There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs.
Wrong.
The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition.
1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell and A Night at the Opera by Queen, amongst countless other legendary albums.
These records were magisterial; records that couldn’t be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses?
1975, as Dylan Jones expertly illustrates, was the greatest year of them all. 1975: The Year the World Forgot is a 2025 book by British journalist and author Dylan Jones that argues that 1975 was an unfairly overlooked, highly significant year for music and culture, positioned between the end of the idealistic 1960s and the punk revolution of 1976. Jones, a former editor of i-D, The Face, and GQ, explores this “adult pop” era of sophisticated songwriting, concept albums, and artistic ambition, highlighting the period’s rich output of classic albums by artists like Bob Dylan, The Who, David Bowie, Brian Eno, Joni Mitchell, and Queen.
