz,” Inside the Ropes with Caul Paulson and Dennis Paulson,” “Katrek and Maginnes with Brian Katrek and John Maginnes” and “All Square with Chantel McCabe.”

The Ryder Cup showcases teams of 12 of the best players from the United States and Europe facing off in match play. The event features foursome and four-ball matches on Friday and Saturday, and culminates with a series of 12 head-to-head singles matches on Sunday.

The U.S. Ryder Cup Team is captained by Keegan Bradley. Representing the United States on the course will be Scottie Scheffler, J.J. Spaun, Xander Schauffele, Russell Henley, Bryson DeChambeau, Harris English, Justin Thomas, Collin Morikawa, Ben Griffin, Cameron Young, Patrick Cantlay and Sam Burns.

This year’s European Ryder Cup Team features Rory McIlroy, Jon Rahm, Viktor Hovland, Robert MacIntyre, Tyrrell Hatton, Matt Fitzpatrick, Tommy Fleetwood, Sepp Straka, Justin Rose, Shane Lowry, Rasmus Hojgaard and Ludvig Aberg. The team is captained by Luke Donald.

For more on SiriusXM’s golf programming visit: SiriusXM.com/GolfonSXM

St. Panther Announces Soulful Genre-Bending EP ‘Strange World,’ Out November 7

Eric Alper
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St. Panther Announces Soulful Genre-Bending EP ‘Strange World,’ Out November 7

 Los Angeles based Mexican/Colombian artist, producer, singer, rapper, and multi-instrumentalist St. Panther (Dani Bojorges-Giraldo, they/them) announced their long awaited EP, Strange World, a collection of soulful modern pop songs layered with elements of R&B, jazz, hip-hop and alt-pop, narrating and confronting the wider climate of uncertainty and oblivion.

Due November 7th, 2025, Strange World marks St. Panther’s first release with the art-forward label drink sum wtr and their first compilation of music since their 2020 breakout debut EP, These Days.

Five years of writing, recording and collaborating crystallizes St. Panther’s signature sound: a hypnotic soundscape drenched in intrinsic instrumentation, filled with lighthearted yet brutally honest lyricism. A striking return and a sign of what’s to come, Strange World is poised, ponderous, simplified yet incredibly defiant. Cruising through genres and a wide array of emotions, Strange World roots itself in the search for purpose, security and love-notions that may be at odds with today’s uncertain landscape.

Regarding the EP, St. Panther remarked: “It’s been highly impactful-to say the absolute least-to witness the world in the state it’s in today. In so many lyrics and melodies, I’m using this set of songs as a method of putting certain messages into our ether, intentionally shouting certain things from the rooftops that a friend jokingly said ‘for world peace;’ but this music is meant to activate people in some way to meditate about our relationship to each other, which feels like a good use for music right now.”

Following the departure from the major label network, St. Panther took the time to be among their peers. This project sees the blessing of many of previous collaborators, with long-time collaborator McClenney (H.E.R., Khalid, Jamila Woods) sitting in the co-producer chair and Erik Bodin of Little Dragon’s acoustic drumming featured in the title track. “I took this long pause to really listen to my village, listen to the needs of my community, and the people around me,” said St. Panther, “We’re all feeling the weight of the world on our shoulders a bit. We want hope for our listeners, we want people to feel heard and that there’s someone out there representing this feeling.”

Alongside the announcement today, St. Panther released the EP title track, “Strange World,” featuring Grammy-winning singer/songwriter/rapper, Rae Khalil (Anderson Paak) and co-written with Erik Bodin of Little Dragon. The rhythmic, exhilarating single premiered on KCRW Morning Becomes Eclectic, with host Novena Carmel praising it as “the coolest funky artist.” FLOOD Magazine premiered the song’s tender, warm-hearted music video and sang praises for the upcoming EP saying “Bojorges-Giraldo’s new batch of songs is steeped in a sense of realism while maintaining an upbeat pop-funk energy and an optimistic outlook for the future.”

On the track, St. Panther said: “Since the last time I put out a project, our world has only gotten stranger, which has only made my work more intentional. In this gap, I set out to write music about our world in the state it’s in now and imagine a future beyond it with some of my favorite people to talk about the world with. In ‘Strange World’ you can hear us all in the studio together, laughing in between takes so often it bled into the actual recording, which we decided to keep because the spirit of that felt important. I truly believe that hope and joy can alter the state of anything, especially when the world feels most divided/needs healing. It’s all in the lyrics, I’m still rooting for us.”

Bob Dylan’s ‘Bootleg Series Vol. 18: Through The Open Window, 1956–1963’ Out October 31

Eric Alper
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Bob Dylan’s ‘Bootleg Series Vol. 18: Through The Open Window, 1956–1963’ Out October 31

Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will release Bob Dylan’s Bootleg Series Volume 18: Through The Open Window, 1956-1963 on October 31, 2025. Preorders begin today here. A preview of the album, “Rocks and Gravel,” is available here.

Through The Open Window tells the story of Dylan’s emergence and maturation as a songwriter and performer, tracing his journey from Minnesota to the Greenwich Village bohemia of the early 1960s. Arriving amidst a global resurgence of appreciation for Dylan, the collection includes rare Columbia Records outtakes, recordings from intimate club dates, informal apartment sessions, and jam gatherings in long-gone musicians’ haunts. Many of these recordings are exceedingly rare, while others have never before been presented in any form.

The box set offers a unique account of Dylan’s early years, when he honed his craft and transformed traditional folk songs and lyric sketches into some of his most enduring anthems, including “Blowin’ in the Wind” and “The Times They Are A-Changin’.” The collection culminates with a previously unreleased, full recording of Dylan’s landmark Carnegie Hall concert on October 26, 1963—a show that marked both a culmination of his early rise and the end of the beginning of a monumental career.

“Of that time and those places, this collection is just a fragment,” writes author and historian Sean Wilentz in his 125-page liner essay. “Even so, as an aural record of an artist becoming himself—or in Dylan’s case, his first of many artistic selves—the collection aims to collapse time and space, not as a nostalgic reverie but as a living connection between the past and the present, the old and the new, which are never as distinct as we might think.”

The 8-CD Deluxe Edition features 139 tracks—48 never-before-released performances and 38 super-rare cuts—plus a hardcover book with Wilentz’s extensive notes and over 100 rare photographs. The 2-CD and 4-LP highlight editions feature 42 tracks.

Tracklist

Bootleg Series Volume 18: Through The Open Window, 1956-1963

Disc 1

  1. Let the Good Times Roll – December 24, 1956, Terlinde Music Shop, St. Paul, MN
  2. I Got a New Girl – May 1959, Home of Ric Kangas, Hibbing, MN
  3. San Francisco Bay Blues
  4. Jesus Christ – September 1960, Home of Bob Dylan, Minneapolis, MN
  5. East Virginia Blues
  6. K.C. Moan
  7. Hard Travelin’ – Late 1960, Madison, WI
  8. Pastures of Plenty
  9. Remember Me – February 1961, Home of Bob and Sid Gleason, East Orange, NJ
  10. Song to Woody
  11. Talkin’ Bear Mountain Picnic Massacre Blues – September 6, 1961, The Gaslight Café, NYC
  12. Ain’t No Grave – Summer 1961, Home of Mell and Lillian Bailey, NYC
  13. I Ain’t Got No Home – May 13, 1961, Coffman Theater, University of Minnesota, Minneapolis, MN
  14. Death Don’t Have No Mercy
  15. Devilish Mary – May 1961, Minneapolis, MN
  16. Introduction: Riverside Church
  17. Handsome Molly – July 29, 1961, Saturday of Folk Music (WRVR-FM), Riverside Church, NYC
  18. Introduction: See That My Grave Is Kept Clean
  19. See That My Grave Is Kept Clean
  20. The Girl I Left Behind
  21. Introduction: Pretty Boy Floyd
  22. Pretty Boy Floyd
  23. Railroading on the Great Divide – October 1, 1961, Gerdes Folk City, NYC
  24. Introduction: Fixin’ to Die
  25. Fixin’ to Die – 1961, Folklore Center, NYC
  26. I’ll Fly Away – Take 1 (Alternate Take)* – September 29, 1961, Carolyn Hester sessions, Studio A, Columbia Recording Studios, NYC

Disc 2

  1. Introduction: In the Pines
  2. In the Pines
  3. Gospel Plow
  4. Introduction: Young But Daily Growing
  5. Young But Daily Growing
  6. Man on the Street
  7. This Land Is Your Land*
  8. Pretty Polly – November 4, 1961, Carnegie Chapter Hall, NYC
  9. Man of Constant Sorrow – Rehearsal (Alternate Take, Nov 20, 1961)
  10. House Carpenter – Take 1 (Outtake, Nov 22, 1961)*
  11. You’re No Good – Take 2 with Take 6 Insert (Alternate Take, Nov 20, 1961)
  12. He Was a Friend of Mine – Take 2 (Outtake, Nov 20, 1961)*
  13. Ramblin’ Round – Take 2 (Outtake, Nov 22, 1961)*
    Bob Dylan sessions, Studio A, Columbia Recording Studios, NYC
  14. Story: East Orange, New Jersey
  15. Stealin’
  16. Po’ Lazarus
  17. Dink’s Song*
  18. I Was Young When I Left Home*
  19. In the Evening
  20. Baby, Let Me Follow You Down
  21. Cocaine – December 22, 1961, Home of Bonnie Beecher, Minneapolis, MN

* Previously unreleased unless noted
** Previously released on 50th Anniversary Collection 1962 and 1963 (Sony)

Photo Gallery: Bruce Dickinson and Crown Lands at Toronto’s History on September 16, 2025

Eric Alper
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Photo Gallery: Bruce Dickinson and Crown Lands at Toronto’s History on September 16, 2025

All photos by Mini’s Memories. You can contact her through Instagram or X.

Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Bruce Dickinson
Crown Lands
Crown Lands
Crown Lands
Crown Lands

10 Essential Albums for Understanding Punk’s DIY Spirit

Eric Alper
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10 Essential Albums for Understanding Punk’s DIY Spirit

Punk is never only about the sound—it’s about spirit. At its core, punk is a radical act of doing it yourself: booking your own shows, xeroxing your own zines, recording in garages, rejecting gatekeepers. The DIY ethos defines punk’s past and present, from the snarling revolution of ’70s squat gigs to the self-released Bandcamp tapes of today. But DIY isn’t shorthand for lo-fi or sloppy—it’s a declaration of independence, a refusal to wait for permission to be heard. These ten essential albums channel that energy with undeniable force. Whether you’re exploring punk for the first time or retracing its roots, these records offer a crash course in autonomy, immediacy, and the kind of community you build with your own hands.

Bad Brains – Bad Brains (1982)
This DC band rewires hardcore with reggae, spirituality, and sheer velocity. Recorded in a burst of energy and attitude, Bad Brains captures the group’s livewire power with no filter, no polish, just pure electricity. Their uncompromising sound creates a blueprint for punk as personal liberation.

Black Flag – Damaged (1981)
With its snarling riffs and Henry Rollins’ growl, Damaged lays bare the urgency of suburban alienation. Black Flag channels frustration into movement—self-releasing their work through SST Records and building an empire of independent resistance one show, one record at a time.

Bikini Kill – Pussy Whipped (1993)
Fierce, feminist, and loud as hell, Pussy Whipped is a riot grrrl manifesto in album form. Kathleen Hanna’s vocals slice through the noise with a radical clarity, pushing DIY punk into zine-making bedrooms and community centers across the world.

Crass – The Feeding of the 5000 (1978)
Crass turns punk into an art collective, a protest, a daily practice. The Feeding of the 5000 is anarchic not just in message but in structure, released on their own label with packaging that invites critical thinking as much as moshing.

Dead Kennedys – Fresh Fruit for Rotting Vegetables (1980)
Jello Biafra’s caustic wit meets jagged surf punk guitars in a debut that skewers everything in sight. Released on their own Alternative Tentacles label, the album remains a masterclass in DIY satire, activism, and sonic defiance.

Fugazi – Repeater (1990)
Built on trust and total independence, Fugazi’s Repeater is precision without compromise. The band’s Dischord Records ethos bleeds through every groove—equal parts idealism and sheer musicianship. It’s DIY not just as method, but as moral compass.

Hüsker Dü – Zen Arcade (1984)
Sprawling and emotionally raw, Zen Arcade breaks the hardcore mold with melodic ambition and personal storytelling. Released on SST, the double LP showcases how DIY doesn’t mean small—it means unshackled, capable of sprawling across genres and hearts alike.

Jawbreaker – 24 Hour Revenge Therapy (1994)
Poetic and punchy, Jawbreaker’s best album fuses punk’s immediacy with introspection. It sounds like it was written in the margins of a notebook between basement shows—and that’s its brilliance. Every word feels lived in, every chord self-made.

Minutemen – Double Nickels on the Dime (1984)
A labyrinth of genre experiments wrapped in punk ethos, Double Nickels is an essay in economic recording and political passion. D. Boon and Mike Watt’s connection to their community and craft makes this sprawling LP a cornerstone of punk’s do-it-yourself mythology.

The Raincoats – The Raincoats (1979)
Inventive, joyful, and utterly free, The Raincoats turn punk into something intimate and exploratory. Their debut album celebrates spontaneity over slickness, inviting you into a world of shared space, gender rebellion, and creative autonomy. DIY never sounded so alive.

Together, these albums form a punk syllabus—one stitched together by community halls, living room shows, and home-dubbed tapes. Press play and start building.

JUNO Award Submissions Are Opening Soon – 5 Tips You Need To Know

Eric Alper
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JUNO Award Submissions Are Opening Soon – 5 Tips You Need To Know

The JUNOs are coming to Hamilton in 2026, and visit junoawards.ca/submissions for everything you need to know, including eligibility details, new category information, and timelines.

Key Deadlines:
Submissions Open: September 22, 2025
Early Bird Deadline: October 3, 2025 (11:59 PM PT / 2:59 AM ET October 4)
Final Deadline: November 6, 2025 (11:59 PM PT / 2:59 AM ET November 7)

Check out their 2026 JUNO Submissions Reference Guide for key dates and step-by-step tips to get you started.

New for 2026, The Canadian Academy of Recording Arts and Sciences introduces Latin Music Recording of the Year, celebrating the growing influence and excellence of Latin music in Canada.

They’ve also updated eligibility criteria for Rap Album/EP of the Year and Rap Single of the Year to better recognize the Canadian contribution of artists in the genre.

For full details on category eligibility, visit their Criteria by Category page.

OK, now that you have that, here are 5 thing you REALLY need to know:

Time Your Submission Strategically

Don’t rush to submit early—waiting until closer to the deadline lets you share the most up-to-date materials. Judges want the best version of your work, so make sure your press quotes, streams, and accomplishments are current and accurate right up to the wire.

Triple-Check Your Spelling and Metadata

Yes, spelling matters. A misspelled name, track, or album title can hurt your credibility. Ensure your song titles, credits, bios, and any supporting documents are error-free. Metadata should match exactly what’s available on DSPs (Spotify, Apple, etc.).

Test Every Link and File

Judges are reviewing hundreds of submissions—if your audio file doesn’t play or your EPK link is broken, they’re moving on. Before hitting “submit,” click every link, download every asset, and play every file to confirm everything works seamlessly.

Make Your EPK Shine

Don’t just dump links—create a polished, one-stop-shop with everything judges need. Include high-quality press photos, updated bio, key stats (streams, chart positions), and a clear summary of why your project matters in today’s landscape.

Highlight Your Impact, Not Just the Music

Awards recognize influence as much as artistry. Include notable achievements: festival appearances, social impact, viral moments, international airplay—anything that shows your cultural footprint. Context matters, especially in competitive categories.

Fall Out Boy Announce 20th Anniversary Edition of ‘From Under The Cork Tree,’ Out October 17

Eric Alper
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Fall Out Boy Announce 20th Anniversary Edition of ‘From Under The Cork Tree,’ Out October 17

GRAMMY® Award-nominated iconic multiplatinum rock band Fall Out Boy celebrates two decades of their influential 5x-Platinum breakthrough album, From Under The Cork Tree, with a very special new 20TH Anniversary Edition out October 17, 2025, via UMe. The original LP’s 13 songs are newly remastered, while the collection notably boasts previously unreleased alternate and acoustic versions as well as remixes, live recordings, B-sides, and more. It also captures key performances from this era with special “Live On BBC Radio” tracks. From Under The Cork Tree (20TH Anniversary Edition) will be available in multiple configurations, including a massive 3LP Deluxe Box, 2CD Deluxe Box, and Super Deluxe Digital. Pre-order From Under The Cork Tree (20TH Anniversary Edition) now HERE. Shop the anniversary collection now HERE.

The group heralds its arrival by sharing the highly sought-after B-side “Start Today” on all streaming services. Fall Out Boy originally recorded this Gorilla Biscuits cover for inclusion on Tony Hawk’s American Wasteland Soundtrack in 2005. Prior to, the song was only available on the compilation and in the accompanying video game. However, this high-energy fan favorite finally lands on streaming platforms today! Listen HERE.

Beyond the unreleased material, both the 3LP Deluxe Box and 2CD Deluxe Box feature a treasure trove of extras. Each Box houses an exclusive letter to fans penned by bassist and primary lyricist Pete Wentz, a “Prom” photo from “Dance Dance” music video, and a comic book cover illustration drawn from the “A Little Less Than Sixteen Candles, A Little More Than ‘Touch Me’” music video. Other extras include memorabilia from the seminal Black Clouds and Underdogs Tour 2006, such as a tour poster, setlist, ticket stub, and tour sticker laminate.

From Under The Cork Tree first landed on May 3, 2005, reaching #9 on the Billboard 200. Among a myriad of staples, the 9x-Platinum smash single “Sugar, We’re Goin Down” climbed to #8 on the Billboard Hot 100, while the 6x-Platinum “Dance, Dance” vaulted to #9. Not to mention, “A Little Less Than Sixteen Candles, A Little More Than ‘Touch Me’” went Platinum. In its wake, Fall Out Boy received a 2006 GRAMMY® Award nomination in the category of “Best New Artist.” Gathering billions of streams, the album’s influence has been well-documented over the years. Rolling Stone touted it at #9 among the “40 Greatest Emo Albums of All Time,” going on to note, “Fall Out Boy changed the course of emo-punk, pop-punk and pop itself with From Under The Cork Tree, which brought the scene mainstream.” NME proclaimed, “Fall Out Boy’s ‘From Under The Cork Tree’ inspired a generation.” Stereogum succinctly summed it up best, “Cork Tree is a classic.”

Experience the definitive version of Fall Out Boy’s From Under The Cork Tree this fall.

TRACKLISTING

3LP Deluxe

LP1

Side A

Our Lawyer Made Us Change The Name Of This Song So We Wouldn’t Get Sued

Of All The Gin Joints In All The World

Dance, Dance

Sugar, We’re Goin Down

Nobody Puts Baby In The Corner

Side B

I’ve Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)

7 Minutes In Heaven (Atavan Halen)

Sophomore Slump Or Comeback Of The Year

Champagne For My Real Friends, Real Pain For My Sham Friends

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me

LP2

Side C

A Little Less Sixteen Candles, A Little More “Touch Me”

Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)

XO

Sugar, We’re Goin Down (Live On BBC Radio)

Side D

Where’s Your Boy (Live On BBC Radio)

Of All The Gin Joints In All The World (Live On BBC Radio)

Dance, Dance (Live On BBC Radio)

Start Today

LP3

Side E

Sugar, We’re Goin Down (TLA Radio Edit)

Dance, Dance (Tommie Sunshine Fire N Brimstone Remix)

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me (Alternate Version)

Sophomore Slump Or Comeback Of The Year (Alternate Version)

Side F

Dance, Dance (RJD2 Remix)

Sugar, We’re Goin Down (Acoustic Version)

Nobody Puts Baby In The Corner (Acoustic Version)

Sugar, We’re Goin Down (Instrumental)

2CD Deluxe

Disc 1

Our Lawyer Made Us Change The Name Of This Song So We Wouldn’t Get Sued

Of All The Gin Joints In All The World

Dance, Dance

Sugar, We’re Goin Down

Nobody Puts Baby In The Corner

I’ve Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)

7 Minutes In Heaven (Atavan Halen)

Sophomore Slump Or Comeback Of The Year

Champagne For My Real Friends, Real Pain For My Sham Friends

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me

A Little Less Sixteen Candles, A Little More “Touch Me”

Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)

XO

Disc 2

Sugar, We’re Goin Down (Live On BBC Radio)

Where’s Your Boy (Live On BBC Radio)

Of All The Gin Joints In All The World (Live On BBC Radio)

Dance, Dance ( Live On BBC Radio)

Start Today

Sugar, We’re Goin Down (TLA Radio Edit)

Dance, Dance (Tommie Sunshine Fire N Brimstone Remix)

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me (Alternate Version)

Sophomore Slump Or Comeback Of The Year (Alternate Version)

Dance, Dance (RJDZ Remix)

Sugar, We’re Goin Down (Acoustic Version)

Nobody Puts Baby In The Corner (Acoustic Version)

Sugar, We’re Goin Down (Instrumental)

Super Deluxe Digital

Our Lawyer Made Us Change The Name Of This Song So We Wouldn’t Get Sued

Of All The Gin Joints In All The World

Dance, Dance

Sugar, We’re Goin Down

Nobody Puts Baby In The Corner

I’ve Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)

7 Minutes In Heaven (Atavan Halen)

Sophomore Slump Or Comeback Of The Year

Champagne For My Real Friends, Real Pain For My Sham Friends

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me

A Little Less Sixteen Candles, A Little More “Touch Me”

Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)

XO

Sugar, We’re Goin Down (Live On BBC Radio)

Where’s Your Boy (Live On BBC Radio)

Of All The Gin Joints In All The World (Live On BBC Radio)

Dance, Dance ( Live On BBC Radio)

Sugar, We’re Goin Down (Acoustic)

Nobody Puts Baby In A Corner (Acoustic)

Start Today

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me (Alternate Version)

Sophomore Slump Or Comeback Of The Year (Alternate Version)

Dance, Dance (RJDZ Remix)

Sugar, We’re Goin Down (TLA Radio Edit)

Dance, Dance (Tommie Sunshine Fire N Brimstone Remix)

Sugar, We’re Goin Down (Instrumental)

Snitches And Talkers Get Stitches And Walkers

The Music Or The Misery

My Heart Is The Worst Kind Of Weapon (Demo)

Sugar, We’re Goin Down (Patrick Stump Remix)

Dance, Dance (Lindbergh Palace Remix)

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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