Acclaimed meditation guide and mantra artist Rina Rain releases her new track and video “Om Mani Padme Hum,” a serene and immersive meditation rooted in ancient Sanskrit wisdom. Built on slow, steady repetition that gradually rises into a flowing rhythm, the mantra reflects compassion, love, and inner freedom. Rina describes the recording as an experience of dissolving into stillness, where sound and thought fade into silence, allowing presence and insight to unfold naturally.
“Om Mani Padme Hum” is the second offering from Rina Rain’s forthcoming album ‘Whispers of Rain’, a contemplative project designed for deep listening and reflection. Blending soulful vocals with spacious modern soundscapes, Rina’s work exists as an invitation rather than a performance, encouraging listeners to slow down, breathe, and return inward. With over two decades of experience guiding mindfulness and healing practices, her music continues to serve as a gentle threshold into quiet transformation and peace.
The European Broadcasting Union has announced the first official Eurovision Song Contest Live Tour, marking 70 years of the world’s most watched singing competition with a summer 2026 arena run across Europe. Promoted by Semmel Concerts and produced by Progress Productions, the tour brings together iconic past performers alongside artists competing in the 2026 Contest for a large-scale celebration of Eurovision’s music, community, and legacy. Artists will perform their own Eurovision entries alongside personal favorites from the Contest’s seven-decade history, with additional special guest appearances promised.
The announcement arrives as Eurovision prepares for its 70th edition in Vienna, following JJ’s 2025 win. The 2026 Contest returns to Vienna’s Stadthalle for the Grand Final on May 16, with semi-finals on May 12 and 14, all of which are sold out. According to Eurovision Song Contest Director Martin Green, the Live Tour represents “the very first time we are bringing the magic of the Eurovision Song Contest live experience directly to fans all over Europe.” The full tour lineup will be revealed the day after the Grand Final, with artist appearances varying by city.
The Eurovision Song Contest Live Tour begins June 15 in London and concludes July 2 in Stockholm, visiting 10 major European arenas. Eurofans who register before February 1, 2026 will receive early access to tickets through a dedicated pre-sale, with lineup updates posted on eurovision.com.
EUROVISION SONG CONTEST LIVE TOUR DATES: June 15 – London, UK – The O2 Arena June 17 – Hamburg, Germany – Barclays Arena June 19 – Milan, Italy – Arena Milano June 20 – Zurich, Switzerland – Hallenstadion June 22 – Antwerp, Belgium – AFAS Dome June 23 – Cologne, Germany – Lanxess Arena June 25 – Copenhagen, Denmark – Royal Arena June 27 – Amsterdam, Netherlands – Ziggo Dome June 29 – Paris, France – Accor Arena July 2 – Stockholm, Sweden – Avicii Arena
Multi-Platinum electronic duo Disclosure announce their Spring 2026 North America Tour, a 14-date headline run launching April 7 with a two-night stand at the Santa Barbara Bowl. Known for their immersive, groove-driven live shows, brothers Guy and Howard Lawrence will bring their full-scale production to major U.S. cities, including extended runs in Denver, Atlanta, and Chicago. The tour underscores Disclosure’s enduring ability to translate club-rooted music into expansive live experiences.
The announcement arrives as Disclosure head toward the 2026 GRAMMY Awards, where their collaboration with Anderson .Paak, “No Cap,” is nominated for Best Dance Electronic Recording, marking their 10th career nomination. Momentum continues with the recent release of “Deeper,” a new collaboration with Leon Thomas. The Spring tour also features a rotating lineup of respected dance music figures, reinforcing Disclosure’s deep roots across house, garage, and club culture.
Disclosure’s Spring 2026 tour includes stops at Coachella on April 10 and 17, plus headline performances across the U.S., supported by artists including JADALAREIGN, Todd Edwards, Chloé Robinson, Malugi, Laurence Guy, and Mike Dunn. Presales begin January 21, with general on-sale starting January 22.
DISCLOSURE SPRING 2026 TOUR DATES: April 7 – Santa Barbara, CA – Santa Barbara Bowl April 8 – Santa Barbara, CA – Santa Barbara Bowl April 10 – Indio, CA – Coachella April 17 – Indio, CA – Coachella April 23 – Denver, CO – Mission Ballroom April 24 – Denver, CO – Mission Ballroom April 25 – Denver, CO – Mission Ballroom April 30 – Raleigh, NC – Red Hat Amphitheater May 1 – Atlanta, GA – The Eastern May 2 – Atlanta, GA – The Eastern May 5 – Nashville, TN – The Pinnacle May 7 – Detroit, MI – Masonic Temple Theatre May 8 – Chicago, IL – The Salt Shed Outdoors May 9 – Chicago, IL – The Salt Shed Outdoors
Northern Irish singer-songwriter Seán Feeny releases his new single “Galactic Tides,” out now, alongside the announcement of his debut album of the same name, arriving February 6. The track expands Feeny’s signature blend of history, heritage, and emotional storytelling, using cosmic imagery as a metaphor for emigration, identity, and belonging. Atmospheric and ambitious in scope, the song marks a clear step forward following praised earlier releases “1969” and “Western Roads.”
Written in collaboration with Ruairí Friel of Silver Winged They Fly and produced by Orri McBrearty, “Galactic Tides” features backing vocals from Sarah Cullen of The Reflection Box, adding a haunting, celestial texture. Feeny describes the song as “at its heart, an emigration story,” capturing the feeling of being placed somewhere unknown and slowly finding direction. The accompanying video, directed by Charlie Joe Doherty and filmed in West Donegal, visually mirrors the song’s themes of vastness, isolation, and connection.
Pianist and composer Michael Stephen Brown releases his debut album of original works titled ‘Twelve Blocks’ on February 13, 2026. This First Hand Records release features a series of musical portraits inspired by the personal stories of his mentors and collaborators. The album includes the title track “Twelve Blocks” as a single which arrived earlier today. Listeners will find twenty-three tracks that range from technical piano miniatures to expansive song cycles. This collection is a vivid tapestry of tributes and character portraits that highlights a distinct compositional voice.
The record features an elite group of performers including soprano Susanna Phillips and the SPA Trio. Brown also collaborates with his mentors Jerome Lowenthal and Ursula Oppens for the four hand piano work that gives the album its name. The music captures specific moments in time such as a daily walk through New York or the tragedy associated with the lakes at Yaddo. Every track on this album feels like an essential piece of a larger emotional puzzle.
One significant highlight is the song cycle ‘Love’s Lives Lost’ which sets poetry by Evan Shinners. The work explores the reunion of former lovers with a blend of humor and elegance. Another personal inclusion is the “Breakup Etude for the Right Hand Alone” composed during a period of physical injury and isolation. These works demonstrate how Brown transforms lived experience into virtuosic performance art. The album concludes with “Pour Angeline” a quiet love letter dedicated to his fiancée.
Brown earned dual degrees from the Juilliard School and has received an Avery Fisher Career Grant for his work. His compositions have been commissioned by organizations like the Orpheus Chamber Orchestra and the Chamber Music Society of Lincoln Center. Beyond his writing he remains an active soloist performing with major symphonies across the country. This new album serves as a definitive look at his creative evolution as both a performer and a creator.
Bozeman duo Buffalo Traffic Jam release their latest single “I Don’t Care” today through Arista Records. This reflective track arrives as Frankie Cassidy and Nathan Ross prepare for their debut headline “Take Me Home Tour” which begins next month. The song highlights the signature timeless vocals and vulnerable songwriting that earned the band over 90 million streams last year. This new release is a stunning addition to an already impressive discography.
The band describes the single as a representation of the clarity that arrives after a difficult period of loss. “The song details the process of turning a new leaf, leaving the past in the rearview, and refusing to look back,” the pair explains. They focus on the realization that certain past connections were unnecessary for their future growth. This honest perspective resonates deeply with a community of listeners built through the success of their ‘Take Me Home’ EP.
The upcoming tour schedule includes sold out performances at venues like 7th Street Entry in Minneapolis and Mercury Lounge in New York. The duo also joins the Turnpike Troubadours for arena shows at the Maverick Center and Extra Mile Arena in late March. Summer festival appearances are set for Bonnaroo and BottleRock following their recent debuts at Under the Big Sky and Red West. Fans in Montana and beyond have responded with incredible speed to secure tickets for every headline date.
“I Don’t Care” follows the massive momentum of the fan favorite “Fool’s Gold” which recently surpassed 30 million streams. The band continues to build on the success that landed them a spot on Holler Country’s 20 New Artists of 2026 list. With a calendar full of major festivals and cross-country dates, Buffalo Traffic Jam remains a primary fixture in the modern folk landscape.
2026 Buffalo Traffic Jam Tour Dates 2/24 – Minneapolis, MN – 7th Street Entry *SOLD OUT* 2/25 – Madison, WI – High Noon Saloon *SOLD OUT* 2/27 – Columbia, MO – The Blue Note *SOLD OUT* 2/28 – Grand Rapids, MI – The Intersection *SOLD OUT* 3/3 – St. Louis, MO – Off Broadway *SOLD OUT* 3/5 – Chicago, IL – Schubas Tavern *SOLD OUT* 3/7 – Columbus, OH – A&R Music Bar *SOLD OUT* 3/8 – Indianapolis, IN – Hi-Fi *SOLD OUT* 3/10 – Nashville, TN – The Basement East *SOLD OUT* 3/11 – Atlanta, GA – Eddie’s Attic *SOLD OUT* 3/13 – Charlotte, NC – The Evening Muse *SOLD OUT* 3/14 – Columbia, SC – St. Pat’s Festival in Five Points *SOLD OUT* 3/17 – New York, NY – Mercury Lounge *SOLD OUT* 3/18 – Cambridge, MA – Sinclair *SOLD OUT* 3/20 – Montreal, QC – The Ritz *SOLD OUT* 3/21 – Toronto, ON – Horseshoe *SOLD OUT* 3/22 – Cleveland, OH – Cambridge Room *SOLD OUT* 3/24 – Omaha, NE – Reverb *SOLD OUT* 3/27 – Salt Lake City, UT – Maverick Center + 3/28 – Boise, ID – Extra Mile Arena + 4/1 – Denver, CO – Globe Hall *SOLD OUT* 4/2 – Denver, CO – Globe Hall *SOLD OUT* 4/3 – Fort Collins, CO – The Coast *SOLD OUT* 4/10 – New Orleans, LA – Hogs For The Cause 4/11 – Tortuga Music Festival 4/16 – Richmond, VA – The Camel *SOLD OUT* 4/17 – Washington, DC – DC9 *SOLD OUT* 4/18 – Philadelphia, PA – Milk Boy *SOLD OUT* 4/23 – Wilkesboro, NC – Merlefest 5/9 – Baltimore, MD – Power Plant Live! (with Ole 60) 6/13 – Manchester, TN – Bonnaroo Music and Arts Festival *SOLD OUT*
After months of speculation and nonstop fan conversation, YoungBoy Never Broke Again releases his highly anticipated new album ‘Slime Cry’, out now. The project arrives as a fully realized statement, blending raw vulnerability with relentless intensity across an expansive tracklist. From reflective moments to hard-hitting declarations, the album captures the emotional extremes that have defined YoungBoy’s connection with his audience and sustained his global reach.
As one of the most streamed artists in the world, YoungBoy’s releases consistently land as cultural events. With billions of streams, more than 16 billion YouTube views, and a record-setting presence on the Billboard Hot 100, his momentum remains unmatched. Following the success of ‘MASA’ and its accompanying tour, ‘Slime Cry’ dives deeper into personal truth, pairing unfiltered lyricism with immersive production that keeps his storytelling front and center.
‘Slime Cry’ showcases continued evolution without losing the urgency that drives YoungBoy’s music. Features from Burna Boy on “Teary Eyes” and Jelly Roll on “Devil Go Away” expand the album’s emotional scope, while the solo tracks reinforce his singular voice. The result is a project that feels expansive, direct, and deeply felt, reinforcing his place at the forefront of modern hip-hop.
Inkcarceration has revealed its 2026 lineup, stacking more than 65 bands across three stages for one of the most distinctive rock and metal festivals in North America. Held inside the historic Ohio State Reformatory, the event blends heavy music with tattoo culture, haunted attractions, and prison tours made famous by The Shawshank Redemption. Co-produced by Danny Wimmer Presents and Reinkcarceration LLC, Inkcarceration continues to stand apart as a fully immersive summer experience.
The 2026 bill brings together major headliners and deep-scene favorites, including Limp Bizkit, Disturbed, Bad Omens, Gojira, Papa Roach, A Day To Remember, Motionless in White, Ice Nine Kills, and Cypress Hill, alongside an expansive undercard that spans modern metal, hardcore, hip-hop, and hard rock. The lineup also features notable reunions and anniversaries, with Sleeping with Sirens celebrating 15 years of Let’s Cheers To This, Alien Ant Farm marking the 25th anniversary of ANThology, rare appearances from Rev Theory, and a home-state reunion for The Crimson Armada.
Beyond the stages, Inkcarceration offers on-site tattooing through Monster Energy Tattoo X inside the prison walls, plus access to the Blood Prison haunted experience and self-guided tours of the historic facility. With festival passes having sold out for five consecutive years and the event generating more than $60 million in economic impact since 2018, Inkcarceration has grown into a destination event that draws fans from across the U.S. and around the world.
Currently performing on his world tour, Earl Sweatshirt shares the music video for “INFATUATION,” a standout track from his album ‘Live Laugh Love’. The visual, his first of 2026, unfolds inside an unnamed restaurant, subtly nodding to the recurring food imagery woven throughout the song. The setting mirrors the track’s relaxed pacing and layered wordplay, grounding Earl’s reflections in an everyday space that quietly amplifies the song’s intimacy.
“INFATUATION” follows earlier visuals from the album, including “exhaust,” produced by Navy Blue and featuring vocals from Erykah Badu, as well as “Tourmaline” and “CRISCO,” each revealing different facets of Earl’s evolving storytelling. ‘Live Laugh Love’, out now via Warner Records and Tan Cressida, has been met with widespread acclaim, marking a clear artistic progression and expanding the emotional and thematic scope of his work. The project has also been the focus of deeper discussion, including a recent appearance on The New York Times’ Popcast.
Late last year, Earl launched his 3LWorldTour, bringing his catalog to cities across North America before heading overseas. The tour continues this month with EU and UK dates, extending the album’s presence beyond the studio and into a live setting where its nuance and restraint take on new weight. With each release and performance, Earl Sweatshirt continues to refine a voice that feels both grounded and quietly expansive.
Electronic innovator Ninajirachi announces her biggest EU and UK headline dates to date, celebrating her acclaimed debut album ‘I Love My Computer’. The March run follows a breakout year marked by sold-out shows across Australia, the U.S., and Europe, including a London headline date that sold out weeks ahead of the album’s release. Known for her genre-blurring production and emotionally wired club sound, Ninajirachi continues to build global momentum heading into major festival appearances later this year.
The tour sees Ninajirachi joined on select dates by Glasgow-based artist and DJ KAVARI and Sydney experimental dance producer Laces. The shows land in Paris, Glasgow, Dublin, Manchester, Brighton, London, and Bristol, offering European audiences a full live expression of an album that has been widely praised as a defining statement of modern electronic pop and club culture.
Released via NLV Records, ‘I Love My Computer’ has earned sweeping acclaim and major honors, including the Australian Music Prize, triple j’s J Award for Australian Album of the Year, and a #1 debut on the Australian Albums and Vinyl charts. The album has been celebrated internationally for its cultural clarity, emotional immediacy, and forward-thinking production, cementing Ninajirachi as a central voice in the next generation of global electronic music.
I LOVE MY COMPUTER EU UK TOUR 2026 DATES: Tue Mar 17 – Le Trabendo – Paris FR Sat Mar 21 – SWG3 – Glasgow UK Sun Mar 22 – Whelans – Dublin IRL Wed Mar 25 – Gorilla – Manchester UK Thu Mar 26 – Concorde2 – Brighton UK Fri Mar 27 – Colour Factory – London UK Sat Mar 28 – Strange Brew – Bristol UK SOLD OUT
