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British Rock Icon Francis Rossi Fires Up 2026 With Two New Songs

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Francis Rossi opens 2026 with purpose and volume, releasing two brand-new tracks as a digital double single ahead of his new studio album ‘The Accidental,’ out January 30. The songs, “Push Comes To Shove” and “November Again,” showcase Rossi energized, direct, and fully engaged with the sound that made him a cornerstone of British rock.

“Push Comes To Shove” hits with grit, momentum, and Rossi’s instantly recognizable guitar attack, while “November Again” channels reflection into a soaring, melodic chorus. Together, the tracks highlight contrast and confidence, pairing drive with emotional weight in a way that feels natural and unforced.

‘The Accidental’ emerged from spontaneous studio sessions with guitarist Hiran Ilangantilike and co-producer Andy Brook. That openness shapes the album’s character, giving the songs an immediate, alive quality built on instinct rather than expectation.

Alongside previously released tracks “Something In The Air (Stormy Weather)” and “Go Man Go,” the new songs define the album’s tone with clarity and intent. The response around the material highlights strong melodies, forward guitars, and a sense of freedom running through every performance.

“For anyone who liked any of my solo albums previously,” Rossi says, “I’ve no idea what you’ll make of this one because it’s a real departure, but I love it. It’s loud, the guitars are right to the fore, and there are some great songs there.” ‘The Accidental’ captures Francis Rossi operating at full strength, sharp, melodic, and unmistakably himself.

Alternative Hard Rock Family The Intemperate Sons Reimagine Julien-K’s “Photo Voltaire”

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The Intemperate Sons open 2026 with a bold cross-genre release, unveiling their cover of Julien-K’s “Photo Voltaire.” The track fuses the band’s alternative hard-rock backbone with the dark, synth-driven atmosphere of the original, reshaping it into something heavy, cinematic, and emotionally charged.

The release features a special appearance by Amir Derakh of Julien-K, whose guitar work and production sensibility add depth and authority. His presence bridges both worlds, grounding the reinterpretation in respect while pushing it into new territory.

The Intemperate Sons formed in Dallas in 2019, built around the Watson family and longtime bassist Mark Marks. Their sound pulls from the brooding weight of Alice in Chains, the swagger of Stone Temple Pilots, and the melodic pull of R.E.M., filtered through a gritty, guitar-forward lens rooted in classic rock spirit.

Their catalog includes ‘The Color Within’ and ‘Dark Day’s Night,’ albums shaped by collaboration and intention. Working with Ryan Shuck and Amir Derakh through Frame|Work, and with Tony Franklin on select tracks, the band has refined a style driven by groove, harmony, and unfiltered emotion.

“Photo Voltaire” earns an enthusiastic response for its tension, weight, and atmosphere. It highlights the band’s instinct for honoring source material while carving a distinct identity, reinforcing The Intemperate Sons’ place as a modern alternative rock band built on family, connection, and fearless expression.

Jimmy Buffett’s Original Coral Reefers Take Center Stage In New Documentary

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Occupational Hazard The First Coral Reefers traces the origins and evolution of Jimmy Buffett’s original Coral Reefer Band during the 1970s and early 1980s and premieres at the Santa Barbara International Film Festival on February 9, with a second screening on February 13. Narrated by Academy Award winner Jeff Bridges, the film features commentary from Kenny Chesney, Mac McAnally, songwriter Keith Sykes, and original Coral Reefer members and crew.

The documentary centers on the first Coral Reefers, a group whose chemistry and creative drive helped define Buffett’s most iconic early work. Directed by John H. Cunningham, the film reflects decades of personal connection to the band and to Buffett, beginning with shared time in the Florida Keys during the 1970s.

“I first saw Jimmy and the Coral Reefers in 1977 and then moved to Key West shortly thereafter,” Cunningham says. “Once we started the interviews, their collective sentiments about life in the 70s, their time on the road, in the studio and their feelings about Jimmy, I knew we had captured lightning in a bottle.” His goal centers on preserving the band’s origin story and honoring how Key West shaped their lives and music.

Set largely in Key West, the film explores how the island’s rhythm and creative spark shaped both sound and mindset. Through rare archival footage and deeply personal interviews with founding members, tour managers, producers, and music legends, the story captures camaraderie, chaos, and freedom without a rulebook.

From early road gigs and dive-bar rehearsals to the first major studio albums, the film charts the rise, strain, and transformation that followed. It stands as an enthusiastic, clear-eyed tribute to Buffett and the original Coral Reefers, the people and places that shaped them, and the musical moment that built the foundation of the Parrot Head legacy.

SeaWorld Expands Coast-To-Coast Concert Series With Flo Rida, Boyz II Men, The Beach Boys And More In 2026

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SeaWorld returns in 2026 with its most ambitious live music programming yet, rolling out an expanded, coast-to-coast concert series across its U.S. parks. Launching in early 2026 alongside the Seven Seas Food Festival, the series places full-length live concerts at the heart of the SeaWorld guest experience throughout spring and summer.

The national lineup blends nostalgia-driven favorites with contemporary hitmakers, including Flo Rida, Boyz II Men, The Beach Boys, Fitz and the Tantrums, Bow Wow, Soulja Boy, Gene Simmons, Ying Yang Twins, Uncle Kracker, and the Pop 2000 Tour featuring Chris Kirkpatrick of *NSYNC, O-Town, Ryan Cabrera, and LFO. Performances span SeaWorld parks in Orlando, San Diego, and San Antonio.

SeaWorld Orlando delivers its most expansive concert season to date, running select dates from late January through mid-May with more than 30 full-length performances. Weekend shows take place at Bayside Stadium, featuring artists across pop, hip-hop, country, rock, alternative, Latin, and Christian music, spanning six decades of sound.

SeaWorld San Diego hosts 16 concerts from spring through late summer at the Bayside Amphitheater along Mission Bay. Integrated into Seven Seas Food Festival, Summer Spectacular, and Bayside Bands, Brews & BBQ, the lineup includes Bow Wow, Soulja Boy, Ying Yang Twins, Jordin Sparks, Fitz and the Tantrums, Phillip Phillips, Skillet, E-40, Too Short, Warren G, and the Pop 2000 Tour.

SeaWorld San Antonio adds a new live music component to its Seven Seas Food Festival, presenting select concerts from late March through mid-May. With performances included in park admission and flexible access through Annual Passes, the 2026 concert series earns an enthusiastic response for its scale, variety, and built-in value.

Clay Walker Hits The Road With ‘Doin’ What I Love’ Tour

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Nineties country hitmaker Clay Walker kicks off his 2026 headlining Doin’ What I Love Tour on January 23 in Tulsa, Oklahoma. Fresh off a sold-out Ryman Auditorium debut and a 59-show run in 2025, Walker continues a career defined by connection, consistency, and traditional country storytelling.

A Texas Cowboy Hall of Famer, Walker carries decades of hits into each performance, with crowds singing every word to “Rumor Has It,” “She Won’t Be Lonely Long,” and “Live Until I Die.” The response around his live shows highlights warmth, gratitude, and a sense of shared celebration that stretches from the stage to the back row.

“To quote Mark Twain: The two greatest days in a man’s life are the day he is born and the day he figures out why. I have figured out why,” Walker says. That clarity shows up night after night, with performances that feel energized, purposeful, and fully present.

In 2026, Walker also makes his debut at major festivals including Tortuga and Hoofbeat Country Fest, and returns to Two Step Inn. He appears on lineups alongside Chris Stapleton, Jason Aldean, Post Malone, and Riley Green, reinforcing his place as a respected voice within modern country’s wider conversation.

With additional dates to be announced, the Doin’ What I Love Tour reflects an artist still moving forward, still engaged, and still doing exactly what the title promises.

Clay Walker 2026 Doin’ What I Love Tour Dates
Jan 23 Tulsa, OK Skyline Event Center
Jan 24 Hinton, OK Sugar Creek Casino
Feb 7 Fort Worth, TX Billy Bob’s
Feb 12 Shipshewana, IN Blue Gate Performing Arts Center
Feb 13 French Lick, IN French Lick Exhibition Hall
Feb 14 Richmond, MO Branded Indoor Theatre
Feb 19 Anderson, IN The Paramount Theatre Centre & Ballroom
Feb 20 West Chester Township, OH Lori’s Roadhouse
Feb 21 Mount Vernon, KY Renfro Valley Entertainment Center
Feb 28 Carlton, MN Black Bear Casino
Mar 5 Worley, ID Coeur d’Alene Casino
Mar 6 Enoch, Alberta River Cree Resort and Casino
Mar 8 Calgary, Alberta Grey Eagle Resort and Casino
Mar 12 Danville, VA The Pantheon at Caesars Virginia
Mar 13 Cherokee, NC Harrah’s Cherokee Casino Resort
Mar 14 Myrtle Beach, SC The Carolina Opry
Apr 11 Ft. Lauderdale, FL Tortuga Music Festival
Apr 19 Georgetown, TX Two Step Inn
Apr 23 Green Bay, WI Epic Event Center
Apr 24 Flint, MI The Capitol Theater
Apr 25 Effingham, IL Effingham Performance Center
May 16 Los Ranchos De Albuquerque, NM Boots In The Park
June 25 Cadott, WI Hoofbeat Country Fest
June 27 Sullivan, MO Meremac Community Fair
July 18 Hot Springs, AR Timberwood Amphitheater
July 25 Caldwell, ID Canyon County Fair
July 29 McMinnville, OR Yamhill County Fair
Aug 14 Davenport, IA Rhythm City Casino & Resort
Aug 15 Larchwood, IA Grand Falls Casino

Rock Fest 2026 Brings A Thunderous Three-Day Rock Takeover To Wisconsin

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Rock Fest returns July 16-18 to the hayfields of Cadott, Wisconsin, delivering one of its most stacked lineups to date. The three-day camping festival brings together global headliners, fan-favorite staples, and 21 national acts making their Rock Fest debut across five stages on a massive 360-acre site.

This year’s lineup features Limp Bizkit, The Offspring, Gojira, I Prevail, Machine Head, Hatebreed, Insane Clown Posse, Static-X, Halestorm, and The Pretty Reckless, among dozens more. The depth and range of the bill reflect Rock Fest’s reputation for pairing heavy hitters with variety, momentum, and scale.

Three-day ticket holders also receive access to an exclusive Bonus Bash featuring Candlebox, Buckcherry, Dying Wish, and additional artists. The response around the lineup highlights Rock Fest’s ability to create a full-weekend experience that feels relentless, communal, and fully immersive.

Several ticket options are already sold out, including VIP, Reserved Lawn, Black Hole Ammo Top Tier Lounge, 3-Day Pit Passes, Electric Camping, and The Dark Side Campground. Three-day general admission tickets are currently priced at $139, with full-weekend general camping available for $165.

For more than 30 years, Rock Fest has remained family-owned and fan-focused, transforming a quiet Wisconsin hayfield into a summer pilgrimage for rock and metal faithful. With over 80 bands, open skies, and nonstop sound, Rock Fest 2026 continues a tradition built on volume, freedom, and connection.

Indie Rock Mainstay Crooked Fingers Unveil “Haunted” Duet With Sharon Van Etten

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With the return of ‘Swet Deth’ set for February 27, 2026, Crooked Fingers open the year by sharing “Haunted,” a striking new single featuring Sharon Van Etten. The song arrives with a companion video shot by Eric Bachmann and Joe Centeno and edited by Daniel Murphy, placing Bachmann in a space that feels both solitary and densely inhabited by memory and sound.

“Haunted” unfolds as a duet about the end of a relationship, rendered with intimate detail and emotional precision. While writing the song, Bachmann heard Van Etten’s voice alongside his own, and her appearance brings that long-held vision for the album into focus with clarity and weight.

“This summer after returning from tour, I was ready to take a breath and focus on family, but then an email appeared in my inbox from legendary Eric Bachmann,” Van Etten says. “When I heard the song I knew I needed to make time for it. He made something quite special. I am honoured to play a part in this release.”

The track earns an enthusiastic response for its bold shift in sound. “Haunted” pairs icy electronic textures with a danceable pulse, expanding the emotional range of Crooked Fingers while maintaining the project’s signature intimacy and restraint.

Positioned within an album that also includes full-band rock songs and acoustic ballads, “Haunted” stands as one of ‘Swet Deth’s’ most daring moments. Its cool tones and collaborative spirit stretch the idea of what a Crooked Fingers song can be, opening new space without losing its core.

Country Stars Unite At Daryle Singletary Keepin’ It Country Jam

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The 8th annual Daryle Singletary Keepin’ It Country Jam returns Thursday, February 12, to The Nashville Palace, bringing together some of country music’s most respected voices for a night rooted in tradition and community. Serving as the unofficial kickoff to the National Wild Turkey Federation convention, the event continues its mission of honoring Singletary’s legacy.

Hosted by 90s country comedian Cledus T. Judd, the benefit concert is headlined by Lee Brice and Randy Houser, with special guest performances from Drew Baldridge, Billy Dean, Rhett Akins, Mo Pitney, Eric Blankenship, Duke Henry, and Robert Bacon. The lineup reflects the deep respect Singletary earned among peers and fans alike.

The Keepin’ It Country Jam consistently earns an enthusiastic response for its spirit and authenticity. Year after year, the stage fills with artists who share a commitment to preserving hardcore country music and supporting the Daryle Singletary Memorial Trust through music and fellowship.

Over the past seven years, friends including Jamey Johnson, Neal McCoy, Easton Corbin, Lorrie Morgan, Lee Greenwood, Collin Raye, Rhonda Vincent, Mark Wills, and many more have appeared at the event. Their presence underscores the lasting impact Singletary made within the country community.

Daryle Singletary rose to prominence in the 1990s with a run of deeply traditional albums and charting singles like “I Let Her Lie,” “Too Much Fun,” and “Amen Kind of Love.” His catalog, including ‘Ain’t It the Truth’ and ‘There’s Still A Little Country Left,’ remains a touchstone for artists devoted to country music’s roots.

Between The Buried And Me Unleash Live “God Terror”

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Progressive metal mainstays Between the Buried and Me kick off 2026 by sharing a powerful live recording of “God Terror,” captured in Denver during their recent North American run. The track appears on their latest album ‘The Blue Nowhere,’ out now via InsideOutMusic, and arrives as the band gears up for a long-awaited European return.

Filmed and edited by Randy Edwards with audio mixed and mastered by longtime collaborator Jamie King, the performance highlights the song’s weight and intensity. Vocalist and keyboardist Tommy Rogers describes an immediate shift once the track entered the live set, noting the unmistakable energy it brings to the room.

“Once we started bringing new songs to the stage, we immediately felt a darker, more intense shift in the set when ‘God Terror’ hit,” Rogers says. He adds that Denver stood out as the ideal city to document the song thanks to the strong connection the band consistently shares with audiences there.

The live version earns an enthusiastic response for its precision and force, capturing the album’s darker edge while amplifying its scale in a concert setting. It serves as a vivid snapshot of a band fully locked in, translating studio complexity into visceral live impact.

Following their North American dates, Between the Buried and Me take ‘The Blue Nowhere’ overseas beginning February 19 at London’s Islington Assembly Hall. The European tour marks their first headline run across the region since 2019 and spans more than a month of shows.

Tour Dates
February 19 London, UK Islington Assembly Hall
February 20 Birmingham, UK Asylum
February 21 Manchester, UK Band on the Wall
February 22 Bristol, UK The Fleece
February 24 Frankfurt am Main, DE Das Bett
February 25 Paris, FR Petit Bain
February 26 Amsterdam, NL Melkweg
February 27 Esch-sur-Alzette, LU Rockhal
February 28 Antwerpen, BE Zappa
March 1 Hamburg, DE Uebel & Gefahrlich
March 2 Kobenhavn, DK Pumpehuset
March 3 Stockholm, SE Debaser Nova
March 5 Helsinki, FI Tavastia-klubi
March 6 Tallinn, EE Paevli Kultuurivabrik
March 7 Riga, LV Melna Piektdiena
March 9 Warszawa, PL Niebo
March 11 Bochum, DE Matrix Bochum
March 12 Stuttgart, DE Im Wizemann
March 13 Milano, IT Legend Club
March 14 Aarau, CH KIFF
March 15 Genève, CH PTR/L’Usine
March 17 Leipzig, DE UT Connewitz
March 18 Praha, CZ Rock Cafe

Chicago Punk Mainstays The Arrivals Return Loud With Payload And New Song

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After a 15-year hiatus, The Arrivals return with ‘Payload,’ their first new album since 2010’s ‘Volatile Molotov,’ coming soon via Recess Records. The long-awaited release marks a confident new chapter for one of Chicago’s most enduring punk bands, alongside the arrival of the album’s first single, “Just Like My Brother.”

Recorded by Joe Gac of Meat Wave at Electrical Audio, ‘Payload’ captures the band’s powerful, dynamic sound with clarity and force. The recording jumps with urgency and detail, placing melody and grit firmly side by side.

“It’s still wild to me how every time we get into a room together, after being separated by large swaths of miles and time, we just pick up exactly where we left off,” says guitarist and singer Little Dave Merriman. “This record definitely captures who we are now. It’s got some flavors we haven’t served up yet. But it’s 100 percent us. 100 percent Arrivals.”

“Just Like My Brother” earns an enthusiastic response for its buoyant rhythm and earworm chorus, carrying the spirit that made ‘Volatile Molotov’ a lasting favorite. The song celebrates chosen family with warmth and drive, reinforcing the band’s gift for pairing sharp storytelling with hooks that stay close.

Formed in Blue Island, Illinois in 1996, The Arrivals remain rooted in working-class punk shaped by decades of DIY culture. ‘Payload’ continues their tradition of letting each song stand on its own, blending influence, instinct, and lived experience into a record that sounds immediate, thoughtful, and fully alive.