Home Blog Page 327

Toronto Party Bus Rentals: The Ultimate Guide to Luxury Group Transportation

0

By Mitch Rice

When it comes to planning a night out, a wedding, or a corporate event, transportation is one of the most important details to consider. In a vibrant city like Toronto, where nightlife, entertainment, and cultural experiences are endless, choosing Toronto Party Bus Rentals can elevate any occasion. Whether you are celebrating with friends, organizing a bachelor or bachelorette party, or arranging corporate transportation, a Toronto Party Bus offers comfort, style, and a unique experience.


Why Choose a Party Bus in Toronto?

A party bus is not just a vehicle—it’s a moving venue. Unlike traditional limousines or standard cars, party buses are designed to keep the celebration alive while traveling between destinations. Here are some reasons why Toronto Party Bus Rentals are becoming the top choice for groups:

  1. Spacious and Comfortable
    A Toronto Party Bus can accommodate large groups, ensuring that everyone travels together instead of splitting into multiple cars or taxis.
  2. Luxury Amenities
    Many buses come with plush seating, sound systems, LED lighting, dance floors, and even mini-bars. This transforms your commute into part of the celebration.
  3. Safety and Convenience
    Professional chauffeurs handle all the driving, parking, and navigation, allowing guests to relax and enjoy themselves. No need to worry about designated drivers or traffic.
  4. Cost-Effective for Groups
    When the cost is split among passengers, renting a Toronto Party Bus often becomes more affordable than booking several smaller vehicles.

Popular Occasions for Toronto Party Bus Rentals

Party buses are versatile and can be tailored for a wide variety of events. Some of the most popular occasions include:

1. Weddings

Arriving in style is a must for weddings, and a Toronto Party Bus Rental ensures the bride, groom, and wedding party can travel together. With plenty of space, it’s perfect for transporting guests between the ceremony and reception.

2. Bachelor and Bachelorette Parties

One of the most common uses for a Toronto Party Bus is pre-wedding celebrations. Party buses allow guests to hop between clubs, restaurants, or event spaces without pausing the fun.

3. Proms and Graduations

High school and college graduates often choose Toronto Party Bus Rentals for prom nights or graduation parties. It adds a memorable and safe transportation solution for students and friends.

4. Corporate Events

For businesses hosting conferences, team-building outings, or corporate parties, a Toronto Party Bus provides a stylish way to transport employees and clients. It sets a professional yet fun tone for the event.

5. Concerts and Sporting Events

Toronto is home to world-class venues like Scotiabank Arena and Rogers Centre. Renting a party bus ensures your group arrives together, avoids parking hassles, and can celebrate both before and after the event.


Key Features to Look for in a Toronto Party Bus

Not all party buses are the same. Before booking, consider these important features:

  • Capacity: Choose a bus that fits your group size comfortably.
  • Entertainment Options: Look for sound systems, Bluetooth connectivity, TV screens, and lighting systems.
  • Refreshments: Some buses include built-in bars or allow you to bring your own beverages.
  • Comfort: Plush seating, climate control, and clean interiors are essential.
  • Safety: Ensure the company has licensed drivers and a well-maintained fleet.

How to Choose the Best Toronto Party Bus Rental Company

With many companies offering services, it’s important to pick a reliable provider. Here are some tips:

  1. Check Reviews and Ratings
    Online reviews can reveal the quality of service, punctuality, and condition of the buses.
  2. Inspect the Vehicle
    If possible, visit the company and inspect the Toronto Party Bus before booking. Pictures online can sometimes be misleading.
  3. Ask About Packages
    Many companies offer wedding packages, corporate deals, or hourly rates. Compare different packages to find the best fit for your event.
  4. Confirm the Fine Print
    Understand the pricing structure, overtime charges, and any additional fees.
  5. Book in Advance
    Popular dates—like prom season or long weekends—get booked quickly. Reserve your Toronto Party Bus Rental early to secure availability.

The Cost of Toronto Party Bus Rentals

Pricing for Toronto Party Bus Rentals varies depending on factors like:

  • The size of the bus
  • The length of time rented
  • Day of the week (weekends are often more expensive)
  • Special event packages (like weddings or proms)

On average, party bus rentals in Toronto can range from $150 to $300 per hour, with packages available for longer durations. While the cost may seem high, splitting it among 15–30 passengers makes it highly affordable per person.


Tips for Getting the Most Out of Your Party Bus Experience

  • Plan Your Route in Advance: Share your schedule with the company for smooth coordination.
  • Bring Your Playlist: Most buses allow Bluetooth or AUX connections, so you can customize the music.
  • Stock Up on Refreshments: Depending on the company policy, you may bring your own drinks and snacks.
  • Set a Theme: For birthdays or bachelorette parties, decorating the bus can add an extra layer of fun.
  • Respect the Vehicle: Keep the bus clean and follow rules to avoid extra charges.

Conclusion

A Toronto Party Bus Rental is more than just transportation—it’s an experience that keeps the celebration alive from start to finish. Whether it’s for a wedding, corporate event, prom, or just a night out with friends, a Toronto Party Bus combines luxury, safety, and entertainment all in one. By choosing the right company and planning ahead, you can ensure an unforgettable experience that your guests will talk about long after the event ends.

So, the next time you’re planning a big occasion in Toronto, don’t just think about where you’re going—make the journey just as exciting by booking a Toronto Party Bus Rental.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Laufey Releases New Album ‘A Matter of Time’ and Arena Tour with Suki Waterhouse

0

On the heels of releasing her highly anticipated forthcoming album A Matter of Time, out August 22, and its lead single “Tough Luck,” GRAMMY-winning Icelandic-Chinese artist, composer, producer and multi-instrumentalist Laufey has confirmed the “A Matter of Time Tour” in partnership with AEG Presents.

Starting in September, the tour will see Laufey bringing her enchanting and theatrical live show to her largest North American venues to date including Madison Square Garden in New York City, Crypto.com Arena in Los Angeles, Bridgestone Arena in Nashville, Capital One Arena in Washington DC, TD Garden in Boston, among others, as well as the iconic Red Rocks Amphitheatre in Colorado. Suki Waterhouse (Memoir of a Sparklemuffin, I Can’t Let Go) will support on all dates.

Additionally, Laufey recently announced The Laufey Foundation, with the primary mission of supporting young musicians with the resources they need, especially through youth orchestras, to reach their full potential. $1 of each ticket sold on the “A Matter of Time Tour’ will go towards The Laufey Foundation.

As Laufey began to craft A Matter of Time, she felt freer than ever. “Every new album for me is a blank book of stories to write,” she says, and it’s true. An artist who pours her life experiences into her work, she infused 2022’s Everything I Know About Love with coming-of-age tales revolving around leaving home, and for 2023’s GRAMMY®-winning Bewitched she dove headlong into young love. Brought to life with sweeping orchestral arrangements, interwoven strains of bossa nova and jazz, and Laufey’s honeyed alto, those albums cemented Laufey as a star who can make sounds from bygone eras feel timeless.

Now on A Matter of Time, Laufey further crystalizes her singular sound—one still rooted in her beloved influences, but which forgoes any strict standards or rules. “I’m constantly thinking about classical and jazz, how to properly preserve them and pay homage.” For this album she continues to do so while also noting, “I just wanted to let my heart wander.” To that end, she teamed with a pair of co-producers, one comforting and familiar—Spencer Stewart who worked with Laufey on her first two albums —and one new to her but deeply attuned to artists looking to open up: Aaron Dessner (Taylor Swift, Ed Sheeran). Feeling sonically unrestrained gave Laufey the space to share new sides of herself while exploring sometimes heavier themes. “People expect a pretty façade of girly clothes, fantastical stories, and romantic music,” she says. “This time, I was interested in seeing how I could draw out the most flawed parts of myself and look at them directly in the mirror.” A Matter of Time finds Laufey at her most daring—and also playful—as she captures the experience of “real love” in its many forms and what it means to observe as it strips you down to your most vulnerable and anxious.

Laufey (pronounced lay-vay) has captivated a generation with virtuosic songs of love and self-discovery by manifesting her vision of jazz-and classical-infused pop music. She has become a bridge for the older music she adores, from Chet Baker to Carole King to Ravel, by offering her bold interpretation to a younger crop of listeners who have become deeply connected over time. This was all by design — Laufey’s self-assigned raison d’être — and it worked, allowing her to bring to life the whimsical universe known as “Laufey Land.”

Raised between Reykjavik and Washington, D.C., she learned piano and cello as a child, later studying at Berklee College of Music. There, she wrote her debut EP, 2021’s Typical of Me, whose striking single “Street by Street” debuted at No. 1 on Icelandic Radio—the first of many achievements that have grown to include 5 billion global streams, a social media audience of 25 million, the biggest jazz LP debut in Spotify history and an album in Billboard’s Top 20 (both for Bewitched), a growing pile of Platinum plaques, a Forbes 30 Under 30 designation, and being named one of TIME’s 2025 Women of the Year. She’s sold out the Hollywood Bowl, Radio City Music Hall, and London’s Royal Albert Hall; performed backed by the LA Phil, the National Symphony Orchestra, and the China Philharmonic Orchestra; shared the stage with the likes of Jon Batiste and Raye; and collaborated on records with artists ranging from Beabadoobee to Norah Jones.

LAUFEY LIVE
September 15—Kia Center—Orlando, FL**
September 16—State Farm Arena—Atlanta, GA**
September 18—Dickies Arena—Fort Worth, TX**
September 20—Toyota Center—Houston, TX**
September 21—Moody Center—Austin, TX**
September 23—Desert Diamond Arena—Phoenix, AZ**
September 24—Pechanga Arena—San Diego, CA**
September 26—Crypto.com Arena—Los Angeles, CA**
September 30—Chase Center—San Francisco, CA**
October 2—Rogers Arena—Vancouver, BC**
October 4—Climate Pledge Arena—Seattle, WA**
October 6—Delta Center—Salt Lake City, UT**
October 8—Red Rocks Amphitheatre—Morrison, CO**
October 10—United Center—Chicago, IL**
October 11—Target Center—Minneapolis, MN**
October 13—Bridgestone Arena—Nashville, TN**
October 15—Madison Square Garden—New York, NY**
October 19—Scotiabank Arena—Toronto, ON**
October 21—Place Bell—Laval, QC**
October 23—Capital One Arena—Washington, DC**
October 24—Wells Fargo Center—Philadelphia, PA**
October 27—TD Garden—Boston MA**
*with The Virginia Symphony Orchestra
†with The Chautauqua Symphony Orchestra
‡with The Cleveland Orchestra
§with The Philadelphia Orchestra
**with support from Suki Waterhouse

Afropop Duo FrontnBack Share Empowering New Single “Royal Beauty Queen” with Vibrant Video

0

FrontnBack aren’t just a dynamic duo—they’re a cross-continental collaboration, a bond between two brothers channeling pure love and empowerment through the airwaves—from England to Nigeria and beyond. Ironically, frontman and younger brother James represents the “Back” in the duo’s moniker. Music has always driven his creative spirit, especially during the early years of his life in Lagos, Nigeria. His father’s career as a music promoter surrounded James with musical legends from an early age, providing him a unique perspective that catapulted his artistic path.
Though moving to England temporarily interrupted his musical ambitions, he soon followed in his father’s footsteps, making headway promoting major Caribbean acts across the UK. When the pandemic brought the world to a standstill, his promotion career came to a grinding halt—but it also gave him the rare chance to rekindle his passion. Back in the studio, he began what would become his most compelling project yet.

One listen is all it takes to understand why FrontnBack spreads like wildfire. Their artistry overflows with culture, inspiration, and joy, each track a warm, welcoming embrace that makes every listener feel like royalty. When music meets purpose, magic happens. And it’s just going to get better from here.

James knows a thing or two about the saying, “absence makes the heart grow fonder.” When his partner went for an overnight visit with a close friend, he found himself desperately missing his “Royal Beauty Queen”—a longing that sparked the inspiration for this seductive ode to romance. As James’ velvety vocals bow to the lover who set his heart ablaze, the song evolves into something much deeper: a universal expression of gratitude for the women and all people who make life beautiful—a timeless story that transcends genre or borders. Above all, this shimmering summer anthem of adoration unveils FrontnBack’s undeniable talent for cultural fusion. The harmonious blend of shuffling afrobeats, dazzling dancehall, and gleaming pop floats like a summer breeze, light, vibrant, and full of passion. It’s the ideal soundtrack to celebrate the luxuries of companionship with a smile, and most importantly, soak up the rays of pure empowerment.

FrontnBack’s first foray into visual storytelling in the “Royal Beauty Queen” music video didn’t cut any corners—and it shows. Rather than leaning on cliched symbols of celebration—like popping bottles of champagne in the club—this duo stays fiercely authentic, fully grounded in genuine appreciation and devotion. Filmed in the stunning Hampstead Heath, one of London’s historically aristocratic neighborhoods, the video plunges viewers into a regal, natural wonderland fit for kings and queens. James’ heartfelt performance is magnetic—as he grooves beneath ancient trees, roams tranquil waterways, and picnics in lush meadows, the affection that inspired the song comes vividly to life. His youthful sincerity and charm radiate through every frame, especially in moments shared with the ones he cherishes most. His real-life mother and his lover glow with joy and pride whenever they’re near him. Beyond just a compelling video, it’s an exciting first glimpse into the FrontnBack phenomenon—and an endless explosion of love that brings the world together and makes worries simply melt away.

Scissor Sisters Celebrate 20 Years of Debut Album with Deluxe Reissue and First Tour in Over a Decade

0

Scissor Sisters continue to celebrate the 20th anniversary of their self-titled iconic debut – the UK’s best-selling album of 2004 – with the release of special limited deluxe 2LP vinyl and 3CD editions, out now. The 20th Anniversary expanded 2LP and 3CD features the hit singles “Laura,” “Comfortably Numb,” “Take Your Mama,” “Mary,” and “Filthy / Gorgeous” alongside a plethora of b-sides and rarities. The amazing news for fans is that the new deluxe CD version features seven previously unreleased Scissor Sisters songs taken from the vaults, including “Step Aside for the Man,” “Night of the Comet,” “Magnifique,” and others. The vinyl includes three of these previously unreleased songs. The 20th Anniversary 3CD also includes an updated booklet with additional imagery and new liner notes (written by Nick Levine), alongside a third disc of bonus remixes includes “Take Your Mama (Hot Chip Remix),” “Filthy/Gorgeous (Martini Bros Remix),” “Comfortably Numb (Tommie Sunshine Remix)” and more. Get it HERE.

The album Scissor Sisters was the best-selling album in the UK of 2004, selling nearly 4 million copies globally (a staggering 2 million of these were UK sales). Ranked as the 20th biggest-selling album of the 21st century in the UK and the 35th biggest-selling album of all time, the album went 9 x Platinum in the UK, and won three BRIT Awards in 2005, including Best International Album, Best International Group and Best International Breakthrough Act, making Scissor Sisters the first act ever to win all three international categories. The album has had over 300 million streams to date.

Released in February 2004, the group’s debut album achieved the biggest selling week one of any international artist in the last 20 years. In a way, the album’s jubilant fusion of rollicking pop, gleaming glam rock, classic balladry, and subtly subversive club tunes reflects the fact that Scissor Sisters started out as musical outsiders.

Tracklisting 2LP:

LP1 Side A 

Laura 

Take Your Mama 

Comfortably Numb 

Mary 

Lovers In The Backseat

LP1 Side B 

Tits On The Radio 

Filthy / Gorgeous 

Music Is The Victim 

Better Luck 

It Can’t Come Quickly Enough 

Return To Oz

LP2 Side C 

A Message From Ms Matronic 

The Skins 

Get It Get It 

Available (For You) 

Rock My Spot (Crevice Canyon) 

Borrowed Time 

Backwoods Discotheque, Pt. II

LP2 Side D 

Electrobix 

Step Aside for the Man 

Magnifique 

Night of the Comet 

Take Me Out

3CD:

CD1

Laura 

Take Your Mama 

Comfortably Numb 

Mary 

Lovers In The Backseat 

Tits On The Radio 

Filthy / Gorgeous 

Music Is The Victim 

Better Luck 

It Can’t Come Quickly Enough 

Return To Oz 

A Message From Ms Matronic 

The Skins 

Get It Get It

CD2

Electrobix 

Available (For You) 

Step Aside for the Man 

Night of the Comet 

Magnifique 

Rock My Spot (Crevice Canyon) 

Destiny Every Day 

Filthy/Gorgeous (Extended Version) 

Bicycle of the Devil 

Borrowed Time 

Doctor (I’m Only Seeing Dark) 

Forever Right now 

Backwoods Discotheque, Pt. II 

Take Me Out

CD3

Comfortably Numb (Fatboy Extended Mix) 

Take Your Mama (Hot Chip Remix) 

Filthy/Gorgeous (ATOC vs Superbuddha Remix) 

Laura (City Hi Fi Remix) 

Comfortably Numb (Tiga Remix) 

Mary (Junkie XL Mix) 

Filthy/Gorgeous (I Love You – See You Next TuesdayMix) 

Comfortably Numb (Paper Faces Mix)

Laura (Riton Re-Rub) 

Filthy/Gorgeous (Martini Bros Remix) 

Take Your Mama (National Forest Remix) 

Comfortably Numb (Tommie Sunshine Remix) 

Filthy/Gorgeous (Paper Faces Vocal Edit)

Scissor Sisters burst onto the scene in the early 2000s with a colourful, boundary-pushing style that blended glam rock, pop, and disco, breaking down barriers in LGBTQ+ representation in mainstream music. 

Though they emerged from New York’s hyper-creative queer underground, the band were embraced most vehemently of all in the UK. In 2004, Jake and Babydaddy collaborated with pop royalty when they co-wrote and produced Kylie Minogue’s shimmering disco gem “I Believe in You,” a UK No.2 hit that was nominated for a Grammy award. In January 2004, Scissor Sisters made their UK live debut at a sweaty Soho club night; by June, they were playing Glastonbury’s Pyramid Stage. In 2005, they cemented their incredible rise by winning three BRIT Awards and performing “Take Your Mama” at the ceremony with eye-popping puppets created by Jim Henson’s Creature Shop.  Their unforgettable performances at Coachella, and V Festival truly cemented their status as one of the most exciting live acts of the early 2000s. In 2005, they performed at Live 8 London in Hyde Park, supporting MAKEpovertyHISTORY. The band has also headlined iconic venues like Wembley Arena and the London O2, completing five international sell-out tours. In 2005, they were nominated for a Grammy Award for Best Dance Recording for “Comfortably Numb.”

The Ta-Dah album stormed straight to the top of the charts in 2006 after spawning the No.1 single, “I Don’t Feel Like Dancin’,” a dazzling disco bop co-written with the band’s idol Elton John. Ta-Dah also featured the deliciously off-kilter stomper “I Can’t Decide,” which has gone on to become one of the band’s most-streamed songs, despite never being released as a single. Ta-Dah was followed in time by Night Work, a harder dance-rock record spearheaded by the strident single “Fire with Fire.” Since its release, the album has become a cult queer classic thanks to its heady celebration of club culture’s potential for personal, political and sexual liberation. Magic Hour was a kaleidoscopic pop album that yielded the sleek house single “Only the Horses,” which was co-produced by Calvin Harris, and the drag-inspired banger “Let’s Have a Kiki.” The latter remains a staple at gay bars and Pride parties, and the band are especially excited to be returning in an era where more queer artists are breakout stars.

Neo-Soul Star Olivia Dean Announces New Album ‘The Art of Loving’ Out September 26

0

Multi-BRIT Award and Mercury Prize nominee Olivia Dean announces her highly-anticipated second album, The Art of Loving, arriving on 26th September.

The Art of Loving is a tender, intentional deep dive into the many dimensions of love – romantic, platonic, self, and everything in between. The album will feature Olivia’s recently released single, ‘Nice To Each Other’, which is accompanied by a one-take visual captured by Jake Erland. When speaking about her joyful new single, Olivia comments, “‘Nice To Each Other’ is a song about the push and pull of exploring your independence in dating. It’s about enjoying someone in the present and allowing it to be both light and meaningful. I think this song and video represents a playfulness in me that I’m excited for people to see.”

The Art of Loving follows the critical success of Olivia’s 2023 debut, Messy, which saw her cement her status as one of the most compelling voices in neo-soul and pop.

With her signature warmth and lyrical honesty, Olivia Dean invites listeners into a new era of sound and storytelling. Poised to be her most intimate work yet, The Art of Loving begins an exciting chapter from one of the UK’s most mesmerising artists.

All-Canadian Cast Announced for Musical Comedy ‘& Juliet’ at Royal Alexandra Theatre

0

David and Hannah Mirvish are thrilled to announce the all-Canadian cast of the highly anticipated new production of the international smash-hit musical comedy & Juliet. 

“As we all know, & Juliet had its North American premiere and pre-Broadway run in Toronto in July 2022,” said David and Hannah Mirvish.  

“From the very first performance, Toronto audiences responded with ecstatic applause, laughter and dancing in the aisles. We knew right away we had to give Toronto its very own production of this smart, cheeky, surprising and life-affirming musical comedy, written by Toronto’s very own David West Read

& Juliet’s creative team, which consists of top-tier creatives from London and New York theatre, were mightily impressed with the talent they saw in Canada and were hard pressed to decide on who to cast because there were just too many choice candidates. But they did and we now have our all-Canadian cast. 

“The cast consists of artists we know and love from past productions, others we’ve been following on stages around the city and beyond, and some exciting new talent making their professional debuts.” 

Starring in the title role will be Vanessa Sears, who has performed on major stages across Canada and on Broadway. She was one of the stars of our production of Kinky Boots and will also star in Natasha, Pierre and the Great Comet of 1812 this summer at the Royal Alexandra Theatre. 

And speaking about the Royal Alex, David Silvestri, who made that theatre his second home for the multi-year run of Come From Away, will star as Lance. 

Julia McLellan will star as Anne Hathaway. She was in two previous shows at the Royal Alex – Kinky Boots and SIX.  

Anne Hathaway’s husband, Shakespeare, will be played by the celebrated Stratford and Shaw actor George Krissa. He will star in Natasha, Pierre and the Great Comet of 1812 this summer at the Royal Alex.  

Matt Raffy will star as May, a role they played on Broadway. Matt was a member of the original & Juliet company that premiered the show in Toronto. 

Sarah Nairne, who was also in Come From Away, will star as Angélique, Juliet’s nurse. 

Starring as Romeo will be David Jeffery.  Hailing from Medicine Hat, AL, he made his professional debut in Dear Evan Hansen in Toronto and went on to star in the Broadway production.  

Another member of the original & Juliet North American and Broadway premiere company, Brandon Antonio will star as Francois. 

The ensemble includes Sam Boucher, Mariah Campos, Celeste Catena, Elysia Cruz, Saccha Dennis, Ryder Nick Desaulnier, Taran Kim, Jade Kimaya, Caitlyn MacInnis, Eric Martin, Stewart Adam McKensy, Patrick Park, Adam Sergison, Emry Tupper, McKenna Warwick and Tiera Watts.” 

& Juliet will play a limited run at the historic Royal Alexandra Theatre, December 3, 2025 through March 22, 2026. 

Tickets go on sale today, Monday June 2, 2025 at 10AM and are available online at mirvish.com or by phone at 1-800-461-3333

With a book by Toronto’s own David West Read, the Emmy Award-winning writer from Schitt’s Creek, and music from legendary five-time Grammy Award-winning songwriter/producer Max Martin, & Juliet uses some of the most beloved pop songs of the last three decades to tell a multi-generational story of self-discovery, empowerment and love. 

& Juliet flips the script on the greatest love story ever told, imagining what would happen next if Juliet hadn’t ended it all over Romeo, and got a second chance at life and love – on her terms. Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone,” “Roar,” “I Want It That Way,” “Confident,” and more.  

The production’s full creative team includes: Luke Sheppard (Direction), Jennifer Weber (Choreography), Bill Sherman (Musical Supervision, Orchestrations and Arrangements), Soutra Gilmour (Scenic Design), Paloma Young (Costume Design), Howard Hudson (Lighting Design), Gareth Owen (Sound Design), Andrzej Goulding  (Video & Projection Design),  J. Jared Janas (Hair, Wig & Makeup Design), and Dominic Fallacaro (Co-Orchestrations and Arrangements) and casting by Stephanie Gorin, CSA, CDC. 

& Juliet premiered at the Manchester Opera House in September 2019, before transferring to the West End in November 2019. At the 2020 Laurence Olivier Awards, & Juliet received 9 nominations and won 3 awards. Following a pre-Broadway summer run in 2022 in Toronto, & Juliet opened at New York’s Stephen Sondheim Theatre in November 2022, where it continues to play to sold-out crowds and break box office records.  

By Spring 2025, & Juliet will have played in nine countries and on four continents since its West End Premiere in 2019. The first North American tour of the musical kicked off its route last fall and will continue its run of more than 30 US cities this year, joined by the UK Tour (which began in July 2024), and a German production (October 2024).  

The Original Broadway Cast Recording of & Juliet was released in October 2022 on Atlantic Records and is available wherever streaming music is played. 

& Juliet is produced on Broadway by Max Martin, Tim Headington, Theresa Steele Page, Jenny Petersson, Martin Dodd and Eva Price

Heart’s Ann and Nancy Wilson Deliver Powerful ‘Led Zeppelin IV’

0

In 2012, Ann and Nancy Wilson of Heart performed a moving rendition of Led Zeppelin’s Led Zeppelin’s IV album at the Kennedy Center with Jason Bonham, as Robert Plant, Jimmy Page, and John Paul Jones watched in awe. Ann has often credited the record the one that transformed her life, joining the ranks of her other teen influences like The Beatles, The Rolling Stones, and Elton John. To her, Plant’s lyrics and Zeppelin’s songwriting made it a “teaching album,” one that inspired her to recreate its poetry in song.

When asked in an interview: “why do you ladies play Led Zepplin?” She replied, “because we can”.

Damn right.


Americana Duo The Imaginaries Announce New Album ‘Fever’ and Share Country Ballad “Little By Little”

0

Americana duo The Imaginaries-husband-and-wife team Maggie McClure and Shane Henry-have announced their highly anticipated sophomore album, Fever, due out August 22nd. The Oklahoma-based duo’s latest offering from the record, a resilient, harmony-soaked country-leaning ballad titled “Little By Little,” is available everywhere now.

The fresh single gives fans a taste of what’s to come on Fever, a bold, soul-stirring album filled with gritty blues-rock riffs, shimmering pop-Americana melodies, and a spirit of defiant hope. “Little By Little” encapsulates the couple’s shared journey as life partners and musical collaborators, with rich vocal interlace and lyrics that speak to staying the course despite uncertainty: “Little by little and inch by inch / We’re never giving up, gonna ride the wave / You and me baby gonna get there someday.”

“This new album is about being on the other side of struggle,” Maggie shares. “It’s about breakthrough-not that we have it all figured out!” Shane adds, “There are a lot of hopeful stories on this album. We want to put smiles on people’s faces.”

Alt-Pop Artist Royal & the Serpent Releases New Single “Euphoria” Ahead of Debut Album

0

RIAA Gold-certified singer-songwriter Royal & the Serpent unveils a new single entitled “Euphoria” available now via Atlantic Records. The track sets the stage for more music to come very soon, including her anxiously awaited debut album later this year.

“Not to sound so cliche but the song was totally inspired by the show. When we were producing it out we would watch the carnival scene from season 1 over and over again. I wanted this song to feel like being at the top of a ferris wheel and looking out at an orange sunset… or like spinning in circles on the tea cups ride at an amusement park. I wanted it to feel like a fever dream.” – ROYAL & THE SERPENT

Recently, she unleashed “Carry Me Home” & “Death Do Us Part.” The latter has already amassed over 1 million streams and counting. Right out of the gate, Billboard touted it on “Queer Jams of the Week,” proceeding to proclaim, “Royal & the Serpent is done toying with her sound – she’s found it, and she’s not letting it go.” mxdwn also spotlighted how “The vocals in “Death Do Us Part” float over the beautiful keys to create a chilling track.”

Conan Gray Shares “This Song” from New Album ‘Wishbone’ and Announces ‘The Wishbone Pajama Show’ Tour

0

Conan Gray releases his new single and accompanying music video for “This Song” from his forthcoming album Wishbone, out now. In addition, he announces a Fall 2025 tour, The Wishbone Pajama Show, kicking off in September.

Conan Gray: The Wishbone Pajama Show with special guest hemlocke springs, will kick off on September 11 making stops across the U.S. including his first performance at the iconic Red Rocks Amphitheatre on October 6. The tour concludes with Conan’s Mexico debut (support TBA), including headlines in Mexico City, Guadalajara and Monterrey. Conan will be performing music from the anticipated forthcoming album Wishbone for the first-time on-stage, it’s a show you won’t want to miss!

Yesterday, Conan announced The Wishbone Pajama Show to his 7.4 million Instagram followers (see here), where he encouraged fans to dress up, saying “pack your sailor caps and pajama pants… pajamas encouraged but not required.”

“This Song”, written by Conan Gray and produced by Ethan Gruska (Phoebe Bridgers) marks a new era and marked evolution for the singer-songwriter who has been touted as one of the most impactful songwriters of his generation. The official music video is directed by Danica Kleinknecht (Mk.Gee) and co-stars Corey Fogelmanis. Filmed in Texas, the single’s accompanying visual is a heartbreakingly beautiful and intimate depiction of unspoken desire.

The Wishbone Pajama Show
Sep 11, 2025 – Blossom Music Center, Cuyahoga Falls, OH
Sep 13, 2025 – Riverbend Music Center, Cincinnati, OH
Sep 14, 2025 – Credit Union 1 Amphitheatre, Tinley Park, IL
Sep 16, 2025, Petersen Events Center, Pittsburgh, PA
Sep 17, 2025 – Pine Knob Music Theatre, Clarkston, MI
Sep 19, 2025 – Hartford HealthCare Amphitheater, Bridgeport, CT
Sep 20, 2025 – EagleBank Arena, Fairfax, VA
Sep 22, 2025 – Hard Rock Live, Hollywood, FL
Sep 24, 2025 – Ascend Amphitheater, Nashville, TN
Sep 26, 2025 – PNC Music Pavilion, Charlotte, NC
Sep 28, 2025 – Hollywood Casino Amphitheater, St. Louis, MO
Sep 29, 2025 – Starlight Theatre, Kansas City, MO
Oct 1, 2025 – Utah First Credit Union Amphitheatre, West Valley City, UT
Oct 3, 2025 – Shoreline Amphitheatre, Mountain View, CA
Oct 4, 2025 – Viejas Arena, San Diego, CA
Oct 6, 2025 – Red Rocks Amphitheatre, Morrison, CO