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FLESH PLANET Announce Debut EP ‘// first flesh’ And Share “Evelyn”

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Yorkshire newcomers FLESH PLANET have announced their debut EP, ‘// first flesh’, set for release on March 27, 2026. The EP is introduced by debut single “Evelyn,” out now alongside an official video filmed at Sandstone Studios by Witch of The East and Amy Lee. The track serves as the band’s first public statement, marking the arrival of a new project built from long-standing creative relationships.

“We wanted ‘Evelyn’ to be a strong introduction to Flesh Planet,” the band said. “It captures a lot of what we’re doing, the melodic side, the heavier moments and how those elements collide.” The song reflects a band comfortable letting texture and weight coexist, with its structure revealing a clear sense of intention rather than excess. It reads as a direct, uncluttered snapshot of a group defining its sound in real time.

FLESH PLANET features former Allusinlove members Damian Hughes, Drey Pavlovic, Jemal Beau Malki, and Connor Fisher-Atack. The quartet are currently completing the EP at Chairworks in Castleford, a residential studio associated with artists including The Reytons, Kaiser Chiefs, Paul Heaton, and Richard Hawley. The project blends grunge, shoegaze, industrial, and electronic influences into a focused new direction shaped by the members’ individual paths since regrouping.

The band will support ‘// first flesh’ with their first national UK tour in January and February 2026, opening for Vukovi and Saint Agnes, alongside a standalone date supporting 96 Bitter Beings in Milton Keynes. The tour places the band in front of audiences across the UK at an early stage, positioning the EP within a live context from the outset.

2026 UK Tour Dates:
Jan 30 – Newcastle – University Union *
Jan 31 – Sheffield – Foundry *
Feb 3 – Southampton – The 1865 *
Feb 4 – Brighton – Chalk *
Feb 6 – Birmingham – XOYO *
Feb 7 – Nottingham – Rescue Rooms *
Feb 8 – Norwich – The Waterfront *
Feb 10 – Edinburgh – La Belle Angele *
Feb 11 – Aberdeen – Tunnels *
Feb 15 – Milton Keynes – The Crauford Arms ^

*with Vukovi and Saint Agnes
^with 96 Bitter Beings

Apparat, Gilles Peterson, Clark, Moses Boyd, Calibre & Kode9 Announced For Parallel Society Lisbon 2026

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Parallel Society has revealed the first participants and artists for its 2026 edition in Lisbon, Portugal. The two-day event will take place on 6th and 7th March in Lisbon’s Marvila neighbourhood, a former industrial area now renowned for its vibrant cultural environment. The event brings together hacktivism, practical technology, and cultural pioneers, activating local and international civic tech experts, researchers, academics, activists, and international artists, including Apparat, Gilles Peterson, Clark, Moses Boyd, Calibre and Kode9, to explore and reimagine society for the digital age.

The unique gathering is an experiment in social structure design aimed at laying the groundwork for a more prosperous and just future for all. It is the culmination of the work of Logos, a social and technological movement to revive civil society and defend freedoms through technology. Logos is developing a complete, decentralised technology stack including messaging, storage, and blockchain to empower community self-determination and self-governance in parallel to inefficient and often corrupt state institutions.

Collectively and organically curated, Parallel Society is run as a not-for-profit event by an emergent coalition of international and local allied groups, including Logos, Tor Project, MoneroKon, PsyDAO, Charter Cities Institute, Zanzalu, ZuGramma, Zano, Shutter Network, dEdu, The Block, Delta Y, LayerX, EthRome, Urbe.eth, Kleros, and Funding the Commons.

Day 1, 6th March, is an “[un]conference” focused on nurturing and expanding the technologies, tooling, and cultures that are central to Logos’ mission. Co-organised by the coalition, it will feature a series of talks, discussion circles, protocol labs, hackspaces, workshops, co-design sprints, and hands-on experimental sessions distributed across thematic zones, including the Decentralisation, Privacy, FOSS, Culture and Community Zones. Broadly, the Day 1 programme focuses on privacy and decentralisation, community autonomy, open source culture and infrastructure, and tooling and network stewardship. The programme comprises workshops, talks, hackspaces, and cultural labs that explore community autonomy, privacy, decentralisation, and open source culture and infrastructure.

Jarrad Hope of Logos, the organisation initiating the event, commented on Parallel Society’s unique approach:

“Parallel Society connects the people designing new civic systems, technologists, researchers, activists, building practical alternatives to centralised institutions. Day 1 is structured as a collaborative lab: workshops, governance prototypes, research sessions, and cultural experiments. The aim is simple: build and test tools that strengthen autonomy, privacy, and community.”

Following the [un]conference, Day 2, 7th March, transforms the gathering into a community-focused cultural celebration, where groundbreaking international artists share stages with Portugal’s underground talent. The music programme defies genres and is already taking shape, spanning the UK jazz revolution with Moses Boyd, experimental bass culture with Kode9 and Calibre, avant electronic with Apparat, and cultural ambassadors including Gilles Peterson, with many more acts still to be announced. Confirmed Portuguese acts include Maria Amor and Shcuro of Disco Paraíso, Chima Isaaro, Afrojamslx performing live, Nelson Makossa, and Collective Unconscious presenting an audiovisual performance. A culture-first counterpoint to the corporate consolidation sweeping the global festival landscape, the event is independent, led by the community, and not for profit. With more than 60% of the lineup sourced from Lisbon’s active and diverse homegrown talent pool, it actively supports the city’s underground music scenes.

Louisa Haining, Curation Director, commented on Parallel Society’s approach:

“We believe culture and festivals should serve people, not corporations. Parallel Society is built as a commons: an open space where underground sound, grassroots creativity, and new cultural and technological imaginaries can thrive. With talent of this depth and diversity, both local and international, the event feels like the human expression of the technologies we build.”
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From Lisbon’s grassroots communities to international heavyweights, Parallel Society builds bridges between Portugal’s sonic innovators and global pioneers. It reflects the DIY energy that built underground scenes, from pirate radio to post club collectives.

Co-curated with a coalition of Lisbon-based cultural organisations, Parallel Society draws on their communities and perspectives to form a truly collective programme. This cultural coalition includes Fábrica Moderna, Rare Effect, and Manja, with more joining.

Call to contribute. Parallel Society is an experiment in co-creation and cooperation. The entire event is curated collectively by a coalition of aligned projects spanning technology, culture, and community. Those wishing to be involved can propose sessions or other elements of the programming through an open call, via Parallel Society’s website. Coalition members will select which proposals will make up the programme according to their merit and alignment, not how much they contribute financially.

Taking place on 6th and 7th March 2026 in Lisbon’s Marvila neighbourhood, Parallel Society invites participants and audiences to join a celebration of culture, technology, and community. Early access tickets are available now to secure your place at this innovative two-day gathering.

Phase 1 Music Programming:

The Terminal:

Apparat (Live) | Gilles Peterson with MC Rob GallianoClark (AV) | Moses Boyd (Live)

Afrojamslx | Nelson Makossa

The Lab:

Calibre | Kode9 | Chima Isaaro

Collective Unconscious (AV) | Maria Amor & Shcuro

Dates: 6th-7th March, 2026

Location: Marvila, Lisbon

Early Access Tickets: Available Here

‘Sinners’ Dominates 2026 Oscar Nominations – And History

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Sinners leads the 2026 Academy Award nominations with a record-breaking 16 mentions, the most ever for a single film in one year. The milestone places Sinners at the center of this year’s Oscars conversation and underscores the breadth of its creative recognition, spanning performance, craft, and technical categories across the board.

Within that historic showing, Sinners earned nominations in the Academy’s music categories. Composer Ludwig Goransson is nominated for Best Original Score for his work on the film. The film is also nominated for Best Original Song for “I Lied to You,” written by Goransson and Raphael Saadiq. Together, the nominations highlight music as a defining element of the film’s identity and emotional structure.

Best Picture

Bugonia (Focus Features); Ed Guiney & Andrew Lowe, Yorgos Lanthimos, Emma Stone and Lars Knudsen, Producers
F1 (Apple); Chad Oman, Brad Pitt, Dede Gardner, Jeremy Kleiner, Joseph Kosinski and Jerry Bruckheimer, Producers
Frankenstein (Netflix); Guillermo del Toro, J. Miles Dale and Scott Stuber, Producers
Hamnet (Focus Features); Liza Marshall, Pippa Harris, Nicolas Gonda, Steven Spielberg and Sam Mendes, Producers
Marty Supreme (A24); Eli Bush, Ronald Bronstein, Josh Safdie, Anthony Katagas and Timothée Chalamet, Producers
One Battle After Another (Warner Bros.); Adam Somner, Sara Murphy and Paul Thomas Anderson, Producers
The Secret Agent (Neon); Emilie Lesclaux, Producer
Sentimental Value (Neon); Maria Ekerhovd and Andrea Berentsen Ottmar, Producers
Sinners (Warner Bros.); Zinzi Coogler, Sev Ohanian and Ryan Coogler, Producers
Train Dreams (Netflix); Marissa McMahon, Teddy Schwarzman, Will Janowitz, Ashley Schlaifer and Michael Heimler, Producers

Best Director

Hamnet (Focus Features), Chloé Zhao
Marty Supreme (A24), Josh Safdie
One Battle After Another (Warner Bros.), Paul Thomas Anderson
Sentimental Value (Neon), Joachim Trier
Sinners (Warner Bros.), Ryan Coogler

Best Actor

Timothée Chalamet in Marty Supreme (A24)
Leonardo DiCaprio in One Battle After Another (Warner Bros.)
Ethan Hawke in Blue Moon (Sony Pictures Classics)
Michael B. Jordan in Sinners (Warner Bros.)
Wagner Moura in The Secret Agent (Neon)

Best Actress

Jessie Buckley in Hamnet (Focus Features)
Rose Byrne in If I Had Legs I’d Kick You (A24)
Kate Hudson in Song Sung Blue (Focus Features)
Renate Reinsve in Sentimental Value (Neon)
Emma Stone in Bugonia (Focus Features)

Best Supporting Actor

Benicio Del Toro in One Battle After Another (Warner Bros.)
Jacob Elordi in Frankenstein (Netflix)
Delroy Lindo in Sinners (Warner Bros.)
Sean Penn in One Battle after Another (Warner Bros.)
Stellan Skarsgård in Sentimental Value (Neon)

Best Supporting Actress

Elle Fanning in Sentimental Value (Neon)
Inga Ibsdotter Lilleaas in Sentimental Value (Neon)
Amy Madigan in Weapons (Warner Bros.)
Wunmi Mosaku in Sinners (Warner Bros.)
Teyana Taylor in One Battle After Another (Warner Bros.)

Best Adapted Screenplay

Bugonia (Focus Features); Screenplay by Will Tracy
Frankenstein (Netflix); Written for the Screen by Guillermo del Toro
Hamnet (Focus Features); Screenplay by Chloé Zhao & Maggie O’Farrell
One Battle After Another (Warner Bros.); Written by Paul Thomas Anderson
Train Dreams (Netflix); Screenplay by Clint Bentley & Greg Kwedar

Best Original Screenplay

Blue Moon (Sony Pictures Classics); Written by Robert Kaplow
It Was Just an Accident (Neon); Written by Jafar Panahi; Script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian
Marty Supreme (A24); Written by Ronald Bronstein & Josh Safdie
Sentimental Value (Neon); Written by Eskil Vogt, Joachim Trier
Sinners (Warner Bros.); Written by Ryan Coogler

Best Animated Feature

Arco (Neon); Ugo Bienvenu, Félix de Givry, Sophie Mas and Natalie Portman
Elio (Walt Disney); Madeline Sharafian, Domee Shi, Adrian Molina and Mary Alice Drumm
KPop Demon Hunters (Netflix); Maggie Kang, Chris Appelhans and Michelle L.M. Wong
Little Amélie or the Character of Rain (GKIDS); Maïlys Vallade, Liane-Cho Han, Nidia Santiago and Henri Magalon
Zootopia 2 (Walt Disney); Jared Bush, Byron Howard and Yvett Merino

Best International Feature

Brazil, The Secret Agent
France, It Was Just an Accident
Norway, Sentimental Value
Spain, Sirât
Tunisia, The Voice of Hind Rajab

Best Documentary Feature

The Alabama Solution (HBO Documentary Films); Andrew Jarecki and Charlotte Kaufman
Come See Me in the Good Light (Apple); Ryan White, Jessica Hargrave, Tig Notaro and Stef Willen
Cutting Through Rocks; Sara Khaki and Mohammadreza Eyni
Mr. Nobody Against Putin (PINK); Nominees to be determined
The Perfect Neighbor (Netflix); Geeta Gandbhir, Alisa Payne, Nikon Kwantu and Sam Bisbee

Best Animated Short

Butterfly (Sacrebleu Productions); Florence Miailhe and Ron Dyens
Forevergreen; Nathan Engelhardt and Jeremy Spears
The Girl Who Cried Pearls (National Film Board of Canada); Chris Lavis and Maciek Szczerbowski
Retirement Plan; John Kelly and Andrew Freedman
The Three Sisters (Polydont Films/Rymanco Ventures); Konstantin Bronzit

Best Casting

Hamnet (Focus Features); Nina Gold
Marty Supreme (A24); Jennifer Venditti
One Battle After Another (Warner Bros.); Cassandra Kulukundis
The Secret Agent (Neon); Gabriel Domingues
Sinners (Warner Bros.); Francine Maisler

Best Cinematography

Frankenstein (Netflix), Dan Laustsen
Marty Supreme (A24), Darius Khondji
One Battle After Another (Warner Bros.), Michael Bauman
Sinners (Warner Bros.), Autumn Durald Arkapaw
Train Dreams (Netflix), Adolpho Veloso

Best Costume Design

Avatar: Fire and Ash (Walt Disney); Deborah L. Scott
Frankenstein (Netflix); Kate Hawley
Hamnet (Focus Features); Malgosia Turzanska
Marty Supreme (A24); Miyako Bellizzi
Sinners (Warner Bros.); Ruth E. Carter

Best Documentary Short

All the Empty Rooms (Netflix); Joshua Seftel and Conall Jones
Armed Only With a Camera: The Life and Death of Brent Renaud (HBO); Craig Renaud and Juan Arredondo
Children No More: “Were and Are Gone” (Sky); Hilla Medalia and Sheila Nevins
The Devil Is Busy (HBO); Christalyn Hampton and Geeta Gandbhir
Perfectly a Strangeness (Second Sight Pictures); Alison McAlpine

Best Film Editing

F1 (Apple); Stephen Mirrione
Marty Supreme (A24); Ronald Bronstein and Josh Safdie
One Battle After Another (Warner Bros.); Andy Jurgensen
Sentimental Value (Neon); Olivier Bugge Coutté
Sinners (Warner Bros.); Michael P. Shawver

Best Live-Action Short

Butcher’s Stain (Tel Aviv University Steve Tisch School of Film and Television); Meyer Levinson-Blount and Oron Caspi
A Friend of Dorothy; Lee Knight and James Dean
Jane Austen’s Period Drama; Julia Aks and Steve Pinder
The Singers (Netflix); Sam A. Davis and Jack Piatt
Two People Exchanging Saliva (Canal+/The New Yorker); Alexandre Singh and Natalie Musteata

Best Makeup and Hairstyling

Frankenstein (Netflix); Mike Hill, Jordan Samuel and Cliona Furey
Kokuho (GKIDS); Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
Sinners (Warner Bros.); Ken Diaz, Mike Fontaine and Shunika Terry
The Smashing Machine (A24); Kazu Hiro, Glen Griffin and Bjoern Rehbein
The Ugly Stepsister (Independent Film Company/Shudder); Thomas Foldberg and Anne Cathrine Sauerberg

Best Original Score

Bugonia (Focus Features); Jerskin Fendrix
Frankenstein (Netflix); Alexandre Desplat
Hamnet (Focus Features); Max Richter
One Battle After Another (Warner Bros.); Jonny Greenwood
Sinners (Warner Bros.); Ludwig Goransson

Best Original Song

“Dear Me” from Diane Warren: Relentless (MasterClass/Greenwich Entertainment); Music and Lyric by Diane Warren
“Golden” from KPop Demon Hunters (Netflix); Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park
“I Lied to You” from Sinners (Warner Bros.); Music and Lyric by Raphael Saadiq and Ludwig Goransson
“Sweet Dreams of Joy” from Viva Verdi! (Viva Verdi!); Music and Lyric by Nicholas Pike
“Train Dreams” from Train Dreams (Netflix); Music by Nick Cave and Bryce Dessner, Lyric by Nick Cave

Best Production Design

Frankenstein (Netflix); Production Design: Tamara Deverell; Set Decoration: Shane Vieau
Hamnet (Focus Features); Production Design: Fiona Crombie; Set Decoration: Alice Felton
Marty Supreme (A24); Production Design: Jack Fisk; Set Decoration: Adam Willis
One Battle After Another (Warner Bros.); Production Design: Florencia Martin; Set Decoration: Anthony Carlino
Sinners (Warner Bros.); Production Design: Hannah Beachler; Set Decoration: Monique Champagne

Best Sound

F1 (Apple) Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta
Frankenstein (Netflix) Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern
One Battle After Another (Warner Bros.); José Antonio García, Christopher Scarabosio and Tony Villaflor
Sinners (Warner Bros.); Chris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker
Sirāt (Neon); Amanda Vil

Best Visual Effects

Avatar: Fire and Ash (Walt Disney); Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
F1 (Apple); Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson
Jurassic World Rebirth (Universal); David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould
The Lost Bus (Apple); Charlie Noble, David Zaretti, Russell Bowen and Brandon K. McLaughlin
Sinners (Warner Bros.) Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean

Phil Collins Shares Health Update In BBC Conversation Special

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Phil Collins has shared a candid health update in a new interview with Zoe Ball for BBC Two as part of the five-part series Phil Collins Eras In Conversation. Speaking openly, Collins discussed a series of medical challenges that followed Genesis’ final tour, including multiple knee surgeries and kidney issues connected to alcohol use.

“It’s an ongoing thing,” Collins said. “I’ve had challenges with my knee. I had everything that could go wrong with me did go wrong with me.” He explained that he underwent five knee operations and now walks with assistance, adding that he has a live-in nurse to help manage medication and daily care. Collins also shared that complications intensified during hospital stays, where several health issues surfaced at once.

Collins spoke directly about his relationship with alcohol and its impact on his health, saying, “I’d probably been drinking too much, and so my kidneys were messed up.” He noted that he recently marked two years of sobriety, describing a period where recovery required extended time in hospital. The remarks provide clear context for his decision to step away from touring and recording in recent years.

Although Collins has previously said he had little inclination to return to the studio, he left the door slightly open when pressed during the interview. “I’ve got some things that are half formed or were never finished,” he said. Even in reflection rather than performance, Collins’ voice still carries the weight of a songwriter whose instincts helped define modern pop and rock songwriting for decades.

Biohazard Announce Spring 2026 Tour With Sepultura Exodus And Tribal Gaze

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Hardcore legends Biohazard have announced a major spring 2026 North American tour with Sepultura, Exodus, and Tribal Gaze. The tour kicks off April 29 in Montclair, New Jersey, and runs through May 29 in Los Angeles, bringing four heavy music mainstays together for a month-long run across the continent. Presales begin January 21, with general on-sale set for January 23 at 10 am local time.

“Man, hitting the road with Sepultura and Exodus alongside my brothers in Biohazard is gonna be pure chaos and adrenaline,” says guitarist and vocalist Billy Graziadei. “Thrashin’ stages, crushin’ crowds, and livin’ the metal dream we’ve all bled for. Can’t wait to play the new songs from ‘Divided We Fall’ and unleash this beast.” The tour follows the release of Biohazard’s long-awaited new album, ‘Divided We Fall’, out now via BLKIIBLK Records and marking the band’s first studio release in over a decade.

Reuniting the band’s original lineup, ‘Divided We Fall’ was produced, mixed, and mastered by Matt Hyde and recorded at Shorefire Recording Studios in New Jersey and The Hydeaway in California. The album documents a band fully locked in, pairing Biohazard’s trademark blend of hardcore, metal, and groove with focused songwriting that sounds direct, physical, and purpose-built for the stage.

Biohazard 2026 Tour Dates
Apr 29 – Montclair, NJ – The Wellmont Theater
May 1 – Montreal, QC – MTELUS
May 2 – London, ON – London Music Hall
May 4 – Detroit, MI – Royal Oak Music Theatre
May 5 – Louisville, KY – Old Forester’s Paristown Hall
May 6 – Nashville, TN – Brooklyn Bowl
May 7 – Atlanta, GA – The Masquerade
May 8 – New Orleans, LA – The Civic Theatre
May 11 – Charleston, SC – Music Farm
May 12 – Greensboro, NC – Piedmont Hall
May 13 – Reading, PA – Reverb
May 15 – Chicago, IL – Ramova Theatre
May 17 – Milwaukee, WI – The Rave
May 19 – Des Moines, IA – Val Air Ballroom
May 21 – Denver, CO – The Ogden Theatre
May 22 – Salt Lake City, UT – The Depot
May 23 – Boise, ID – Shrine Social Club
May 25 – Las Vegas, NV – House of Blues
May 26 – San Diego, CA – The Observatory North Park
May 28 – Berkeley, CA – The UC Theatre
May 29 – Los Angeles, CA – The Wiltern

Sevendust Announce ‘One’ And Detail New Album And Spring Tour

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Grammy Award-nominated metal band Sevendust have announced their 15th studio album, ‘One’, arriving May 1 via Napalm Records. The release comes as the band continue touring across Europe opening for Alter Bridge. The album features the current Sevendust lineup of Lajon Witherspoon, Clint Lowery, John Connolly, Vince Hornsby, and Morgan Rose, and marks the group’s next chapter nearly three decades into their career.

‘One’ spans ten tracks, opening with the title song “One” and closing with “Misdirection.” Additional tracks include “Is This The Real You,” “We Won,” “Threshold,” and “Blood Price.” The record presents Sevendust’s familiar blend of heaviness, melody, and emotional weight, with songwriting that reflects the band’s continued commitment to evolution without abandoning its core identity. It’s a confident, focused album that reinforces why the band’s catalog continues to matter within modern metal.

The album will be released in multiple formats, including a CD digisleeve with a 12-page booklet and several vinyl variants. These include gatefold translucent vinyl, gatefold splattered cristallo red vinyl, gatefold cristallo vinyl, marbled translucent red vinyl, splattered black smoke and black vinyl, and split black and red vinyl, with select editions available exclusively through the band’s website in limited quantities.

In support of the album, Sevendust will launch a U.S. headline tour beginning April 16 in Carterville, Illinois, and running through May 20 in Knoxville, Tennessee, with support from Atreyu, Fire From The Gods, and American Adrenaline. The band will also open for Alter Bridge on April 26 in Atlanta and May 21 in Nashville, and appear at major festivals including Welcome To Rockville and Sonic Temple.

‘One’ Track Listing
One
Unbreakable
Is This The Real You
Threshold
We Won
Construct
Bright Side
The Drop
Blood Price
Misdirection

Mariah Carey Honored At MusiCares 2026 With All-Star Tribute Lineup

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The 2026 MusiCares Person of the Year benefit gala will honor Mariah Carey with an all-star lineup celebrating her career and philanthropic impact. Performers include Billy Porter, Foo Fighters, Jennifer Hudson, John Legend, Laufey, Adam Lambert, Charlie Puth, Kesha, Maggie Rogers, Teddy Swims, and Taylor Momsen of The Pretty Reckless. The evening will open with a curated DJ set from Jermaine Dupri. The event takes place January 30 at the Los Angeles Convention Center, with additional artists to be announced.

“I’m deeply honored to have these extraordinary artists come together for this evening,” Carey said. “Their generosity, their presence, and their commitment to this moment mean more to me than I can express.” She added that supporting MusiCares and the music community makes the night especially meaningful, noting, “I’ve always believed that music heals, and it’s meant to be shared.”

The 35th annual MusiCares Person of the Year gala is held two nights before the Grammy Awards and includes a cocktail reception, seated dinner, and tribute concert highlighting Carey’s musical achievements and long-standing commitment to giving back. The program centers both artistry and service, reflecting a career defined by vocal excellence, songwriting impact, and cultural reach that continues to shape popular music.

The evening also features a live auction benefitting MusiCares’ mission, with exclusive experiences donated in collaboration with Carey, including a VIP Floor Bistro table at the 2026 Grammy Awards. Since 1991, the event has raised millions to support MusiCares programs such as emergency financial assistance, addiction recovery, mental-health services, preventive care, and disaster relief for music professionals and their families.

Mobile Fidelity Reissues Fleetwood Mac’s Self-Titled Album As UltraDisc One-Step

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Mobile Fidelity Sound Lab has announced a new audiophile reissue of Fleetwood Mac’s 1975 self-titled album, arriving January 23 as an UltraDisc One-Step 180g 45RPM 2LP box set and a numbered Hybrid SACD. The album marked the arrival of Lindsey Buckingham and Stevie Nicks, a lineup shift that permanently reshaped the band’s sound and trajectory. Both formats are sourced from the original analog master tapes and pressed at Fidelity Record Pressing in California.

Limited to 7,500 numbered copies, the UltraDisc One-Step vinyl edition follows MoFi’s proprietary mastering chain from analog tape to DSD 256 and back to analog for lacquer cutting. The release features premium foil-stamped jackets, faithful original artwork, and ultra-quiet surfaces. The Hybrid SACD, also sourced from the original masters, comes housed in mini-LP-style gatefold packaging. Together, the formats present the album with a level of detail and separation that highlights the interplay between the band’s five members.

The album documents the chemistry between Mick Fleetwood, John McVie, Christine McVie, Buckingham, and Nicks, balancing melodic rock with folk-leaning textures. Songs like “Rhiannon” and “Landslide” sit alongside Christine McVie’s “Over My Head” and “Say You Love Me,” while “World Turning” captures the group’s collaborative dynamic. Heard this way, the record’s songwriting and arrangements feel remarkably self-assured, a clear statement of a band arriving fully formed.

Fleetwood Mac Track List

Side One
Monday Morning
Warm Ways
Blue Letter

Side Two
Rhiannon
Over My Head
Crystal

Side Three
Say You Love Me
Landslide
World Turning

Side Four
Sugar Daddy
I’m So Afraid

Sugar Announce Full Reunion And ‘Love You Even Still’ 2026 World Tour

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90s-era band Sugar have announced a full reunion tour spanning the UK, Europe, and North America. The Love You Even Still 2026 World Tour follows previously announced and now sold-out shows at Webster Hall in New York and O2 Forum Kentish Town in London. The spring leg covers the UK and Europe, with the North American run scheduled for late summer and fall. Most fall dates feature support from J Robbins of Jawbox.

The tour news arrives alongside Sugar’s first new music in 30 years. “House of Dead Memories” is set for release as a 7-inch single on May 1, backed with “Long Live Love.” Bob Mould says, “I wrote ‘Long Live Love’ in 2007 while living in Washington DC. It was the George W. Bush era, I was deep in my DJ world with Blowoff, yet still writing pop songs on guitars.” The new material sits comfortably alongside Sugar’s catalog, reconnecting the band’s melodic directness with its sharp emotional edge.

Sugar – Love You Even Still 2026 Tour Dates

May 2 – New York, NY – Webster Hall (sold out)
May 3 – New York, NY – Webster Hall (sold out)
May 4 – New York, NY – Webster Hall (sold out)
May 23 – London, UK – O2 Forum Kentish Town (sold out)
May 24 – London, UK – O2 Forum Kentish Town (sold out)
May 26 – Belfast, UK – Ulster Hall
May 27 – Dublin, IE – National Stadium
May 29 – Manchester, UK – New Century Hall
May 30 – Bristol, UK – Electric Bristol
May 31 – Nottingham, UK – Rock City
Jun 2 – Glasgow, UK – Barrowland
Jun 3 – Leeds, UK – Irish Centre
Jun 4 – London, UK – Clapham Grand
Jun 7 – Oslo, NO – Rockerfeller
Jun 9 – Stockholm, SE – Debaser Strand
Jun 10 – Copenhagen, DK – Vega
Jun 11 – Berlin, DE – Huxleys
Jun 13 – Paris, FR – Elysee Montmartre
Jun 14 – Antwerp, BE – De Roma
Jun 15 – Utrecht, NL – TivoliVredenburg
Jun 17 – Lausanne, CH – Les Dock
Jun 19 – Álava, ES – Azkena Rock Festival

Aug 11 – Denver, CO – Mission Ballroom
Aug 15 – Seattle, WA – Paramount
Sep 10 – Minneapolis, MN – First Avenue
Sep 11 – Minneapolis, MN – First Avenue
Sep 26 – San Francisco, CA – The Warfield
Sep 30 – Los Angeles, CA – Palladium
Oct 8 – Detroit, MI – Masonic Jack White Cathedral Theatre
Oct 9 – Cleveland, OH – Agora Theatre
Oct 10 – Pittsburgh, PA – Stage AE
Oct 12 – Philadelphia, PA – Union Transfer
Oct 13 – Philadelphia, PA – Union Transfer
Oct 14 – Washington, DC – The Anthem
Oct 16 – Brooklyn, NY – Brooklyn Steel
Oct 17 – Boston, MA – Roadrunner
Oct 18 – Hudson, NY – Basilica Hudson
Oct 20 – Cincinnati, OH – MCL Pavilion (Indoors)
Oct 21 – Nashville, TN – Brooklyn Bowl
Oct 23 – Atlanta, GA – The Eastern
Oct 24 – Athens, GA – Georgia Theatre

Thursday Announce Full City Devolución Tour Honoring Three Album Milestones

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Thursday have announced the Full City Devolución tour, celebrating three album milestones in 2026: 25 years of ‘Full Collapse’, 20 years of ‘A City By the Light Divided’, and 15 years of ‘No Devolución’. The band describe the run as a three-act evening and a one-night-only experience in each city. “There was no way that we couldn’t celebrate these occasions without something very special,” they shared. “We wanted to challenge ourselves and do something that we have never done before by actually having Thursday open up for Thursday.”

Each night opens with a set drawn from ‘A City By the Light Divided’ and ‘No Devolución’, followed by a solo performance from Chris Conley of Saves The Day, before Thursday return to close with selections from ‘Full Collapse’ and additional career-spanning songs. “The show will comprise of three acts,” the band explained, adding that these are “true one night only events.” The structure foregrounds material that is less frequently played live, offering a focused look at the band’s evolution across eras while keeping the intensity intact.