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Latex Catsuits Styling Tips for Any Occasion

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By Mitch Rice

Most of us think of latex clothing as the kind of unforgettable style that is bold, audacious, or extreme. Latex catsuits are one of the most recognizable pieces in the latex paradigm. They are sleek, body-hugging, impossibly shiny, and fashion’s version of a spotlight — when a latex catsuit walks into a room, it doesn’t just walk in — it owns the whole damn place. While many people often label latex catsuits as strictly for nightlife or fetishism, they are far more versatile than they seem. With some clever styling tricks, a latex catsuit can go from a casual coffee date to a business meeting to a formal evening event. It’s about deliberately accenting the drama of latex with purposeful accessories and layers, while having complete confidence in your style.

One thing is for certain: latex catsuits women has the wonderful ability to sculpt the body more than during a Pilates class, and it tends to accomplish that in a very natural way. With a natural tendency to hug every curve perfectly, a latex catsuit can create a perfect form. The glossy latex catches light perfectly, adding instant glamour to any environment; club lights to a soft daylight. But it is important to realize that wearing a catsuit in such diverse contexts will take some planning and a strategy. You now have to consider the levelling of the high energy of latex to the tone of the event. In other words, you are essentially translating high visual language into a different conversational tone — all the words are the same, but the delivery is different.

In casual environments, the catsuit is not required to be shouting. Pairing it with casual pieces like an oversized denim jacket, a chunky cardigan, or a good old-fashioned soft cotton button-down will tone down the look while still keeping the cool factor. For example, a matte-finish latex catsuit will always have a more pared-back feel than a glossy version that is hard to incorporate into casual, daytime wear. The same concept exists for footwear. Sneakers or flat ankle boots will immediately calm the look down while still keeping the latex as the star of the show. However, if you’re just going for coffee with friends or popping out for errands, keep the accessories to a bare minimum. A crossbody bag and a casual cap (or even a sun hat) will change any piece you may think of as too red carpet and will transform it into a true, casual piece for everyday wear.

When dressing for semi-formal occasions, embrace the elegance associated with latex. Layering is key here! A fitted blazer on top of a catsuit not only provides nice structure, but it also presents a very sophisticated look that is suitable for a dinner date or even a wedding. If you choose a dark, neutral color like black, burgundy, or navy, the latex will appear classy and not too sexually charged. A heeled boot or heeled shoe elevates the entire look, without overshadowing the jacket or catsuit. You can keep the jewelry very simple and sleek (little thin gold hoops, a fine chain necklace, and one great statement ring). At this point, the fit of the catsuit is working for you. With most catsuits being very fitted, this provides a slick canvas for your refined accessories.

Latex is also a great option for creative and imaginative spaces, like art shows, music festivals, or creative themed parties. In these environments, you can push limits and explore with color and texture. You could wear a metallic silver catsuit and holographic platform boots for a futuristic effect, or you could wear a bright red catsuit and maintain a whimsical yet powerful effect with your makeup. Here we can begin to take layering to the next level — a floor-length sheer mesh robe or an oversized multi-colored faux-fur coat can take your catsuit into statement territory that sits at the intersection of art and fashion. Since these are environments that embrace boldness, your accessorizing can also be just as loud; props like mirrored sunglasses, bold geometric jewelry, or a statement belt can make your outfit shape pop even more!

When we are discussing formal or high-glam events, a latex catsuit can take the stage without needing to apologize. Choose a high-shine black or jewel-tone latex in emerald, sapphire, or amethyst, and you instantly have a red-carpet look. Add a long satin coat or a tailored cape to elevate the look to something more royal. This is especially important for heels; dramatic heels play a role here – a stiletto or a pointed-toe pump is perfectly acceptable. Hair and make-up can be so important to formal looks; styles adding a sleek updo or a glossy wave, with a bold lip color can take the catsuit to a level of sophistication unmatched. Latex is not being tamed here; it is being embraced and celebrated. Wearing latex is not only a trendy item, but it is also about comfort and confidence.

Latex catsuits fit like a second skin, and although they conform to your body’s movement (and there is pre-dressing and undressing preparation), they support prep with preventions in application using two dressing aids: silicone-based lubricant or powder. When you are on, latex will conform to your body temperature, and you will be surprised. As a result, you are very comfortable wearing latex catsuits for extended periods. Keeping latex looking pristine, a quick polish shine with a latex shiner just before heading out, will keep your outfit reflecting light in all the right areas.

The committee of maintenance is also a very important part of restoring your latex catsuit’s condition. A good and gentle wash after wearing, using a small amount of latex-safe cleaner in lukewarm water, and letting it dry away from direct sunlight. Keep your latex extended in the natural, cool, dark conditions, as this will help provide longevity for what are already natural elastic and shine! For people wearing latex on a relatively regular basis, and storing it properly, it only makes sense to purchase a good shiner and implement proper hangers with hanging options that are specific to latex, as these small things contribute to keeping it looking as new for years.

The last and possibly most important styling tip for wearing latex catsuits is confidence. Regardless of all fabrics, women catsuit for women turns heads, and in a good way, and it is this part of the appeal of latex that some still may struggle with wearing it. The key to “pulling off” a latex catsuit in any context is to own all of it and make it full on, even if it seems foreign to you initially. If you wear a latex outfit as if it’s what you wore yesterday, now it’s a part of your spirit. What grabs people is how you carry yourself, and with every layer or two, one can see the projection of your attitude, as relaxed and confident, which can make a latex catsuit seem lively and as approachable as a jeans and t-shirt combination.

At the end of the day, for finding opportunities to style a latex catsuit for different occasions, it is like anything else; it relates to balance. For casual, tone it down and soften it in layers with comfortable shoes. For semi-formal, smarten it up with tailored pieces, limited accessories, and sizing. For creative contexts, use all the colors and have fun with textures! For formal, let the catsuit be the show stopper, as you want it to, overshadowing what other garments are attached anywhere with the layers and finishings of your outfit. Regardless of where, a latex catsuit can turn everyday attire into memorable styling of impressions and statements. In the end, with some sense of propriety, it is less about keeping a dress code or making it “work” as intended, and more about re-framing and defining who YOU are!

Fashion combined with latex clothing, in particular catsuits, is much more than just owning a piece dear that is changing the status quo! Nothing’s defined the self like fashion, nothing’s broken the mold like latex clothing, and it has never been easier to express the individual self and find your new aesthetic(s) at the same time, regardless of what you are dressing for (and climate). Whether it is brunch, quiet or fast gallery openings, or grand events, there is a latex catsuit out for you! At the end of the day, it comes down to styling it, and being context reliant, having confidence in knowing your outfit said whatever it said. There is a cactus takeaway of “tips” to tell, being fashionable (like clothing, is for no one to shed their own identity) is much less than belonging to the same, but to the four of you, and possibly an even bigger way!

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Dave Grohl to Be Honored by Hope The Mission at Hope In The City Of Angels Gala

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Hope The Mission will honor Dave Grohl for his volunteer work at the organization’s 16th annual Hope In The City Of Angels gala. The event will take place on October 18th at BMO Stadium in Los Angeles. The Foo Fighters frontman will receive special recognition for his years of artistic and charitable contributions to the Los Angeles community.

Grohl frequently uses his BBQ skills for charitable purposes. He has cooked for hundreds of people at homeless shelters, including for Hope The Mission in Los Angeles. He has also cooked for firefighters battling California wildfires and for people displaced by the fires. He often does this work without fanfare and even sleeps in his car in the parking lot to tend to the smoker for extended periods, sometimes over 24 hours at a time.

“Long regarded as one of the most respected and prolific presences in modern music, Dave Grohl has been equally passionate in his offstage service to his local community,” Hope The Mission shares. “Without fanfare, Dave has volunteered for days at a time, preparing and serving meals to people experiencing homelessness and food insecurity. At this year’s gala, we honor him for inspiring advocacy on behalf of the less fortunate in his backyard, just as his music has provided hope and solace for fans the world over.”

The event celebrates a night of unity where the angels of Los Angeles gather—not just in name, but in heart—to lift the voices and spirits of those experiencing homelessness. Guests can enjoy red carpet arrival and VIP lounges, live DJs and special musical performances, and powerful real-life stories from formerly homeless individuals.

Founded out of a van in the San Fernando Valley, Hope the Mission has grown to become the largest rescue mission in the United States. Each day, Hope provides shelter, meals, medical support, and critical services to thousands of individuals and families across Los Angeles.

Since 1936, Los Angeles Mission has been a pillar of compassion in the heart of Skid Row. With a focus on dignity, stability, and long-term recovery, LA Mission serves those most often overlooked—offering food, housing, and a pathway forward.

Together, these two organizations provide more than three million meals and 750,000 nights of shelter every year.

Phantogram Teams With Whethan for New Single “In My Head” Amid Tour With Deftones

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Phantogram release “In My Head”, in collaboration with electronic musician Whethan (Charli XCX, Dua Lipa etc.) whose “Money on the Dash” just got the certified gold status, and as Phantogram reflect on their last album release Memory Of A Day last fall.

They are currently out on tour with Deftones across North America before they dive into another headline tour, including stops at Austin City Limits (ACL) and iii POINTS Festival.

Phantogram adds: “In My Head” was an idea we thought had strong potential, but couldn’t quite find the right way to execute it. Upon meeting Whethan, we decided to try working it out with him and it turned into this very cool hybrid of both of our styles.”

Whethan says: “Honored to have a song coming out with Phantogram. Been a fan for a long time so this is really cool.”

Last year, Phantogram released their album Memory Of A Day in a new partnership with Neon Gold Records, the celebrated indie label known for its long lineage of powerful alt pop artists from Charli XCX and HAIM to Tove Lo, MARINA and Christine and the Queens.

Becky Buller Releases Star-Studded Covers Album ‘Songs That Sing Me’

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Becky Buller, the ten-time IBMA Award winner (with three 2025 nominations), has released her long-awaited covers album, Songs That Sing Me, on Dark Shadow Recording.

The project features an impressive roster of collaborators, including Molly Tuttle, Becky Isaacs Bowman, Béla Fleck, Sierra Hull, Ricky Skaggs, Abigail Washburn, Dan Tyminski, Andrea Zonn, Jim Lauderdale, Alison Brown, Jeff Hyde, Missy Raines, Chris “Critter” Eldridge, Jay Starling, Ned Luberecki, Sharon White, Stuart Duncan, Cheryl White, The Becky Buller Band, and more.

“This collection of songs is singing me into being. They awoke a deep love of music within me. They continue to teach me how to form melody and lyric. Their sonic energy pulses through me, shaping and coloring my own creativity. These echoes are my way of thanking the artists who shared them with me. I hope they inspire you, too. Bless you for giving them a listen.” – Becky Buller

Producer/engineer Stephen Mougin added: “This project was a long time in the making as many of the songs feature unique bands, assembled to serve the specific needs of each particular tune and feature some of Becky’s talented friends. There’s heartbreak and joy, love and loss, and a really fun children’s song for good measure. It was a treat to revisit the music that shaped her love of song and rhyme, and bring our creative stamp to the process.”

Bruce Springsteen Announces ‘Nebraska ’82: Expanded Edition’ With Unreleased Recordings and Film

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Bruce Springsteen’s “Nebraska” will be explored with more context and depth than ever before this fall, with the release of a five-disc box set featuring many never-before-heard and previously-undiscovered recordings. “Nebraska ’82: Expanded Edition” will arrive on Oct. 17 from Sony Music, and include The E Street Band’s fabled “Electric Nebraska” sessions and solo outtakes from the era, as well as a newly shot performance film of “Nebraska” in its entirety – and a 2025 remaster of the original album. Together, they represent a wholly unprecedented look into the sonic world of this improbable lo-fi masterpiece turned enduring Springsteen classic.

“Nebraska ’82: Expanded Edition” is previewed today with a previously-unreleased version of “Born in the U.S.A” (which was originally written alongside “Nebraska”), featuring Springsteen backed by Max Weinberg and Garry Tallent, in a trio rendition from late April 1982. “We threw out the keyboards and played basically as a three-piece,” Springsteen reflected. “It was kinda like punk rockabilly. We were trying to bring ‘Nebraska’ into the electric world.”

In addition to “Electric Nebraska” — which features Tallent, Weinberg, Danny Federici, Roy Bittan and Stevie Van Zandt — the set’s collection of “Nebraska Outtakes” unearths Springsteen solo rarities including more songs from the original “Nebraska” home recordings (“Losin’ Kind,” “Child Bride,” “Downbound Train”) and tracks from a one-off 1982 solo studio session (“Gun In Every Home,” “On the Prowl”). Also included is a present-day performance film of the “Nebraska” album – played in sequence for the first time ever and captured at New Jersey’s Count Basie Theatre by Thom Zimny. Having never toured behind “Nebraska,” Springsteen revisits the material more than 40 years later. “I think in playing these songs again to be filmed, their weight impressed upon me,” said Springsteen. “I’ve written a lot of other narrative records, but there’s just something about that batch of songs on ‘Nebraska’ that holds some sort of magic.”

One week after the release of “Nebraska ’82: Expanded Edition,” the feature film “Springsteen: Deliver Me from Nowhere” will arrive in theaters from 20th Century Studios on Oct. 24 and chronicles the making of Springsteen’s “Nebraska.” Directed by Scott Cooper, and adapted by Cooper from Warren Zanes’ “Deliver Me From Nowhere,” the film stars Jeremy Allen White as Bruce Springsteen and Jeremy Strong as his longtime manager and producer Jon Landau, alongside Stephen Graham, Odessa Young, Paul Walter Hauser, Gaby Hoffman, Marc Maron and David Krumholtz.

Pre-order “Nebraska ’82: Expanded Edition” in both 4-LP plus Blu-Ray and 4-CD plus Blu-Ray configurations here: https://brucespringsteen.lnk.to/Nebraska82EE

“Nebraska ’82: Expanded Edition” Tracklist

Disc 1: Nebraska Outtakes

1. Born in the U.S.A.

2. Losin’ Kind

3. Downbound Train

4. Child Bride

5. Pink Cadillac

6. The Big Payback

7. Working on the Highway

8. On the Prowl

9. Gun in Every Home

Disc 2: Electric Nebraska

1. Nebraska

2. Atlantic City

3. Mansion on the Hill

4. Johnny 99

5. Downbound Train

6. Open All Night

7. Born in the U.S.A.

8. Reason to Believe

Disc 3: Nebraska (Count Basie Theatre, Red Bank, NJ)

1. Nebraska

2. Atlantic City

3. Mansion on the Hill

4. Johnny 99

5. Highway Patrolman

6. State Trooper

7. Used Cars

8. Open All Night

9. My Father’s House

10. Reason To Believe

Disc 4: 2025 Remaster

1. Nebraska

2. Atlantic City

3. Mansion on the Hill

4. Johnny 99

5. Highway Patrolman

6. State Trooper

7. Used Cars

8. Open All Night

9. My Father’s House

10. Reason To Believe

Disc 5 (Blu-Ray): Nebraska (Count Basie Theatre, Red Bank, NJ)

1. Nebraska

2. Atlantic City

3. Mansion on the Hill

4. Johnny 99

5. Highway Patrolman

6. State Trooper

7. Used Cars

8. Open All Night

9. My Father’s House

10. Reason To Believe

Vickie Vaughn Teams With Ronnie McCoury for Funky Bluegrass Single “Travel On”

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For her fourth single for Mountain Home Music Company, reigning IBMA Bass Player of the Year (she’s nominated again this year) Vickie Vaughn dishes up a funky acoustic anthem of escape in “Travel On,” with a little help from long-time pal Ronnie McCoury.

“Nathan Blake Lynn is literally the coolest person living in Western Kentucky,” says Vaughn, who grew up in the area and cut her musical teeth playing at its Kentucky Opry. “I first met him when I was a nerdy high schooler, and I heard him sing a John Hartford song. He was sporting dreads and was so talented. Years later, he wrote ‘Travel On,’ and I was pretty captivated by the feel of the song.” 

With Sister Sadie’s Deanie Richardson producing (and dishing out some soulful fiddle) Vaughn and her studio band — guitarist Cody Kilby (Travelin’ McCourys), Casey Campbell (mandolin), and banjoist Wes Corbett (Sam Bush Band) — are in lively form, as she and McCoury, who produced a self-released EP for her more than a decade ago, give voice to a deliciously modern spin on a bluegrass theme that echoes the title of fellow western Kentuckian Bill Monroe’s 1959 hit, “Gotta Travel On”:

Put the wheels on the road
Try to loosen up the load
Gonna roll, roll, roll, roll, roll
Down the interstate
And I feel like I’ve gotta travel on

It’s an exuberant performance that’s given extra life by an extended outro that finds fiddle, banjo, mandolin and guitar taking turns at offering sizzling licks over a hard-grooving vamp before Vaughn takes ownership — “My turn,” she exclaims — to deliver the closing flourish on her bass.  

“How could a Bluegrass song have such a sweet groove?” Vaughn recalls wondering at her first hearing of “Travel On.” “I knew there and then that I had to record it myself!”

“Travel On” is streaming in Dolby Atmos spatial audio on Apple Music, Amazon Music and TIDAL. Listen to it HERE.

Garth Brooks to Kick Off Summerfest 2026 at American Family Insurance Amphitheater

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Summerfest presented by American Family Insurance is thrilled to announce that Garth Brooks will kick off Summerfest on Wednesday, June 17, 2026, at the American Family Insurance Amphitheater. Summerfest 2026 kicks off with a highly anticipated opening night concert featuring one of the world’s greatest live performers.

Tickets will go on sale Friday, September 12th, at 10 am local time. Each ticket purchased will also include complimentary admission to Summerfest 2026, valid on any day of the festival.

This marks Brooks’ first-ever performance at Summerfest, and his first show in Milwaukee in over a decade.

Before the show, concert goers are invited to join the Official Summerfest Garth Brooks Pre-Party, inside the South Gate of Henry Maier Festival Park, with live entertainment, food, beverages, specialty cocktails, and more. Additional details will be announced at a later date.

McMillin Confronts Heartbreak With New Single “Falling Out of Falling in Love”

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Alternative rock artist and Nashville native McMillin releases new single, “Falling Out of Falling in Love.” The single is now available on all digital streaming platforms.

McMillin has always been known for his genre-bending sound and emotionally charged lyrics, but his latest single, “Falling Out of Falling in Love,” pushes both to a whole new level. Channeling raw introspection through his love for The Eagles and Blue Oyster Cult-esque “guitarmonies,” the track is a striking mix of classic rock influence and modern vulnerability.

Speaking on the song, McMillin shares: “The lyrics were inspired by a need to take some time for myself after my dating life imploded. I had spent so much time chasing validation through having a partner that I forgot to nurture and water my own personal growth.” That honesty pulses through every riff and lyric as he traces the fallout of love, and the unexpected self-discovery that comes after.

He sings: “‘Cause if it took a goodbye to see the world around me / then maybe it’s the kind of thing that only happens / when it’s time to work on yourself / guess I’m falling out of falling in love.” It’s a heavy, sobering realization: sometimes the most painful goodbyes are exactly what we need to grow.

The song opens with McMillin isolated, emotionally wrecked. What’s so powerful is that by the end, he’s still alone, only now, it’s different. It’s clarity, not collapse: “Waking up alone again / finally it’s for the best, I said / it can be simple to let all the voices in your head / be a quiet drone for a while.”

With “Falling Out of Falling in Love,” McMillin proves he hasn’t lost his touch. In fact, he might just be getting sharper. Gritty, melodic, and brutally honest, this track doesn’t just speak to heartbreak, but reclaims it.

Neo Stereo Unleashes Anthemic New Single “Get Up Stand Up”

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Australian musician Mark Cassius, known as Neo Stereo, just dropped his second release of the year—“Get Up Stand Up”. The new song is a high-energy anthem that explodes into a big anthemic feel at the first chorus.

The track is about shaking off doubt, pushing through hard times, and grabbing life by the horns. Cassius sings with power and emotion, mixing moments of vulnerability with a fearless call to action. Lyrics like “So don’t give in, to all the people’s problems / Let’s not wait, now meet your fate / Get up, stand up, I’ll let you know / Get up, stand up, welcome to the show” provide the track with both grit and heart encouraging listeners to keep fighting the fight. In his words, “This song is a call to presence and freedom, and a reminder to seize the moment.”

Over his 25+ years in music, Cassius has built a unique style that blends indie rock roots with cinematic electro sounds. His debut album Nightbird (2023) introduced that blend, and singles like “Ballerina Girl” and “Change Your Mind” showed just how far he could take it. With “Get Up Stand Up”, he ties it all together—catchy hooks, emotional lyrics, in a high energy musical vehicle.

The track was produced with Jackson Barclay at The Grove Studios and fine-tuned in his own home studio setup. “Get Up Stand Up” is a reminder to stay present, fight for your freedom, and keep moving forward, even when life feels heavy.

Danny Elfman Celebrates a Decade of ‘The Nightmare Before Christmas In Concert’ at the Hollywood Bowl

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Danny Elfman, Los Angeles’ reigning Pumpkin King, will return to the Hollywood Bowl for what has become a Halloween tradition with an all-new performance of Tim Burton’s The Nightmare Before Christmas In Concert. Marking ten years since its first shows at the bowl in 2015, the performances, on Saturday, October 25th and Sunday, October 26th, will feature Elfman – who composed the original film music, lyrics, and score – singing the songs of Jack Skellington, the film’s beloved Pumpkin King character, as well as Barrel. This year’s cast includes Janelle Monáe as Sally, Keith David as Oogie Boogie, John Stamos as Lock, and Riki Lindhome as Shock. Elfman and the cast will be accompanied by a live orchestra while the film plays on large screens, and stunning visuals from the movie are projected on the screens and façade of the Hollywood Bowl, transporting the audience into “Halloween Town.” 

On these special shows, Danny shares, “I guess it’s safe to say this is becoming a Halloween tradition by now. That makes me so happy. I can’t wait to see all the Halloween freaks, monsters, gods and goddesses to celebrate together!”

Tickets go on sale Friday, September 5, at 10 AM PT. Presales begin Wednesday, September 3, at 10 AM through Thursday, September 4, at 11:59 PM. The presale will be available exclusively to select fans, including Disney+ Perks subscribers who can purchase tickets directly through Disney+ Perks.* For more details and to purchase, visit Ticketmaster.com. Tickets for October 25th will be available HERE, while tickets for October 26th will be available HERE.

Get to the Bowl early to enjoy the Hollywood Bowl/Halloween Town transformation with special pre-show activities including a costume contest (Tim Burton-inspired costumes are encouraged!), unique photo opportunities, and trick-or-treating stations.

This year’s performances mark the 12th & 13th time that Tim Burton’s The Nightmare Before Christmas In Concert will appear at the Hollywood Bowl. There were two sold-out shows in 2015 and for three nights each in 2016, 2018, and 2023, due to overwhelming demand. Past performances have featured Catherine O’Hara, Billie Eilish, Phoebe Bridgers, Paul Reubens, Weird Al, Ken Page, and many others. 

Conductor John Mauceri, founding Director of the Hollywood Bowl Orchestra, will once again be leading the full orchestra and choir performing the film’s classic score and cherished songs live to picture along with the all-star cast and special guest artists performing the film’s acclaimed songs live, plus an unforgettable virtuosic interlude with violinist Sandy Cameron.

The concert is produced by Laura Engel & Richard Kraft of Kraft-Engel Productions and Alison Ahart Williams, Tim Fox & Georgina Ryder of AMP Worldwide in association with Disney Concerts.